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Pro. sound production
WikiProject
General information
Main Project page talk
Policy talk
Tasks
To do list talk
Article requests talk
Article assessments talk
0 expert attention requests talk
Tools/Info
Articles talk
Templates
Article talk page talk
Invite user talk
Article Statistics
Professional sound production articles by quality and importance
Quality Importance
Top High Mid Low NA ??? Total
FA 1 1
FL 1 1
GA 3 3 9 15
B 8 20 37 17 3 85
C 26 72 170 168 6 442
Start 5 40 257 622 84 1,008
Stub 1 11 234 42 288
List 9 15 3 27
Category 460 460
Template 26 26
NA 5 18 28 71 122
Assessed 39 142 506 1,093 557 138 2,475
Unassessed 1 1 39 41
Total 39 142 507 1,094 557 177 2,516
WikiWork factors (?) ω = 8,821 Ω = 4.80

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Welcome to the Professional sound production WikiProject! If you would like to contribute to this project, please take a look at the Open tasks to see specific needs. Don't forget to add your name to the members list!

Goals
  • To clearly organize the articles within the 3 sub-topics of professional sound production (See Scope).
  • To improve the quality of articles related with professional sound production

Hopefully this project will improve the organization or these articles to the point of creating navigation templates, or even a series, with a few WP:FACs and WP:FARs to top it off.

Scope

This project covers all articles which cover the technology, equipment or professions relating to

  1. Recorded Media (audio & film)
  2. Sound Reinforcement (events such as concerts & theatre) and
  3. Broadcast (live television & radio).

This project is not as broad as the Entertainment Technology WikiProject. For example, this project is not concerned with Stage Lighting and DJ-related articles. Perhaps this project can be seen as a child of the Entertainment Technology WikiProject.

Members

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  1. 23pokrzywa (talk · contribs) (Interested in music production, audio engineering)
  2. Davidkazuhiro (talk · contribs) (interested in Sound Reinforcement and organization between and within articles.)
  3. KFP (talk · contribs)
  4. BenFranske (talk · contribs) (I am a semi-professional audio engineer, lighting designer and entertainment technology system designer/engineer. Activity will be on a limited basis as time allows.)
  5. GreyCat (talk · contribs) (musician, guitarist, audio engineer; interested in sound recording / processing technologies, effects units articles, etc.)
  6. Fadookie (talk · contribs) (film student considering a career in video/audio postproduction, moderator at The Freesound Project.)
  7. Ww (talk · contribs) (former full range concert system designer)
  8. PhilyG (talk · contribs) (studio and live engineer, producer, and keyboardist)
  9. snottywong (talk · contribs) (Professional audio/video engineer for a commercial audio DSP manufacturer, also a musician)
  10. therminator (talk · contribs) (recording engineering hobbyist, site admin recordingjunkie.com, professional DAW setup and installations)
  11. Jrod2 (talk · contribs) (audio engineer - songwriter -interested in audio mastering )
  12. Mystic Pixel (talk · contribs) (electrical engineer, work in broadcast radio/production)
  13. DSatz (talk · contribs) (semi-retired classical recording engineer, many live recordings, translator from German to English)
  14. Ab2kgj (talk · contribs) (5-year Amateur with too much superfluous knowledge and a certain knack for noticing grammatical errors--will work on occasion as time allows)
  15. binksternet (talk · contribs) (freelance live audio mixer, digital audio editor, vintage audio restorer)
  16. eb.eric (talk · contribs) (graduate of audio production college, runs small studio, musician)
  17. Doktor Who (talk · contribs) (professional freelance computing-tech, also experienced in audio engineering)
  18. Sebbi (talk · contribs) 00:06, 15 October 2007 (UTC) (home recording and small scale producer, Mac and Ableton addict, multi-instrumentalist and composer)[reply]
  19. LuckyLouie (talk · contribs) Former location & studio recording engineer, broadcast radio producer
  20. ICberg7 (talk · contribs) (I am a semi-professional audio/visual engineer)
  21. Jackocleebrown (talk · contribs) (Research Engineer at GP Acoustics: KEF and Celestion)
  22. Uncle Milty (talk · contribs) (Small A/V company owner, audio engineer, etc.)
  23. Izhaki (talk · contribs) (A mixing engineer, also a recording engineer and a music producer; the author of Mixing Audio; an audio-engineering/recording-arts lecturer at SAE institute, London; BA Recording Arts)
  24. Mozillaman (talk · contribs) (Sound engineer with experience in CD mastering and Radio production)
  25. HLFuller (talk · contribs) (I am an erstwhile radio producer interested in the interplay between technological advance, art and journalism -- how the tools at our disposal shape and are shaped by the voices and stories that find expression.)
  26. KrodMandooon (talk · contribs) (PhD Audio technologist)
  27. Audio77 (talk · contribs) {Pro audio product developer, engineer, producer}
  28. Andyzweb (talk · contribs) (Aspiring audio guru)
  29. DLJosephson (talk · contribs) (Microphone manufacturer)
  30. Kvng (talk · contribs) (Audio networking)
  31. Atlantictire (talk · contribs) (musician and concerned citizen)
  32. Smilewithani (talk · contribs) (Audio/Video software engineer with experience in designing, porting and optimizing audio/video algorithms, codecs etc. on DSPs and RISCs)
  33. synthfiend (talk · contribs) (musician/teacher/writer interested in documenting connections between the inventors/manufacturers of music instruments and pro audio equipment, the people who use those products, where and how they were used, and the art created.)
  34. Greenshinobi (talk · contribs) (music technician, musician, music journalist with over 250 publications)
  35. Fu Manchuchu (talk · contribs) (Music Recording engineer / TV & Radio Location Sound Recordist / Ex-BBC TV Dubbing Mixer, currently running ProTools studio)
  36. casualpilot (talk · contribs) (PhD in audio engineering)
  37. Orson26 (talk · contribs) (musician/songwriter/performer/producer/engineer/mixer, home studio owner, Pro Tools and Logic guy)
  38. Heddmj (talk · contribs) (Surrey Tonmeister graduate, QA engineer in an Audio Electronics company)
  39. Radiodef (talk · contribs) (Recording, mixing, mastering, etc., and software hobbyist)
  40. Nettings (talk · contribs) (freelance professional audio engineer)
  41. SirPelleas (talk · contribs) (amateur singer, guitarist, and podcaster; interested in music and podcast production)
  42. Masterfireheart (talk · contribs) (Composer/Producer who does a bit of engineering for games/shows)
  43. David.J.Greaves (talk · contribs) (Electronics Engineer and DSP Expert with 35+ years audio design experience.)
  44. Lyrelyrebird (talk · contribs) (Audio engineer in video and music, with an electronics and sound design background. focusing on women in audio)
  45. Actaudio (talk · contribs) Re-recording mixer/sound editor in LA with experience in Foley, ADR, sound design, music editing, score mixing. Interests in early audio engineers (pre-1960) and women in audio
  46. Aluxosm (talk · contribs) (Freelance professional sound engineer)
  47. FalconMillenium (talk · contribs) (Audiophile)
  48. TanookiKoopa (talk · contribs) (Interested in music production)
  49. Vulphere (talk · contribs) (Interested in broadcasting technology and music production)
  50. Redjacketbb (talk · contribs) (musician/songwriter/performer/producer/engineer/mixer, home studio owner, Pro Tools and Logic)
  51. Dfj0719 (talk · contribs) (producer/engineer/mixer, studio owner, Pro Tools and Logic)
  52. MrSpartan456 (talk · contribs) (Audiophile, producer, engineer, film buff)
  53. Manboobies (talk · contribs) (songwriting & love playing with music tools)
  54. The Midnite Wolf (talk · contribs) (college senior studying music recording and production, has worked at various studios in philly. interested in audio equipment and the history of sound recording)
  55. Corazonfresa (talk · contribs) (Singer/songwriter/performer/producer, Pro Tools and Logic)

