Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Terry Crews
|
220,713
|
7,119
|
C
|
Low
|
2
|
Lenny Kravitz
|
150,715
|
4,861
|
B
|
Low
|
3
|
Nike, Inc.
|
129,494
|
4,177
|
B
|
High
|
4
|
Video game
|
98,380
|
3,173
|
C
|
Top
|
5
|
Ford Model T
|
94,756
|
3,056
|
B
|
Mid
|
6
|
Frank Lloyd Wright
|
79,505
|
2,564
|
B
|
High
|
7
|
IKEA
|
78,662
|
2,537
|
C
|
Low
|
8
|
Volkswagen Beetle
|
75,004
|
2,419
|
B
|
Mid
|
9
|
IPod
|
68,829
|
2,220
|
B
|
Mid
|
10
|
Virgil Abloh
|
62,413
|
2,013
|
C
|
Low
|
11
|
Bauhaus
|
59,071
|
1,905
|
B
|
High
|
12
|
Qantas
|
49,584
|
1,599
|
B
|
Mid
|
13
|
Jeep
|
48,081
|
1,551
|
B
|
Mid
|
14
|
Harley-Davidson
|
47,607
|
1,535
|
B
|
Mid
|
15
|
Mini
|
46,029
|
1,484
|
C
|
Mid
|
16
|
Mac (computer)
|
43,321
|
1,397
|
GA
|
High
|
17
|
William Morris
|
40,106
|
1,293
|
GA
|
Mid
|
18
|
Gaffer tape
|
39,942
|
1,288
|
Start
|
High
|
19
|
Neri Oxman
|
39,742
|
1,282
|
GA
|
Mid
|
20
|
Le Corbusier
|
37,657
|
1,214
|
C
|
High
|
21
|
Jony Ive
|
32,517
|
1,048
|
B
|
High
|
22
|
James Dyson
|
29,384
|
947
|
B
|
Mid
|
23
|
Frutiger Aero
|
28,220
|
910
|
C
|
Low
|
24
|
Computer-aided design
|
26,016
|
839
|
C
|
Mid
|
25
|
Moka pot
|
24,903
|
803
|
C
|
Low
|
26
|
Carpentry
|
24,089
|
777
|
C
|
Mid
|
27
|
Porsche 356
|
23,814
|
768
|
B
|
Low
|
28
|
Buckminster Fuller
|
23,670
|
763
|
C
|
High
|
29
|
Apple I
|
22,858
|
737
|
C
|
Low
|
30
|
Citroën DS
|
22,846
|
736
|
C
|
Mid
|
31
|
Frank Gehry
|
22,333
|
720
|
B
|
Low
|
32
|
Design
|
22,082
|
712
|
C
|
High
|
33
|
Building information modeling
|
21,680
|
699
|
C
|
Low
|
34
|
Ludwig Mies van der Rohe
|
20,515
|
661
|
C
|
Mid
|
35
|
Citroën 2CV
|
20,083
|
647
|
B
|
Mid
|
36
|
IMac G3
|
19,871
|
641
|
FA
|
Mid
|
37
|
Walkman
|
19,659
|
634
|
C
|
Mid
|
38
|
Plastic pollution
|
19,520
|
629
|
B
|
Low
|
39
|
List of countries with IKEA stores
|
19,023
|
613
|
List
|
Low
|
40
|
Skeuomorph
|
18,888
|
609
|
Start
|
Mid
|
41
|
Olivetti
|
17,761
|
572
|
C
|
Low
|
42
|
Eero Saarinen
|
17,256
|
556
|
C
|
Mid
|
43
|
Ergonomics
|
17,106
|
551
|
C
|
Unknown
|
44
|
Product (business)
|
16,352
|
527
|
Start
|
Mid
|
45
|
Injection moulding
|
15,986
|
515
|
GA
|
Mid
|
46
|
List of commercial failures in video games
|
15,795
|
509
|
List
|
Low
|
47
|
Ingvar Kamprad
|
15,376
|
496
|
C
|
Mid
|
48
|
Duct tape
|
15,315
|
494
|
Start
|
Unknown
|
49
|
IPod Shuffle
|
14,765
|
476
|
B
|
Mid
|
50
|
Streamline Moderne
|
14,543
|
469
|
C
|
Top
|
51
|
Parsons School of Design
|
14,164
|
456
|
C
|
Low
|
52
|
Isamu Noguchi
|
13,996
|
451
|
C
|
Mid
|
53
|
SolidWorks
|
13,981
|
451
|
Start
|
Low
|
54
|
Tetra Pak
|
13,659
|
440
|
C
|
Low
|
55
|
Speed tape
|
13,412
|
432
|
Start
|
Mid
|
56
|
Prototype
|
13,206
|
426
|
Start
|
Low
|
57
|
Design thinking
|
13,016
|
419
|
C
|
High
|
58
|
Tinkercad
|
12,973
|
418
|
Start
|
Mid
|
59
|
Eames Lounge Chair
|
12,800
|
412
|
Start
|
Mid
|
60
|
Franz von Holzhausen
|
12,712
|
410
|
C
|
Low
|
61
|
Bic Cristal
|
12,339
|
398
|
GA
|
Mid
|
62
|
Futon
|
12,182
|
392
|
Start
|
Low
|
63
|
Countertop
|
11,990
|
386
|
C
|
Unknown
|
64
|
Proof of concept
|
11,663
|
376
|
Start
|
High
|
65
|
Stock keeping unit
|
11,512
|
371
|
Stub
|
Mid
|
66
|
Anthropometry
|
11,466
|
369
|
C
|
Low
|
67
|
Giorgetto Giugiaro
|
11,279
|
363
|
Start
|
Low
|
68
|
Lazy Susan
|
11,055
|
356
|
Start
|
Low
|
69
|
Furniture
|
10,966
|
353
|
C
|
Low
|
70
|
Aeolipile
|
10,906
|
351
|
C
|
Low
|
71
|
Industrial design
|
10,839
|
349
|
C
|
Top
|
72
|
Charles Rennie Mackintosh
|
10,574
|
341
|
B
|
High
|
73
|
Zippo
|
10,372
|
334
|
Start
|
Low
|
74
|
Herman Miller
|
10,225
|
329
|
B
|
High
|
75
|
Memphis Group
|
10,179
|
328
|
C
|
Mid
|
76
|
Concept car
|
10,137
|
327
|
Start
|
Low
|
77
|
Dieter Rams
|
10,112
|
326
|
B
|
High
|
78
|
Packaging
|
9,813
|
316
|
B
|
High
|
79
|
Mass production
|
9,651
|
311
|
C
|
Low
|
80
|
MSCHF
|
9,635
|
310
|
Start
|
Low
|
81
|
Motherboard form factor
|
9,356
|
301
|
C
|
Unknown
|
82
|
Designer
|
9,174
|
295
|
Start
|
Unknown
|
83
|
Muji
|
9,122
|
294
|
Start
|
Low
|
84
|
Charles and Ray Eames
|
9,068
|
292
|
C
|
High
|
85
|
Braun (company)
|
9,065
|
292
|
B
|
High
|
86
|
Form factor (mobile phones)
|
9,039
|
291
|
Start
|
Low
|
87
|
FreeCAD
|
8,708
|
280
|
C
|
High
|
88
|
Gottlieb Daimler
|
8,304
|
267
|
B
|
Mid
|
89
|
Alvar Aalto
|
8,248
|
266
|
C
|
Low
|
90
|
Parker Pen Company
|
8,241
|
265
|
C
|
Low
|
91
|
Form follows function
|
8,215
|
265
|
C
|
Low
|
92
|
Upholstery
|
8,186
|
264
|
Start
|
Mid
|
93
|
Clive Sinclair
|
8,149
|
262
|
B
|
Low
|
94
|
Mini Moke
|
8,129
|
262
|
B
|
Low
|
95
|
Engineering design process
|
8,011
|
258
|
Start
|
High
|
96
|
Fiat 600
|
7,930
|
255
|
C
|
Low
|
97
|
Tiffany lamp
|
7,870
|
253
|
Start
|
Mid
|
98
|
Bubble wrap
|
7,698
|
248
|
Start
|
Mid
|
99
|
Breville Group
|
7,646
|
246
|
Start
|
Low
|
100
|
Teenage Engineering
|
7,640
|
246
|
C
|
Low
|
101
|
Electric aircraft
|
7,428
|
239
|
C
|
Low
|
102
|
Product lifecycle
|
7,334
|
236
|
Start
|
Low
|
103
|
Commodore PET
|
7,190
|
231
|
C
|
Low
|
104
|
Game design
|
7,102
|
229
|
C
|
Low
|
105
|
Serial number
|
7,094
|
228
|
Start
|
Mid
|
106
|
New product development
|
7,029
|
226
|
Start
|
High
|
107
|
Paper clip
|
6,998
|
225
|
C
|
Low
|
108
|
Gruppo Bertone
|
6,817
|
219
|
C
|
Unknown
|
109
|
Deck (ship)
|
6,770
|
218
|
Start
|
Unknown
|
110
|
Scotch Tape
|
6,709
|
216
|
C
|
Unknown
|
111
|
Biophilic design
|
6,645
|
214
|
C
|
Low
|
112
|
Venetian Arsenal
|
6,526
|
210
|
B
|
Low
|
113
|
List of adhesive tapes
|
6,495
|
209
|
List
|
Low
|
114
|
Raymond Loewy
|
6,345
|
204
|
B
|
High
|
115
|
Aerospike engine
|
6,336
|
204
|
C
|
Low
|
116
|
Upcycling
|
6,278
|
202
|
C
|
Low
|
117
|
Powertrain layout
|
6,127
|
197
|
C
|
Low
|
118
|
Blohm+Voss
|
6,048
|
195
|
Start
|
High
|
119
|
IBM Selectric
|
6,033
|
194
|
B
|
Mid
|
120
|
Philippe Starck
|
6,004
|
193
|
B
|
High
|
121
|
Chintz
|
5,998
|
193
|
Start
|
Low
|
122
|
Discman
|
5,986
|
193
|
C
|
Low
|
123
|
Automotive design
|
5,962
|
192
|
C
|
Mid
|
124
|
Cigarette pack
|
5,809
|
187
|
Start
|
Low
|
125
|
Tefal
|
5,723
|
184
|
Start
|
Low
|
126
|
Rolodex
|
5,711
|
184
|
C
|
Low
|
127
|
Airline seat
|
5,702
|
183
|
Start
|
Low
|
128
|
Memory foam
|
5,671
|
182
|
Start
|
Low
|
129
|
ArtCenter College of Design
|
5,616
|
181
|
Start
|
Low
|
130
|
