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This is a list of pages in the scope of Wikipedia:WikiProject Color along with pageviews.
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Period: 2024-10-01 to 2024-10-31
Total views: 4,217,687
Updated: 16:30, 5 November 2024 (UTC)
Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
List of colors: A–F
|
81,711
|
2,635
|
List
|
High
|
2
|
Eye color
|
77,737
|
2,507
|
C
|
Mid
|
3
|
Johann Wolfgang von Goethe
|
75,868
|
2,447
|
B
|
Mid
|
4
|
Rainbow
|
70,563
|
2,276
|
C
|
Unknown
|
5
|
Color blindness
|
48,202
|
1,554
|
B
|
Top
|
6
|
Web colors
|
46,274
|
1,492
|
C
|
Mid
|
7
|
Shades of blue
|
44,813
|
1,445
|
List
|
Mid
|
8
|
Purple
|
43,792
|
1,412
|
C
|
High
|
9
|
Red hair
|
39,359
|
1,269
|
C
|
Low
|
10
|
Red
|
37,487
|
1,209
|
B
|
Top
|
11
|
Shades of green
|
37,382
|
1,205
|
List
|
Mid
|
12
|
Blue
|
37,349
|
1,204
|
B
|
Top
|
13
|
Shades of purple
|
36,699
|
1,183
|
List
|
Mid
|
14
|
Visible spectrum
|
35,614
|
1,148
|
B
|
Top
|
15
|
Primary color
|
33,408
|
1,077
|
B
|
Top
|
16
|
Indigo
|
33,338
|
1,075
|
Start
|
Mid
|
17
|
Technicolor
|
33,307
|
1,074
|
C
|
Low
|
18
|
RGB color model
|
32,921
|
1,061
|
B
|
High
|
19
|
Tyrian purple
|
32,357
|
1,043
|
B
|
Mid
|
20
|
Color
|
32,148
|
1,037
|
C
|
Top
|
21
|
Magenta
|
30,770
|
992
|
Start
|
High
|
22
|
Green
|
30,567
|
986
|
B
|
Top
|
23
|
PAL
|
30,184
|
973
|
C
|
Low
|
24
|
Shades of pink
|
29,580
|
954
|
List
|
Mid
|
25
|
Black
|
29,459
|
950
|
C
|
Top
|
26
|
Human skin color
|
28,486
|
918
|
B
|
High
|
27
|
Blond
|
28,306
|
913
|
C
|
Low
|
28
|
Shades of brown
|
28,156
|
908
|
List
|
Mid
|
29
|
Vermilion
|
27,818
|
897
|
C
|
Mid
|
30
|
Shades of red
|
27,613
|
890
|
List
|
Mid
|
31
|
CMYK color model
|
27,399
|
883
|
Start
|
High
|
32
|
Shades of gray
|
27,304
|
880
|
List
|
Mid
|
33
|
Prussian blue
|
27,264
|
879
|
B
|
Mid
|
34
|
List of Crayola crayon colors
|
27,103
|
874
|
List
|
Mid
|
35
|
White
|
27,085
|
873
|
C
|
Top
|
36
|
HSL and HSV
|
27,017
|
871
|
B
|
High
|
37
|
Cyan
|
25,919
|
836
|
C
|
High
|
38
|
Color wheel
|
25,828
|
833
|
C
|
High
|
39
|
Violet (color)
|
25,593
|
825
|
B
|
High
|
40
|
Vantablack
|
25,523
|
823
|
C
|
Low
|
41
|
Ochre
|
24,205
|
780
|
C
|
Mid
|
42
|
Color theory
|
22,492
|
725
|
C
|
Top
|
43
|
ROYGBIV
|
21,281
|
686
|
Start
|
Mid
|
44
|
Lists of colors
|
20,882
|
