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View of Florence showing the dome, which dominates everything around it. It is octagonal in plan and ovoid in section. It has wide ribs rising to the apex with red tiles in between and a marble lantern on top.
In adding the dome to the Florence Cathedral (Italy) in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect.

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilisations are often identified with their surviving architectural achievements.

Architecture began as rural, oral vernacular architecture that developed from trial and error to successful replication. Ancient urban architecture was preoccupied with building religious structures and buildings symbolizing the political power of rulers until Greek and Roman architecture shifted focus to civic virtues. Indian and Chinese architecture influenced forms all over Asia and Buddhist architecture in particular took diverse local flavors. During the Middle Ages, pan-European styles of Romanesque and Gothic cathedrals and abbeys emerged while the Renaissance favored Classical forms implemented by architects known by name. Later, the roles of architects and engineers became separated.

Modern architecture began after World War I as an avant-garde movement that sought to develop a completely new style appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. Emphasis was put on modern techniques, materials, and simplified geometric forms, paving the way for high-rise superstructures. Many architects became disillusioned with modernism which they perceived as ahistorical and anti-aesthetic, and postmodern and contemporary architecture developed. Over the years, the field of architectural construction has branched out to include everything from ship design to interior decorating. (Full article...)

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  • Image 1 Illustration 1: Sicilian Baroque. Basilica della Collegiata in Catania, designed by Stefano Ittar, c. 1768. Sicilian Baroque is the distinctive form of Baroque architecture which evolved on the island of Sicily, off the southern coast of Italy, in the 17th and 18th centuries, when it was part of the Spanish Empire. The style is recognisable not only by its typical Baroque curves and flourishes, but also by distinctive grinning masks and putti and a particular flamboyance that has given Sicily a unique architectural identity. The Sicilian Baroque style came to fruition during a major surge of rebuilding following the massive earthquake in 1693. Previously, the Baroque style had been used on the island in a naïve and parochial manner, having evolved from hybrid native architecture rather than being derived from the great Baroque architects of Rome. After the earthquake, local architects, many of them trained in Rome, were given plentiful opportunities to recreate the more sophisticated Baroque architecture that had become popular in mainland Italy; the work of these local architects – and the new genre of architectural engravings that they pioneered – inspired more local architects to follow their lead. Around 1730, Sicilian architects had developed a confidence in their use of the Baroque style. Their particular interpretation led to further evolution to a personalised and highly localised art form on the island. From the 1780s onwards, the style was gradually replaced by the newly fashionable neoclassicism. (Full article...)
    Illustration 1: Sicilian Baroque. Basilica della Collegiata in Catania, designed by Stefano Ittar, c. 1768.
    Sicilian Baroque is the distinctive form of Baroque architecture which evolved on the island of Sicily, off the southern coast of Italy, in the 17th and 18th centuries, when it was part of the Spanish Empire. The style is recognisable not only by its typical Baroque curves and flourishes, but also by distinctive grinning masks and putti and a particular flamboyance that has given Sicily a unique architectural identity.

    The Sicilian Baroque style came to fruition during a major surge of rebuilding following the massive earthquake in 1693. Previously, the Baroque style had been used on the island in a naïve and parochial manner, having evolved from hybrid native architecture rather than being derived from the great Baroque architects of Rome. After the earthquake, local architects, many of them trained in Rome, were given plentiful opportunities to recreate the more sophisticated Baroque architecture that had become popular in mainland Italy; the work of these local architects – and the new genre of architectural engravings that they pioneered – inspired more local architects to follow their lead. Around 1730, Sicilian architects had developed a confidence in their use of the Baroque style. Their particular interpretation led to further evolution to a personalised and highly localised art form on the island. From the 1780s onwards, the style was gradually replaced by the newly fashionable neoclassicism. (Full article...)
  • Image 2 St Donat’s Castle from the Tudor Garden "An exceptionally fine medieval castle" St Donat's Castle (Welsh: Castell Sain Dunwyd), St Donats, Wales, is a medieval castle in the Vale of Glamorgan, about 16 miles (26 km) to the west of Cardiff, and about 1+1⁄2 miles (2.4 km) to the west of Llantwit Major. Positioned on cliffs overlooking the Bristol Channel, the site has been occupied since the Iron Age, and was by tradition the home of the Celtic chieftain Caradog. The present castle's origins date from the 12th century when the de Haweys and later Peter de Stradling began its development. The Stradlings held the castle for four hundred years, until the death of Sir Thomas Stradling in a duel in 1738. During the 18th century, the castle's status and condition declined and by the early 19th century it was only partly habitable. The later 19th and early 20th centuries saw several restorations. In 1852, it was purchased by John Whitlock Nicholl Carne, who claimed descent from the Stradlings but whose efforts at reconstruction were not well regarded. More enlightened improvements were made by its subsequent owner, the coal magnate Morgan Stuart Williams. (Full article...)

    the castle from the Tudor Garden
    St Donat’s Castle from the Tudor Garden
    "An exceptionally fine medieval castle"

    St Donat's Castle (Welsh: Castell Sain Dunwyd), St Donats, Wales, is a medieval castle in the Vale of Glamorgan, about 16 miles (26 km) to the west of Cardiff, and about 1+1⁄2 miles (2.4 km) to the west of Llantwit Major. Positioned on cliffs overlooking the Bristol Channel, the site has been occupied since the Iron Age, and was by tradition the home of the Celtic chieftain Caradog. The present castle's origins date from the 12th century when the de Haweys and later Peter de Stradling began its development. The Stradlings held the castle for four hundred years, until the death of Sir Thomas Stradling in a duel in 1738.