Marcel Breuer
|
5,481
|
176
|
B
|
Mid
|
131
|
ID
|
5,461
|
176
|
Disambig
|
NA
|
132
|
Flavio Manzoni
|
5,418
|
174
|
C
|
Mid
|
133
|
Design engineer
|
5,357
|
172
|
Start
|
High
|
134
|
Adirondack chair
|
5,339
|
172
|
Start
|
Low
|
135
|
Throne
|
5,334
|
172
|
C
|
Low
|
136
|
The Design of Everyday Things
|
5,272
|
170
|
Start
|
Low
|
137
|
Aveva
|
5,189
|
167
|
Stub
|
Low
|
138
|
Hoosier cabinet
|
5,090
|
164
|
GA
|
Low
|
139
|
Richard Neutra
|
4,935
|
159
|
C
|
Mid
|
140
|
Microlino
|
4,905
|
158
|
Start
|
Low
|
141
|
Jacque Fresco
|
4,880
|
157
|
C
|
Low
|
142
|
Fiskars
|
4,835
|
155
|
Start
|
Low
|
143
|
Syd Mead
|
4,828
|
155
|
C
|
Mid
|
144
|
3D scanning
|
4,811
|
155
|
C
|
Mid
|
145
|
Wassily Chair
|
4,795
|
154
|
Start
|
Mid
|
146
|
Concept art
|
4,754
|
153
|
Start
|
Low
|
147
|
Terence Conran
|
4,754
|
153
|
C
|
Low
|
148
|
Spork
|
4,749
|
153
|
B
|
Low
|
149
|
Eileen Gray
|
4,744
|
153
|
B
|
Low
|
150
|
Ducati 1199
|
4,738
|
152
|
B
|
Low
|
151
|
Ferdinand Alexander Porsche
|
4,697
|
151
|
Start
|
Low
|
152
|
Rhinoceros 3D
|
4,693
|
151
|
Start
|
Low
|
153
|
Apple IIc
|
4,682
|
151
|
C
|
Mid
|
154
|
Bedding
|
4,630
|
149
|
C
|
Unknown
|
155
|
Laura Ashley
|
4,605
|
148
|
C
|
Mid
|
156
|
Motorola MicroTAC
|
4,557
|
147
|
C
|
Low
|
157
|
Human-centered design
|
4,482
|
144
|
C
|
High
|
158
|
Clamshell design
|
4,204
|
135
|
Start
|
Low
|
159
|
Reebok Pump
|
4,169
|
134
|
Stub
|
Low
|
160
|
Robert Adam
|
4,096
|
132
|
B
|
Mid
|
161
|
Japanese lacquerware
|
4,088
|
131
|
C
|
Low
|
162
|
List of Harley-Davidson motorcycles
|
4,075
|
131
|
List
|
Low
|
163
|
Product design
|
4,071
|
131
|
Start
|
High
|
164
|
Cradle-to-cradle design
|
4,002
|
129
|
Start
|
Low
|
165
|
Label
|
3,977
|
128
|
C
|
Mid
|
166
|
Barcelona chair
|
3,956
|
127
|
Start
|
Mid
|
167
|
Brompton Bicycle
|
3,943
|
127
|
C
|
Low
|
168
|
La-Z-Boy
|
3,936
|
126
|
Start
|
Low
|
169
|
List of Polaroid instant cameras
|
3,927
|
126
|
List
|
Low
|
170
|
Universal design
|
3,847
|
124
|
Start
|
Mid
|
171
|
Comparison of computer-aided design software
|
3,837
|
123
|
List
|
Low
|
172
|
Comforter
|
3,816
|
123
|
Start
|
Unknown
|
173
|
Carton
|
3,785
|
122
|
Start
|
Low
|
174
|
Michael Graves
|
3,735
|
120
|
C
|
Low
|
175
|
Aeron chair
|
3,705
|
119
|
Stub
|
Mid
|
176
|
Ettore Sottsass
|
3,679
|
118
|
C
|
High
|
177
|
Flat design
|
3,679
|
118
|
Start
|
Low
|
178
|
Alec Issigonis
|
3,645
|
117
|
C
|
Low
|
179
|
Sketchpad
|
3,604
|
116
|
Start
|
Low
|
180
|
Melamine resin
|
3,600
|
116
|
Start
|
Low
|
181
|
Vitra (furniture)
|
3,586
|
115
|
Start
|
Low
|
182
|
Monobloc (chair)
|
3,460
|
111
|
Start
|
Low
|
183
|
Sigvard Bernadotte
|
3,341
|
107
|
Start
|
Low
|
184
|
IDEO
|
3,328
|
107
|
Start
|
High
|
185
|
Massimo Vignelli
|
3,267
|
105
|
C
|
Low
|
186
|
Electrical tape
|
3,258
|
105
|
Start
|
Low
|
187
|
Pilot experiment
|
3,251
|
104
|
Start
|
Low
|
188
|
Creative Zen
|
3,249
|
104
|
B
|
Low
|
189
|
Steelcase
|
3,245
|
104
|
B
|
Mid
|
190
|
List of chairs
|
3,241
|
104
|
List
|
Mid
|
191
|
Masking tape
|
3,239
|
104
|
Start
|
Low
|
192
|
Gerrit Rietveld
|
3,132
|
101
|
C
|
High
|
193
|
Arcade cabinet
|
3,117
|
100
|
C
|
Unknown
|
194
|
Tatra 603
|
3,106
|
100
|
C
|
Low
|
195
|
Sellotape
|
3,089
|
99
|
Start
|
Low
|
196
|
Red Dot
|
3,089
|
99
|
C
|
Low
|
197
|
Marc Newson
|
3,032
|
97
|
B
|
High
|
198
|
Motorola ROKR
|
3,022
|
97
|
Start
|
Unknown
|
199
|
Norman Bel Geddes
|
2,980
|
96
|
Start
|
Low
|
200
|
SolidThinking
|
2,949
|
95
|
Stub
|
Low
|
201
|
Carlo Scarpa
|
2,931
|
94
|
C
|
Mid
|
202
|
Karim Rashid
|
2,914
|
94
|
B
|
Low
|
203
|
Charles Eames
|
2,845
|
91
|
Start
|
Unknown
|
204
|
IO-Link
|
2,841
|
91
|
Start
|
Unknown
|
205
|
OpenSCAD
|
2,833
|
91
|
Stub
|
Low
|
206
|
George Nakashima
|
2,785
|
89
|
B
|
Mid
|
207
|
Lenox (company)
|
2,739
|
88
|
C
|
Mid
|
208
|
Arne Jacobsen
|
2,715
|
87
|
B
|
High
|
209
|
Interaction design
|
2,700
|
87
|
Start
|
Mid
|
210
|
Interactivity
|
2,659
|
85
|
Start
|
Low
|
211
|
BIC lighter
|
2,647
|
85
|
Start
|
Low
|
212
|
Peter Behrens
|
2,643
|
85
|
Start
|
High
|
213
|
Frog Design
|
2,640
|
85
|
Start
|
High
|
214
|
Design by committee
|
2,632
|
84
|
Start
|
Unknown
|
215
|
Kitchen cabinet
|
2,613
|
84
|
Start
|
Low
|
216
|
Personalization
|
2,579
|
83
|
Start
|
Mid
|
217
|
Privacy by design
|
2,566
|
82
|
C
|
Low
|
218
|
Henry Dreyfuss
|
2,559
|
82
|
Start
|
Low
|
219
|
De facto standard
|
2,553
|
82
|
Start
|
High
|
220
|
Celery vase
|
2,551
|
82
|
Start
|
Low
|
221
|
M+
|
2,545
|
82
|
B
|
Low
|
222
|
Boundary representation
|
2,523
|
81
|
Stub
|
Low
|
223
|
Staffordshire Potteries
|
2,506
|
80
|
Start
|
Mid
|
224
|
99% Invisible
|
2,465
|
79
|
C
|
Mid
|
225
|
Robert Thompson (designer)
|
2,391
|
77
|
Stub
|
Low
|
226
|
Knoll, Inc.
|
2,373
|
76
|
C
|
High
|
227
|
KEF
|
2,298
|
74
|
C
|
Low
|
228
|
Banker's lamp
|
2,291
|
73
|
Start
|
Mid
|
229
|
Design for manufacturability
|
2,282
|
73
|
Start
|
Low
|
230
|
Electric blanket
|
2,282
|
73
|
C
|
Low
|
231
|
Charlotte Perriand
|
2,243
|
72
|
C
|
Low
|
232
|
Alessi (Italian company)
|
2,236
|
72
|
C
|
Mid
|
233
|
Parasolid
|
2,196
|
70
|
Stub
|
Low
|
234
|
Tulip chair
|
2,192
|
70
|
Start
|
Low
|
235
|
Nikon F4
|
2,178
|
70
|
Start
|
Low
|
236
|
Gustav Stickley
|
2,170
|
70
|
Start
|
Low
|
237
|
International Exhibition of Modern Decorative and Industrial Arts
|
2,170
|
70
|
C
|
Unknown
|
238
|
Royal Designers for Industry
|
2,167
|
69
|
Start
|
Low
|
239
|
William Kent
|
2,162
|
69
|
B
|
Low
|
240
|
Porsche Design
|
2,149
|
69
|
Start
|
Low
|
241
|
IKEA Billy
|
2,124
|
68
|
Start
|
Low
|
242
|
Design language
|
2,115
|
68
|
Stub
|
Low
|
243
|
History of CAD software
|
2,106
|
67
|
Start
|
Low
|
244
|
Suzuki Alto Lapin
|
2,104
|
67
|
Start
|
Low
|
245
|
Sony Watchman
|
2,102
|
67
|
Start
|
Low
|
246
|
Land Camera
|
2,100
|
67
|
Start
|
Low
|
247
|
Ready-to-assemble furniture
|
2,089
|
67
|
Start
|
Mid
|
248
|
Moke (revival)
|
2,086
|
67
|
B
|
Low
|
249
|
Combination eating utensils
|
2,054
|
66
|
B
|
Low
|
250
|
Prime Computer
|
2,051
|
66
|
Start
|
Low
|
251
|
No. 14 chair
|
2,047
|
66
|
Start
|
Low
|
252
|
Hans Wegner
|
2,010
|
64
|
B
|
Low
|
253
|
Béla Barényi
|
2,005
|
64
|
B
|
Low
|
254
|
Aluminum Christmas tree
|
1,994
|
64
|
Start
|
Low
|
255
|
Edgar Kaufmann Jr.
