Jump to content

Wikipedia:Featured article candidates/Featured log/July 2012

From Wikipedia, the free encyclopedia

July 2012

[edit]
  1. ^ Spitz 2005, pp. 200: Booking them in Hamburg in 1960, 243: "Williams had never formally served as the Beatles manager".
  2. ^ Miles 2001, pp. 23–24.
  3. ^ Lewisohn 1992, pp. 21–25: Hamburg, 31: the Cavern Club.
  4. ^ Miles 1997, p. 74: McCartney: "Nobody wants to play bass, or nobody did in those days".; Gould 2007, pp. 89: On McCartney playing bass when Sutcliff was indisposed., 94: "Sutcliff gradually began to withdraw from active participation in the Beatles, ceding his role as the group's bassist to Paul McCartney".
  5. ^ Spitz 2005, pp. 249–251.
  6. ^ Miles 1997, pp. 84–88.
  7. ^ Spitz 2005, p. 330.
  8. ^ Lewisohn 1992, pp. 59: "Love Me Do", 75: Replacing Best with Starr., 88–94: "Beatlemania" in the UK., 136–140: "Beatlemania" in the US; Miles 1997, p. 470: the cute Beatle.
  9. ^ a b Lewisohn 1992, pp. 350–351.
  10. ^ For song authorship see: Harry 2002, pp. 90: "Can't Buy Me Love", 439: "I Saw Her Standing There"; Harry 2000a, pp. 561–562: "I Want to Hold Your Hand"; and MacDonald 2005, pp. 66–68: "I Saw Her Standing There", 83–85: "She Loves You", 99–103: "I Want to Hold Your Hand", 104–107: "Can't Buy Me Love", 171–172: "We Can Work It Out"; For release dates, US and UK peak chart positions of the preceding songs see: Lewisohn 1992, pp. 350–351.
  11. ^ Buk 1996, p. 51: Their first recording that involved only a single band member; Gould 2007, p. 278: The group's first recorded use of classical music elements in their music; Lewisohn 1992, p. 180: MBE.
  12. ^ MacDonald 2005, pp. 157–158: "Yesterday" as the most covered song in history.
  13. ^ MacDonald 2005, p. 172.
  14. ^ Levy 2005, p. 18: Rubber Soul is described by critics as an advancement of the band's music; Brown & Gaines 2002, pp. 181-82: As they explored facets of romance and philosophy in their lyrics.
  15. ^ Spitz 2005, p. 587.
  16. ^ Harry 2000b, p. 780.
  17. ^ Gould 2007, p. 348.
  18. ^ Gould 2007, pp. 325: "a satire of pop ambition"; Lewisohn 1992, pp. 350–351: Revolver&#39, s release was preceded by "Paperback Writer".
  19. ^ Gould 2007, p. 350: "neoclassical tour de force", 402: "a true hybrid".
  20. ^ Harry 2002, pp. 313–316.
  21. ^ Gould 2007, p. 347: 1,400 live performances internationally; Lewisohn 1992, p. 230: final commercial concert
  22. ^ Blaney 2007, p. 8.
  23. ^ MacDonald 2005, p. 254.
  24. ^ Miles 1997, p. 303: McCartney was inspired to create a new identity for the Beatles; Harry 2000a, p. 970: Rock's first concept album.
  25. ^ Miles 1997, p. 303.
  26. ^ Lewisohn 1992, p. 232.
  27. ^ Miles 1997, p. 333: On McCartney's design for the Sgt. Pepper cover (primary source); Sounes 2010, p. 168: On McCartney's design for the Sgt. Pepper cover (secondary source).
  28. ^ Wenner & George-Warren 2000, pp. 24–25.
  29. ^ a b Benitez 2010, pp. 8–9.
  30. ^ Lewisohn 1992, pp. 238–239.
  31. ^ Gould 2007, pp. 455–456.
  32. ^ Harry 2000a, p. 699.
  33. ^ Gould 2007, pp. 487: Critical response; Lewisohn 1992, pp. 278: Filming of the promotional trailer, 304: Yellow Submarine soundtrack release.
  34. ^ Gould 2007, p. 470: Apple Corps formed as part of Epstein's business plan; Lewisohn 1992, p. 278: The beatles first Apple Records LP release.
  35. ^ Brown & Gaines 2002, p. 299: "We've been very negative since Mr. Epstein passed away"; Lewisohn 1992, pp. 276–304: the White Album, 304–314: Let It Be.
  36. ^ Sounes 2010, pp. 171–172: Paul and Linda's first meeting., 245–248: On their wedding., 261: On the birth of their first child Mary.
  37. ^ a b Gould 2007, p. 563.
  38. ^ Gould 2007, pp. 593–594.
  39. ^ Lewisohn 1992, p. 349: McCartney's departure from the Beatles (secondary source); Miles 1998, pp. 314–316: McCartney's departure from the Beatles (primary source); Spitz 2005, pp. 243: Lennon's personal appointment of Klein, 819–821, 832–833: McCartney's disagreement with Lennon, Harrison and Starr over Klein's management of the Beatles.
  40. ^ Harry 2002, p. 753.
  41. ^ Roberts 2005, p. 54.
  42. ^ Lewisohn 1992, pp. 350–351: US and UK singles and album release dates with peak chart positions; Gould 2007, pp. 8–9: "one of the greatest phenomena in the history of mass entertainment", "widely regarded as the greatest concentration of singing, songwriting, and all-around musical talent that the rock'n'roll era has produced"; Spitz 2005, p. 856: "not anything like anything else ... [a] vastness of talent ... of genius, incomprehensible".
  43. ^ Harry 2000a, pp. 1–3: Abbey Road, 107–109: The Beatles, 916–917: Revolver, 969–979: Sgt. Pepper's Lonely Hearts Club Band; Levy 2005, pp. 8–11: Sgt. Pepper's Lonely Hearts Club Band, 14–15: Revolver, 18–19: Rubber Soul, 28–29: The Beatles, 33: Abbey Road.
  44. ^ Bronson 1992, p. 247: "the band's most successful single"; For song authorship see: Harry 2002, pp. 358–359: "Get Back", 410–411: "Hello, Goodbye", 415–416: "Hey Jude", 508: "Let it Be", 533: "The Long and Winding Road"; For release dates, US and UK peak chart positions of the preceding songs see: Lewisohn 1992, pp. 350–351.
  45. ^ Cite error: The named reference Douglas230 was invoked but never defined (see the help page).