Top, L-R: U.S. Marines engaged in street fighting during the Korean War, circa late September 1950; The first polio vaccine is developed by Jonas Salk. Centre, L-R: US tests its first thermonuclear bomb with code name Ivy Mike in 1952. A 1954 thermonuclear test, code named Castle Romeo, is shown here; In 1959, Fidel Castro overthrows Fulgencio Batista in the Cuban Revolution, resulting in the creation of the first communist government in the Western hemisphere; Elvis Presley becomes the leading figure of rock and roll in the mid-1950s. Bottom, L-R: Smoke rises from oil tanks on Port Said following the invasion of Egypt as part of the Suez Crisis in late 1956; The Hungarian flag with the Communist coat of arms cut out during the Hungarian Revolution, 1957; The Soviet Union launches Sputnik 1, the first artificial satellite to orbit the earth, in October 1957.
The 1950s (pronounced nineteen-fifties; commonly abbreviated as the "Fifties" or the "'50s") (among other variants) was a decade that began on January 1, 1950, and ended on December 31, 1959.
Logo for celebrations commemorating the 50th anniversary of the treaty in 2008
The US–UK Mutual Defense Agreement, or the 1958 UK–US Mutual Defence Agreement, is a bilateral treaty between the United States and the United Kingdom on nuclear weapons co-operation. The treaty's full name is Agreement between the Government of the United States of America and the Government of the United Kingdom of Great Britain and Northern Ireland for Cooperation on the uses of Atomic Energy for Mutual Defense Purposes. It allows the US and the UK to exchange nuclear materials, technology and information. The US has nuclear co-operation agreements with other countries, including France and other NATO countries, but this agreement is by far the most comprehensive. Because of the agreement's strategic value to Britain, Harold Macmillan (the Prime Minister who presided over the United Kingdom's entry into the agreement) called it "the Great Prize".
The treaty was signed on 3 July 1958 after the Soviet Union had shocked the American public with the launch of Sputnik on 4 October 1957, and the British hydrogen bomb programme had successfully tested a thermonuclear device in the Operation Grapple test on 8 November. The special relationship proved mutually beneficial, both militarily and economically. Britain soon became dependent on the United States for its nuclear weapons since it agreed to limit their nuclear program with the agreement of shared technology. The treaty allowed American nuclear weapons to be supplied to Britain through Project E for use by the Royal Air Force and British Army of the Rhine until the early 1990s when the UK became fully independent in designing and manufacturing its own warheads. (Full article...)
The film's story concerns Quatermass's investigation of reports of hundreds of meteorites landing only in the Winnerden Flats area of the UK. His inquiries lead him to a huge industrial complex, strikingly similar to his own plans for a Moon colony. This top-secret facility is in fact the centre of a conspiracy involving the alien infiltration of the highest echelons of the British Government. Quatermass and his allies must now do whatever is necessary to defeat the alien threat before it is too late. (Full article...)
Ben-Hur had the largest budget ($15.175 million), as well as the largest sets built, of any film produced at the time. Costume designerElizabeth Haffenden oversaw a staff of 100 wardrobe fabricators to make the costumes, and a workshop employing 200 artists and workmen provided the hundreds of friezes and statues needed in the film. Filming commenced on May 18, 1958, and wrapped on January 7, 1959, with shooting lasting for 12 to 14 hours a day and six days a week. Pre-production began in Italy at Cinecittà around October 1957, and post-production took six months. Under cinematographer Robert L. Surtees, executives at Metro-Goldwyn-Mayer made the decision to produce the film in a widescreen format. Over 200 camels and 2,500 horses were used in the shooting of the film, with some 10,000 extras. The sea battle was filmed using miniatures in a huge tank on the back lot at the Metro-Goldwyn-Mayer Studios in Culver City, California. The nine-minute chariot race has become one of cinema's most famous action sequences, and the score, composed and conducted by Miklós Rózsa, was at the time the longest ever composed for a film, and was highly influential on cinema for over 15 years. (Full article...)
Image 3
Tiga Dara (Indonesian for Three Maidens) is a 1957 Indonesian musicaldrama film starring Chitra Dewi, Mieke Wijaya, and Indriati Iskak. Directed by Usmar Ismail for Perfini, the film follows three sisters who live with their father and grandmother. When the eldest sister, Nunung, shows no interest in marrying, her family tries unsuccessfully to find a husband for her. Nunung initially rejects the advances of a young man named Toto, who instead dates her younger sister. However, when he becomes jealous and travels from Jakarta to Bandung to profess his love, she agrees to marry him.