|
1,993
|
64
|
Stub
|
Low
|
256
|
Yinka Ilori
|
1,973
|
63
|
B
|
Low
|
257
|
Design Museum
|
1,949
|
62
|
Start
|
Mid
|
258
|
Barcalounger
|
1,947
|
62
|
Stub
|
Low
|
259
|
Trade dress
|
1,944
|
62
|
Start
|
Mid
|
260
|
Design and Technology
|
1,935
|
62
|
Stub
|
Low
|
261
|
John Vassos
|
1,928
|
62
|
Start
|
Low
|
262
|
Gaetano Pesce
|
1,918
|
61
|
B
|
Mid
|
263
|
Display case
|
1,899
|
61
|
Start
|
Low
|
264
|
Soybean car
|
1,893
|
61
|
Start
|
Low
|
265
|
Coso artifact
|
1,884
|
60
|
Start
|
Low
|
266
|
Margaret Calvert
|
1,871
|
60
|
Start
|
Low
|
267
|
Gio Ponti
|
1,850
|
59
|
Start
|
Mid
|
268
|
Cesca chair
|
1,832
|
59
|
Stub
|
Low
|
269
|
George Nelson (designer)
|
1,831
|
59
|
C
|
Mid
|
270
|
Red and Blue Chair
|
1,829
|
59
|
Stub
|
Low
|
271
|
Atomic Age (design)
|
1,825
|
58
|
C
|
Mid
|
272
|
Bench (furniture)
|
1,817
|
58
|
Start
|
Unknown
|
273
|
Programma 101
|
1,804
|
58
|
C
|
Low
|
274
|
Coke bottle styling
|
1,777
|
57
|
C
|
Mid
|
275
|
Sleep pod
|
1,773
|
57
|
Start
|
Unknown
|
276
|
Solid modeling
|
1,768
|
57
|
Start
|
Low
|
277
|
Sam Maloof
|
1,758
|
56
|
Start
|
Low
|
278
|
Binder clip
|
1,745
|
56
|
C
|
Low
|
279
|
Sheaffer
|
1,723
|
55
|
Start
|
Low
|
280
|
Luigi Colani
|
1,696
|
54
|
C
|
Low
|
281
|
IGES
|
1,694
|
54
|
Start
|
Low
|
282
|
Deutscher Werkbund
|
1,648
|
53
|
Start
|
Low
|
283
|
Yves Béhar
|
1,639
|
52
|
Start
|
Low
|
284
|
Ashtray
|
1,636
|
52
|
Start
|
Low
|
285
|
Samuel Ross
|
1,631
|
52
|
C
|
Low
|
286
|
Design methods
|
1,628
|
52
|
C
|
High
|
287
|
Ulm School of Design
|
1,619
|
52
|
C
|
High
|
288
|
Predicta
|
1,618
|
52
|
Start
|
Low
|
289
|
Photographic lens design
|
1,618
|
52
|
Start
|
Low
|
290
|
Bean bag chair
|
1,613
|
52
|
Start
|
Mid
|
291
|
Tetra Brik
|
1,612
|
52
|
Start
|
Low
|
292
|
Preferred number
|
1,606
|
51
|
Start
|
Low
|
293
|
Bruno Munari
|
1,605
|
51
|
C
|
Mid
|
294
|
Verner Panton
|
1,586
|
51
|
Start
|
Low
|
295
|
Chief design officer
|
1,571
|
50
|
Start
|
Mid
|
296
|
Tansu
|
1,570
|
50
|
C
|
Low
|
297
|
Alfonso Bialetti
|
1,538
|
49
|
Stub
|
Low
|
298
|
Video games in the United Kingdom
|
1,515
|
48
|
B
|
Low
|
299
|
Michael Thonet
|
1,511
|
48
|
Start
|
Low
|
300
|
Design for X
|
1,500
|
48
|
Start
|
Mid
|
301
|
Design patent
|
1,488
|
48
|
Start
|
High
|
302
|
Anglepoise lamp
|
1,481
|
47
|
Start
|
Low
|
303
|
Piet Hein (scientist)
|
1,478
|
47
|
Start
|
Low
|
304
|
Chest (furniture)
|
1,466
|
47
|
Start
|
Unknown
|
305
|
Peter Opsvik
|
1,464
|
47
|
C
|
Low
|
306
|
Florence Knoll
|
1,447
|
46
|
B
|
Low
|
307
|
Russel Wright
|
1,447
|
46
|
C
|
High
|
308
|
La Rinascente
|
1,439
|
46
|
C
|
Low
|
309
|
Olivetti Valentine
|
1,435
|
46
|
B
|
Mid
|
310
|
Alex Tremulis
|
1,425
|
45
|
Start
|
Low
|
311
|
Gae Aulenti
|
1,395
|
45
|
B
|
High
|
312
|
AutoLISP
|
1,392
|
44
|
Start
|
Low
|
313
|
Danish modern
|
1,365
|
44
|
C
|
Mid
|
314
|
E. Fay Jones
|
1,351
|
43
|
Start
|
Low
|
315
|
Crippleware
|
1,345
|
43
|
Start
|
Low
|
316
|
Harry Bertoia
|
1,340
|
43
|
C
|
Mid
|
317
|
Hybrid electric aircraft
|
1,335
|
43
|
C
|
Low
|
318
|
Self-amalgamating tape
|
1,325
|
42
|
Stub
|
Low
|
319
|
Corrugated box design
|
1,316
|
42
|
C
|
Mid
|
320
|
Ford 021C
|
1,304
|
42
|
B
|
Low
|
321
|
Juicy Salif
|
1,298
|
41
|
Start
|
Mid
|
322
|
Apple Industrial Design Group
|
1,291
|
41
|
Start
|
Mid
|
323
|
Balustrade
|
1,263
|
40
|
Redirect
|
NA
|
324
|
Air-augmented rocket
|
1,262
|
40
|
C
|
Low
|
325
|
Christopher Dresser
|
1,260
|
40
|
Start
|
High
|
326
|
David M. Kelley
|
1,256
|
40
|
Start
|
High
|
327
|
Victor Papanek
|
1,253
|
40
|
Start
|
Low
|
328
|
Tripp Trapp
|
1,253
|
40
|
Stub
|
Low
|
329
|
Handle
|
1,244
|
40
|
Start
|
Low
|
330
|
André-Charles Boulle
|
1,239
|
39
|
C
|
Low
|
331
|
Poul Henningsen
|
1,234
|
39
|
C
|
Low
|
332
|
Leonardo Fioravanti (engineer)
|
1,228
|
39
|
Start
|
Low
|
333
|
C. F. A. Voysey
|
1,226
|
39
|
Start
|
Low
|
334
|
Design system
|
1,222
|
39
|
C
|
Low
|
335
|
Compasso d'Oro
|
1,218
|
39
|
C
|
High
|
336
|
Damro
|
1,218
|
39
|
Start
|
Low
|
337
|
Tom Dixon (industrial designer)
|
1,212
|
39
|
C
|
Mid
|
338
|
Xerox 914
|
1,208
|
38
|
Stub
|
Low
|
339
|
Phaidon Press
|
1,204
|
38
|
C
|
Low
|
340
|
Enzo Mari
|
1,193
|
38
|
Start
|
Mid
|
341
|
Jean-Michel Frank
|
1,192
|
38
|
Start
|
Mid
|
342
|
JT (visualization format)
|
1,190
|
38
|
Start
|
Low
|
343
|
Pete Brock
|
1,188
|
38
|
Start
|
Low
|
344
|
Product innovation
|
1,187
|
38
|
Start
|
Unknown
|
345
|
ACIS
|
1,181
|
38
|
Start
|
Low
|
346
|
Industrial style
|
1,181
|
38
|
Stub
|
Low
|
347
|
Lilly Reich
|
1,177
|
37
|
C
|
Mid
|
348
|
Trevor Baylis
|
1,172
|
37
|
C
|
Low
|
349
|
LoveSac
|
1,170
|
37
|
Stub
|
Low
|
350
|
Modern furniture
|
1,159
|
37
|
Stub
|
Low
|
351
|
Iittala
|
1,158
|
37
|
C
|
Low
|
352
|
FIRST Championship
|
1,157
|
37
|
Start
|
Low
|
353
|
Butterfly chair
|
1,154
|
37
|
Start
|
Mid
|
354
|
Nameplate
|
1,149
|
37
|
Start
|
Mid
|
355
|
David Rockwell
|
1,148
|
37
|
C
|
Low
|
356
|
Egg (chair)
|
1,140
|
36
|
Start
|
Low
|
357
|
Chess in the arts
|
1,137
|
36
|
B
|
Low
|
358
|
Brooks Stevens
|
1,135
|
36
|
Start
|
Low
|
359
|
Snow White design language
|
1,124
|
36
|
C
|
Low
|
360
|
Mitsubishi Model A
|
1,119
|
36
|
Start
|
Low
|
361
|
John Hoke III
|
1,117
|
36
|
C
|
Mid
|
362
|
Marshmallow sofa
|
1,113
|
35
|
Start
|
Unknown
|
363
|
Human factors and ergonomics
|
1,109
|
35
|
Redirect
|
High
|
364
|
Afzal Kahn (automotive designer)
|
1,107
|
35
|
Start
|
Low
|
365
|
Quink
|
1,104
|
35
|
Stub
|
Low
|
366
|
Design history
|
1,095
|
35
|
Start
|
Mid
|
367
|
History of anthropometry
|
1,089
|
35
|
C
|
Low
|
368
|
Wishbone chair
|
1,089
|
35
|
Start
|
Unknown
|
369
|
Industrial design right
|
1,086
|
35
|
Start
|
Mid
|
370
|
Eames Lounge Chair Wood
|
1,076
|
34
|
Stub
|
Low
|
371
|
Lewis (lifting appliance)
|
1,075
|
34
|
C
|
Low
|
372
|
Model-based definition
|
1,073
|
34
|
Stub
|
Low
|
373
|
Double-sided tape
|
1,072
|
34
|
Stub
|
Low
|
374
|
Class A surface
|
1,047
|
33
|
Stub
|
Low
|
375
|
Papasan chair
|
1,046
|
33
|
Stub
|
Low
|
376
|
George Hepplewhite
|
1,034
|
33
|
Start
|
Low
|
377
|
Package cushioning
|
1,033
|
33
|
C
|
Unknown
|
378
|
Vox Phantom
|
1,032
|
33
|
Stub
|
Low
|
379
|
ALCO DL-109
|
1,020
|
32
|
B
|
Mid
|
380
|
Joe Colombo (designer)
|
1,011
|
32
|
C
|
Mid