673
|
List
|
Mid
|
45
|
Complementary colors
|
20,836
|
672
|
Start
|
High
|
46
|
Human hair color
|
20,263
|
653
|
Start
|
Mid
|
47
|
Yellow
|
19,992
|
644
|
C
|
Top
|
48
|
Pink
|
19,744
|
636
|
C
|
High
|
49
|
CIE 1931 color space
|
19,429
|
626
|
B
|
High
|
50
|
Color temperature
|
18,966
|
611
|
B
|
High
|
51
|
List of colors (alphabetical)
|
18,829
|
607
|
List
|
Low
|
52
|
Fitzpatrick scale
|
18,686
|
602
|
Start
|
Low
|
53
|
Color television
|
18,457
|
595
|
B
|
Mid
|
54
|
Black body
|
18,344
|
591
|
B
|
Mid
|
55
|
Teal
|
18,239
|
588
|
C
|
High
|
56
|
Terracotta
|
18,060
|
582
|
Start
|
Low
|
57
|
CIELAB color space
|
18,009
|
580
|
C
|
High
|
58
|
Periwinkle (color)
|
17,838
|
575
|
Stub
|
Mid
|
59
|
Chartreuse (color)
|
17,715
|
571
|
Start
|
Mid
|
60
|
Ultramarine
|
17,632
|
568
|
C
|
Mid
|
61
|
Orange (colour)
|
17,622
|
568
|
C
|
High
|
62
|
Gamut
|
17,175
|
554
|
C
|
High
|
63
|
Grey
|
17,057
|
550
|
C
|
Top
|
64
|
Shades of yellow
|
16,615
|
535
|
List
|
Mid
|
65
|
List of colors: N–Z
|
16,561
|
534
|
List
|
High
|
66
|
Azure (color)
|
16,205
|
522
|
Start
|
Mid
|
67
|
Brown hair
|
16,014
|
516
|
C
|
Low
|
68
|
Beige
|
15,984
|
515
|
C
|
Mid
|
69
|
International Klein Blue
|
15,893
|
512
|
C
|
Low
|
70
|
NTSC
|
15,804
|
509
|
C
|
Low
|
71
|
Khaki
|
15,786
|
509
|
Start
|
Mid
|
72
|
Burgundy (color)
|
15,763
|
508
|
Start
|
Low
|
73
|
Fuchsia (color)
|
15,481
|
499
|
Start
|
Mid
|
74
|
Pantone
|
15,446
|
498
|
Start
|
High
|
75
|
Brilliant blue FCF
|
15,350
|
495
|
Start
|
Mid
|
76
|
Light skin
|
15,291
|
493
|
B
|
High
|
77
|
Dark skin
|
15,057
|
485
|
B
|
High
|
78
|
Paint
|
15,021
|
484
|
C
|
High
|
79
|
Tetrachromacy
|
14,740
|
475
|
C
|
High
|
80
|
Political colour
|
14,709
|
474
|
B
|
Low
|
81
|
Impossible color
|
14,419
|
465
|
Start
|
Mid
|
82
|
Color depth
|
14,389
|
464
|
C
|
Mid
|
83
|
Sky blue
|
13,858
|
447
|
Start
|
High
|
84
|
SRGB
|
13,762
|
443
|
C
|
High
|
85
|
Skin whitening
|
13,699
|
441
|
B
|
Low
|
86
|
Turquoise (color)
|
13,671
|
441
|
C
|
Mid
|
87
|
Blue raspberry flavor
|
13,668
|
440
|
Stub
|
Unknown
|
88
|
Shades of white
|
13,665
|
440
|
List
|
Mid
|
89
|
Shades of orange
|
13,466
|
434
|
List
|
Mid
|
90
|
Chromatic aberration
|
13,442
|
433
|
B
|
Mid
|
91
|
Crimson
|
13,310
|
429
|
Start
|
Mid
|
92
|
Stroop effect
|
13,297
|
428
|
B
|
Mid
|
93
|
Ultra-high-definition television