Produced using government credit and written in an attempt to cover Perfini's outstanding debts, Tiga Dara was intended to be commercial despite Ismail's disapproval of such works. After it was released on 24 August 1957, the film was an immense popular success, launching the careers of its stars, earning the highest box office returns of any Perfini film, and being screened in first-class cinemas. However, even though Tiga Dara was shown at the 1959 Venice Film Festival and received Best Musical Arrangement at the 1960 Indonesian Film Week, Ismail considered it a compromise of his initial vision for Perfini. (Full article...)
Image 4
Theatrical release poster
The Incredible Shrinking Man is a 1957 American science fiction film directed by Jack Arnold, based on Richard Matheson's 1956 novel, The Shrinking Man. The film stars Grant Williams as Scott and Randy Stuart as Scott's wife, Louise. While relaxing on a boat, Scott is enveloped by a strange fog. Months later, he discovers that he appears to be shrinking. By the time Scott has reached the height of a small boy, his condition becomes known to the public. When he learns there is no cure for his condition, he lashes out at his wife. As Scott shrinks to the point where he can fit into a dollhouse, he has a battle with his family cat, leaving him lost and alone in his basement, where he is now smaller than the average insect.
The film's storyline was expanded by Matheson after he had sold the story to Universal-International Pictures Co., Inc. He also completed the novel upon which the film is based while production was underway. Matheson's script was initially written in flashbacks, and Richard Alan Simmons rewrote it using a more conventional narrative structure. Director Jack Arnold initially wanted Dan O'Herlihy to play Scott, but O'Herlihy turned down the role, leading Universal to sign Williams as the lead. Filming began on May 31, 1956. Scenes involving special effects were shot throughout production, while others used the large sets of Universal's backlot. Production went over budget, and filming had to be extended; certain special effects shots required reshooting. Williams was constantly being injured on set. (Full article...)
Written by Samudrala Sr., Kannadasan, and Murugadasa, Tenali Ramakrishna narrates the story of the 14th century Telugu and Sanskrit poet and scholar of the same name, and his life as a member of the court of Krishnadevaraya, the king of the Vijayanagara Empire. Using his wits, Ramakrishna manages to save Krishnadevaraya from attacks by the Bahmani Sultanate, which tries to invade the Vijayanagara Empire. The rest of the film is about Ramakrishna's efforts to save Krishnadevaraya from courtesan Krishnasani, a spy, and convincing Emperor Babur against extending support to the Sultanate in the war. (Full article...)
The film's storyline concerns a newlywed woman who believes she is being haunted by the ghost of her new husband's previous wife. The simplistic musical score centres on the dies irae. (Full article...)
Image 7
Missamma (transl. Miss madam) is a 1955 Indian Telugu-language romantic comedy film directed by L. V. Prasad. It was produced by Nagi Reddi and Chakrapani on Vijaya Productions banner. The film stars N. T. Rama Rao, Savitri, Akkineni Nageswara Rao and Jamuna. The script was adapted by Chakrapani from Rabindranath Maitra's Bengali play Manmoyee Girls' School. It revolves around two unemployed people — M. T. Rao and Mary — who pose as a married couple to obtain employment in a high school founded by Gopalam, a zamindar. As Rao and Mary fall in love, Gopalam's nephew A. K. Raju learns that Mary is Gopalam's missing elder daughter Mahalakshmi; she is unaware of her true identity.
Production began in early 1954 with P. Bhanumathi cast as the female lead, though she would eventually be replaced by Savitri. The film was simultaneously shot in Tamil as Missiamma, with an altered cast. Principal photography ended that December; filming was delayed because of Bhanumathi's exit after filming a few reels, and the difficulty of managing two casts simultaneously. C. P. Jambulingam and Kalyanam edited the film; Marcus Bartley was the cinematographer, and S. Rajeswara Rao composed the music. Missamma focused on social issues such as unemployment, corruption, and freedom of worship. (Full article...)
Pathala Bhairavi is based on Kasi Majilee Kathalu, written by Madhira Subbanna Deekshitulu, though it was also partially inspired by the story of Aladdin. As the film is shot as a bilingual, production lasted for a whole year starting from 5 February 1950 until 8 February 1951. Ghantasala composed the film's music and Marcus Bartley served as the cinematographer. The film was edited by the duo C. P. Jambulingam and M. S. Money, while Madhavapeddi Gokhale and Kaladhar were the film's art directors. (Full article...)