|
381
|
Coop Himmelb(l)au
|
1,009
|
32
|
Start
|
Low
|
382
|
Superstudio
|
1,008
|
32
|
C
|
Low
|
383
|
Wah Chang
|
1,004
|
32
|
C
|
Low
|
384
|
Auxiliary label
|
989
|
31
|
Start
|
Low
|
385
|
Mario Bellini
|
988
|
31
|
C
|
High
|
386
|
Ron Arad (industrial designer)
|
982
|
31
|
C
|
Low
|
387
|
Trans-Oceanic
|
976
|
31
|
Start
|
Low
|
388
|
Olivetti Elea
|
975
|
31
|
B
|
Low
|
389
|
Black & Decker DustBuster
|
965
|
31
|
Stub
|
Low
|
390
|
Alexander Girard
|
964
|
31
|
Start
|
Low
|
391
|
Salone del Mobile
|
963
|
31
|
B
|
Mid
|
392
|
Autodesk Alias
|
957
|
30
|
Stub
|
Low
|
393
|
IF Product Design Award
|
955
|
30
|
Start
|
Mid
|
394
|
Mike Sinyard
|
952
|
30
|
Stub
|
Low
|
395
|
Radiogram (device)
|
946
|
30
|
Start
|
Low
|
396
|
CAD standards
|
942
|
30
|
Start
|
Low
|
397
|
Apple Design Awards
|
941
|
30
|
Start
|
Mid
|
398
|
Emeco 1006
|
938
|
30
|
GA
|
Low
|
399
|
Ball Chair
|
933
|
30
|
Stub
|
Mid
|
400
|
Kenneth Grange
|
927
|
29
|
Start
|
Mid
|
401
|
Ora Ito
|
926
|
29
|
Stub
|
Low
|
402
|
Bubble Wrap (brand)
|
920
|
29
|
Start
|
Mid
|
403
|
Eames Fiberglass Armchair
|
919
|
29
|
B
|
Mid
|
404
|
Mental Images
|
914
|
29
|
Stub
|
Low
|
405
|
Globe Wernicke
|
914
|
29
|
Start
|
Low
|
406
|
Geometric design
|
914
|
29
|
Start
|
Low
|
407
|
Marianne Brandt
|
913
|
29
|
C
|
Mid
|
408
|
Electronic packaging
|
911
|
29
|
C
|
Mid
|
409
|
Paul László
|
902
|
29
|
Start
|
Low
|
410
|
Danish design
|
902
|
29
|
C
|
Mid
|
411
|
Design research
|
901
|
29
|
Stub
|
Low
|
412
|
Gebrüder Thonet
|
893
|
28
|
Stub
|
Low
|
413
|
.3ds
|
892
|
28
|
Start
|
Unknown
|
414
|
Jan Wilsgaard
|
883
|
28
|
Start
|
Low
|
415
|
List of Motorola V series phones
|
882
|
28
|
List
|
Low
|
416
|
Architectural rendering
|
881
|
28
|
Start
|
Low
|
417
|
G Plan
|
876
|
28
|
C
|
Unknown
|
418
|
Strandkorb
|
875
|
28
|
Stub
|
Low
|
419
|
Tapio Wirkkala
|
868
|
28
|
Start
|
Mid
|
420
|
21 21 Design Sight
|
862
|
27
|
Start
|
Low
|
421
|
Dutch Design Week
|
854
|
27
|
Stub
|
Mid
|
422
|
IKEA pencil
|
854
|
27
|
Stub
|
Low
|
423
|
Émile-Jacques Ruhlmann
|
851
|
27
|
Start
|
Low
|
424
|
Paul Philippe Cret
|
851
|
27
|
Start
|
Low
|
425
|
Action Office
|
849
|
27
|
Start
|
Unknown
|
426
|
Rover JET1
|
848
|
27
|
Start
|
Low
|
427
|
Cantilever chair
|
844
|
27
|
Stub
|
Low
|
428
|
Artek (company)
|
844
|
27
|
Start
|
Low
|
429
|
B.C. Rich Mockingbird
|
839
|
27
|
Start
|
Low
|
430
|
Eva Zeisel
|
836
|
26
|
C
|
Low
|
431
|
Carrel desk
|
835
|
26
|
Start
|
Low
|
432
|
Freeform surface modelling
|
835
|
26
|
Start
|
Low
|
433
|
Marcel Janco
|
832
|
26
|
B
|
Low
|
434
|
Jasper Morrison
|
831
|
26
|
C
|
Mid
|
435
|
Sergio Pininfarina
|
829
|
26
|
Start
|
Mid
|
436
|
Marcel Wanders
|
824
|
26
|
Start
|
Low
|
437
|
Emotional Design
|
821
|
26
|
Stub
|
Mid
|
438
|
Naoto Fukasawa
|
820
|
26
|
C
|
High
|
439
|
Achille Castiglioni
|
819
|
26
|
B
|
High
|
440
|
Paul Mayén
|
817
|
26
|
Start
|
Low
|
441
|
Henry Petroski
|
811
|
26
|
Start
|
Low
|
442
|
Valextra
|
811
|
26
|
Start
|
Low
|
443
|
Hartmut Esslinger
|
805
|
25
|
C
|
High
|
444
|
CMF design
|
804
|
25
|
Start
|
Unknown
|
445
|
Hatstand
|
802
|
25
|
Stub
|
Unknown
|
446
|
Norwich University of the Arts
|
801
|
25
|
Start
|
Low
|
447
|
IDC School of Design
|
800
|
25
|
Start
|
Mid
|
448
|
BoConcept
|
800
|
25
|
C
|
Mid
|
449
|
Utility furniture
|
799
|
25
|
C
|
Low
|
450
|
Virtual actor
|
799
|
25
|
Start
|
Low
|
451
|
Gorilla Tape
|
793
|
25
|
Start
|
Low
|
452
|
Le Corbusier's Furniture
|
793
|
25
|
Start
|
Mid
|
453
|
List of furniture designers
|
784
|
25
|
List
|
Mid
|
454
|
Balanced-arm lamp
|
780
|
25
|
Start
|
Low
|
455
|
Eliot Noyes
|
773
|
24
|
B
|
Mid
|
456
|
Patricia Urquiola
|
772
|
24
|
Start
|
High
|
457
|
Design science
|
771
|
24
|
Start
|
High
|
458
|
Massimo Tamburini
|
768
|
24
|
B
|
Low
|
459
|
Design management
|
764
|
24
|
C
|
Top
|
460
|
Dezeen
|
761
|
24
|
Start
|
Low
|
461
|
Goliath GP700
|
758
|
24
|
Start
|
Low
|
462
|
ShotGrid
|
755
|
24
|
Stub
|
Unknown
|
463
|
Richard Sapper
|
746
|
24
|
B
|
High
|
464
|
Isogeometric analysis
|
738
|
23
|
Stub
|
Low
|
465
|
Lemon squeezer
|
727
|
23
|
Start
|
Low
|
466
|
Devon Motorworks
|
726
|
23
|
C
|
Low
|
467
|
Brno chair
|
722
|
23
|
Stub
|
Low
|
468
|
Finn Juhl
|
722
|
23
|
C
|
Mid
|
469
|
Muntzing
|
718
|
23
|
Stub
|
High
|
470
|
Ericofon
|
717
|
23
|
Start
|
Low
|
471
|
Lloyd Groff Copeman
|
715
|
23
|
Start
|
Low
|
472
|
Picnic table
|
706
|
22
|
Start
|
Unknown
|
473
|
Zaisu
|
706
|
22
|
Start
|
Low
|
474
|
Geometric modeling
|
704
|
22
|
Stub
|
Low
|
475
|
Fabien Baron
|
704
|
22
|
Start
|
Low
|
476
|
ISO 13567
|
703
|
22
|
Start
|
Low
|
477
|
Functional design
|
702
|
22
|
Stub
|
Mid
|
478
|
Grand Confort
|
697
|
22
|
Start
|
Mid
|
479
|
Sabine Marcelis
|
687
|
22
|
C
|
Mid
|
480
|
Lucienne Day
|
686
|
22
|
Start
|
Low
|
481
|
Paolo Monti
|
685
|
22
|
Start
|
Low
|
482
|
Design theory
|
682
|
22
|
Start
|
Low
|
483
|
Retail design
|
677
|
21
|
C
|
Low
|
484
|
PH-lamp
|
675
|
21
|
Start
|
Low
|
485
|
Vox Mark III
|
667
|
21
|
Stub
|
Low
|
486
|
List of Italian designers
|
665
|
21
|
List
|
Mid
|
487
|
Design Academy Eindhoven
|
658
|
21
|
Start
|
Low
|
488
|
List of industrial designers
|
651
|
21
|
List
|
High
|
489
|
Design studio
|
650
|
20
|
Redirect
|
NA
|
490
|
Laurens van den Acker
|
649
|
20
|
Start
|
Low
|
491
|
Clocky
|
647
|
20
|
Stub
|
Low
|
492
|
Philosophy of design
|
644
|
20
|
Stub
|
Unknown
|
493
|
Thomas Hope (designer)
|
643
|
20
|
Start
|
Low
|
494
|
Picquot ware
|
640
|
20
|
Stub
|
Low
|
495
|
Vitsœ
|
638
|
20
|
Start
|
Low
|
496
|
Zig-Zag Chair
|
631
|
20
|
Stub
|
Low
|
497
|
David Mellor (designer)
|
624
|
20
|
Start
|
Low
|
498
|
Waterfall furniture
|
623
|
20
|
Start
|
Low
|
499
|
Kartell
|
621
|
20
|
Start
|
Low
|
500
|
Niels Diffrient
|
620
|
20
|
C
|
High
|
501
|
Walter Dorwin Teague
|
619
|
19
|
Start
|
Low
|
502
|
Carlo Mollino
|
616
|
19
|
C
|
Mid
|
503
|
WildBrain CPLG
|
615
|
19
|
Stub
|
Low
|
504
|
Synthetic setae
|
613
|
19
|
B
|
Low
|
505
|
Corradino D'Ascanio
|
613
|
19
|
C
|
Low
|
506
|
Model 3107 chair
|
612
|
19
|
Stub
|
Low
|
507
|
B&B Italia
|
612
|
19
|
C
|
Mid
|
508
|
Takeo Kikuchi
|
608
|
19
|
Stub
|
Low
|
509
|
Robin Day (designer)
|
603
|
19
|
Stub
|
Low
|
510
|
Brionvega
|
596
|
19
|
B
|
Mid
