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View of Florence showing the dome, which dominates everything around it. It is octagonal in plan and ovoid in section. It has wide ribs rising to the apex with red tiles in between and a marble lantern on top.
In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilisations are often identified with their surviving architectural achievements.

Architecture began as rural, oral vernacular architecture that developed from trial and error to successful replication. Ancient urban architecture was preoccupied with building religious structures and buildings symbolizing the political power of rulers until Greek and Roman architecture shifted focus to civic virtues. Indian and Chinese architecture influenced forms all over Asia and Buddhist architecture in particular took diverse local flavors. During the Middle Ages, pan-European styles of Romanesque and Gothic cathedrals and abbeys emerged while the Renaissance favored Classical forms implemented by architects known by name. Later, the roles of architects and engineers became separated.

Modern architecture began after World War I as an avant-garde movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed. Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating. (Full article...)

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  • Image 1 Mountfort around 1875 Benjamin Woolfield Mountfort (13 March 1825 – 15 March 1898) was an English emigrant to New Zealand, where he became one of the country's most prominent 19th-century architects. He was instrumental in shaping the city of Christchurch's unique architectural identity and culture, and was appointed the first official Provincial Architect of the developing province of Canterbury. Heavily influenced by the Anglo-Catholic philosophy behind early Victorian architecture, he is credited with importing the Gothic revival style to New Zealand. His Gothic designs constructed in both wood and stone in the province are considered unique to New Zealand. Today, he is considered the founding architect of the province of Canterbury. (Full article...)

    Mountfort around 1875

    Benjamin Woolfield Mountfort (13 March 1825 – 15 March 1898) was an English emigrant to New Zealand, where he became one of the country's most prominent 19th-century architects. He was instrumental in shaping the city of Christchurch's unique architectural identity and culture, and was appointed the first official Provincial Architect of the developing province of Canterbury. Heavily influenced by the Anglo-Catholic philosophy behind early Victorian architecture, he is credited with importing the Gothic revival style to New Zealand. His Gothic designs constructed in both wood and stone in the province are considered unique to New Zealand. Today, he is considered the founding architect of the province of Canterbury. (Full article...)
  • Image 2 Charles Holden, 1946 Charles Henry Holden FRIBA MRTPI RDI (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s, the Underground Electric Railways Company of London's headquarters at 55 Broadway, for the University of London's Senate House and for Bristol Central Library. He created many war cemeteries in Belgium and northern France for the Imperial War Graves Commission. After working and training in Bolton and Manchester, Holden moved to London. His early buildings were influenced by the Arts and Crafts Movement, but for most of his career he championed an unadorned style based on simplified forms and massing that was free of what he considered to be unnecessary decorative detailing. Holden believed strongly that architectural designs should be dictated by buildings' intended functions. After the First World War, he increasingly simplified his style and his designs became pared-down and modernist, influenced by European architecture. He was a member of the Design and Industries Association and the Art Workers' Guild. He produced complete designs for his buildings including the interior design and architectural fittings. (Full article...)

    Charles Holden, 1946

    Charles Henry Holden FRIBA MRTPI RDI (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s, the Underground Electric Railways Company of London's headquarters at 55 Broadway, for the University of London's Senate House and for Bristol Central Library. He created many war cemeteries in Belgium and northern France for the Imperial War Graves Commission.

    After working and training in Bolton and Manchester, Holden moved to London. His early buildings were influenced by the Arts and Crafts Movement, but for most of his career he championed an unadorned style based on simplified forms and massing that was free of what he considered to be unnecessary decorative detailing. Holden believed strongly that architectural designs should be dictated by buildings' intended functions. After the First World War, he increasingly simplified his style and his designs became pared-down and modernist, influenced by European architecture. He was a member of the Design and Industries Association and the Art Workers' Guild. He produced complete designs for his buildings including the interior design and architectural fittings. (Full article...)
  • Image 3 St Donat’s Castle from the Tudor Garden "An exceptionally fine medieval castle" St Donat's Castle (Welsh: Castell Sain Dunwyd), St Donats, Wales, is a medieval castle in the Vale of Glamorgan, about 16 miles (26 km) to the west of Cardiff, and about 1+1⁄2 miles (2.4 km) to the west of Llantwit Major. Positioned on cliffs overlooking the Bristol Channel, the site has been occupied since the Iron Age, and was by tradition the home of the Celtic chieftain Caradog. The present castle's origins date from the 12th century when the de Haweys and later Peter de Stradling began its development. The Stradlings held the castle for four hundred years, until the death of Sir Thomas Stradling in a duel in 1738. During the 18th century, the castle's status and condition declined and by the early 19th century it was only partly habitable. The later 19th and early 20th centuries saw several restorations. In 1852, it was purchased by John Whitlock Nicholl Carne, who claimed descent from the Stradlings but whose efforts at reconstruction were not well regarded. More enlightened improvements were made by its subsequent owner, the coal magnate Morgan Stuart Williams. (Full article...)

    the castle from the Tudor Garden
    St Donat’s Castle from the Tudor Garden
    "An exceptionally fine medieval castle"

    St Donat's Castle (Welsh: Castell Sain Dunwyd), St Donats, Wales, is a medieval castle in the Vale of Glamorgan, about 16 miles (26 km) to the west of Cardiff, and about 1+1⁄2 miles (2.4 km) to the west of Llantwit Major. Positioned on cliffs overlooking the Bristol Channel, the site has been occupied since the Iron Age, and was by tradition the home of the Celtic chieftain Caradog. The present castle's origins date from the 12th century when the de Haweys and later Peter de Stradling began its development. The Stradlings held the castle for four hundred years, until the death of Sir Thomas Stradling in a duel in 1738.

    During the 18th century, the castle's status and condition declined and by the early 19th century it was only partly habitable. The later 19th and early 20th centuries saw several restorations. In 1852, it was purchased by John Whitlock Nicholl Carne, who claimed descent from the Stradlings but whose efforts at reconstruction were not well regarded. More enlightened improvements were made by its subsequent owner, the coal magnate Morgan Stuart Williams. (Full article...)
  • Image 4 The second quadrangle (built c. 1640–c.1712) of Jesus College, with the large bay window of the hall on the right The main buildings of Jesus College, one of the colleges of the University of Oxford, are located in the centre of the city of Oxford, England, between Turl Street, Ship Street, Cornmarket Street, and Market Street. Jesus College was founded in 1571 by Elizabeth I caused by the petition of a Welsh clergyman, Hugh Price, who was treasurer of St David's Cathedral. Her foundation charter gave to the college the land and buildings of White Hall, a university hall that had experienced a decline in student numbers. Price added new buildings to those of White Hall, and construction work continued after his death in 1574. The first of the college's quadrangles, which includes the hall, chapel, and principal's lodgings was completed between 1621 and 1630. Construction of the second quadrangle began in the 1630s, but was interrupted by the English Civil War and was not completed until about 1712. Further buildings were erected in a third quadrangle during the 20th century, including science laboratories (now closed), a library for undergraduates, and additional accommodation for students and fellows. In addition to the main site, the college owns flats in east and north Oxford, and a sports ground. The chapel, which was dedicated in 1621 and extended in 1636, was extensively altered in 1864 under the supervision of the architect George Edmund Street. The alterations have had their supporters and their critics; one historian of the college (Ernest Hardy, principal from 1921 to 1925) described the work as "ill-considered". The hall's original hammerbeam roof was hidden by a plaster ceiling in 1741 when rooms were installed in the roof space. The principal's lodgings, the last part of the first quadrangle to be constructed, contain wooden panelling from the early 17th century. The Fellows' Library in the second quadrangle dates from 1679 and contains 11,000 antiquarian books; it was restored at a cost of £700,000 in 2007. A new Junior Common Room, about twice the size of its predecessor, was completed in the third quadrangle in 2002. Further student and teaching rooms were added in Ship Street, opposite the college, in 2010. (Full article...)
    A square grass lawn surrounded on three sides by joined buildings; to the left and centre, three storeys with windows positioned to form a regular pattern, topped at roof level above each window by curved gablets; on the right, two bay windows (one large, one medium) project from the wall, with the same design of curved gablets.
    The second quadrangle (built c. 1640–c.1712) of Jesus College, with the large bay window of the hall on the right

    The main buildings of Jesus College, one of the colleges of the University of Oxford, are located in the centre of the city of Oxford, England, between Turl Street, Ship Street, Cornmarket Street, and Market Street. Jesus College was founded in 1571 by Elizabeth I caused by the petition of a Welsh clergyman, Hugh Price, who was treasurer of St David's Cathedral. Her foundation charter gave to the college the land and buildings of White Hall, a university hall that had experienced a decline in student numbers. Price added new buildings to those of White Hall, and construction work continued after his death in 1574. The first of the college's quadrangles, which includes the hall, chapel, and principal's lodgings was completed between 1621 and 1630. Construction of the second quadrangle began in the 1630s, but was interrupted by the English Civil War and was not completed until about 1712. Further buildings were erected in a third quadrangle during the 20th century, including science laboratories (now closed), a library for undergraduates, and additional accommodation for students and fellows. In addition to the main site, the college owns flats in east and north Oxford, and a sports ground.