Image 9
Nadodi Mannan (transl. The Vagabond and the King) is a 1958 Indian Tamil-language action adventure film directed by M. G. Ramachandran in his debut as a filmmaker. He stars in dual roles alongside P. Bhanumathi, M. N. Rajam and B. Saroja Devi. P. S. Veerappa, M. N. Nambiar, M. G. Chakrapani, T. K. Balachandran and Chandrababu play supporting roles. The film revolves around a king being replaced by a look-alike after getting abducted on the eve of his coronation. The look-alike begins to implement social and economic reforms to uplift the poor which irks the kingdom's high priest, who has kidnapped the very person the look-alike resembles. The rest of the film shows how the look-alike saves the man he impersonates and defeats the high priest.
Made on a budget of ₹18 lakh, Ramachandran co-produced the film with Chakrapani and R. M. Veerappan under the banner of Em.Gee.Yar Pictures. C. Kuppusami, K. Srinivasan, and P. Neelakantan were in charge of the screenplay. Kannadasan and Ravindar undertook the responsibility of writing the dialogues. The cinematography was handled by G. K. Ramu while K. Perumal and C. P. Jambulingam did the editing. S. M. Subbaiah Naidu and N. S. Balakrishnan composed the film's soundtrack and score. Songs from the soundtrack like "Thoongathey Thambi Thoongathey", "Thadukkathey", "Summa Kedandha", and "Senthamizhe" became popular hits. (Full article...)
In 1955, Edmund Goldman acquired the 1954 film from Toho and enlisted the aid of Paul Schreibman, Harold Ross, Richard Kay, and Joseph E. Levine to produce a revised version for American audiences. This version dubbed most of the Japanese dialogue into English, and altered and removed key plot points and themes. New footage was produced with Burr interacting with body doubles and Japanese-American actors in an attempt to make it seem like Burr was part of the original Japanese production. (Full article...)
Image 11
Malliswari is a 1951 Indian Telugu-language historical romance film produced and directed by B. N. Reddi under his banner Vauhini Studios. P. Bhanumathi and N. T. Rama Rao star as a couple – Nagaraju and Malliswari – who are separated by Malliswari's greedy mother. Malliswari is sent to the king's palace according to the custom of "Rani Vasam", a tradition during the Vijayanagara Empire wherein young women were fetched to the palace with an offering of gold and jewellery to their parents. The rest of the film focuses on the consequences faced by Nagaraju when he, against all rules, surreptitiously enters the palace to meet Malliswari.
B. N. Reddi had envisioned a film about Sri Krishnadevaraya since his visit to Hampi during the production of his debut film, Vande Mataram (1939). He enlisted Devulapalli Krishnasastri to write the script, drawing inspiration from Butchi Babu's play Rayalavari Karunakruthyamu and Devan Sharar's short story The Emperor and the Slave Girl. B. N. Reddi also incorporated elements from his own childhood to enhance the narrative's authenticity, particularly in the playful interactions between Nagaraju and Malliswari. To ensure historical accuracy, B. N. Reddi consulted Mallampalli Somasekhara Sarma, a noted historian and epigraphist. Art director A. K. Shekar devoted nearly two years to designing the sets, meticulously preparing sketches to reflect the period’s aesthetics. The film's music was composed by S. Rajeswara Rao, with cinematography by Adi M. Irani and B. N. Konda Reddy. (Full article...)
Fellini described La Strada as "a complete catalogue of my entire mythological world, a dangerous representation of my identity that was undertaken with no precedent whatsoever". As a result, the film demanded more time and effort than any of his other works, before or later. The development process was long and tortuous; there were problems during production, including insecure financial backing, problematic casting, and numerous delays. Finally, just before the production completed shooting, Fellini suffered a nervous breakdown that required medical treatment so that he could complete principal photography. Initial critical reaction was harsh, and the film's screening at the Venice Film Festival was the occasion of a bitter controversy that escalated into a public brawl between Fellini's supporters and detractors. (Full article...)
Production began after the success of Mayabazar (1957), with M. S. Chalapathi Rao and Jagannadham the film's executive producers. Marcus Bartley was the director of photography. S. Rajeswara Rao composed the soundtrack and background score. G. Kalyanasundaram and K. Radhakrishna edited the film, and Madhavapeddi Gokhale and Kaladhar were its art directors. The film is shown almost entirely in black and white, with the exception of a dance sequence filmed in Gevacolor. (Full article...)