    During the 18th century, the castle's status and condition declined and by the early 19th century it was only partly habitable. The later 19th and early 20th centuries saw several restorations. In 1852, it was purchased by John Whitlock Nicholl Carne, who claimed descent from the Stradlings but whose efforts at reconstruction were not well regarded. More enlightened improvements were made by its subsequent owner, the coal magnate Morgan Stuart Williams. (Full article...)
  • Image 3 Chartwell House Chartwell is a country house near Westerham, Kent, in South East England. For over forty years it was the home of Sir Winston Churchill. He bought the property in September 1922 and lived there until shortly before his death in January 1965. In the 1930s, when Churchill was out of political office, Chartwell became the centre of his world. At his dining table, he gathered those who could assist his campaign against German re-armament and the British government's response of appeasement; in his study, he composed speeches and wrote books; in his garden, he built walls, constructed lakes and painted. During the Second World War, Chartwell was largely unused, the Churchills returning after he lost the 1945 election. In 1953, when again prime minister, the house became Churchill's refuge when he suffered a debilitating stroke. In October 1964, he left for the last time, dying at his London home, 28 Hyde Park Gate, on 24 January 1965. The origins of the estate reach back to the 14th century; in 1382, the property then called Well-street was owned by William-at-Well. It passed through various owners and in 1836 was auctioned, as a substantial brick-built manor. In 1848, it was purchased by John Campbell Colquhoun, whose grandson sold it to Churchill. The Campbell Colquhouns greatly enlarged the house and the advertisement for its sale at the time of Churchill's purchase described it as an imposing mansion. Between 1922 and 1924, it was rebuilt and extended by the society architect Philip Tilden. From the garden front, the house has extensive views over the Weald of Kent, "the most beautiful and charming" Churchill had ever seen, and the determining factor in his decision to buy the house. (Full article...)

    Chartwell House

    Chartwell is a country house near Westerham, Kent, in South East England. For over forty years it was the home of Sir Winston Churchill. He bought the property in September 1922 and lived there until shortly before his death in January 1965. In the 1930s, when Churchill was out of political office, Chartwell became the centre of his world. At his dining table, he gathered those who could assist his campaign against German re-armament and the British government's response of appeasement; in his study, he composed speeches and wrote books; in his garden, he built walls, constructed lakes and painted. During the Second World War, Chartwell was largely unused, the Churchills returning after he lost the 1945 election. In 1953, when again prime minister, the house became Churchill's refuge when he suffered a debilitating stroke. In October 1964, he left for the last time, dying at his London home, 28 Hyde Park Gate, on 24 January 1965.

    The origins of the estate reach back to the 14th century; in 1382, the property then called Well-street was owned by William-at-Well. It passed through various owners and in 1836 was auctioned, as a substantial brick-built manor. In 1848, it was purchased by John Campbell Colquhoun, whose grandson sold it to Churchill. The Campbell Colquhouns greatly enlarged the house and the advertisement for its sale at the time of Churchill's purchase described it as an imposing mansion. Between 1922 and 1924, it was rebuilt and extended by the society architect Philip Tilden. From the garden front, the house has extensive views over the Weald of Kent, "the most beautiful and charming" Churchill had ever seen, and the determining factor in his decision to buy the house. (Full article...)
  • Image 4 Belton House, south front Belton House is a Grade I listed country house in the parish of Belton near Grantham in Lincolnshire, England, built between 1685 and 1687 by Sir John Brownlow, 3rd Baronet. It is surrounded by formal gardens and a series of avenues leading to follies within a larger wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, said to be the only truly vernacular style of architecture that England had produced since the Tudor period. It is considered to be a complete example of a typical English country house; the claim has even been made that Belton's principal façade was the inspiration for the modern British motorway signs which give directions to stately homes. For about three centuries until 1984, Belton House was the seat of the Brownlow family, which had first acquired land in the area in the late 16th century. Their heirs, the Cust family, were created Baron Brownlow in 1776. Despite his great wealth Sir John Brownlow, 3rd Baronet, chose to build a comparatively modest house rather than one of the grand Baroque palaces being built by others at the time. The contemporary, if provincial, Carolean style was the selected choice of design. Nevertheless, the new house was fitted with the latest innovations, such as sash windows for the principal rooms, and followed the latest thinking on house-planning, in seeking to separate those parts of the building that were for the use of the family from the areas where servants carried out their domestic duties. Successive generations made changes to the interior of the house which reflected their changing social position and tastes, yet the fabric and design of the house changed little. (Full article...)
    The southern facade of Belton House
    Belton House, south front


    Belton House is a Grade I listed country house in the parish of Belton near Grantham in Lincolnshire, England, built between 1685 and 1687 by Sir John Brownlow, 3rd Baronet. It is surrounded by formal gardens and a series of avenues leading to follies within a larger wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, said to be the only truly vernacular style of architecture that England had produced since the Tudor period. It is considered to be a complete example of a typical English country house; the claim has even been made that Belton's principal façade was the inspiration for the modern British motorway signs which give directions to stately homes.