    The chapel, which was dedicated in 1621 and extended in 1636, was extensively altered in 1864 under the supervision of the architect George Edmund Street. The alterations have had their supporters and their critics; one historian of the college (Ernest Hardy, principal from 1921 to 1925) described the work as "ill-considered". The hall's original hammerbeam roof was hidden by a plaster ceiling in 1741 when rooms were installed in the roof space. The principal's lodgings, the last part of the first quadrangle to be constructed, contain wooden panelling from the early 17th century. The Fellows' Library in the second quadrangle dates from 1679 and contains 11,000 antiquarian books; it was restored at a cost of £700,000 in 2007. A new Junior Common Room, about twice the size of its predecessor, was completed in the third quadrangle in 2002. Further student and teaching rooms were added in Ship Street, opposite the college, in 2010. (Full article...)
  • Image 5 "Truly the palace of a modern magician" – the Victorian periodical The World describes Armstrong and his house Cragside is a Victorian Tudor Revival country house near the town of Rothbury in Northumberland, England. It was the home of William Armstrong, 1st Baron Armstrong, founder of the Armstrong Whitworth armaments firm. An industrial magnate, scientist, philanthropist and inventor of the hydraulic crane and the Armstrong gun, Armstrong also displayed his inventiveness in the domestic sphere, making Cragside the first house in the world to be lit using hydroelectric power. The estate was technologically advanced; the architect of the house, Richard Norman Shaw, wrote that it was equipped with "wonderful hydraulic machines that do all sorts of things". In the grounds, Armstrong built dams and lakes to power a sawmill, a water-powered laundry, early versions of a dishwasher and a dumb waiter, a hydraulic lift and a hydroelectric rotisserie. In 1887, Armstrong was raised to the peerage, the first engineer or scientist to be ennobled, and became Baron Armstrong of Cragside. The original building consisted of a small shooting lodge which Armstrong built between 1862 and 1864. In 1869, he employed the architect Richard Norman Shaw to enlarge the site, and in two phases of work between 1869 and 1882, they transformed the house into a northern Neuschwanstein. The result was described by the architect and writer Harry Stuart Goodhart-Rendel as "one of the most dramatic compositions in all architecture". Armstrong filled the house with a significant art collection; he and his wife were patrons of many 19th-century British artists. Cragside became an integral part of Armstrong's commercial operations: honoured guests under Armstrong's roof, including the Shah of Persia, the King of Siam and two future Prime Ministers of Japan, were also customers for his commercial undertakings. (Full article...)

    "Truly the palace of a modern magician" – the Victorian periodical The World describes Armstrong and his house

    Cragside is a Victorian Tudor Revival country house near the town of Rothbury in Northumberland, England. It was the home of William Armstrong, 1st Baron Armstrong, founder of the Armstrong Whitworth armaments firm. An industrial magnate, scientist, philanthropist and inventor of the hydraulic crane and the Armstrong gun, Armstrong also displayed his inventiveness in the domestic sphere, making Cragside the first house in the world to be lit using hydroelectric power. The estate was technologically advanced; the architect of the house, Richard Norman Shaw, wrote that it was equipped with "wonderful hydraulic machines that do all sorts of things". In the grounds, Armstrong built dams and lakes to power a sawmill, a water-powered laundry, early versions of a dishwasher and a dumb waiter, a hydraulic lift and a hydroelectric rotisserie. In 1887, Armstrong was raised to the peerage, the first engineer or scientist to be ennobled, and became Baron Armstrong of Cragside.

    The original building consisted of a small shooting lodge which Armstrong built between 1862 and 1864. In 1869, he employed the architect Richard Norman Shaw to enlarge the site, and in two phases of work between 1869 and 1882, they transformed the house into a northern Neuschwanstein. The result was described by the architect and writer Harry Stuart Goodhart-Rendel as "one of the most dramatic compositions in all architecture". Armstrong filled the house with a significant art collection; he and his wife were patrons of many 19th-century British artists. Cragside became an integral part of Armstrong's commercial operations: honoured guests under Armstrong's roof, including the Shah of Persia, the King of Siam and two future Prime Ministers of Japan, were also customers for his commercial undertakings. (Full article...)
  • Image 6 Queen's Gate House, still commonly known by its previous name of Baden-Powell House, is a conference centre in South Kensington, London. It was built as a tribute to Lord Baden-Powell, the founder of Scouting, and has served as the headquarters for The Scout Association, as a hostel providing modern and affordable lodging for Scouts, Guides, their families and the general public staying in London and as a conference and event venue. The building committee, chaired by Sir Harold Gillett, Lord Mayor of London, purchased the site in 1956, and assigned Ralph Tubbs to design the house in the modern architectural style. The foundation stone was laid in 1959 by World Chief Guide Olave, Lady Baden-Powell, and it was opened in 1961 by Queen Elizabeth II. The largest part of the £400,000 cost was provided by the Scout Movement itself and the building previously included a number of tributes to the founder including hosting a small exhibition about Scouting, and a granite statue of Baden-Powell by Don Potter located outside the building. (Full article...)

    Queen's Gate House, still commonly known by its previous name of Baden-Powell House, is a conference centre in South Kensington, London. It was built as a tribute to Lord Baden-Powell, the founder of Scouting, and has served as the headquarters for The Scout Association, as a hostel providing modern and affordable lodging for Scouts, Guides, their families and the general public staying in London and as a conference and event venue.

    The building committee, chaired by Sir Harold Gillett, Lord Mayor of London, purchased the site in 1956, and assigned Ralph Tubbs to design the house in the modern architectural style. The foundation stone was laid in 1959 by World Chief Guide Olave, Lady Baden-Powell, and it was opened in 1961 by Queen Elizabeth II. The largest part of the £400,000 cost was provided by the Scout Movement itself and the building previously included a number of tributes to the founder including hosting a small exhibition about Scouting, and a granite statue of Baden-Powell by Don Potter located outside the building. (Full article...)
  • Image 7 1 World Trade Center under construction in 1970 The construction of the first World Trade Center complex in New York City was conceived as an urban renewal project to help revitalize Lower Manhattan spearheaded by David Rockefeller. The project was developed by the Port Authority of New York and New Jersey. The idea for the World Trade Center arose after World War II as a way to supplement existing avenues of international commerce in the United States. The World Trade Center was originally planned to be built on the east side of Lower Manhattan, but the New Jersey and New York state governments, which oversee the Port Authority, could not agree on this location. After extensive negotiations, the New Jersey and New York state governments agreed to support the World Trade Center project, which was built at the site of Radio Row in the Lower West Side of Manhattan, New York City. To make the agreement acceptable to New Jersey, the Port Authority agreed to take over the bankrupt Hudson & Manhattan Railroad, which brought commuters from New Jersey to the Lower Manhattan site and, upon the Port Authority's takeover of the railroad, was renamed PATH. (Full article...)

    1 World Trade Center under construction in 1970

    The construction of the first World Trade Center complex in New York City was conceived as an urban renewal project to help revitalize Lower Manhattan spearheaded by David Rockefeller. The project was developed by the Port Authority of New York and New Jersey. The idea for the World Trade Center arose after World War II as a way to supplement existing avenues of international commerce in the United States.

    The World Trade Center was originally planned to be built on the east side of Lower Manhattan, but the New Jersey and New York state governments, which oversee the Port Authority, could not agree on this location. After extensive negotiations, the New Jersey and New York state governments agreed to support the World Trade Center project, which was built at the site of Radio Row in the Lower West Side of Manhattan, New York City. To make the agreement acceptable to New Jersey, the Port Authority agreed to take over the bankrupt Hudson & Manhattan Railroad, which brought commuters from New Jersey to the Lower Manhattan site and, upon the Port Authority's takeover of the railroad, was renamed PATH. (Full article...)
  • Image 8 View from south east St Nicholas is the Anglican parish church of Blakeney, Norfolk, in the deanery of Holt and the Diocese of Norwich. The church was founded in the 13th century, but the greater part of the church dates from the 15th century when Blakeney was a seaport of some importance. Of the original structure only the chancel has survived rebuilding, perhaps owing to its link to a nearby Carmelite friary. An unusual architectural feature is a second tower, used as a beacon, at the east end (the church stands just inland from, and about 30 metres (98 ft) above, the small port). Other significant features are the vaulted chancel with a stepped seven-light lancet window, and the hammerbeam roof of the nave. St Nicholas is a nationally important building, with a Grade I listing for its exceptional architectural interest. Much of the original church furniture was lost in the Reformation, but a late-Victorian restoration recreated something of the original appearance, as well as repairing and refacing the building. The Victorian woodwork was created to match the few older pieces that remained, or to follow a similar style; thus, the new wooden pulpit follows the themes of the medieval font. Of the stained glass smashed in the Reformation only fragments have been recovered, and these have been incorporated in a window in the north aisle of the church. Nine Arts and Crafts windows by James Powell and Sons are featured on the east and south sides of the church, and the north porch has two modern windows of predominantly blue colour. St Nicholas contains some notable memorials, including several plaques for the Blakeney lifeboats and their crews, and much pre-Reformation graffiti, particularly depictions of ships. The location of the latter suggests that they were votive in nature, although the saint concerned is now unknown. (Full article...)