|
13,291
|
428
|
C
|
Low
|
94
|
List of colors by shade
|
13,035
|
420
|
List
|
Low
|
95
|
Brown
|
12,919
|
416
|
Start
|
High
|
96
|
Lavender (color)
|
12,670
|
408
|
C
|
Low
|
97
|
Pigment
|
12,463
|
402
|
B
|
Top
|
98
|
Navy blue
|
12,431
|
401
|
C
|
Mid
|
99
|
Color psychology
|
12,295
|
396
|
C
|
High
|
100
|
Chromesthesia
|
12,219
|
394
|
B
|
Low
|
101
|
Cerulean
|
12,164
|
392
|
Start
|
Low
|
102
|
Pantone 448 C
|
12,114
|
390
|
Stub
|
Low
|
103
|
Ishihara test
|
12,079
|
389
|
C
|
Mid
|
104
|
Color photography
|
11,846
|
382
|
C
|
Low
|
105
|
Shades of cyan
|
11,816
|
381
|
List
|
Mid
|
106
|
Iridescence
|
11,736
|
378
|
Start
|
Mid
|
107
|
Flame test
|
11,639
|
375
|
Start
|
Low
|
108
|
Hue
|
11,522
|
371
|
Start
|
High
|
109
|
Freckle
|
11,479
|
370
|
Start
|
Low
|
110
|
Color space
|
11,470
|
370
|
C
|
High
|
111
|
List of colors: G–M
|
11,428
|
368
|
List
|
High
|
112
|
Maroon
|
11,413
|
368
|
C
|
Mid
|
113
|
Color term
|
11,359
|
366
|
Start
|
High
|
114
|
Visual perception
|
11,324
|
365
|
C
|
Mid
|
115
|
Spectrophotometry
|
11,217
|
361
|
C
|
High
|
116
|
Color vision
|
11,213
|
361
|
C
|
Top
|
117
|
Cobalt blue
|
11,100
|
358
|
Stub
|
Mid
|
118
|
Royal blue
|
11,050
|
356
|
Start
|
Mid
|
119
|
Autumn leaf color
|
10,871
|
350
|
C
|
Mid
|
120
|
Mauve
|
10,852
|
350
|
Start
|
Mid
|
121
|
Carmine (color)
|
10,700
|
345
|
Stub
|
Low
|
122
|
Sepia (color)
|
10,576
|
341
|
Stub
|
Mid
|
123
|
Food coloring
|
10,542
|
340
|
C
|
Mid
|
124
|
Scarlet (color)
|
10,479
|
338
|
C
|
Mid
|
125
|
Grayscale
|
10,355
|
334
|
Start
|
High
|
126
|
Secondary color
|
10,275
|
331
|
C
|
High
|
127
|
Gold (color)
|
10,147
|
327
|
Start
|
Mid
|
128
|
Shades of black
|
10,139
|
327
|
List
|
Top
|
129
|
Monochrome
|
10,119
|
326
|
C
|
High
|
130
|
X11 color names
|
9,879
|
318
|
Start
|
Mid
|
131
|
Color symbolism
|
9,816
|
316
|
Start
|
Mid
|
132
|
YCbCr
|
9,766
|
315
|
Start
|
High
|
133
|
Dye
|
9,705
|
313
|
C
|
High
|
134
|
Black hair
|
9,521
|
307
|
Start
|
Low
|
135
|
Black-and-white
|
9,444
|
304
|
Start
|
Mid
|
136
|
Verdigris
|
9,415
|
303
|
Start
|
Low
|
137
|
Pastel (color)
|
9,415
|
303
|
Stub
|
Mid
|
138
|
Auburn hair
|
9,377
|
302
|
Start
|
Low
|
139
|
DCI-P3
|
9,223
|
297
|
C
|
Low
|
140
|
Y′UV
|
8,891
|
286
|
C
|
Low
|
141
|
Hermann von Helmholtz
|
8,885
|
286
|
C
|
Mid
|
142
|
Tiffany Blue
|
8,876