    For about three centuries until 1984, Belton House was the seat of the Brownlow family, which had first acquired land in the area in the late 16th century. Their heirs, the Cust family, were created Baron Brownlow in 1776. Despite his great wealth Sir John Brownlow, 3rd Baronet, chose to build a comparatively modest house rather than one of the grand Baroque palaces being built by others at the time. The contemporary, if provincial, Carolean style was the selected choice of design. Nevertheless, the new house was fitted with the latest innovations, such as sash windows for the principal rooms, and followed the latest thinking on house-planning, in seeking to separate those parts of the building that were for the use of the family from the areas where servants carried out their domestic duties. Successive generations made changes to the interior of the house which reflected their changing social position and tastes, yet the fabric and design of the house changed little. (Full article...)
  • Image 5 Nazi era ID photo Rudolf Wolters (3 August 1903 – 7 January 1983) was a German architect and government official, known for his longtime association with fellow architect and Third Reich official Albert Speer. A friend and subordinate of Speer, Wolters received the many papers which were smuggled out of Spandau Prison for Speer while he was imprisoned there, and kept them for him until Speer was released in 1966. After Speer's release, the friendship slowly collapsed, Wolters objecting strongly to Speer's blaming of Hitler and other Nazis for the Holocaust and World War II, and they saw nothing of each other in the decade before Speer's death in 1981. Wolters, who was born to a Catholic middle-class family in the northern German town of Coesfeld, obtained his degree and doctorate in architecture from the Technische Hochschule in Charlottenburg (now Technische Universität Berlin), forging a close friendship with Speer while a student. After receiving his doctorate, he had difficulty finding employment prior to the Nazi rise to power. From 1933 to 1937, he worked for the Reichsbahn. In 1937, Speer hired him as a department head, and Wolters soon took major responsibility for Hitler's plan for the large scale reconstruction of Berlin. When Speer became Minister of Armaments and War Production in 1942, Wolters moved to his department, remaining his close associate. (Full article...)

    Nazi era ID photo

    Rudolf Wolters (3 August 1903 – 7 January 1983) was a German architect and government official, known for his longtime association with fellow architect and Third Reich official Albert Speer. A friend and subordinate of Speer, Wolters received the many papers which were smuggled out of Spandau Prison for Speer while he was imprisoned there, and kept them for him until Speer was released in 1966. After Speer's release, the friendship slowly collapsed, Wolters objecting strongly to Speer's blaming of Hitler and other Nazis for the Holocaust and World War II, and they saw nothing of each other in the decade before Speer's death in 1981.

    Wolters, who was born to a Catholic middle-class family in the northern German town of Coesfeld, obtained his degree and doctorate in architecture from the Technische Hochschule in Charlottenburg (now Technische Universität Berlin), forging a close friendship with Speer while a student. After receiving his doctorate, he had difficulty finding employment prior to the Nazi rise to power. From 1933 to 1937, he worked for the Reichsbahn. In 1937, Speer hired him as a department head, and Wolters soon took major responsibility for Hitler's plan for the large scale reconstruction of Berlin. When Speer became Minister of Armaments and War Production in 1942, Wolters moved to his department, remaining his close associate. (Full article...)
  • Image 6 Painting of Bruce by John Michael Wright, c. 1664 Sir William Bruce of Kinross, 1st Baronet (c. 1630 – 1710), was a Scottish gentleman-architect, "the effective founder of classical architecture in Scotland," as Howard Colvin observes. As a key figure in introducing the Palladian style into Scotland, he has been compared to the pioneering English architects Inigo Jones and Christopher Wren, and to the contemporaneous introducers of French style in English domestic architecture, Hugh May and Sir Roger Pratt. Bruce was a merchant in Rotterdam during the 1650s, and played a role in the Restoration of Charles II in 1659. He carried messages between the exiled king and General Monck, and his loyalty to the king was rewarded with lucrative official appointments, including that of Surveyor General of the King's Works in Scotland, effectively making Bruce the "king's architect". His patrons included John Maitland, 1st Duke of Lauderdale, the most powerful man in Scotland at that time, and Bruce rose to become a member of Parliament, and briefly sat on the Scottish Privy Council. (Full article...)

    Painting of Bruce by John Michael Wright, c. 1664

    Sir William Bruce of Kinross, 1st Baronet (c. 1630 – 1710), was a Scottish gentleman-architect, "the effective founder of classical architecture in Scotland," as Howard Colvin observes. As a key figure in introducing the Palladian style into Scotland, he has been compared to the pioneering English architects Inigo Jones and Christopher Wren, and to the contemporaneous introducers of French style in English domestic architecture, Hugh May and Sir Roger Pratt.