Pelli Chesi Choodu deals with the negative effects of the dowry system in India through the marital life of Venkata Ramana (Rama Rao) and Ammadu (Varalakshmi). The film's production began after the release of Vijaya Productions' Pathala Bhairavi (1951). Marcus Bartley was recruited as the cinematographer and the film was edited by C. P. Jambulingam and M. S. Money. Ghantasala composed the film's music. (Full article...)
Image 15
Rififi (French: Du rififi chez les hommes) is a 1955 French crime film adaptation of Auguste Le Breton's novel of the same name. Directed by American blacklisted filmmaker Jules Dassin, the film stars Jean Servais as the aging gangster Tony "le Stéphanois", Carl Möhner as Jo "le Suédois", Robert Manuel as Mario Farrati, and Jules Dassin as César "le Milanais". The foursome band together to commit an almost impossible theft, the burglary of an exclusive jewelry shop in the Rue de la Paix. The centerpiece of the film is an intricate half-hour heist scene depicting the crime in detail, shot in near silence, without dialogue or music. The fictional burglary has been mimicked by criminals in actual crimes around the world.
After he was blacklisted from Hollywood, Dassin found work in France where he was asked to direct Rififi. Despite his distaste for parts of the original novel, Dassin agreed to direct the film. He shot Rififi while working with a low budget, without a star cast, and with the production staff working for low wages. (Full article...)
Image 4Israeli troops preparing for combat in the Sinai peninsula during the Suez Crisis. (from 1950s)
Image 5Francis Crick and James Watson discover the spiral structure of DNA (from 1950s)
Image 6The jukebox was particularly popular in the 1950s, and was used as entertainment in public establishments such as diners and malt/soda shops. (from 1950s)
Image 7Liz Taylor in the 1950s, a fashion icon of the era (from 1950s)
Image 9The 1950s was the beginning period of rapid television ownership. In their infancy, television screens existed in many forms, including round. (from 1950s)
Image 11The creation and expansion of many multinational restaurant chains still in existence today, including the likes of McDonald's, IHOP, Pizza Hut, Denny's and Burger King, all occurred in the 1950s. (from 1950s)
Image 12In 1957, the Soviet Union launches to space Sputnik 1, the first artificial satellite (from 1950s)
Image 20Harry Belafonte in 1954, whose breakthrough album Calypso (1956) was the first million-selling LP by a single artist. (from 1950s)
Image 21Top, L-R: U.S. Marines engaged in street fighting during the Korean War, c. late September 1950; The first polio vaccine is developed by Jonas Salk. Centre, L-R: US tests its first thermonuclear bomb with code name Ivy Mike in 1952. A 1954 thermonuclear test, code named Castle Romeo; In 1959, Fidel Castro overthrows Fulgencio Batista in the Cuban Revolution, which results in the creation of the first and only communist government in the Western Hemisphere; Elvis Presley becomes the leading figure of the newly popular music genre of rock and roll in the mid-1950s. Bottom, L-R: Smoke rises from oil tanks on Port Said following the invasion of Egypt by Israel, United Kingdom and France as part of the Suez Crisis in late 1956; The Hungarian Revolution of 1956; The Soviet Union launches Sputnik 1, the first artificial satellite to orbit the Earth, in October 1957. This starts the Space Race between the Soviet Union and the United States. (from 1950s)
Image 27Elvis Presley was the best-selling musical artist of the decade. He is considered as the leading figure of the rock and roll and rockabilly movement of the 1950s. (from 1950s)
Image 34Castle Bravo: A 15 megaton hydrogen bomb experiment conducted by the United States in 1954. Photographed 78 miles (125 kilometers) from the explosion epicenter. (from 1950s)
More Did you know (auto generated)
... that Alan Choe was tasked with developing Queenstown, Singapore's first satellite town, after its British architects left the country in the mid-1950s?
... that Patricia Banks-Edmiston was prevented from becoming a flight attendant during the 1950s because she was black?
You are invited to participate in WikiProject Years, a WikiProject dedicated to developing and improving articles about years, decades, centuries, and millennia.
.jpg)
_(32003643582).jpg)
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
Commons
Wikibooks
Wikidata
Wikinews
Wikiquote
Wikisource
Wikiversity
Wiktionary