|
286
|
Start
|
Low
|
143
|
Olive (color)
|
8,820
|
284
|
Start
|
High
|
144
|
Cone cell
|
8,745
|
282
|
C
|
Mid
|
145
|
Amber (color)
|
8,727
|
281
|
Start
|
Mid
|
146
|
Hair coloring
|
8,720
|
281
|
Start
|
Low
|
147
|
Thomas Young (scientist)
|
8,686
|
280
|
C
|
Mid
|
148
|
Shades of violet
|
8,568
|
276
|
List
|
Mid
|
149
|
Pan-Arab colors
|
8,442
|
272
|
Start
|
Low
|
150
|
Halftone
|
8,429
|
271
|
C
|
Mid
|
151
|
Taupe
|
8,384
|
270
|
Start
|
Low
|
152
|
Rec. 709
|
8,365
|
269
|
C
|
Low
|
153
|
Munsell color system
|
8,338
|
268
|
B
|
High
|
154
|
Chroma subsampling
|
8,117
|
261
|
C
|
Low
|
155
|
RAL colour standard
|
7,987
|
257
|
Start
|
Mid
|
156
|
High-dynamic-range television
|
7,851
|
253
|
C
|
Mid
|
157
|
Color difference
|
7,825
|
252
|
B
|
High
|
158
|
Blue-green
|
7,782
|
251
|
Start
|
Mid
|
159
|
Bayer filter
|
7,644
|
246
|
C
|
Mid
|
160
|
Color mixing
|
7,621
|
245
|
C
|
High
|
161
|
Shades of magenta
|
7,596
|
245
|
List
|
Mid
|
162
|
Tincture (heraldry)
|
7,511
|
242
|
B
|
Mid
|
163
|
Baker–Miller pink
|
7,456
|
240
|
Start
|
Low
|
164
|
Photoreceptor cell
|
7,454
|
240
|
C
|
Mid
|
165
|
Prism (optics)
|
7,335
|
236
|
Start
|
Mid
|
166
|
Color in Chinese culture
|
7,292
|
235
|
Start
|
Mid
|
167
|
Contrast effect
|
7,267
|
234
|
C
|
Mid
|
168
|
Marker pen
|
7,228
|
233
|
Start
|
Low
|
169
|
Color of water
|
7,224
|
233
|
C
|
Low
|
170
|
Color rendering index
|
7,213
|
232
|
C
|
Mid
|
171
|
Ecru
|
7,197
|
232
|
Stub
|
Mid
|
172
|
Haint blue
|
7,195
|
232
|
Start
|
Low
|
173
|
Ivory (color)
|
7,145
|
230
|
Stub
|
Low
|
174
|
Blue–green distinction in language
|
7,097
|
228
|
Start
|
Mid
|
175
|
Anaglyph 3D
|
7,062
|
227
|
C
|
Low
|
176
|
Pan-African colours
|
7,025
|
226
|
Start
|
Low
|
177
|
Eigengrau
|
6,946
|
224
|
Start
|
Low
|
178
|
Tint, shade and tone
|
6,932
|
223
|
Start
|
High
|
179
|
British racing green
|
6,925
|
223
|
Start
|
Low
|
180
|
Rec. 2020
|
6,877
|
221
|
C
|
Low
|
181
|
Lilac (color)
|
6,829
|
220
|
Stub
|
Low
|
182
|
Knowledge argument
|
6,827
|
220
|
C
|
Low
|
183
|
Standard illuminant
|
6,738
|
217
|
B
|
High
|
184
|
Cosmic latte
|
6,700
|
216
|
Start
|
Low
|
185
|
Whitewash
|
6,677
|
215
|
Start
|
High
|
186
|
Darkness
|
6,606
|
213
|
C
|
Unknown
|
187
|
Afterimage
|
6,468
|
208
|
C
|
High
|
188
|
Color motion picture film
|
6,379
|
205
|
B
|
Low
|
189
|
List of redheads