    View from south east

    St Nicholas is the Anglican parish church of Blakeney, Norfolk, in the deanery of Holt and the Diocese of Norwich. The church was founded in the 13th century, but the greater part of the church dates from the 15th century when Blakeney was a seaport of some importance. Of the original structure only the chancel has survived rebuilding, perhaps owing to its link to a nearby Carmelite friary. An unusual architectural feature is a second tower, used as a beacon, at the east end (the church stands just inland from, and about 30 metres (98 ft) above, the small port). Other significant features are the vaulted chancel with a stepped seven-light lancet window, and the hammerbeam roof of the nave. St Nicholas is a nationally important building, with a Grade I listing for its exceptional architectural interest.

    Much of the original church furniture was lost in the Reformation, but a late-Victorian restoration recreated something of the original appearance, as well as repairing and refacing the building.
    The Victorian woodwork was created to match the few older pieces that remained, or to follow a similar style; thus, the new wooden pulpit follows the themes of the medieval font. Of the stained glass smashed in the Reformation only fragments have been recovered, and these have been incorporated in a window in the north aisle of the church. Nine Arts and Crafts windows by James Powell and Sons are featured on the east and south sides of the church, and the north porch has two modern windows of predominantly blue colour. St Nicholas contains some notable memorials, including several plaques for the Blakeney lifeboats and their crews, and much pre-Reformation graffiti, particularly depictions of ships. The location of the latter suggests that they were votive in nature, although the saint concerned is now unknown. (Full article...)
  • Image 9 The Pennsylvania State Capitol in Harrisburg in April 2022 The Pennsylvania State Capitol is the seat of government for the U.S. state of Pennsylvania located in downtown Harrisburg. The building was designed by architect Joseph Miller Huston in 1902 and completed in 1906 in a Beaux-Arts style with decorative Renaissance themes throughout. The capitol houses the legislative chambers for the Pennsylvania General Assembly, made up of the House of Representatives and the Senate, and the Harrisburg chambers for the Supreme and Superior Courts of Pennsylvania, as well as the offices of the Governor and the Lieutenant Governor. It is also the main building of the Pennsylvania State Capitol Complex. The seat of government for the state was initially in Philadelphia, then was relocated to Lancaster in 1799 and finally to Harrisburg in 1812. The current capitol, known as the Huston Capitol, is the third state capitol building built in Harrisburg. The first, the Hills Capitol, was destroyed in 1897 by a fire. The second, the Cobb Capitol, was left unfinished when funding was discontinued in 1899. (Full article...)

    The Pennsylvania State Capitol in Harrisburg in April 2022

    The Pennsylvania State Capitol is the seat of government for the U.S. state of Pennsylvania located in downtown Harrisburg. The building was designed by architect Joseph Miller Huston in 1902 and completed in 1906 in a Beaux-Arts style with decorative Renaissance themes throughout. The capitol houses the legislative chambers for the Pennsylvania General Assembly, made up of the House of Representatives and the Senate, and the Harrisburg chambers for the Supreme and Superior Courts of Pennsylvania, as well as the offices of the Governor and the Lieutenant Governor. It is also the main building of the Pennsylvania State Capitol Complex.

    The seat of government for the state was initially in Philadelphia, then was relocated to Lancaster in 1799 and finally to Harrisburg in 1812. The current capitol, known as the Huston Capitol, is the third state capitol building built in Harrisburg. The first, the Hills Capitol, was destroyed in 1897 by a fire. The second, the Cobb Capitol, was left unfinished when funding was discontinued in 1899. (Full article...)
  • Image 10 The entry portico in 2010 The Tweed Courthouse (also known as the Old New York County Courthouse) is a historic courthouse building at 52 Chambers Street in the Civic Center of Manhattan in New York City. It was built in the Italianate style with Romanesque Revival interiors. William M. "Boss" Tweed – the corrupt leader of Tammany Hall, a political machine that controlled the New York state and city governments when the courthouse was built – oversaw the building's erection. The Tweed Courthouse served as a judicial building for New York County, a county of New York state coextensive with the New York City borough of Manhattan. It is the second-oldest city government building in the borough, after City Hall. The structure comprises pavilions to the east and west of a central section, as well as a rear wing to the south. Architect John Kellum and political appointee Thomas Little designed the first portion of the building, which was constructed from 1861 to 1872. Construction was interrupted in 1871 when Kellum died and the corruption involved in the building's construction was exposed to the public. The project was completed by architect Leopold Eidlitz, who added the rear wing and finished the interior between 1877 and 1881. (Full article...)

    The entry portico in 2010

    The Tweed Courthouse (also known as the Old New York County Courthouse) is a historic courthouse building at 52 Chambers Street in the Civic Center of Manhattan in New York City. It was built in the Italianate style with Romanesque Revival interiors. William M. "Boss" Tweed – the corrupt leader of Tammany Hall, a political machine that controlled the New York state and city governments when the courthouse was built – oversaw the building's erection. The Tweed Courthouse served as a judicial building for New York County, a county of New York state coextensive with the New York City borough of Manhattan. It is the second-oldest city government building in the borough, after City Hall.

    The structure comprises pavilions to the east and west of a central section, as well as a rear wing to the south. Architect John Kellum and political appointee Thomas Little designed the first portion of the building, which was constructed from 1861 to 1872. Construction was interrupted in 1871 when Kellum died and the corruption involved in the building's construction was exposed to the public. The project was completed by architect Leopold Eidlitz, who added the rear wing and finished the interior between 1877 and 1881. (Full article...)
  • Image 11 Main front The I.G. Farben Building – also known as the Poelzig Building and the Abrams Building, formerly informally called The Pentagon of Europe – is a building complex in Frankfurt, Germany, which currently serves as the main structure of the Westend Campus of the University of Frankfurt. Construction began in 1928 and was complete in 1930 as the corporate headquarters of the I.G. Farben conglomerate, then the world's largest chemical company and the world's fourth-largest company overall. The building's original design in the modernist New Objectivity style was the subject of a competition which was eventually won by the architect Hans Poelzig. On its completion, the complex was the largest office building in Europe and remained so until the 1950s. The I.G. Farben Building's six square wings retain a modern, spare elegance, despite its mammoth size. It is also notable for its paternoster elevators. (Full article...)

    Main front

    The I.G. Farben Building – also known as the Poelzig Building and the Abrams Building, formerly informally called The Pentagon of Europe – is a building complex in Frankfurt, Germany, which currently serves as the main structure of the Westend Campus of the University of Frankfurt. Construction began in 1928 and was complete in 1930 as the corporate headquarters of the I.G. Farben conglomerate, then the world's largest chemical company and the world's fourth-largest company overall.

    The building's original design in the modernist New Objectivity style was the subject of a competition which was eventually won by the architect Hans Poelzig. On its completion, the complex was the largest office building in Europe and remained so until the 1950s. The I.G. Farben Building's six square wings retain a modern, spare elegance, despite its mammoth size. It is also notable for its paternoster elevators. (Full article...)
  • Image 12 El Lissitzky in a 1924 self-portrait El Lissitzky (Russian: Эль Лиси́цкий, born Lazar Markovich Lissitzky Russian: Ла́зарь Ма́ркович Лиси́цкий, listen; 23 November [O.S. 11 November] 1890 – 30 December 1941), was a Jewish-Russian artist, active as a printmaker, painter, illustrator, designer, photographer, and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. Lissitzky began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia. When only 15 he started teaching, a duty he would maintain for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art group UNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he moved to Weimar Republic. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works – a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. (Full article...)

    El Lissitzky in a 1924 self-portrait

    El Lissitzky (Russian: Эль Лиси́цкий, born Lazar Markovich Lissitzky Russian: Ла́зарь Ма́ркович Лиси́цкий, listen; 23 November [O.S. 11 November] 1890 – 30 December 1941), was a Jewish-Russian artist, active as a printmaker, painter, illustrator, designer, photographer, and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union.