|
511
|
National Design Centre
|
594
|
19
|
Start
|
Low
|
512
|
Georgia Tech Shenzhen Institute, Tianjin University
|
594
|
19
|
Stub
|
Low
|
513
|
Doccia porcelain
|
589
|
19
|
C
|
Low
|
514
|
Kenya Hara
|
589
|
19
|
C
|
Low
|
515
|
Ronan & Erwan Bouroullec
|
583
|
18
|
Start
|
Low
|
516
|
Porsche Type 12
|
583
|
18
|
C
|
Low
|
517
|
Eero Aarnio
|
582
|
18
|
Start
|
Mid
|
518
|
Sunlounger
|
582
|
18
|
Stub
|
Low
|
519
|
Teak furniture
|
579
|
18
|
Start
|
Unknown
|
520
|
Green engineering
|
576
|
18
|
C
|
Unknown
|
521
|
Designworks
|
574
|
18
|
Stub
|
Low
|
522
|
Delcam
|
573
|
18
|
Stub
|
Low
|
523
|
Robert Welch (designer)
|
572
|
18
|
Start
|
Low
|
524
|
Rico Daniels
|
572
|
18
|
Stub
|
Low
|
525
|
Grillo telephone
|
569
|
18
|
Start
|
Mid
|
526
|
Ingo Maurer
|
569
|
18
|
B
|
Low
|
527
|
Strategic design
|
568
|
18
|
Start
|
High
|
528
|
Dominant design
|
568
|
18
|
Start
|
High
|
529
|
Anna Maria Niemeyer
|
566
|
18
|
C
|
Mid
|
530
|
Trimphone
|
554
|
17
|
Start
|
Low
|
531
|
Kosta Boda
|
553
|
17
|
Start
|
Low
|
532
|
Lloyd Loom
|
552
|
17
|
Start
|
Unknown
|
533
|
Chaise Longue (Le Corbusier)
|
552
|
17
|
Stub
|
Low
|
534
|
Beige box
|
551
|
17
|
Stub
|
Low
|
535
|
Design for the environment
|
551
|
17
|
C
|
Low
|
536
|
Andrew Ure
|
546
|
17
|
B
|
Low
|
537
|
Tugendhat chair
|
546
|
17
|
Stub
|
Low
|
538
|
Louis Majorelle
|
543
|
17
|
C
|
Mid
|
539
|
The HON Company
|
540
|
17
|
Start
|
Low
|
540
|
Beswick Pottery
|
538
|
17
|
Start
|
Mid
|
541
|
Bambooworking
|
537
|
17
|
Start
|
Low
|
542
|
Milo Baughman
|
536
|
17
|
Start
|
Low
|
543
|
D. J. De Pree
|
528
|
17
|
Stub
|
Low
|
544
|
Computer desk
|
524
|
16
|
Start
|
Low
|
545
|
Tensor lamp
|
524
|
16
|
Start
|
Unknown
|
546
|
Pierre Paulin
|
522
|
16
|
Start
|
Low
|
547
|
Børge Mogensen
|
520
|
16
|
Start
|
Low
|
548
|
Chicago Athenaeum
|
520
|
16
|
Start
|
Low
|
549
|
Shurtape Technologies
|
520
|
16
|
C
|
Unknown
|
550
|
Apple Inc. design motifs
|
516
|
16
|
C
|
Low
|
551
|
Packaging and packaging waste directive
|
515
|
16
|
Stub
|
Mid
|
552
|
Behavioural design
|
513
|
16
|
C
|
High
|
553
|
Campana brothers
|
511
|
16
|
Start
|
Low
|
554
|
Murano Glass Museum
|
509
|
16
|
Start
|
Mid
|
555
|
Museum of Applied Arts (Budapest)
|
507
|
16
|
Start
|
Low
|
556
|
Shiro Kuramata
|
507
|
16
|
Stub
|
Low
|
557
|
Ernest Gimson
|
507
|
16
|
Start
|
Low
|
558
|
Bill Moggridge
|
504
|
16
|
B
|
High
|
559
|
Ant (chair)
|
504
|
16
|
Stub
|
Mid
|
560
|
Thomas Sheraton
|
500
|
16
|
Stub
|
Low
|
561
|
Product and manufacturing information
|
492
|
15
|
Stub
|
Low
|
562
|
Lingerie tape
|
489
|
15
|
Stub
|
Low
|
563
|
James Dyson Award
|
489
|
15
|
Start
|
Low
|
564
|
Ini Archibong
|
476
|
15
|
B
|
Mid
|
565
|
Design studies
|
475
|
15
|
C
|
Mid
|
566
|
Thomas Day (cabinetmaker)
|
473
|
15
|
B
|
Low
|
567
|
Design Council
|
471
|
15
|
Start
|
Mid
|
568
|
Diego Giacometti
|
470
|
15
|
Start
|
Low
|
569
|
MEDUSA
|
468
|
15
|
Start
|
Unknown
|
570
|
Timothy Oulton
|
468
|
15
|
Stub
|
Low
|
571
|
Vertical form fill sealing machine
|
466
|
15
|
Start
|
Low
|
572
|
Lean product development
|
465
|
15
|
Start
|
High
|
573
|
African Regional Intellectual Property Organization
|
464
|
14
|
Stub
|
Low
|
574
|
Knowledge-based engineering
|
459
|
14
|
Start
|
Low
|
575
|
Designmuseum Denmark
|
456
|
14
|
Start
|
Low
|
576
|
Jean Dunand
|
454
|
14
|
Stub
|
Low
|
577
|
Morag Myerscough
|
453
|
14
|
Stub
|
Low
|
578
|
Mart Stam
|
452
|
14
|
Start
|
Low
|
579
|
Injection mold construction
|
452
|
14
|
Start
|
Unknown
|
580
|
IKEA Klippan
|
449
|
14
|
Start
|
Low
|
581
|
Ross Lovegrove
|
449
|
14
|
Start
|
Mid
|
582
|
Virtual design and construction
|
449
|
14
|
Stub
|
Low
|
583
|
London Design Festival
|
446
|
14
|
C
|
Mid
|
584
|
Ligne Roset
|
445
|
14
|
Stub
|
Low
|
585
|
Clay modeling
|
445
|
14
|
Stub
|
Low
|
586
|
F. Schumacher & Co.
|
444
|
14
|
C
|
Mid
|
587
|
Furniture screw
|
444
|
14
|
NA
|
NA
|
588
|
Design life
|
443
|
14
|
Start
|
Low
|
589
|
Hague Agreement Concerning the International Deposit of Industrial Designs
|
443
|
14
|
Start
|
Low
|
590
|
Rick Dickinson
|
440
|
14
|
C
|
Mid
|
591
|
Knole Settee
|
438
|
14
|
Start
|
Unknown
|
592
|
VDA 6.1
|
437
|
14
|
Stub
|
Low
|
593
|
Swan (chair)
|
437
|
14
|
Stub
|
Mid
|
594
|
Blenko Glass Company
|
436
|
14
|
C
|
Mid
|
595
|
Simplexity
|
436
|
14
|
Start
|
Low
|
596
|
Tom Karen
|
436
|
14
|
Start
|
Low
|
597
|
Point of difference
|
435
|
14
|
Start
|
Mid
|
598
|
Widdicomb Furniture Company
|
435
|
14
|
Start
|
Mid
|
599
|
Carl Hansen & Søn
|
434
|
14
|
Start
|
Unknown
|
600
|
Subaru Suiren
|
431
|
13
|
Start
|
Unknown
|
601
|
Box-sealing tape
|
429
|
13
|
Start
|
Low
|
602
|
Product structure modeling
|
428
|
13
|
Start
|
Low
|
603
|
Lella Vignelli
|
423
|
13
|
B
|
Mid
|
604
|
James Krenov
|
422
|
13
|
Start
|
Low
|
605
|
Viktor Schreckengost
|
419
|
13
|
Start
|
Low
|
606
|
World Design Capital
|
417
|
13
|
Stub
|
Low
|
607
|
Ellen's Next Great Designer
|
416
|
13
|
Start
|
Low
|
608
|
Digital mockup
|
415
|
13
|
Stub
|
Low
|
609
|
Kvadrat (company)
|
414
|
13
|
Start
|
Low
|
610
|
Musgrave Pencil Company
|
414
|
13
|
Start
|
Unknown
|
611
|
Eames Aluminum Group
|
412
|
13
|
Start
|
Unknown
|
612
|
Piet Zwart
|
409
|
13
|
Start
|
Low
|
613
|
Gooseneck lamp
|
409
|
13
|
Stub
|
Low
|
614
|
Jack Lenor Larsen
|
408
|
13
|
C
|
Low
|
615
|
Productionisation
|
405
|
13
|
Stub
|
Mid
|
616
|
Vico Magistretti
|
405
|
13
|
C
|
High
|
617
|
Moholy-Nagy University of Art and Design
|
403
|
13
|
Start
|
Low
|
618
|
Wells Coates
|
402
|
12
|
C
|
Low
|
619
|
Jonathan Glancey
|
402
|
12
|
Start
|
Low
|
620
|
Wendell Castle
|
402
|
12
|
C
|
Low
|
621
|
Director's chair
|
401
|
12
|
Stub
|
Low
|
622
|
Salamander heater
|
400
|
12
|
Stub
|
Unknown
|
623
|
Friction tape
|
399
|
12
|
Stub
|
Low
|
624
|
ASME Y14.41
|
399
|
12
|
Stub
|
Low
|
625
|
Winged edge
|
398
|
12
|
Stub
|
Low
|
626
|
Gooseneck (fixture)
|
396
|
12
|
Start
|
Low
|
627
|
Antonio Citterio
|
395
|
12
|
Start
|
Mid
|
628
|
Kem Weber
|
394
|
12
|
Start
|
Low
|
629
|
Solid sorbents for carbon capture
|
394
|
12
|
C
|
Unknown
|
630
|
Drop-leaf table
|
393
|
12
|
Stub
|
Unknown
|
631
|
Zagato Zele
|
391
|
12
|
Start
|
Low
|
632
|
Alexander Neumeister
|
390
|
12
|
Stub
|
Low
|
633
|
Cassina S.p.A.