|
6,310
|
203
|
List
|
Low
|
190
|
List of video game console palettes
|
6,209
|
200
|
List
|
Low
|
191
|
List of monochrome and RGB color formats
|
6,081
|
196
|
List
|
Mid
|
192
|
SECAM
|
6,077
|
196
|
C
|
Mid
|
193
|
RGBA color model
|
6,055
|
195
|
Start
|
Mid
|
194
|
Natural dye
|
6,032
|
194
|
C
|
Mid
|
195
|
Egyptian blue
|
6,010
|
193
|
C
|
Mid
|
196
|
False color
|
5,997
|
193
|
Start
|
Mid
|
197
|
Dodger blue
|
5,932
|
191
|
Start
|
Low
|
198
|
Electronic color code
|
5,927
|
191
|
Start
|
Low
|
199
|
Puce
|
5,921
|
191
|
Stub
|
Mid
|
200
|
Congenital red–green color blindness
|
5,864
|
189
|
C
|
Mid
|
201
|
Sienna
|
5,841
|
188
|
Start
|
Mid
|
202
|
List of flags containing the color purple
|
5,839
|
188
|
List
|
Low
|
203
|
Contrast (vision)
|
5,773
|
186
|
Start
|
High
|
204
|
Chromophore
|
5,770
|
186
|
Start
|
Mid
|
205
|
Saffron (color)
|
5,660
|
182
|
Start
|
High
|
206
|
Colorfulness
|
5,585
|
180
|
Start
|
High
|
207
|
Theory of Colours
|
5,579
|
179
|
B
|
High
|
208
|
Light-on-dark color scheme
|
5,578
|
179
|
Start
|
Low
|
209
|
Autochrome Lumière
|
5,559
|
179
|
C
|
Low
|
210
|
Go Away Green
|
5,534
|
178
|
Start
|
Low
|
211
|
Color scheme
|
5,487
|
177
|
Start
|
Mid
|
212
|
Spectral color
|
5,427
|
175
|
Start
|
High
|
213
|
Mummy brown
|
5,412
|
174
|
Start
|
Mid
|
214
|
Spring green
|
5,386
|
173
|
C
|
Low
|
215
|
Brightness
|
5,383
|
173
|
Start
|
Mid
|
216
|
CIELUV
|
5,305
|
171
|
Start
|
Mid
|
217
|
Equine coat color
|
5,213
|
168
|
Start
|
Low
|
218
|
Buff (colour)
|
5,201
|
167
|
Start
|
Low
|
219
|
Viridian
|
5,152
|
166
|
Start
|
Low
|
220
|
Ermine (heraldry)
|
5,101
|
164
|
Stub
|
Low
|
221
|
Color grading
|
5,059
|
163
|
Start
|
Mid
|
222
|
Lake pigment
|
4,998
|
161
|
Start
|
Low
|
223
|
Earth tone
|
4,965
|
160
|
Stub
|
Low
|
224
|
Grapheme–color synesthesia
|
4,899
|
158
|
C
|
Low
|
225
|
Coral (color)
|
4,856
|
156
|
Stub
|
Low
|
226
|
Polychrome
|
4,735
|
152
|
C
|
Mid
|
227
|
RYB color model
|
4,692
|
151
|
C
|
Mid
|
228
|
Traditional colors of Japan
|
4,579
|
147
|
Start
|
Mid
|
229
|
List of colors
|
4,575
|
147
|
NA
|
High
|
230
|
Silver (color)
|
4,562
|
147
|
Start
|
Mid
|
231
|
Umber
|
4,549
|
146
|
Start
|
Low
|
232
|
Subtractive color
|
4,548
|
146
|
Start
|
High
|
233
|
YPbPr
|
4,527
|
146
|
Start
|
Mid
|
234
|
Structural coloration
|
4,459
|
143
|
GA
|
Mid
|