    Lissitzky began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia. When only 15 he started teaching, a duty he would maintain for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art group UNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he moved to Weimar Republic. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works – a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. (Full article...)
  • Image 13 The Seagram Building as viewed from across Park Avenue The Seagram Building is a skyscraper at 375 Park Avenue, between 52nd and 53rd Streets, in the Midtown Manhattan neighborhood of New York City. Designed by Ludwig Mies van der Rohe along with Philip Johnson, Ely Jacques Kahn, and Robert Allan Jacobs, the high-rise tower is 515 feet (157 m) tall with 38 stories. The International Style building, completed in 1958, initially served as the headquarters of the Seagram Company, a Canadian distiller. Phyllis Lambert, daughter of Seagram CEO Samuel Bronfman, heavily influenced the Seagram Building's design, an example of the functionalist aesthetic and a prominent instance of corporate modern architecture. A glass curtain wall with vertical mullions of bronze and horizontal spandrels made of Muntz metal form the building's exterior. On Park Avenue is a pink-granite public plaza with two fountains. Behind the plaza is a tall elevator lobby with a similar design to the plaza. The lowest stories originally contained the Four Seasons Restaurant, which was replaced in 2017 with the Grill and Pool restaurants, and the Brasserie restaurant, which was superseded in 1995 by the Lobster Club. On the upper stories are modular office spaces. (Full article...)

    The Seagram Building as viewed from across Park Avenue

    The Seagram Building is a skyscraper at 375 Park Avenue, between 52nd and 53rd Streets, in the Midtown Manhattan neighborhood of New York City. Designed by Ludwig Mies van der Rohe along with Philip Johnson, Ely Jacques Kahn, and Robert Allan Jacobs, the high-rise tower is 515 feet (157 m) tall with 38 stories. The International Style building, completed in 1958, initially served as the headquarters of the Seagram Company, a Canadian distiller.

    Phyllis Lambert, daughter of Seagram CEO Samuel Bronfman, heavily influenced the Seagram Building's design, an example of the functionalist aesthetic and a prominent instance of corporate modern architecture. A glass curtain wall with vertical mullions of bronze and horizontal spandrels made of Muntz metal form the building's exterior. On Park Avenue is a pink-granite public plaza with two fountains. Behind the plaza is a tall elevator lobby with a similar design to the plaza. The lowest stories originally contained the Four Seasons Restaurant, which was replaced in 2017 with the Grill and Pool restaurants, and the Brasserie restaurant, which was superseded in 1995 by the Lobster Club. On the upper stories are modular office spaces. (Full article...)
  • Image 14 Location in the Royal Borough of Kensington and Chelsea, London The Tower House, 29 Melbury Road, is a late-Victorian townhouse in the Holland Park district of Kensington and Chelsea, London, built by the architect and designer William Burges as his home. Designed between 1875 and 1881, in the French Gothic Revival style, it was described by the architectural historian J. Mordaunt Crook as "the most complete example of a medieval secular interior produced by the Gothic Revival, and the last". The house is built of red brick, with Bath stone dressings and green roof slates from Cumbria, and has a distinctive cylindrical tower and conical roof. The ground floor contains a drawing room, a dining room and a library, while the first floor has two bedrooms and an armoury. Its exterior and the interior echo elements of Burges's earlier work, particularly Park House in Cardiff and Castell Coch. It was designated a Grade I listed building in 1949. Burges bought the lease on the plot of land in 1875. The house was built by the Ashby Brothers, with interior decoration by members of Burges's long-standing team of craftsmen such as Thomas Nicholls and Henry Stacy Marks. By 1878 the house was largely complete, although interior decoration and the designing of numerous items of furniture and metalwork continued until Burges's death in 1881. The house was inherited by his brother-in-law, Richard Popplewell Pullan. It was later sold to Colonel T. H. Minshall and then, in 1933, to Colonel E. R. B. Graham. The poet John Betjeman inherited the remaining lease in 1962 but did not extend it. Following a period when the house stood empty and suffered vandalism, it was purchased and restored, first by Lady Jane Turnbull, later by the actor Richard Harris and then by the musician Jimmy Page. (Full article...)

    Location in the Royal Borough of Kensington and Chelsea, London

    The Tower House, 29 Melbury Road, is a late-Victorian townhouse in the Holland Park district of Kensington and Chelsea, London, built by the architect and designer William Burges as his home. Designed between 1875 and 1881, in the French Gothic Revival style, it was described by the architectural historian J. Mordaunt Crook as "the most complete example of a medieval secular interior produced by the Gothic Revival, and the last". The house is built of red brick, with Bath stone dressings and green roof slates from Cumbria, and has a distinctive cylindrical tower and conical roof. The ground floor contains a drawing room, a dining room and a library, while the first floor has two bedrooms and an armoury. Its exterior and the interior echo elements of Burges's earlier work, particularly Park House in Cardiff and Castell Coch. It was designated a Grade I listed building in 1949.

    Burges bought the lease on the plot of land in 1875. The house was built by the Ashby Brothers, with interior decoration by members of Burges's long-standing team of craftsmen such as Thomas Nicholls and Henry Stacy Marks. By 1878 the house was largely complete, although interior decoration and the designing of numerous items of furniture and metalwork continued until Burges's death in 1881. The house was inherited by his brother-in-law, Richard Popplewell Pullan. It was later sold to Colonel T. H. Minshall and then, in 1933, to Colonel E. R. B. Graham. The poet John Betjeman inherited the remaining lease in 1962 but did not extend it. Following a period when the house stood empty and suffered vandalism, it was purchased and restored, first by Lady Jane Turnbull, later by the actor Richard Harris and then by the musician Jimmy Page. (Full article...)
  • Image 15 Schematic map of Heian-kyō showing the location of the palace as well as the Tsuchimikado temporary palace that developed into the current Kyoto Imperial Palace (blue in upper right-hand corner) The Heian Palace (平安宮, Heian-kyū) was the original imperial palace of Heian-kyō (present-day Kyoto), then the capital of Japan. Both the palace and the city were constructed in the late 700s and were patterned on Chinese models and designs. The palace served as the imperial residence and the administrative centre for most of the Heian period (794–1185). Located in the north-central section of the city, the palace consisted of a large, walled, rectangular Greater Palace (the Daidairi), which contained several ceremonial and administrative buildings including the government ministries. Inside this enclosure was the separately walled residential compound of the emperor, or the Inner Palace (Dairi). In addition to the emperor's living quarters, the Inner Palace contained the residences of the imperial consorts and buildings more closely linked to the person of the emperor. (Full article...)
    See caption
    Schematic map of Heian-kyō showing the location of the palace as well as the Tsuchimikado temporary palace that developed into the current Kyoto Imperial Palace (blue in upper right-hand corner)


    The Heian Palace (平安宮, Heian-kyū) was the original imperial palace of Heian-kyō (present-day Kyoto), then the capital of Japan. Both the palace and the city were constructed in the late 700s and were patterned on Chinese models and designs. The palace served as the imperial residence and the administrative centre for most of the Heian period (794–1185).

    Located in the north-central section of the city, the palace consisted of a large, walled, rectangular Greater Palace (the Daidairi), which contained several ceremonial and administrative buildings including the government ministries. Inside this enclosure was the separately walled residential compound of the emperor, or the Inner Palace (Dairi). In addition to the emperor's living quarters, the Inner Palace contained the residences of the imperial consorts and buildings more closely linked to the person of the emperor. (Full article...)
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Park Avenue Plaza viewed from Park Avenue, rising behind the Racquet and Tennis Club

Park Avenue Plaza is an office building at 55 East 52nd Street in the Midtown Manhattan neighborhood of New York City. The 575-foot (175 m) tall, 44-story building was designed by Skidmore, Owings & Merrill (SOM) for development company Fisher Brothers and was completed in 1981. Despite its name, the building is not actually on Park Avenue, although it abuts the Racquet and Tennis Club building along the avenue. Rather, the building is in the middle of a city block, with entrances on 52nd and 53rd Streets.

The building has a 15-sided massing, with wide diagonal facades to its northeast and southeast, as well as a deep notch on its east. Park Avenue Plaza's facade is made of blue-green reflective panels of glass. The building has one basement, shallower than in other nearby skyscrapers. The building's lowest ten stories include a lobby, atrium, and mechanical equipment, enabling all the office stories to have windows facing Park Avenue. At the base of the building is an enclosed atrium measuring about 30 feet (9.1 m) tall and connecting the two entrances to the building's elevators. Each office story has about 28,000 square feet (2,600 m2) of rentable area; the entire building covers over a million square feet. The building's design prompted mixed reviews upon its completion. (Full article...)

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  • Image 1 Bath and North East Somerset shown within Somerset and England Bath and North East Somerset (commonly referred to as BANES or B&NES) is a unitary authority created on 1 April 1996, following the abolition of the County of Avon, which had existed since 1974. Part of the ceremonial county of Somerset, Bath and North East Somerset occupies an area of 220 square miles (570 km2), two-thirds of which is green belt. It stretches from the outskirts of Bristol, south into the Mendip Hills and east to the southern Cotswold Hills and Wiltshire border. The city of Bath is the principal settlement in the district, but BANES also covers Keynsham, Midsomer Norton, Radstock and the Chew Valley. The area has a population of 170,000, about half of whom live in Bath, making it 12 times more densely populated than the rest of the area. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical, or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, strict limitations are imposed on the modifications allowed to a building's structure or fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. (Full article...)
    Bath and North East Somerset shown within Somerset and England

    Bath and North East Somerset (commonly referred to as BANES or B&NES) is a unitary authority created on 1 April 1996, following the abolition of the County of Avon, which had existed since 1974. Part of the ceremonial county of Somerset, Bath and North East Somerset occupies an area of 220 square miles (570 km2), two-thirds of which is green belt. It stretches from the outskirts of Bristol, south into the Mendip Hills and east to the southern Cotswold Hills and Wiltshire border. The city of Bath is the principal settlement in the district, but BANES also covers Keynsham, Midsomer Norton, Radstock and the Chew Valley. The area has a population of 170,000, about half of whom live in Bath, making it 12 times more densely populated than the rest of the area.