|
389
|
12
|
Start
|
Low
|
634
|
Jock Kinneir
|
388
|
12
|
Start
|
Low
|
635
|
Draw sheet
|
388
|
12
|
Start
|
Low
|
636
|
Kaare Klint
|
386
|
12
|
C
|
Mid
|
637
|
Timo Sarpaneva
|
382
|
12
|
C
|
Mid
|
638
|
Charles Eastlake
|
381
|
12
|
Stub
|
Low
|
639
|
Emilio Ambasz
|
380
|
12
|
C
|
Mid
|
640
|
CAD data exchange
|
379
|
12
|
Start
|
Low
|
641
|
Organosolv
|
379
|
12
|
C
|
Low
|
642
|
Radical period
|
377
|
12
|
Stub
|
Mid
|
643
|
Enrico Fumia
|
377
|
12
|
Start
|
Low
|
644
|
World Design Organization
|
373
|
12
|
Start
|
High
|
645
|
ANSA pre-processor
|
370
|
11
|
Stub
|
Unknown
|
646
|
Jens Risom
|
368
|
11
|
Start
|
Low
|
647
|
10 Downing Street Guard Chairs
|
367
|
11
|
Start
|
Low
|
648
|
Maarten Baas
|
365
|
11
|
Stub
|
Low
|
649
|
Sixten Sason
|
363
|
11
|
Start
|
Low
|
650
|
Nebiolo Printech
|
360
|
11
|
Start
|
Low
|
651
|
S1 MP3 player
|
359
|
11
|
Stub
|
Low
|
652
|
Franco Albini
|
358
|
11
|
Start
|
Mid
|
653
|
Dorothy Liebes
|
357
|
11
|
C
|
Low
|
654
|
Changing table
|
356
|
11
|
Stub
|
Low
|
655
|
Ugo Zagato
|
356
|
11
|
Start
|
Low
|
656
|
Luud Schimmelpennink
|
355
|
11
|
Start
|
Low
|
657
|
Paul McCobb
|
352
|
11
|
C
|
Low
|
658
|
Robert Brunner
|
351
|
11
|
Start
|
Mid
|
659
|
École cantonale d'art de Lausanne
|
351
|
11
|
C
|
Mid
|
660
|
Pipsan Saarinen Swanson
|
351
|
11
|
Start
|
Low
|
661
|
ICAD (software)
|
350
|
11
|
Start
|
Low
|
662
|
Tom Hardy (designer)
|
350
|
11
|
Start
|
Low
|
663
|
Nendo (design firm)
|
347
|
11
|
C
|
Low
|
664
|
Djinn chair
|
346
|
11
|
Start
|
Mid
|
665
|
Bruno Paul
|
345
|
11
|
Stub
|
Low
|
666
|
Design museum
|
345
|
11
|
Start
|
Low
|
667
|
Typewriter desk
|
343
|
11
|
Start
|
Unknown
|
668
|
William Lescaze
|
342
|
11
|
B
|
Low
|
669
|
Empathic design
|
342
|
11
|
Start
|
Mid
|
670
|
Adjustable Table E 1027
|
342
|
11
|
Start
|
Mid
|
671
|
Virtual prototyping
|
341
|
11
|
Start
|
Low
|
672
|
Marco Zanuso
|
340
|
10
|
C
|
Mid
|
673
|
Gerd A. Müller
|
339
|
10
|
Start
|
Low
|
674
|
Oki Sato
|
339
|
10
|
Start
|
Low
|
675
|
Barber Osgerby
|
338
|
10
|
C
|
Low
|
676
|
Ikepod
|
336
|
10
|
Start
|
Low
|
677
|
Paolo Venini
|
336
|
10
|
C
|
Low
|
678
|
Arco (lamp)
|
336
|
10
|
Start
|
High
|
679
|
Matteo Thun
|
333
|
10
|
Start
|
Low
|
680
|
Metal furniture
|
333
|
10
|
Start
|
Unknown
|
681
|
Jean-Michel Wilmotte
|
330
|
10
|
C
|
Low
|
682
|
Icon design
|
329
|
10
|
Start
|
Unknown
|
683
|
Design paradigm
|
328
|
10
|
Start
|
Low
|
684
|
Design education
|
326
|
10
|
Stub
|
Low
|
685
|
Design Museum of Barcelona
|
326
|
10
|
C
|
Low
|
686
|
Gufram
|
326
|
10
|
C
|
Mid
|
687
|
Tizio
|
325
|
10
|
Stub
|
Mid
|
688
|
Transitional Style
|
325
|
10
|
Start
|
Unknown
|
689
|
Design classic
|
325
|
10
|
Start
|
Low
|
690
|
Weltron
|
325
|
10
|
C
|
Low
|
691
|
Donald Deskey
|
322
|
10
|
Start
|
Low
|
692
|
Transgenerational design
|
322
|
10
|
C
|
Mid
|
693
|
Jens Quistgaard
|
321
|
10
|
Start
|
Low
|
694
|
Stuart Pugh
|
321
|
10
|
Start
|
Low
|
695
|
Wilhelm Wagenfeld
|
319
|
10
|
Start
|
Low
|
696
|
Howard "Dutch" Darrin
|
318
|
10
|
Stub
|
Unknown
|
697
|
Herter Brothers
|
316
|
10
|
Start
|
Low
|
698
|
Daniel Marot
|
314
|
10
|
Start
|
Low
|
699
|
Isovist
|
313
|
10
|
Stub
|
Low
|
700
|
Gordon Russell (designer)
|
311
|
10
|
Start
|
Low
|
701
|
Central Institute of Tool Design
|
310
|
10
|
Start
|
Low
|
702
|
Harris Lebus
|
309
|
9
|
Start
|
Low
|
703
|
Folding seat
|
309
|
9
|
Stub
|
Low
|
704
|
Maison et Objet
|
307
|
9
|
Stub
|
Low
|
705
|
Yoichi Ochiai
|
304
|
9
|
C
|
Low
|
706
|
PH Artichoke
|
303
|
9
|
Stub
|
Low
|
707
|
Christopher Guy Harrison
|
303
|
9
|
Stub
|
Low
|
708
|
John Makepeace
|
300
|
9
|
Stub
|
Low
|
709
|
Constraint (computer-aided design)
|
299
|
9
|
Start
|
Low
|
710
|
James T. Baldwin
|
298
|
9
|
Start
|
Low
|
711
|
EPA WaterSense
|
298
|
9
|
Stub
|
Mid
|
712
|
Edgar Miller (artist)
|
298
|
9
|
C
|
Unknown
|
713
|
Teague (company)
|
296
|
9
|
Stub
|
Low
|
714
|
Piero Portaluppi
|
296
|
9
|
C
|
Low
|
715
|
Andrea Branzi
|
294
|
9
|
Start
|
Unknown
|
716
|
Bubble chair
|
293
|
9
|
Stub
|
Low
|
717
|
Paul R. Evans
|
292
|
9
|
Start
|
Low
|
718
|
Marcello Nizzoli
|
291
|
9
|
Start
|
Low
|
719
|
Design Research Unit
|
291
|
9
|
Stub
|
Low
|
720
|
Don Chadwick
|
290
|
9
|
Start
|
Low
|
721
|
Computer-automated design
|
289
|
9
|
Stub
|
Low
|
722
|
I.D. (magazine)
|
288
|
9
|
Start
|
Mid
|
723
|
Piero Lissoni
|
287
|
9
|
Start
|
Low
|
724
|
Josef Hartwig
|
286
|
9
|
Start
|
Low
|
725
|
Mary Wright (designer)
|
285
|
9
|
B
|
Low
|
726
|
Hans Gugelot
|
283
|
9
|
Start
|
Low
|
727
|
Alice Rawsthorn
|
282
|
9
|
C
|
Low
|
728
|
Paul T. Frankl
|
282
|
9
|
Start
|
Low
|
729
|
GRAITEC
|
282
|
9
|
Start
|
Low
|
730
|
Rover chair
|
282
|
9
|
B
|
Mid
|
731
|
Xanti Schawinsky
|
282
|
9
|
Start
|
Unknown
|
732
|
Robert Propst (inventor)
|
281
|
9
|
Stub
|
Low
|
733
|
USM Modular Furniture
|
281
|
9
|
Start
|
Low
|
734
|
Kaj Franck
|
280
|
9
|
Start
|
Low
|
735
|
Corrugated box
|
279
|
9
|
Redirect
|
NA
|
736
|
Isophote
|
279
|
9
|
Stub
|
Unknown
|
737
|
Unimark International
|
277
|
8
|
Start
|
Low
|
738
|
Cesar Vergara
|
277
|
8
|
Start
|
Low
|
739
|
Bill Stumpf
|
276
|
8
|
Start
|
Low
|
740
|
Neil Poulton
|
276
|
8
|
C
|
Low
|
741
|
Quad-edge
|
275
|
8
|
Stub
|
Low
|
742
|
Helen Dryden
|
275
|
8
|
C
|
Low
|
743
|
Monterey Furniture
|
274
|
8
|
Start
|
Unknown
|
744
|
Fuseproject
|
273
|
8
|
Stub
|
Low
|
745
|
Electric guitar design
|
273
|
8
|
Start
|
Low
|
746
|
Idea (disambiguation)
|
273
|
8
|
Disambig
|
NA
|
747
|
Richard Arbib
|
270
|
8
|
Start
|
Low
|
748
|
Bruno Mathsson
|
269
|
8
|
Start
|
Low
|
749
|
Nina Petronzio
|
269
|
8
|
Start
|
Low
|
750
|
Filament tape
|
269
|
8
|
Start
|
Low
|
751
|
Michael Young (industrial designer)
|
267
|
8
|
C
|
Mid
|
752
|
Zuber & Cie
|
265
|
8
|
Start
|
Mid
|
753
|
Function-Behaviour-Structure ontology
|
264
|
8
|
C
|
Unknown
|
754
|
Multi-material injection molding
|
264
|
8
|
Start
|
Unknown
|
755
|
David Roentgen
|
262
|
8
|
Start
|
Low
|
756
|
L. Bruce Archer
|
260
|
8
|
Start
|
Low
|
757
|
Droog (company)
|
260
|
8
|
Start
|