    Bruce was a merchant in Rotterdam during the 1650s, and played a role in the Restoration of Charles II in 1659. He carried messages between the exiled king and General Monck, and his loyalty to the king was rewarded with lucrative official appointments, including that of Surveyor General of the King's Works in Scotland, effectively making Bruce the "king's architect". His patrons included John Maitland, 1st Duke of Lauderdale, the most powerful man in Scotland at that time, and Bruce rose to become a member of Parliament, and briefly sat on the Scottish Privy Council. (Full article...)
  • Image 7 55 Wall Street in 2012 55 Wall Street, formerly the National City Bank Building, is an eight-story building on Wall Street between William and Hanover streets in the Financial District of Lower Manhattan in New York City, New York, United States. The lowest three stories were completed in either 1841 or 1842 as the four-story Merchants' Exchange and designed by Isaiah Rogers in the Greek Revival style. Between 1907 and 1910, McKim, Mead & White removed the original fourth story and added five floors to create the present building. The facade and part of the interior are New York City designated landmarks, and the building is listed on both the New York State Register of Historic Places and the National Register of Historic Places (NRHP) as a National Historic Landmark. It is also a contributing property to the Wall Street Historic District, listed on the NRHP. 55 Wall Street's granite facade includes two stacked colonnades facing Wall Street, each with twelve columns. Inside is a cruciform banking hall with a 60-foot (18 m) vaulted ceiling, Corinthian columns, marble floors and walls, and an entablature around the interior. The banking hall was among the largest in the United States when it was completed. The offices of Citibank's predecessor National City Bank were in the corners of the banking hall, while the fourth through eighth floors were used as office space. (Full article...)

    55 Wall Street in 2012

    55 Wall Street, formerly the National City Bank Building, is an eight-story building on Wall Street between William and Hanover streets in the Financial District of Lower Manhattan in New York City, New York, United States. The lowest three stories were completed in either 1841 or 1842 as the four-story Merchants' Exchange and designed by Isaiah Rogers in the Greek Revival style. Between 1907 and 1910, McKim, Mead & White removed the original fourth story and added five floors to create the present building. The facade and part of the interior are New York City designated landmarks, and the building is listed on both the New York State Register of Historic Places and the National Register of Historic Places (NRHP) as a National Historic Landmark. It is also a contributing property to the Wall Street Historic District, listed on the NRHP.

    55 Wall Street's granite facade includes two stacked colonnades facing Wall Street, each with twelve columns. Inside is a cruciform banking hall with a 60-foot (18 m) vaulted ceiling, Corinthian columns, marble floors and walls, and an entablature around the interior. The banking hall was among the largest in the United States when it was completed. The offices of Citibank's predecessor National City Bank were in the corners of the banking hall, while the fourth through eighth floors were used as office space. (Full article...)
  • Image 8 The main entrance to Castell Coch Castell Coch (Welsh for 'red castle'; Welsh pronunciation: [ˈkas.tɛɬ koːχ]) is a 19th-century Gothic Revival castle built above the village of Tongwynlais, Cardiff in Wales. The first castle on the site was built by the Normans after 1081 to protect the newly conquered town of Cardiff and control the route along the Taff Gorge. Abandoned shortly afterwards, the castle's earth motte was reused by Gilbert de Clare as the basis for a new stone fortification, which he built between 1267 and 1277 to control his freshly annexed Welsh lands. This castle may have been destroyed in the native Welsh rebellion of 1314. In 1760, the castle ruins were acquired by John Stuart, 3rd Earl of Bute, as part of a marriage settlement that brought the family vast estates in South Wales. John Crichton-Stuart, 3rd Marquess of Bute, inherited the castle in 1848. One of Britain's wealthiest men, with interests in architecture and antiquarian studies, he employed the architect William Burges to rebuild the castle, "as a country residence for occasional occupation in the summer", using the medieval remains as a basis for the design. Burges rebuilt the outside of the castle between 1875 and 1879, before turning to the interior; he died in 1881 and the work was finished by Burges's remaining team in 1891. Bute reintroduced commercial viticulture into Britain, planting a vineyard just below the castle, and wine production continued until the First World War. He made little use of his new retreat, and in 1950 his grandson, the 5th Marquess of Bute, placed it into the care of the state. It is now controlled by the Welsh heritage agency Cadw. (Full article...)

    The main entrance to Castell Coch
    Castell Coch (Welsh for 'red castle'; Welsh pronunciation: [ˈkas.tɛɬ koːχ]) is a 19th-century Gothic Revival castle built above the village of Tongwynlais, Cardiff in Wales. The first castle on the site was built by the Normans after 1081 to protect the newly conquered town of Cardiff and control the route along the Taff Gorge. Abandoned shortly afterwards, the castle's earth motte was reused by Gilbert de Clare as the basis for a new stone fortification, which he built between 1267 and 1277 to control his freshly annexed Welsh lands. This castle may have been destroyed in the native Welsh rebellion of 1314. In 1760, the castle ruins were acquired by John Stuart, 3rd Earl of Bute, as part of a marriage settlement that brought the family vast estates in South Wales.