What can I do?

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The Basic

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The Standard

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The Awesome

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  • Come up and implement a better way of keeping track of tasks than the list of specific needs above. That is just a temporary means to list stuff that needs to get done. If you have ideas for a better way of listing tasks and organizing articles within this projects scope, please type them up on the discussion page or even implement it yourself!
  • Create and contribute to the policy page by engaging in discussions on its talk page.

Announcements

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Article alerts

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Article alerts are available, updated by AAlertBot. More information...

Proposed deletions

  • 09 Nov 2024 – Monkeyclaus (talk · edit · hist) PRODed by Geschichte (t · c) was deleted

Articles to be split

Where to find "Professional sound production" articles

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All the articles which have been declared to be within the scope of this project can be found in this category. Feel free to look through and improve these articles, add articles to this list by adding the project template to the article's discussion page, or contest the inclusion of an article into this projects scope.

You might be able to find some articles which are in our scope and need to be tagged in the below categories:

Templates

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Feel free to add other useful and project-related templates.

Talk space templates

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Place this template in the discussion page of all articles which fall under the project scope.

What to type What it makes
{{WikiProject Professional sound production|class=|importance=}} (see the Assessment page for more information.)
Talk
WikiProject iconProfessional sound production Unassessed
WikiProject iconThis article is within the scope of WikiProject Professional sound production, a collaborative effort to improve the coverage of sound recording and reproduction on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Professional sound productionWikipedia:WikiProject Professional sound productionTemplate:WikiProject Professional sound productionProfessional sound production articles
???This article has not yet received a rating on Wikipedia's content assessment scale.
???This article has not yet received a rating on the project's importance scale.

User space templates

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Use this template to indicate your membership in the project.

What to type What it makes
{{User WikiProject PSP}}
Talk
This user is a participant in
WikiProject Professional Sound Production..

Use this template to invite users to join the project.

What to type What it makes
{{WikiProject PSP invite}}
Talk

Hello there! I've noticed that you've been making some significant contributions to Professional sound production related articles. You might be interested in joining the Professional sound production WikiProject, where you can participate in a collaborative effort to improve Wikipedia's coverage of the technology, equipment, companies and professions related to professional sound production.

Awarded to editors who've made significant contributions to Sound production-related articles.

What to type What it makes
{{subst:The Sound production Barnstar|1=message ~~~~}}
The Sound production Barnstar
message ~~~~

Main space templates

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What to type What it makes
{{Sound-tech-stub}}
Talk
Stub icon

This sound technology article is a stub. You can help Wikipedia by expanding it.

Notes

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Scope Ambiguity

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When it comes to phenomena within Professional sound production, it has been hard to decide whether or not the article is within this project's scope, especially when it seems like the Physics WikiProject already has it covered. Since some phenomena, though a topic within physics, are exclusive and specific within Professional sound production, it is important to include them in this project's scope. For example, the article on Sound need not be included, since most aspects of this generic topic are consistent throughout most fields. However, an article like Audio feedback which is technically under the scope of physics, is a phenomenon exclusive and very important to Professional sound production. This project's goal is to include every article pertinent, yet not cut out too much work for ourselves.That said, if you have any questions regarding scope ambiguity, please discuss it on the project discussion page.

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External watchlist

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