    In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical, or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, strict limitations are imposed on the modifications allowed to a building's structure or fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. (Full article...)
  • Image 2 View of Downtown Toronto in 2020 Many of the tallest buildings in Toronto are also the tallest in all of Canada. The tallest structure in Toronto is the CN Tower, which rises 553.3 metres (1,815 ft). The CN Tower was the tallest free-standing structure on land from 1975 until 2007. However, it is not generally considered a high-rise building as it does not have successive floors that can be occupied. The tallest habitable building in the city is First Canadian Place, which rises 298 metres (978 ft) tall in Toronto's Financial District and was completed in 1975. It also stands as the tallest building in Canada. The history of skyscrapers in Toronto began in 1894 with the construction of the Beard Building, which is often regarded as the first skyscraper in the city. Toronto went through its first building boom in the late 1920s and early 1930s, during which the number of high-rise buildings in the city vastly increased. After this period, there was a great lull in construction between 1932 and 1964 with only a single building above 91.5 metres (300 ft) tall being built. (Full article...)
    View of Downtown Toronto in 2020

    Many of the tallest buildings in Toronto are also the tallest in all of Canada. The tallest structure in Toronto is the CN Tower, which rises 553.3 metres (1,815 ft). The CN Tower was the tallest free-standing structure on land from 1975 until 2007. However, it is not generally considered a high-rise building as it does not have successive floors that can be occupied. The tallest habitable building in the city is First Canadian Place, which rises 298 metres (978 ft) tall in Toronto's Financial District and was completed in 1975. It also stands as the tallest building in Canada.

    The history of skyscrapers in Toronto began in 1894 with the construction of the Beard Building, which is often regarded as the first skyscraper in the city. Toronto went through its first building boom in the late 1920s and early 1930s, during which the number of high-rise buildings in the city vastly increased. After this period, there was a great lull in construction between 1932 and 1964 with only a single building above 91.5 metres (300 ft) tall being built. (Full article...)
  • Image 3 Victoria Harbour and the Hong Kong skyline at night, taken in June 2019 Hong Kong has over 9,000 high-rise buildings, of which over 4,000 are skyscrapers standing taller than 100 m (328 ft) with 554 buildings above 150 m (492 ft), according to the Council on Tall Buildings and Urban Habitat.[A] The tallest building in Hong Kong is the 108-storey International Commerce Centre, which stands 484 m (1,588 ft) and is the 13th tallest building in the world. The total built-up height (combined heights) of these skyscrapers is approximately 333.8 km (207 miles), making Hong Kong the world's tallest urban agglomeration. Furthermore, reflective of the city's high population densities, Hong Kong has more inhabitants living at the 15th floor or higher, and more buildings of at least 100 m (328 ft) and 150 m (492 ft) height, than any other city in the world. Most of Hong Kong's buildings are concentrated on the northern shore of Hong Kong Island, Kowloon, and the new towns (satellite towns) of the New Territories, such as Tsuen Wan and Sha Tin. Additional high-rises are located along Hong Kong Island's southern shoreline and areas near the stations of the Mass Transit Railway (MTR). (Full article...)
    Victoria Harbour and the Hong Kong skyline at night, taken in June 2019

    Hong Kong has over 9,000 high-rise buildings, of which over 4,000 are skyscrapers standing taller than 100 m (328 ft) with 554 buildings above 150 m (492 ft), according to the Council on Tall Buildings and Urban Habitat.[A] The tallest building in Hong Kong is the 108-storey International Commerce Centre, which stands 484 m (1,588 ft) and is the 13th tallest building in the world. The total built-up height (combined heights) of these skyscrapers is approximately 333.8 km (207 miles), making Hong Kong the world's tallest urban agglomeration. Furthermore, reflective of the city's high population densities, Hong Kong has more inhabitants living at the 15th floor or higher, and more buildings of at least 100 m (328 ft) and 150 m (492 ft) height, than any other city in the world.

    Most of Hong Kong's buildings are concentrated on the northern shore of Hong Kong Island, Kowloon, and the new towns (satellite towns) of the New Territories, such as Tsuen Wan and Sha Tin. Additional high-rises are located along Hong Kong Island's southern shoreline and areas near the stations of the Mass Transit Railway (MTR). (Full article...)
  • Image 4 The BT Tower, completed in 1964 at 177 metres tall At 111 metres (364 ft), St Paul's Cathedral was the tallest building in London from 1710 until it was eventually surpassed by the 118 metre (387 ft) Millbank Tower in 1963. This in turn was overtaken by the BT Tower at 177 metres (581 ft) tall in 1964. Throughout the 1960s and 1970s several high-rise buildings were built, mostly in the western side of Central London and the City of London. In 1980, the 183 metre (600 ft) NatWest Tower (now Tower 42) was completed in the City of London. In 1991, One Canada Square was topped-out at 235 metres (771 ft), becoming the centrepiece of the Canary Wharf development. The 2000s saw the beginnings of a boom in skyscraper building, mostly in the City of London and Canary Wharf. Since 2012, the tallest building in London has been The Shard at London Bridge, which was topped out at 309.6 metres (1,016 ft). There are several tall buildings planned for the City and Canary Wharf, with further clusters emerging in other districts of London including: Stratford, the South Bank, Elephant and Castle, Vauxhall, Nine Elms, Islington, Lewisham as well as in places in Outer London such as Croydon. (Full article...)

    The BT Tower, completed in 1964 at 177 metres tall

    At 111 metres (364 ft), St Paul's Cathedral was the tallest building in London from 1710 until it was eventually surpassed by the 118 metre (387 ft) Millbank Tower in 1963. This in turn was overtaken by the BT Tower at 177 metres (581 ft) tall in 1964. Throughout the 1960s and 1970s several high-rise buildings were built, mostly in the western side of Central London and the City of London. In 1980, the 183 metre (600 ft) NatWest Tower (now Tower 42) was completed in the City of London. In 1991, One Canada Square was topped-out at 235 metres (771 ft), becoming the centrepiece of the Canary Wharf development.

    The 2000s saw the beginnings of a boom in skyscraper building, mostly in the City of London and Canary Wharf. Since 2012, the tallest building in London has been The Shard at London Bridge, which was topped out at 309.6 metres (1,016 ft). There are several tall buildings planned for the City and Canary Wharf, with further clusters emerging in other districts of London including: Stratford, the South Bank, Elephant and Castle, Vauxhall, Nine Elms, Islington, Lewisham as well as in places in Outer London such as Croydon. (Full article...)
  • Image 5 Tokyo is the most populated of Japan's 47 prefectures. Mainland Tokyo is divided into two sections: Western Tokyo and the special wards of Tokyo. The prefecture's tallest structures are within the 23 special wards, which comprise the area formerly incorporated as Tokyo City. As of December 2024, there are over 200 structures in Tokyo that stand at least 150 metres tall (492 feet), of which 47 are at least 200 metres tall (656 feet), including those that are still under construction but have been topped out. Most of these structures are buildings; however, there are other types of structures among the tallest in the prefecture, such as freestanding towers and incineration smokestacks. The tallest structure in the prefecture is Tokyo Skytree, a megatall lattice tower that rises 634 metres (2,080 feet), which was completed in 2012. It also stands as the tallest structure in Japan, the tallest tower in the world, and the third-tallest freestanding structure in the world. The second-tallest structure in Tokyo is the 333-metre-tall (1,092 feet) Tokyo Tower, a lattice tower completed in 1958. The tallest building and third-tallest overall structure is the 325-metre-tall (1,068 feet) Azabudai Hills Mori JP Tower, completed in 2023 and being Tokyo's only supertall skyscraper. It is also the tallest building in Japan and the world's largest skyscraper by floor area. Including topped-out buildings, Tokyo is home to 17 of the 25 tallest freestanding structures and 18 of the 25 tallest buildings in Japan. (Full article...)

    Tokyo is the most populated of Japan's 47 prefectures. Mainland Tokyo is divided into two sections: Western Tokyo and the special wards of Tokyo. The prefecture's tallest structures are within the 23 special wards, which comprise the area formerly incorporated as Tokyo City. As of December 2024, there are over 200 structures in Tokyo that stand at least 150 metres tall (492 feet), of which 47 are at least 200 metres tall (656 feet), including those that are still under construction but have been topped out. Most of these structures are buildings; however, there are other types of structures among the tallest in the prefecture, such as freestanding towers and incineration smokestacks.