    John Crichton-Stuart, 3rd Marquess of Bute, inherited the castle in 1848. One of Britain's wealthiest men, with interests in architecture and antiquarian studies, he employed the architect William Burges to rebuild the castle, "as a country residence for occasional occupation in the summer", using the medieval remains as a basis for the design. Burges rebuilt the outside of the castle between 1875 and 1879, before turning to the interior; he died in 1881 and the work was finished by Burges's remaining team in 1891. Bute reintroduced commercial viticulture into Britain, planting a vineyard just below the castle, and wine production continued until the First World War. He made little use of his new retreat, and in 1950 his grandson, the 5th Marquess of Bute, placed it into the care of the state. It is now controlled by the Welsh heritage agency Cadw. (Full article...)
  • Image 9 East range of First Quad Oriel College (/ˈɔːriəl/) is a constituent college of the University of Oxford in Oxford, England. Located in Oriel Square, the college has the distinction of being the oldest royal foundation in Oxford (a title formerly claimed by University College, whose claim of being founded by King Alfred is no longer promoted). In recognition of this royal connection, the college has also been historically known as King's College and King's Hall. The reigning monarch of the United Kingdom (since 2022, Charles III) is the official visitor of the college. The original medieval foundation established in 1324 by Adam de Brome, under the patronage of King Edward II of England, was the House of the Blessed Mary at Oxford, and the college received a royal charter in 1326. In 1329, an additional royal grant of a manor house, La Oriole, eventually gave rise to its common name. The first design allowed for a provost and ten fellows, called "scholars", and the college remained a small body of graduate fellows until the 16th century, when it started to admit undergraduates. During the English Civil War, Oriel played host to high-ranking members of the king's Oxford Parliament. (Full article...)
    East range of First Quad

    Oriel College (/ˈɔːriəl/) is a constituent college of the University of Oxford in Oxford, England. Located in Oriel Square, the college has the distinction of being the oldest royal foundation in Oxford (a title formerly claimed by University College, whose claim of being founded by King Alfred is no longer promoted). In recognition of this royal connection, the college has also been historically known as King's College and King's Hall. The reigning monarch of the United Kingdom (since 2022, Charles III) is the official visitor of the college.

    The original medieval foundation established in 1324 by Adam de Brome, under the patronage of King Edward II of England, was the House of the Blessed Mary at Oxford, and the college received a royal charter in 1326. In 1329, an additional royal grant of a manor house, La Oriole, eventually gave rise to its common name. The first design allowed for a provost and ten fellows, called "scholars", and the college remained a small body of graduate fellows until the 16th century, when it started to admit undergraduates. During the English Civil War, Oriel played host to high-ranking members of the king's Oxford Parliament. (Full article...)
  • Image 10 The Prophet's Mosque (al-Masjid an-Nabawi) in Medina, Islam's one of the holiest mosques A mosque (/mɒsk/ MOSK), also called a masjid (/ˈmæsdʒɪd, ˈmʌs-/ MASS-jid, MUSS-), is a place of worship for Muslims. The term usually refers to a covered building, but can be any place where Islamic prayers are performed, such as an outdoor courtyard. Originally, mosques were simple places of prayer for the early Muslims, and may have been open spaces rather than elaborate buildings. In the first stage of Islamic architecture (650–750 CE), early mosques comprised open and closed covered spaces enclosed by walls, often with minarets, from which the Islamic call to prayer was issued on a daily basis. It is typical of mosque buildings to have a special ornamental niche (a mihrab) set into the wall in the direction of the city of Mecca (the qibla), which Muslims must face during prayer, as well as a facility for ritual cleansing (wudu). The pulpit (minbar), from which public sermons (khutbah) are delivered on the event of Friday prayer, was, in earlier times, characteristic of the central city mosque, but has since become common in smaller mosques. To varying degrees, mosque buildings are designed so that there are segregated spaces for men and women. This basic pattern of organization has assumed different forms depending on the region, period, and Islamic denomination. (Full article...)
    The Prophet's Mosque (al-Masjid an-Nabawi) in Medina, Islam's one of the holiest mosques

    A mosque (/mɒsk/ MOSK), also called a masjid (/ˈmæsdʒɪd, ˈmʌs-/ MASS-jid, MUSS-), is a place of worship for Muslims. The term usually refers to a covered building, but can be any place where Islamic prayers are performed, such as an outdoor courtyard.

    Originally, mosques were simple places of prayer for the early Muslims, and may have been open spaces rather than elaborate buildings. In the first stage of Islamic architecture (650–750 CE), early mosques comprised open and closed covered spaces enclosed by walls, often with minarets, from which the Islamic call to prayer was issued on a daily basis. It is typical of mosque buildings to have a special ornamental niche (a mihrab) set into the wall in the direction of the city of Mecca (the qibla), which Muslims must face during prayer, as well as a facility for ritual cleansing (wudu). The pulpit (minbar), from which public sermons (khutbah) are delivered on the event of Friday prayer, was, in earlier times, characteristic of the central city mosque, but has since become common in smaller mosques. To varying degrees, mosque buildings are designed so that there are segregated spaces for men and women. This basic pattern of organization has assumed different forms depending on the region, period, and Islamic denomination. (Full article...)
  • Image 11 Front side of the main complex Angkor Wat (/ˌæŋkɔːr ˈwɒt/; Khmer: អង្គរវត្ត, "City/Capital of Temples") is a Hindu-Buddhist temple complex in Cambodia. Located on a site measuring 162.6 hectares (1,626,000 m2; 402 acres) within the ancient Khmer capital city of Angkor, it is considered the largest religious structure in the world by Guinness World Records. Originally constructed in 1150 CE as a Hindu temple dedicated to the deity Vishnu, it was gradually transformed into a Buddhist temple towards the end of the century. Angkor Wat was built at the behest of the Khmer king Suryavarman II in the early 12th century in Yaśodharapura (present-day Angkor), the capital of the Khmer Empire, as his state temple and eventual mausoleum. Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple. It is designed to represent Mount Meru, home of the devas in Hindu mythology and is surrounded by a moat more than 5 km (3.1 mi). Enclosed within an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west with scholars divided as to the significance of this. (Full article...)