Low
|
758
|
Tip-top table
|
259
|
8
|
Stub
|
Unknown
|
759
|
Designboom
|
259
|
8
|
Start
|
Low
|
760
|
Moooi
|
259
|
8
|
B
|
Low
|
761
|
Rolf Fehlbaum
|
257
|
8
|
C
|
Low
|
762
|
Tolomeo desk lamp
|
256
|
8
|
Start
|
Low
|
763
|
UNISURF
|
254
|
8
|
Stub
|
Low
|
764
|
Swedish Centre for Architecture and Design
|
254
|
8
|
C
|
Low
|
765
|
Ton van de Ven
|
253
|
8
|
Stub
|
Low
|
766
|
Museum of Design, Zurich
|
253
|
8
|
Start
|
Mid
|
767
|
Stevengraph
|
253
|
8
|
Start
|
Mid
|
768
|
Carlton House desk
|
252
|
8
|
Start
|
Unknown
|
769
|
Hanssem
|
252
|
8
|
Start
|
Low
|
770
|
International Forum Design
|
250
|
8
|
Stub
|
Low
|
771
|
Alphonse Chapanis
|
248
|
8
|
Start
|
Low
|
772
|
Mogul lamp
|
248
|
8
|
Start
|
Unknown
|
773
|
Charles Limbert
|
248
|
8
|
Start
|
Low
|
774
|
Forward Look
|
245
|
7
|
Redirect
|
NA
|
775
|
List of Bunnykins figurines
|
244
|
7
|
List
|
Mid
|
776
|
Anna Pottery
|
244
|
7
|
Stub
|
Mid
|
777
|
Martine Bedin
|
240
|
7
|
C
|
Low
|
778
|
Otto Kuhler
|
239
|
7
|
B
|
Mid
|
779
|
Poul Kjærholm
|
237
|
7
|
Start
|
Low
|
780
|
Computer-aided industrial design
|
236
|
7
|
Stub
|
High
|
781
|
Eric Stoddard
|
234
|
7
|
Stub
|
Low
|
782
|
Cleo Baldon
|
233
|
7
|
Start
|
Mid
|
783
|
Oliver Lincoln Lundquist
|
233
|
7
|
C
|
Mid
|
784
|
Studio Drift
|
231
|
7
|
Start
|
Low
|
785
|
African design
|
231
|
7
|
Start
|
Low
|
786
|
Millennium product
|
230
|
7
|
Start
|
Mid
|
787
|
Alma Siedhoff-Buscher
|
228
|
7
|
Stub
|
Unknown
|
788
|
List of awards and nominations received by Jony Ive
|
228
|
7
|
List
|
Low
|
789
|
Iman Maghsoudi
|
228
|
7
|
Start
|
Unknown
|
790
|
Industrial Designers Society of America
|
227
|
7
|
Start
|
High
|
791
|
Fabio Taglioni
|
225
|
7
|
Stub
|
Low
|
792
|
George Sowden
|
225
|
7
|
Start
|
Low
|
793
|
Applicon
|
223
|
7
|
Stub
|
Low
|
794
|
Smyk (car)
|
223
|
7
|
Start
|
Low
|
795
|
Gilbert Rohde
|
222
|
7
|
Start
|
Low
|
796
|
Design for lean manufacturing
|
222
|
7
|
Start
|
Mid
|
797
|
Natural mapping (interface design)
|
221
|
7
|
Start
|
Mid
|
798
|
Win Ng
|
221
|
7
|
Start
|
Low
|
799
|
International Design Awards
|
221
|
7
|
Stub
|
Low
|
800
|
Benjamin Bowden
|
220
|
7
|
Start
|
Unknown
|
801
|
Cifra 3
|
219
|
7
|
Start
|
Low
|
802
|
Charles "Chuck" Harrison
|
219
|
7
|
C
|
Low
|
803
|
Assembly modelling
|
216
|
6
|
Stub
|
Low
|
804
|
A & M Karagheusian
|
216
|
6
|
Stub
|
Low
|
805
|
Sacha Lakic
|
216
|
6
|
Start
|
Unknown
|
806
|
Jack Pritchard
|
211
|
6
|
Stub
|
Low
|
807
|
James Irvine (designer)
|
211
|
6
|
C
|
Mid
|
808
|
Sphinx (home automation system)
|
211
|
6
|
Start
|
Mid
|
809
|
Emeline King
|
211
|
6
|
Start
|
Low
|
810
|
Pio Manzù
|
211
|
6
|
C
|
Low
|
811
|
Jean Bérain the Elder
|
210
|
6
|
Start
|
Low
|
812
|
Custom-fit
|
209
|
6
|
Start
|
Mid
|
813
|
Poggenpohl
|
209
|
6
|
Stub
|
Low
|
814
|
Systems-oriented design
|
209
|
6
|
C
|
Unknown
|
815
|
40/4 Chair
|
209
|
6
|
Start
|
Mid
|
816
|
Braun LE1
|
208
|
6
|
Stub
|
Low
|
817
|
Stehli Silks
|
208
|
6
|
C
|
Low
|
818
|
Nigel Coates (architect)
|
207
|
6
|
Start
|
Low
|
819
|
Design Museum Brussels
|
207
|
6
|
Start
|
Low
|
820
|
Polypropylene stacking chair
|
206
|
6
|
Stub
|
Low
|
821
|
Rex (chair)
|
205
|
6
|
Stub
|
Low
|
822
|
Alexis de Sakhnoffsky
|
205
|
6
|
Start
|
Low
|
823
|
Model 60 stacking stool
|
205
|
6
|
Start
|
Low
|
824
|
Tage Frid
|
201
|
6
|
Stub
|
Low
|
825
|
Thomas Humber
|
200
|
6
|
C
|
Low
|
826
|
Thomas Hayo
|
198
|
6
|
Stub
|
Low
|
827
|
ADI Design Museum
|
198
|
6
|
Start
|
Mid
|
828
|
Before Yesterday We Could Fly
|
195
|
6
|
B
|
Low
|
829
|
John Heskett
|
194
|
6
|
Start
|
Low
|
830
|
David Ogle
|
192
|
6
|
Start
|
Low
|
831
|
Imm Cologne
|
191
|
6
|
Start
|
Mid
|
832
|
Karlsruhe University of Arts and Design
|
190
|
6
|
C
|
Low
|
833
|
Joseph Claude Sinel
|
190
|
6
|
B
|
Low
|
834
|
Projection augmented model
|
190
|
6
|
Start
|
Low
|
835
|
Satyendra Pakhale
|
189
|
6
|
Start
|
Low
|
836
|
Paola Navone
|
188
|
6
|
Start
|
Unknown
|
837
|
Suzie Zuzek
|
187
|
6
|
B
|
Low
|
838
|
École Camondo
|
186
|
6
|
Stub
|
Low
|
839
|
Community design
|
186
|
6
|
Start
|
Mid
|
840
|
Chicken harvester
|
186
|
6
|
Start
|
Low
|
841
|
Betty Thatcher Oros
|
186
|
6
|
Start
|
Mid
|
842
|
Ovalia Egg Chair
|
185
|
5
|
Stub
|
Low
|
843
|
Studio Alchimia
|
185
|
5
|
Start
|
Unknown
|
844
|
Grete Jalk
|
184
|
5
|
Start
|
Low
|
845
|
Pier Giacomo Castiglioni
|
184
|
5
|
C
|
High
|
846
|
Zeev Aram
|
183
|
5
|
Start
|
Low
|
847
|
Easy Edges
|
181
|
5
|
Stub
|
Low
|
848
|
Britain Can Make It
|
181
|
5
|
Start
|
Low
|
849
|
T. H. Robsjohn-Gibbings
|
180
|
5
|
Start
|
Low
|
850
|
École Boulle
|
180
|
5
|
Stub
|
Low
|
851
|
3D floor plan
|
180
|
5
|
Stub
|
Low
|
852
|
HeeksCAD
|
180
|
5
|
Start
|
Mid
|
853
|
Nanna Ditzel
|
179
|
5
|
Stub
|
Low
|
854
|
Edward Wormley
|
178
|
5
|
Stub
|
Low
|
855
|
Geschmacksmuster
|
178
|
5
|
Stub
|
Low
|
856
|
Giulio Cappellini
|
177
|
5
|
Start
|
Low
|
857
|
DAC-1
|
176
|
5
|
Start
|
Low
|
858
|
Astro Studios
|
176
|
5
|
Stub
|
Unknown
|
859
|
Pierre Frey
|
176
|
5
|
Start
|
Unknown
|
860
|
Syd Mead's TerraForming
|
176
|
5
|
Stub
|
Low
|
861
|
Scoring (industrial process)
|
175
|
5
|
Start
|
Unknown
|
862
|
Ian Proctor
|
174
|
5
|
Stub
|
Low
|
863
|
Horia Creangă
|
174
|
5
|
Start
|
Low
|
864
|
Extreme users
|
174
|
5
|
C
|
Mid
|
865
|
Norman Teague
|
174
|
5
|
Start
|
NA
|
866
|
Flavio Poli
|
173
|
5
|
Stub
|
Low
|
867
|
Dror Benshetrit
|
172
|
5
|
Start
|
Low
|
868
|
Color Marketing Group
|
171
|
5
|
Stub
|
Low
|
869
|
Jimmyjane
|
170
|
5
|
Stub
|
Low
|
870
|
Objet Geometries
|
170
|
5
|
Stub
|
Low
|
871
|
United States House Energy Subcommittee on Environment, Manufacturing, and Critical Minerals
|
169
|
5
|
Start
|
Unknown
|
872
|
Earl R. Dean
|
169
|
5
|
Start
|
Low
|
873
|
Barnsley brothers
|
169
|
5
|
Start
|
Low
|
874
|
Bernhardt Design
|
169
|
5
|
Start
|
Low
|
875
|
Jon Bannenberg
|
168
|
5
|
Stub
|
Low
|
876
|
Design Exchange
|
168
|
5
|
Start
|
Low
|
877
|
English furniture
|
167
|
5
|
Stub
|
Low
|
878
|
Architectural animation
|
166
|
5
|
Stub
|
Low
|
879
|
Heller, Inc.