    The tallest structure in the prefecture is Tokyo Skytree, a megatall lattice tower that rises 634 metres (2,080 feet), which was completed in 2012. It also stands as the tallest structure in Japan, the tallest tower in the world, and the third-tallest freestanding structure in the world. The second-tallest structure in Tokyo is the 333-metre-tall (1,092 feet) Tokyo Tower, a lattice tower completed in 1958. The tallest building and third-tallest overall structure is the 325-metre-tall (1,068 feet) Azabudai Hills Mori JP Tower, completed in 2023 and being Tokyo's only supertall skyscraper. It is also the tallest building in Japan and the world's largest skyscraper by floor area. Including topped-out buildings, Tokyo is home to 17 of the 25 tallest freestanding structures and 18 of the 25 tallest buildings in Japan. (Full article...)
  • Image 6 Skyline of Boston's Back Bay Boston, the capital of the U.S. state of Massachusetts and the largest city in New England, is home to 555 completed high-rises, 37 of which stand taller than 400 feet (122 m). The city's skyscrapers and high-rises are concentrated along the roughly 2.5 mile High Spine, which runs from the Back Bay to the Financial District and West End, while bypassing the surrounding low-rise residential neighborhoods. The tallest structure in Boston is the 60-story 200 Clarendon, better known to locals as the John Hancock Tower, which rises 790 feet (241 m) in the Back Bay district. It is also the tallest building in New England and the 80th-tallest building in the United States. The second-tallest building in Boston is the Prudential Tower, which rises 52 floors and 749 feet (228 m). At the time of the Prudential Tower's completion in 1964, it stood as the tallest building in North America outside of New York City. Boston's history of skyscrapers began with the completion in 1893 of the 13-story Ames Building, which is considered the city's first high-rise. Boston went through a major building boom in the 1960s and 1970s, resulting in the construction of over 20 skyscrapers, including 200 Clarendon and the Prudential Tower. The city is the site of 25 skyscrapers that rise at least 492 feet (150 m) in height, more than any other city in New England. As of 2018[update], the skyline of Boston is ranked 10th in the United States and 79th in the world with 57 buildings rising at least 330 feet (100 m) in height. (Full article...)
    Skyline of a city on a river. Two buildings are much taller and more prominent than the rest; one of the large buildings is a skyscraper with a blue-tinted, all-glass facade, and the second is a large rectangular tower with a steel latticework facade and a tall antenna mast on its roof.
    Skyline of Boston's Back Bay

    Boston, the capital of the U.S. state of Massachusetts and the largest city in New England, is home to 555 completed high-rises, 37 of which stand taller than 400 feet (122 m). The city's skyscrapers and high-rises are concentrated along the roughly 2.5 mile High Spine, which runs from the Back Bay to the Financial District and West End, while bypassing the surrounding low-rise residential neighborhoods. The tallest structure in Boston is the 60-story 200 Clarendon, better known to locals as the John Hancock Tower, which rises 790 feet (241 m) in the Back Bay district. It is also the tallest building in New England and the 80th-tallest building in the United States. The second-tallest building in Boston is the Prudential Tower, which rises 52 floors and 749 feet (228 m). At the time of the Prudential Tower's completion in 1964, it stood as the tallest building in North America outside of New York City.

    Boston's history of skyscrapers began with the completion in 1893 of the 13-story Ames Building, which is considered the city's first high-rise. Boston went through a major building boom in the 1960s and 1970s, resulting in the construction of over 20 skyscrapers, including 200 Clarendon and the Prudential Tower. The city is the site of 25 skyscrapers that rise at least 492 feet (150 m) in height, more than any other city in New England. As of 2018, the skyline of Boston is ranked 10th in the United States and 79th in the world with 57 buildings rising at least 330 feet (100 m) in height. (Full article...)
  • Image 7 The Strat tower is the tallest observation tower in the United States The city of Las Vegas, Nevada and its surrounding unincorporated communities in the Las Vegas Valley are the sites of more than 160 high-rises, 42 of which stand taller than 400 feet (122 m). The tallest structure in the city is the Strat tower, which rises 1,149 feet (350 m) just north of the Las Vegas Strip. The tower is also the tallest observation tower in the United States. However, the Strat is not considered a building because the vast majority of the tower is not habitable. The tallest building in Las Vegas is the Fontainebleau Las Vegas, which rises 735 feet (224 m) and was topped out in November 2008. This building remained unfinished for several years due to the late-2000s recession and opened in December 2023. The second tallest habitable building in the city is the 59-story Resorts World, which rises 673 feet (205 m) and was completed in 2021. Beginning in the 1960s, high-rise hotels began to become more concentrated on the Las Vegas Strip. The first high-rise hotel and casino resort to rise higher than 492 feet (150 m) was the 529-foot (161 m) New York-New York Hotel & Casino, completed in 1997. Las Vegas entered into a skyscraper-building boom in the late 1990s that has continued to the present; of the city's 40 tallest skyscrapers, 39 were completed after 1997. As of 2012, the skyline of Las Vegas is ranked 66th in the world and 18th in the United States with 176 completed high-rises. (Full article...)
    The Strat tower is the tallest observation tower in the United States

    The city of Las Vegas, Nevada and its surrounding unincorporated communities in the Las Vegas Valley are the sites of more than 160 high-rises, 42 of which stand taller than 400 feet (122 m). The tallest structure in the city is the Strat tower, which rises 1,149 feet (350 m) just north of the Las Vegas Strip. The tower is also the tallest observation tower in the United States. However, the Strat is not considered a building because the vast majority of the tower is not habitable. The tallest building in Las Vegas is the Fontainebleau Las Vegas, which rises 735 feet (224 m) and was topped out in November 2008. This building remained unfinished for several years due to the late-2000s recession and opened in December 2023. The second tallest habitable building in the city is the 59-story Resorts World, which rises 673 feet (205 m) and was completed in 2021.

    Beginning in the 1960s, high-rise hotels began to become more concentrated on the Las Vegas Strip. The first high-rise hotel and casino resort to rise higher than 492 feet (150 m) was the 529-foot (161 m) New York-New York Hotel & Casino, completed in 1997. Las Vegas entered into a skyscraper-building boom in the late 1990s that has continued to the present; of the city's 40 tallest skyscrapers, 39 were completed after 1997. As of 2012, the skyline of Las Vegas is ranked 66th in the world and 18th in the United States with 176 completed high-rises. (Full article...)
  • Image 8 Taunton Deane is a local government district with borough status in the English county of Somerset. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. The district of Taunton Deane Area covers a population of approximately 100,000 in an area of 462 square kilometres (178 sq mi). It is centred on the town of Taunton, where around 60,000 of the population live and the council are based, and includes surrounding suburbs and villages. (Full article...)
    Taunton Deane is a local government district with borough status in the English county of Somerset. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations.

    The district of Taunton Deane Area covers a population of approximately 100,000 in an area of 462 square kilometres (178 sq mi). It is centred on the town of Taunton, where around 60,000 of the population live and the council are based, and includes surrounding suburbs and villages. (Full article...)
  • Image 9 North Somerset is a unitary authority in the ceremonial county of Somerset, England. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations. North Somerset constitutes part of the ceremonial county of Somerset. As a unitary authority, North Somerset is administered independently of the non-metropolitan county of Somerset. Its administrative headquarters are located in the town hall of Weston-super-Mare. North Somerset includes areas that were once part of Somerset before the creation of Avon in 1974. (Full article...)
    North Somerset is a unitary authority in the ceremonial county of Somerset, England. In the United Kingdom, the term listed building refers to a building or other structure officially designated as being of special architectural, historical or cultural significance; Grade I structures are those considered to be "buildings of exceptional interest". Listing was begun by a provision in the Town and Country Planning Act 1947. Once listed, severe restrictions are imposed on the modifications allowed to a building's structure or its fittings. In England, the authority for listing under the Planning (Listed Buildings and Conservation Areas) Act 1990 rests with Historic England, a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport; local authorities have a responsibility to regulate and enforce the planning regulations.