    Front side of the main complex

    Angkor Wat (/ˌæŋkɔːr ˈwɒt/; Khmer: អង្គរវត្ត, "City/Capital of Temples") is a Hindu-Buddhist temple complex in Cambodia. Located on a site measuring 162.6 hectares (1,626,000 m2; 402 acres) within the ancient Khmer capital city of Angkor, it is considered the largest religious structure in the world by Guinness World Records. Originally constructed in 1150 CE as a Hindu temple dedicated to the deity Vishnu, it was gradually transformed into a Buddhist temple towards the end of the century.

    Angkor Wat was built at the behest of the Khmer king Suryavarman II in the early 12th century in Yaśodharapura (present-day Angkor), the capital of the Khmer Empire, as his state temple and eventual mausoleum. Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple. It is designed to represent Mount Meru, home of the devas in Hindu mythology and is surrounded by a moat more than 5 km (3.1 mi). Enclosed within an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west with scholars divided as to the significance of this. (Full article...)
  • Image 12 The ruins of the Round Church in Preslav. View from the atrium entrance looking towards the narthex and rotunda gates, with the apse in the distance The Round Church (Bulgarian: Кръгла църква, Kragla tsarkva), also known as the Golden Church (Златна църква, Zlatna tsarkva) or the Church of St John (църква "Свети Йоан", tsarkva "Sveti Yoan"), is a large partially preserved early medieval Eastern Orthodox church. It lies in Preslav, the former capital of the First Bulgarian Empire, today a town in northeastern Bulgaria. The church dates to the early 10th century, the time of Tsar Simeon I's rule, and was unearthed and first archaeologically examined in 1927–1928. Considered to be one of the most impressive examples of medieval Bulgarian architecture, the Round Church takes its name from the distinctive shape of one of its three sections, the cella (naos), which is a rotunda that serves as a place of liturgy. The church's design also includes a wide atrium and a rectangular entrance area, or narthex, marked by two circular turrets. (Full article...)

    The ruins of the Round Church in Preslav.
    View from the atrium entrance looking towards the narthex and rotunda gates, with the apse in the distance

    The Round Church (Bulgarian: Кръгла църква, Kragla tsarkva), also known as the Golden Church (Златна църква, Zlatna tsarkva) or the Church of St John (църква "Свети Йоан", tsarkva "Sveti Yoan"), is a large partially preserved early medieval Eastern Orthodox church. It lies in Preslav, the former capital of the First Bulgarian Empire, today a town in northeastern Bulgaria. The church dates to the early 10th century, the time of Tsar Simeon I's rule, and was unearthed and first archaeologically examined in 1927–1928.

    Considered to be one of the most impressive examples of medieval Bulgarian architecture, the Round Church takes its name from the distinctive shape of one of its three sections, the cella (naos), which is a rotunda that serves as a place of liturgy. The church's design also includes a wide atrium and a rectangular entrance area, or narthex, marked by two circular turrets. (Full article...)
  • Image 13 "The most comfortable house in England" Sandringham House is a country house in the parish of Sandringham, Norfolk, England. It is one of the royal residences of Charles III, whose grandfather, George VI, and great-grandfather, George V, both died there. The house stands in a 20,000-acre (8,100 ha) estate in the Norfolk Coast Area of Outstanding Natural Beauty. The house is listed as Grade II* and the landscaped gardens, park and woodlands are on the National Register of Historic Parks and Gardens. The site has been occupied since Elizabethan times, when a large manor house was constructed. This was replaced in 1771 by a Georgian mansion for the owners, the Hoste Henleys. In 1836 Sandringham was bought by John Motteux, a London merchant, who already owned property in Norfolk and Surrey. Motteux had no direct heir, and on his death in 1843, his entire estate was left to Charles Spencer Cowper, the son of Motteux's close friend Emily Temple, Viscountess Palmerston. Cowper sold the Norfolk and the Surrey estates and embarked on rebuilding at Sandringham. He led an extravagant life, and by the early 1860s, the estate was mortgaged and he and his wife spent most of their time on the Continent. (Full article...)

    "The most comfortable house in England"

    Sandringham House is a country house in the parish of Sandringham, Norfolk, England. It is one of the royal residences of Charles III, whose grandfather, George VI, and great-grandfather, George V, both died there. The house stands in a 20,000-acre (8,100 ha) estate in the Norfolk Coast Area of Outstanding Natural Beauty. The house is listed as Grade II* and the landscaped gardens, park and woodlands are on the National Register of Historic Parks and Gardens.