|
166
|
5
|
C
|
Mid
|
880
|
Flexform
|
165
|
5
|
Start
|
Low
|
881
|
Cutaway (industrial)
|
164
|
5
|
Stub
|
Low
|
882
|
Dunne & Raby
|
164
|
5
|
Stub
|
Low
|
883
|
David Pye (furniture designer)
|
164
|
5
|
Stub
|
Low
|
884
|
Arne Vodder
|
164
|
5
|
Stub
|
Low
|
885
|
Cyber manufacturing
|
164
|
5
|
Start
|
Unknown
|
886
|
Sara Little Turnbull
|
163
|
5
|
Start
|
Low
|
887
|
Jean Puiforcat
|
163
|
5
|
Start
|
Mid
|
888
|
Harley-Davidson Motorcycle Factory Building
|
163
|
5
|
B
|
Low
|
889
|
Sonic interaction design
|
162
|
5
|
Stub
|
Low
|
890
|
Roger Tallon
|
162
|
5
|
Start
|
Mid
|
891
|
Yuri Suzuki (designer)
|
162
|
5
|
C
|
Low
|
892
|
WorkNC
|
161
|
5
|
Stub
|
Low
|
893
|
Sangwon Suh
|
161
|
5
|
C
|
Low
|
894
|
Office of the future
|
160
|
5
|
Start
|
Low
|
895
|
Ralph Osterhout
|
160
|
5
|
Start
|
Low
|
896
|
Richard Schultz
|
160
|
5
|
Start
|
Low
|
897
|
Michael Lax
|
159
|
5
|
Start
|
Unknown
|
898
|
Ammunition Design Group
|
157
|
5
|
Start
|
Low
|
899
|
Carl Auböck
|
157
|
5
|
Start
|
Mid
|
900
|
Rover T3
|
156
|
5
|
C
|
Low
|
901
|
Sky-Sailor
|
155
|
5
|
Start
|
Low
|
902
|
Maria Pergay
|
155
|
5
|
Stub
|
Unknown
|
903
|
Smart Design
|
154
|
4
|
Start
|
Mid
|
904
|
Marva Griffin
|
154
|
4
|
C
|
Unknown
|
905
|
Jerry Manock
|
153
|
4
|
B
|
Low
|
906
|
Frederick Meyer
|
152
|
4
|
Start
|
Low
|
907
|
Geoff Apps
|
152
|
4
|
Stub
|
Low
|
908
|
Ambrose Heal
|
151
|
4
|
Stub
|
Low
|
909
|
Gianfranco Frattini
|
151
|
4
|
C
|
Mid
|
910
|
Davis Allen
|
150
|
4
|
Start
|
Mid
|
911
|
Studio 65
|
150
|
4
|
Start
|
Mid
|
912
|
IKEA Lack
|
150
|
4
|
Stub
|
Low
|
913
|
Bergen Academy of Art and Design
|
149
|
4
|
Stub
|
Low
|
914
|
Kazuo Kawasaki
|
149
|
4
|
Stub
|
Low
|
915
|
Floor marking tape
|
149
|
4
|
Stub
|
Low
|
916
|
Charles-Honoré Lannuier
|
148
|
4
|
Start
|
Low
|
917
|
Jacques Adnet
|
148
|
4
|
Stub
|
Low
|
918
|
Wilkhahn
|
148
|
4
|
Start
|
Low
|
919
|
Tear tape
|
148
|
4
|
Stub
|
Low
|
920
|
111 Navy Chair
|
148
|
4
|
Start
|
Low
|
921
|
Jack Sangster
|
147
|
4
|
Start
|
Mid
|
922
|
List of STEP (ISO 10303) parts
|
146
|
4
|
List
|
Mid
|
923
|
Diamond chair
|
146
|
4
|
Stub
|
Unknown
|
924
|
Dubai Design Week
|
146
|
4
|
Start
|
Unknown
|
925
|
Metamorphic library steps
|
145
|
4
|
Start
|
Unknown
|
926
|
François-Honoré-Georges Jacob-Desmalter
|
145
|
4
|
Start
|
Low
|
927
|
International Design Excellence Awards
|
145
|
4
|
Stub
|
Mid
|
928
|
Inga Sempé
|
144
|
4
|
Start
|
Low
|
929
|
Inflatable air cushion
|
143
|
4
|
Start
|
Unknown
|
930
|
École nationale supérieure des arts appliqués et des métiers d'art
|
143
|
4
|
Start
|
Low
|
931
|
Wim Rietveld
|
143
|
4
|
Start
|
Low
|
932
|
Bruno Rey
|
142
|
4
|
Start
|
Unknown
|
933
|
David Caon
|
142
|
4
|
C
|
Low
|
934
|
Röhsska Museum
|
141
|
4
|
Start
|
Low
|
935
|
Mundus furniture
|
141
|
4
|
Stub
|
Low
|
936
|
Christian Dell
|
141
|
4
|
Stub
|
Low
|
937
|
GenerativeComponents
|
140
|
4
|
Stub
|
Low
|
938
|
Charley Morgan
|
140
|
4
|
Start
|
Low
|
939
|
Swing tag
|
140
|
4
|
Start
|
Low
|
940
|
Gettysburg furniture companies
|
138
|
4
|
Start
|
Low
|
941
|
Green Building XML
|
137
|
4
|
Stub
|
Low
|
942
|
Tucker Viemeister
|
136
|
4
|
Stub
|
Low
|
943
|
Centripetal Spring Armchair
|
136
|
4
|
Start
|
Unknown
|
944
|
Fabio Filippini
|
136
|
4
|
C
|
Low
|
945
|
Blu Dot
|
136
|
4
|
Start
|
Low
|
946
|
Ince and Mayhew
|
135
|
4
|
Start
|
Low
|
947
|
Jean-Marie Massaud
|
135
|
4
|
C
|
Low
|
948
|
Roger C. Field
|
135
|
4
|
Stub
|
Low
|
949
|
Alfonso Iannelli
|
135
|
4
|
Stub
|
Low
|
950
|
Charles Radtke
|
135
|
4
|
Stub
|
Low
|
951
|
Hans Olsen (furniture designer)
|
135
|
4
|
Stub
|
Low
|
952
|
Powder coating on glass
|
135
|
4
|
Start
|
Unknown
|
953
|
Ayse Birsel
|
135
|
4
|
Start
|
Unknown
|
954
|
1970s in furniture
|
134
|
4
|
Stub
|
Low
|
955
|
Jonathan Olivares
|
134
|
4
|
C
|
Low
|
956
|
Integrated Computer-Aided Manufacturing
|
133
|
4
|
Start
|
Low
|
957
|
Maarten van Severen
|
133
|
4
|
Stub
|
Low
|
958
|
Stefan Diez
|
133
|
4
|
C
|
Low
|
959
|
Design of plastic components
|
133
|
4
|
C
|
Unknown
|
960
|
RKS Design
|
133
|
4
|
Stub
|
Unknown
|
961
|
Nathan George Horwitt
|
132
|
4
|
Start
|
Low
|
962
|
NewDealDesign
|
132
|
4
|
Start
|
Unknown
|
963
|
Furniture Today
|
132
|
4
|
Stub
|
Low
|
964
|
Tony Chambers
|
132
|
4
|
C
|
Low
|
965
|
Tord Boontje
|
131
|
4
|
Stub
|
Low
|
966
|
Nanny Still
|
131
|
4
|
C
|
Low
|
967
|
Matali Crasset
|
130
|
4
|
Start
|
Low
|
968
|
Coat rack
|
128
|
4
|
Redirect
|
NA
|
969
|
Sergio Rodrigues (architect)
|
128
|
4
|
Start
|
Low
|
970
|
Isokon Long Chair
|
128
|
4
|
Stub
|
Unknown
|
971
|
Samuel Abraham Marx
|
127
|
4
|
Stub
|
Low
|
972
|
Naoki Sakai (industrial designer)
|
127
|
4
|
Start
|
Low
|
973
|
Pulsonix
|
126
|
4
|
Start
|
Unknown
|
974
|
Franklin D. Israel
|
126
|
4
|
Start
|
Unknown
|
975
|
Wood family
|
126
|
4
|
Start
|
Low
|
976
|
Studio Swine
|
125
|
4
|
C
|
Low
|
977
|
Clement Meadmore
|
124
|
4
|
C
|
Low
|
978
|
Bořek Šípek
|
124
|
4
|
Stub
|
Low
|
979
|
Davison Design & Development
|
124
|
4
|
Start
|
Low
|
980
|
Pin-Up (magazine)
|
124
|
4
|
Start
|
Low
|
981
|
Angelo Mangiarotti
|
123
|
3
|
Start
|
Low
|
982
|
Acapulco Chair
|
123
|
3
|
Stub
|
Low
|
983
|
Allen Boothroyd
|
122
|
3
|
Stub
|
Low
|
984
|
Computer-aided production engineering
|
122
|
3
|
Stub
|
Low
|
985
|
Design competition
|
122
|
3
|
Start
|
Unknown
|
986
|
Olivier Mourgue
|
121
|
3
|
Stub
|
Low
|
987
|
Jon Marshall
|
121
|
3
|
Start
|
Unknown
|
988
|
Arturo Vittori
|
120
|
3
|
Stub
|
Low
|
989
|
Corin Mellor
|
120
|
3
|
Start
|
Unknown
|
990
|
Peter Ghyczy
|
119
|
3
|
Stub
|
Low
|
991
|
John Saladino
|
119
|
3
|
Start
|
Low
|
992
|
Divisumma 18
|
118
|
3
|
Stub
|
Low
|
993
|
Ole Wanscher
|
118
|
3
|
Stub
|
Low
|
994
|
Experiential interior design
|
118
|
3
|
Start
|
Mid
|
995
|
Helena Tynell
|
118
|
3
|
B
|
Unknown
|
996
|
Alan Peters
|
117
|
3
|
Stub
|
Low
|
997
|
Ericsson Dialog
|
117
|
3
|
Start
|
Low
|
998
|
ROR (design company)
|
117
|
3
|
Stub
|
Low
|
999
|
Amos Northup
|
116
|
3
|
Stub
|
Low
|
1000
|
Design Museum Holon
|
116
|
3
|
Stub
|
Low
|