    North Somerset constitutes part of the ceremonial county of Somerset. As a unitary authority, North Somerset is administered independently of the non-metropolitan county of Somerset. Its administrative headquarters are located in the town hall of Weston-super-Mare. North Somerset includes areas that were once part of Somerset before the creation of Avon in 1974. (Full article...)
  • Image 10 The Salesforce Tower (right) has been San Francisco's tallest building since its construction in 2017. Prior to that, the Transamerica Pyramid (left) was the tallest building from its construction in 1972 until 2017. (Photographed on March 1, 2018) San Francisco, California, in the United States, has at least 482 high-rises, 58 of which are at least 400 feet (122 m) tall. The tallest building is Salesforce Tower, which rises 1,070 ft (330 m) and as of April 2023[update] is the 17th-tallest building in the United States. The city's second-tallest building is the Transamerica Pyramid, which rises 853 ft (260 m), and was previously the city's tallest for 45 years, from 1972 to 2017. The city's third-tallest building is 181 Fremont, rising to 802 ft (244 m). San Francisco has 27 skyscrapers that rise at least 492 feet (150 m). Six more skyscrapers of over 150 m are under construction, have been approved for construction, or have been proposed. Its skyline is currently ranked second in the Western United States (after Los Angeles) and sixth in the United States, after New York City, Chicago, Miami, Houston, and Los Angeles. (Full article...)
    The Salesforce Tower (right) has been San Francisco's tallest building since its construction in 2017. Prior to that, the Transamerica Pyramid (left) was the tallest building from its construction in 1972 until 2017. (Photographed on March 1, 2018)

    San Francisco, California, in the United States, has at least 482 high-rises, 58 of which are at least 400 feet (122 m) tall. The tallest building is Salesforce Tower, which rises 1,070 ft (330 m) and as of April 2023 is the 17th-tallest building in the United States. The city's second-tallest building is the Transamerica Pyramid, which rises 853 ft (260 m), and was previously the city's tallest for 45 years, from 1972 to 2017. The city's third-tallest building is 181 Fremont, rising to 802 ft (244 m).

    San Francisco has 27 skyscrapers that rise at least 492 feet (150 m). Six more skyscrapers of over 150 m are under construction, have been approved for construction, or have been proposed. Its skyline is currently ranked second in the Western United States (after Los Angeles) and sixth in the United States, after New York City, Chicago, Miami, Houston, and Los Angeles. (Full article...)
  • Image 11 The Philadelphia skyline as seen from Boathouse Row in June 2019 (annotated version) Philadelphia, the largest city in the U.S. state of Pennsylvania, is home to more than 300 completed high-rise buildings and skyscrapers up to 330 feet (101 m), and 58 completed skyscrapers of 330 feet (101 m) or taller, of which 34 are 400 feet (122 m) or taller and are listed below. As of 2018[update], the tallest building in the city is the 60-story Comcast Technology Center, which topped out at 1,150 feet (351 m) in Center City on November 27, 2017, and was opened in 2018. (Full article...)
    The Philadelphia skyline as seen from Boathouse Row in June 2019 (annotated version)

    Philadelphia, the largest city in the U.S. state of Pennsylvania, is home to more than 300 completed high-rise buildings and skyscrapers up to 330 feet (101 m), and 58 completed skyscrapers of 330 feet (101 m) or taller, of which 34 are 400 feet (122 m) or taller and are listed below.
    As of 2018, the tallest building in the city is the 60-story Comcast Technology Center, which topped out at 1,150 feet (351 m) in Center City on November 27, 2017, and was opened in 2018. (Full article...)
  • Image 12 John Douglas in late middle age John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. Perhaps his best-known design is that for the Eastgate Clock in Chester. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival much of his output incorporates elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe, and frequently included elements of French, German, and Netherlandish architecture. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, in which he was influenced by the black-and-white revival in Chester. Other vernacular elements he employed included tile-hanging, pargeting, and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas' use of joinery and highly detailed wood carving. John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
    Old grainy photograph of the head and shoulders of a bearded man wearing a three-piece suit, tie and high collar
    John Douglas in late middle age


    John Douglas (1830–1911) was an English architect based in Chester, Cheshire. His output included new churches, alterations to and restoration of existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. Perhaps his best-known design is that for the Eastgate Clock in Chester. His architectural styles were eclectic, but as he worked during the period of the Gothic Revival much of his output incorporates elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe, and frequently included elements of French, German, and Netherlandish architecture. Douglas is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, in which he was influenced by the black-and-white revival in Chester. Other vernacular elements he employed included tile-hanging, pargeting, and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas' use of joinery and highly detailed wood carving.

    John Douglas was born in the Cheshire village of Sandiway and was articled to the Lancaster architect E. G. Paley, later becoming his chief assistant. He established an office in Chester in either 1855 or 1860, from where he practised throughout his career. Initially he ran the office himself but in 1884 he appointed his assistant, Daniel Porter Fordham, as a partner. When Fordham retired in 1897, he was succeeded by Charles Howard Minshull. In 1909 this partnership was dissolved and Douglas ran the office alone until his death in 1911. As his office was in Chester, most of his works were in Cheshire and North Wales, although some were further afield, in Lancashire, Staffordshire, Warwickshire, and Scotland. (Full article...)
  • Image 13 Charles Holden by Benjamin Nelson, 1910 Charles Holden (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s. Other notable designs were Bristol Central Library, the Underground Electric Railways Company of London's headquarters at 55 Broadway and the University of London's Senate House. Many of his buildings have been granted listed building status, indicating that they are considered to be of architectural or historical interest and protecting them from unapproved alteration. He also designed over 60 war cemeteries and two memorials in Belgium and northern France for the Imperial War Graves Commission from 1920 to 1928. Holden's early architectural training was in Bolton and Manchester where he worked for architects Everard W. Leeson and Jonathan Simpson before moving to London. After a short period with Arts and Crafts designer Charles Robert Ashbee, he went to work for Henry Percy Adams in 1899. He became Adams' partner in the firm in 1907 and remained with it for the rest of his career. (Full article...)
    Charles Holden by Benjamin Nelson, 1910

    Charles Holden (12 May 1875 – 1 May 1960) was an English architect best known for designing many London Underground stations during the 1920s and 1930s. Other notable designs were Bristol Central Library, the Underground Electric Railways Company of London's headquarters at 55 Broadway and the University of London's Senate House. Many of his buildings have been granted listed building status, indicating that they are considered to be of architectural or historical interest and protecting them from unapproved alteration. He also designed over 60 war cemeteries and two memorials in Belgium and northern France for the Imperial War Graves Commission from 1920 to 1928.

    Holden's early architectural training was in Bolton and Manchester where he worked for architects Everard W. Leeson and Jonathan Simpson before moving to London. After a short period with Arts and Crafts designer Charles Robert Ashbee, he went to work for Henry Percy Adams in 1899. He became Adams' partner in the firm in 1907 and remained with it for the rest of his career. (Full article...)
  • Image 14 General layout of a Shinto shrine: 1. Torii, 2. Stone stairs, 3. Sandō, 4. Chōzuya or Temizuya, 5. Tōrō, 6. Kagura-den (building dedicated to Noh or the sacred Kagura dance), 7. Shamusho (administration office), 8. Ema, 9. Sessha/massha, 10. Komainu, 11. Haiden, 12. Tamagaki, 13. Honden The number of Shinto shrines in Japan today has been estimated at more than 150,000. Single structure shrines are the most common. Shrine buildings might also include oratories (in front of main sanctuary), purification halls, offering halls called heiden (between honden and haiden), dance halls, stone or metal lanterns, fences or walls, torii and other structures. The term "National Treasure" has been used in Japan to denote cultural properties since 1897. The definition and the criteria have changed since the inception of the term. The shrine structures in this list were designated national treasures when the Law for the Protection of Cultural Properties was implemented on June 9, 1951. As such they are eligible for government grants for repairs, maintenance and the installation of fire-prevention facilities and other disaster prevention systems. Owners are required to announce any changes to the National Treasures such as damage or loss and need to obtain a permit for transfer of ownership or intended repairs. The items are selected by the Ministry of Education, Culture, Sports, Science and Technology based on their "especially high historical or artistic value". This list presents 43 entries of national treasure shrine structures from 12th-century Classical Heian period to the early modern 19th-century Edo period. The number of structures listed is actually more than 43, because in some cases groups of related structures are combined to form a single entry. The structures include main halls (honden), oratories (haiden), gates, offering halls (heiden), purification halls (haraedono) and other structures associated with shrines. (Full article...)
    A path leads through a torii gate up a flight of stairs, towards two buildings positioned along the axis of the path. To the sides of the path there are minor buildings and structures.
    General layout of a Shinto shrine: 1. Torii, 2. Stone stairs, 3. Sandō, 4. Chōzuya or Temizuya, 5. Tōrō, 6. Kagura-den (building dedicated to Noh or the sacred Kagura dance), 7. Shamusho (administration office), 8. Ema, 9. Sessha/massha, 10. Komainu, 11. Haiden, 12. Tamagaki, 13. Honden