    The site has been occupied since Elizabethan times, when a large manor house was constructed. This was replaced in 1771 by a Georgian mansion for the owners, the Hoste Henleys. In 1836 Sandringham was bought by John Motteux, a London merchant, who already owned property in Norfolk and Surrey. Motteux had no direct heir, and on his death in 1843, his entire estate was left to Charles Spencer Cowper, the son of Motteux's close friend Emily Temple, Viscountess Palmerston. Cowper sold the Norfolk and the Surrey estates and embarked on rebuilding at Sandringham. He led an extravagant life, and by the early 1860s, the estate was mortgaged and he and his wife spent most of their time on the Continent. (Full article...)
  • Image 14 A postcard dated July 12, 1907, showing the New Orleans Mint during its last few years of operation as a branch mint facility The New Orleans Mint (French: Monnaie de La Nouvelle-Orléans) operated in New Orleans, Louisiana, as a branch mint of the United States Mint from 1838 to 1861 and from 1879 to 1909. During its years of operation, it produced over 427 million gold and silver coins of nearly every American denomination, with a total face value of over US$ 307 million. It was closed during most of the American Civil War and Reconstruction. After it was decommissioned as a mint, the building has served a variety of purposes, including as an assay office, a United States Coast Guard storage facility, and a fallout shelter. (Full article...)

    A postcard dated July 12, 1907, showing the New Orleans Mint during its last few years of operation as a branch mint facility

    The New Orleans Mint (French: Monnaie de La Nouvelle-Orléans) operated in New Orleans, Louisiana, as a branch mint of the United States Mint from 1838 to 1861 and from 1879 to 1909. During its years of operation, it produced over 427 million gold and silver coins of nearly every American denomination, with a total face value of over US$ 307 million. It was closed during most of the American Civil War and Reconstruction.

    After it was decommissioned as a mint, the building has served a variety of purposes, including as an assay office, a United States Coast Guard storage facility, and a fallout shelter. (Full article...)
  • Image 15 The entry portico in 2010 The Tweed Courthouse (also known as the Old New York County Courthouse) is a historic courthouse building at 52 Chambers Street in the Civic Center of Manhattan in New York City. It was built in the Italianate style with Romanesque Revival interiors. William M. "Boss" Tweed – the corrupt leader of Tammany Hall, a political machine that controlled the New York state and city governments when the courthouse was built – oversaw the building's erection. The Tweed Courthouse served as a judicial building for New York County, a county of New York state coextensive with the New York City borough of Manhattan. It is the second-oldest city government building in the borough, after City Hall. The structure comprises pavilions to the east and west of a central section, as well as a rear wing to the south. Architect John Kellum and political appointee Thomas Little designed the first portion of the building, which was constructed from 1861 to 1872. Construction was interrupted in 1871 when Kellum died and the corruption involved in the building's construction was exposed to the public. The project was completed by architect Leopold Eidlitz, who added the rear wing and finished the interior between 1877 and 1881. (Full article...)

    The entry portico in 2010

    The Tweed Courthouse (also known as the Old New York County Courthouse) is a historic courthouse building at 52 Chambers Street in the Civic Center of Manhattan in New York City. It was built in the Italianate style with Romanesque Revival interiors. William M. "Boss" Tweed – the corrupt leader of Tammany Hall, a political machine that controlled the New York state and city governments when the courthouse was built – oversaw the building's erection. The Tweed Courthouse served as a judicial building for New York County, a county of New York state coextensive with the New York City borough of Manhattan. It is the second-oldest city government building in the borough, after City Hall.

    The structure comprises pavilions to the east and west of a central section, as well as a rear wing to the south. Architect John Kellum and political appointee Thomas Little designed the first portion of the building, which was constructed from 1861 to 1872. Construction was interrupted in 1871 when Kellum died and the corruption involved in the building's construction was exposed to the public. The project was completed by architect Leopold Eidlitz, who added the rear wing and finished the interior between 1877 and 1881. (Full article...)
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Norman Foster in 2008

Norman Robert Foster, Baron Foster of Thames Bank (born 1 June 1935) is an English architect and designer. Closely associated with the development of high-tech architecture, Foster is recognised as a key figure in British modernist architecture. His architectural practice Foster + Partners, first founded in 1967 as Foster Associates, is the largest in the United Kingdom, and maintains offices internationally. He is the president of the Norman Foster Foundation, created to 'promote interdisciplinary thinking and research to help new generations of architects, designers and urbanists to anticipate the future'. The foundation, which opened in June 2017, is based in Madrid and operates globally. Foster was awarded the Pritzker Prize in 1999. (Full article...)

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Architects: Matthew Brettingham, William Bruce, William Burges, John Douglas, Charles Holden, El Lissitzky, Benjamin Mountfort, I. M. Pei, Albert Speer, Rudolf Wolters. Buildings: 7 World Trade Center, Angkor Wat, Baden-Powell House, Belton House, Borobudur, BP Pedestrian Bridge, Bramall Hall, Buckingham Palace, Buildings and architecture of Bristol, Buildings of Jesus College, Oxford, Buildings of Nuffield College, Oxford, Building of the World Trade Center, Castell Coch, Catherine de' Medici's building projects, Chartwell, Chicago Board of Trade Building, Cragside, Heian Palace, Holkham Hall, IG Farben Building, House with Chimaeras, Hoysala architecture, City of Manchester Stadium, Monnow Bridge, Mosque, Michigan State Capitol, New Orleans Mint, Oregon State Capitol, Oriel College, Oxford, Palazzo Pitti, Palladian architecture, Pennsylvania State Capitol, Round Church, Preslav, Sandringham House, Sanssouci, Santa Maria de Ovila, Scottish Parliament building, Sicilian Baroque, St Donat's Castle, St. Michael's Cathedral, Qingdao, St. Michael's Golden-Domed Monastery, St Nicholas, Blakeney, Vkhutemas, The Tower House, West Wycombe Park

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Chicago Landmarks, National Treasures of Japan (castles), National Treasures of Japan (shrines), Pritzker Prize, New churches by John Douglas, Church restorations, amendments and furniture by John Douglas, Houses and associated buildings by John Douglas, Non-ecclesiastical and non-residential works by John Douglas, Scheduled monuments in Maidstone, Works by Charles Holden, Grade I listed buildings in: Bath and North East Somerset, Maidstone, Mendip, North Somerset, Sedgemoor, South Somerset, Taunton Deane, West Somerset, List of tallest buildings in: Boston, Chicago, Cleveland, Dallas, Detroit, Dubai, Hong Kong, Las Vegas, London, Los Angeles, Manchester, Miami, Minneapolis, Philadelphia, Providence, San Francisco, Shanghai, Singapore, Tokyo, Toronto, Tulsa, Vancouver, Listed buildings in: Runcorn (urban area), Runcorn (rural area), Widnes

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Architects: William Adam, Eustace Balfour, Antoni Gaudí, Thomas Harrison, Zvi Hecker, Bjarke Ingels, E. G. Paley, Timothy L. Pflueger, Antonin Raymond, Kenzo Tange. Buildings: 108 North State Street, 5th Avenue Theatre, Algonquin Hotel, Andriyivskyy Descent, AT&T Corporate Center, Ballard Carnegie Library, Baths of Zeuxippus, Beaumont House, Benjaminville Friends Meeting House and Burial Ground, Blackstone Library, Boughton Monchelsea Place, The Casbah Coffee Club, Central Troy Historic District, Chana School, Chester Rows, Chicago Spire, Chicago Theatre, Chrysler Building, Churche's Mansion, Clinton Presidential Center, Crown Fountain, Dolphinarium, Eaton Hall, Cheshire, Édifice Price, Edinburgh Place Ferry Pier, Ellwood House, The Exchange, Bristol, Forbidden City, Harold Washington Cultural Center, Heller House, Historic Michigan Boulevard District, Hull House, Imbrex and tegula, Imperial War Museum North, Jay Pritzker Pavilion, Joffrey Tower, Joseph F. Glidden House, Linton Park, Liverpool Town Hall, Louvre, Manila Hotel, Marquette Building (Chicago), Millennium Stadium, National Gallery, London, National Police Memorial, New Bedford Historic District, Old Louisville, One Bayfront Plaza, One Times Square, Onion dome, Oregon Public Library, Pavillon de Flore, Presidio of Santa Barbara, Queen's Pier, Rancho Camulos, Robot Building, Rock N Roll McDonald's, Roman Baths (Bath), Rookery Building, Senate House (University of London), Shamrock Hotel, Sycamore Historic District, Taipei 101, TCF Bank Stadium, United States Institute of Peace Headquarters, University Mall (Little Rock, Arkansas), University of Illinois Observatory, University of Virginia, Upper Brook Street Chapel, Manchester, Valley of the Kings, Via della Conciliazione, Victoria Rooms (Bristol), Waller Hall, Wales Millennium Centre, World Trade Center. Castles and fortifications: Beaumaris Castle, Berkhamsted Castle, Bowes Castle, Buckton Castle, Caernarfon Castle, Caludon Castle, Château Gaillard, Château de Chinon, Conwy Castle, Dolbadarn Castle, Dunstaffnage Castle, Fort Greble, Fort Pasir Panjang, Fortress of Klis, Golubac fortress, Goodrich Castle, Haapsalu Castle, Hadleigh Castle, Halton Castle, Himeji Castle, Hylton Castle, Kaunas Fortress, Kenilworth Castle, Loch Leven Castle, Longtown Castle, Okehampton Castle, Oxford Castle, Peckforton Castle, Castle Rising, Roslin Castle, Smederevo Fortress, St Briavels Castle, Vilnius Castle Complex, Walls of Constantinople, Walls of Dubrovnik, York Castle. Religious buildings: Akhtala monastery, Akshardham Temple, Al-Aqsa Mosque, Al-Masjid an-Nabawi, Bath Abbey, Cathedral of the Immaculate Conception (Hong Kong), Chester Cathedral, College of All Saints, Maidstone, Elgin Cathedral, Etchmiadzin Cathedral, Ganting Grand Mosque, Hurva Synagogue, Jesuit Missions of Chiquitos, Liverpool Metropolitan Cathedral, Mexico City Metropolitan Cathedral, Mezhyhirskyi Monastery, Old St Paul's Cathedral, St Mary's Church, Acton, St Mary's Church, Nantwich, St Mary's Church, Nether Alderley, St Thomas the Martyr's Church, Oxford, Sunol Water Temple, Uppsala Cathedral, Wells Cathedral, Zagreb Synagogue, Zhenguo Temple. Cities, countries and regions: Architecture of Denmark, Architecture of Leeds, Architecture of Madagascar, Architecture of Norway, Architecture of Scotland, Architecture of the medieval cathedrals of England, Buildings and architecture of Bath, Castles in Great Britain and Ireland, Grade I listed buildings in Somerset, Architecture of the Song Dynasty, Fatimid architecture.

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