    The number of Shinto shrines in Japan today has been estimated at more than 150,000. Single structure shrines are the most common. Shrine buildings might also include oratories (in front of main sanctuary), purification halls, offering halls called heiden (between honden and haiden), dance halls, stone or metal lanterns, fences or walls, torii and other structures. The term "National Treasure" has been used in Japan to denote cultural properties since 1897.
    The definition and the criteria have changed since the inception of the term. The shrine structures in this list were designated national treasures when the Law for the Protection of Cultural Properties was implemented on June 9, 1951. As such they are eligible for government grants for repairs, maintenance and the installation of fire-prevention facilities and other disaster prevention systems. Owners are required to announce any changes to the National Treasures such as damage or loss and need to obtain a permit for transfer of ownership or intended repairs. The items are selected by the Ministry of Education, Culture, Sports, Science and Technology based on their "especially high historical or artistic value". This list presents 43 entries of national treasure shrine structures from 12th-century Classical Heian period to the early modern 19th-century Edo period. The number of structures listed is actually more than 43, because in some cases groups of related structures are combined to form a single entry. The structures include main halls (honden), oratories (haiden), gates, offering halls (heiden), purification halls (haraedono) and other structures associated with shrines. (Full article...)
  • Image 15 The skyline of Lujiazui CBD in Pudong District with Oriental Pearl Tower, Shanghai International Finance Center, Jin Mao Tower, Shanghai World Financial Center and Shanghai Tower The city of Shanghai, China is one of the fastest-growing cities in the world in terms of skyscraper construction, with the City of Shanghai reporting at the end of 2004 that there had been 6,704 buildings of 11 stories or more completed since 1990. In 2011 there are over 20,000 buildings 11 stories or higher and more than 1,000 buildings exceeding 30 stories in Shanghai. As of January 2019, there are 165 high-rise buildings either under construction, approved for construction, or proposed for construction, of which five are over 300 m (980 ft) high. Shanghai's first building boom occurred in the 1920s and 1930s, during the city's heyday as a multinational center of business and finance. The city's international concessions permitted foreign investment, and with it came architectural styles from the West, as seen today in areas such as the French Concession and the Bund. After the Communist takeover in 1949 the city's development was stifled, punished for its earlier capitalist excesses. After economic reforms beginning in the 1980s, the city is undergoing its second construction boom to fulfill its desire to regain its status as an important global financial center. (Full article...)
    The skyline of Lujiazui CBD in Pudong District with Oriental Pearl Tower, Shanghai International Finance Center, Jin Mao Tower, Shanghai World Financial Center and Shanghai Tower

    The city of Shanghai, China is one of the fastest-growing cities in the world in terms of skyscraper construction, with the City of Shanghai reporting at the end of 2004 that there had been 6,704 buildings of 11 stories or more completed since 1990. In 2011 there are over 20,000 buildings 11 stories or higher and more than 1,000 buildings exceeding 30 stories in Shanghai. As of January 2019, there are 165 high-rise buildings either under construction, approved for construction, or proposed for construction, of which five are over 300 m (980 ft) high.

    Shanghai's first building boom occurred in the 1920s and 1930s, during the city's heyday as a multinational center of business and finance. The city's international concessions permitted foreign investment, and with it came architectural styles from the West, as seen today in areas such as the French Concession and the Bund. After the Communist takeover in 1949 the city's development was stifled, punished for its earlier capitalist excesses. After economic reforms beginning in the 1980s, the city is undergoing its second construction boom to fulfill its desire to regain its status as an important global financial center. (Full article...)
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Architects: Matthew Brettingham, William Bruce, William Burges, John Douglas, Charles Holden, El Lissitzky, Benjamin Mountfort, I. M. Pei, Albert Speer, Rudolf Wolters. Buildings: 7 World Trade Center, Angkor Wat, Baden-Powell House, Belton House, Borobudur, BP Pedestrian Bridge, Bramall Hall, Buckingham Palace, Buildings and architecture of Bristol, Buildings of Jesus College, Oxford, Buildings of Nuffield College, Oxford, Building of the World Trade Center, Castell Coch, Catherine de' Medici's building projects, Chartwell, Chicago Board of Trade Building, Cragside, Heian Palace, Holkham Hall, IG Farben Building, House with Chimaeras, Hoysala architecture, City of Manchester Stadium, Monnow Bridge, Mosque, Michigan State Capitol, New Orleans Mint, Oregon State Capitol, Oriel College, Oxford, Palazzo Pitti, Palladian architecture, Pennsylvania State Capitol, Round Church, Preslav, Sandringham House, Sanssouci, Santa Maria de Ovila, Scottish Parliament building, Sicilian Baroque, St Donat's Castle, St. Michael's Cathedral, Qingdao, St. Michael's Golden-Domed Monastery, St Nicholas, Blakeney, Vkhutemas, The Tower House, West Wycombe Park

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Chicago Landmarks, National Treasures of Japan (castles), National Treasures of Japan (shrines), Pritzker Prize, New churches by John Douglas, Church restorations, amendments and furniture by John Douglas, Houses and associated buildings by John Douglas, Non-ecclesiastical and non-residential works by John Douglas, Scheduled monuments in Maidstone, Works by Charles Holden, Grade I listed buildings in: Bath and North East Somerset, Maidstone, Mendip, North Somerset, Sedgemoor, South Somerset, Taunton Deane, West Somerset, List of tallest buildings in: Boston, Chicago, Cleveland, Dallas, Detroit, Dubai, Hong Kong, Las Vegas, London, Los Angeles, Manchester, Miami, Minneapolis, Philadelphia, Providence, San Francisco, Shanghai, Singapore, Tokyo, Toronto, Tulsa, Vancouver, Listed buildings in: Runcorn (urban area), Runcorn (rural area), Widnes

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Architects: William Adam, Eustace Balfour, Antoni Gaudí, Thomas Harrison, Zvi Hecker, Bjarke Ingels, E. G. Paley, Timothy L. Pflueger, Antonin Raymond, Kenzo Tange. Buildings: 108 North State Street, 5th Avenue Theatre, Algonquin Hotel, Andriyivskyy Descent, AT&T Corporate Center, Ballard Carnegie Library, Baths of Zeuxippus, Beaumont House, Benjaminville Friends Meeting House and Burial Ground, Blackstone Library, Boughton Monchelsea Place, The Casbah Coffee Club, Central Troy Historic District, Chana School, Chester Rows, Chicago Spire, Chicago Theatre, Chrysler Building, Churche's Mansion, Clinton Presidential Center, Crown Fountain, Dolphinarium, Eaton Hall, Cheshire, Édifice Price, Edinburgh Place Ferry Pier, Ellwood House, The Exchange, Bristol, Forbidden City, Harold Washington Cultural Center, Heller House, Historic Michigan Boulevard District, Hull House, Imbrex and tegula, Imperial War Museum North, Jay Pritzker Pavilion, Joffrey Tower, Joseph F. Glidden House, Linton Park, Liverpool Town Hall, Louvre, Manila Hotel, Marquette Building (Chicago), Millennium Stadium, National Gallery, London, National Police Memorial, New Bedford Historic District, Old Louisville, One Bayfront Plaza, One Times Square, Onion dome, Oregon Public Library, Pavillon de Flore, Presidio of Santa Barbara, Queen's Pier, Rancho Camulos, Robot Building, Rock N Roll McDonald's, Roman Baths (Bath), Rookery Building, Senate House (University of London), Shamrock Hotel, Sycamore Historic District, Taipei 101, TCF Bank Stadium, United States Institute of Peace Headquarters, University Mall (Little Rock, Arkansas), University of Illinois Observatory, University of Virginia, Upper Brook Street Chapel, Manchester, Valley of the Kings, Via della Conciliazione, Victoria Rooms (Bristol), Waller Hall, Wales Millennium Centre, World Trade Center. Castles and fortifications: Beaumaris Castle, Berkhamsted Castle, Bowes Castle, Buckton Castle, Caernarfon Castle, Caludon Castle, Château Gaillard, Château de Chinon, Conwy Castle, Dolbadarn Castle, Dunstaffnage Castle, Fort Greble, Fort Pasir Panjang, Fortress of Klis, Golubac fortress, Goodrich Castle, Haapsalu Castle, Hadleigh Castle, Halton Castle, Himeji Castle, Hylton Castle, Kaunas Fortress, Kenilworth Castle, Loch Leven Castle, Longtown Castle, Okehampton Castle, Oxford Castle, Peckforton Castle, Castle Rising, Roslin Castle, Smederevo Fortress, St Briavels Castle, Vilnius Castle Complex, Walls of Constantinople, Walls of Dubrovnik, York Castle. Religious buildings: Akhtala monastery, Akshardham Temple, Al-Aqsa Mosque, Al-Masjid an-Nabawi, Bath Abbey, Cathedral of the Immaculate Conception (Hong Kong), Chester Cathedral, College of All Saints, Maidstone, Elgin Cathedral, Etchmiadzin Cathedral, Ganting Grand Mosque, Hurva Synagogue, Jesuit Missions of Chiquitos, Liverpool Metropolitan Cathedral, Mexico City Metropolitan Cathedral, Mezhyhirskyi Monastery, Old St Paul's Cathedral, St Mary's Church, Acton, St Mary's Church, Nantwich, St Mary's Church, Nether Alderley, St Thomas the Martyr's Church, Oxford, Sunol Water Temple, Uppsala Cathedral, Wells Cathedral, Zagreb Synagogue, Zhenguo Temple. Cities, countries and regions: Architecture of Denmark, Architecture of Leeds, Architecture of Madagascar, Architecture of Norway, Architecture of Scotland, Architecture of the medieval cathedrals of England, Buildings and architecture of Bath, Castles in Great Britain and Ireland, Grade I listed buildings in Somerset, Architecture of the Song Dynasty, Fatimid architecture.

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