235
|
International orange
|
4,451
|
143
|
Stub
|
Low
|
236
|
Lincoln green
|
4,442
|
143
|
C
|
Low
|
237
|
8-bit color
|
4,386
|
141
|
Start
|
Low
|
238
|
List of color palettes
|
4,316
|
139
|
List
|
Mid
|
239
|
Rose (color)
|
4,267
|
137
|
C
|
Low
|
240
|
Tan (color)
|
4,233
|
136
|
Start
|
Mid
|
241
|
Electric blue (color)
|
4,175
|
134
|
Start
|
Low
|
242
|
School colors
|
4,105
|
132
|
Start
|
Mid
|
243
|
Mustard (color)
|
4,069
|
131
|
Stub
|
Low
|
244
|
Kumkuma
|
4,045
|
130
|
Start
|
Mid
|
245
|
Newton disc
|
3,972
|
128
|
C
|
Mid
|
246
|
Thermochromism
|
3,940
|
127
|
Start
|
Low
|
247
|
Lime (color)
|
3,916
|
126
|
Start
|
Mid
|
248
|
ICC profile
|
3,916
|
126
|
C
|
Low
|
249
|
Gules
|
3,898
|
125
|
Start
|
Low
|
250
|
Feldgrau
|
3,877
|
125
|
Start
|
Low
|
251
|
Color of chemicals
|
3,858
|
124
|
C
|
High
|
252
|
Gendered associations of pink and blue
|
3,831
|
123
|
C
|
Mid
|
253
|
Color analysis
|
3,816
|
123
|
Start
|
Mid
|
254
|
Shades of chartreuse
|
3,787
|
122
|
List
|
Mid
|
255
|
Film colorization
|
3,752
|
121
|
C
|
Low
|
256
|
Anti-flash white
|
3,732
|
120
|
Start
|
Mid
|
257
|
Wine (color)
|
3,732
|
120
|
Stub
|
Low
|
258
|
Demosaicing
|
3,720
|
120
|
Start
|
Low
|
259
|
List of international auto racing colours
|
3,715
|
119
|
Start
|
Low
|
260
|
RGB color spaces
|
3,698
|
119
|
Start
|
Mid
|
261
|
Color balance
|
3,661
|
118
|
Start
|
High
|
262
|
Peach (color)
|
3,646
|
117
|
Stub
|
Low
|
263
|
Aqua (color)
|
3,626
|
116
|
Stub
|
Mid
|
264
|
Trichromacy
|
3,594
|
115
|
C
|
High
|
265
|
Argent
|
3,572
|
115
|
Start
|
Low
|
266
|
YInMn Blue
|
3,567
|
115
|
B
|
Low
|
267
|
Cornflower blue
|
3,557
|
114
|
Stub
|
Low
|
268
|
Dichromacy
|
3,548
|
114
|
Start
|
Mid
|
269
|
Pan-Slavic colors
|
3,546
|
114
|
Start
|
Low
|
270
|
Copper (color)
|
3,545
|
114
|
Stub
|
Low
|
271
|
Chromotherapy
|
3,544
|
114
|
C
|
Low
|
272
|
Chromaticity
|
3,538
|
114
|
Start
|
High
|
273
|
25-pair color code
|
3,531
|
113
|
Start
|
Low
|
274
|
Midnight blue
|
3,526
|
113
|
Start
|
Low
|
275
|
Amaranth (color)
|
3,472
|
112
|
Start
|
Low
|
276
|
National colours
|
3,428
|
110
|
Start
|
Mid
|
277
|
Color model
|
3,426
|
110
|
B
|
High
|
278
|
Additive color
|
3,422
|
110
|
Start
|
High
|
279
|
Green in Islam
|
3,394
|
109
|
Stub
|
Low
|
280
|
List of color spaces and their uses
|
3,365
|
108
|
Start
|
High
|
281
|
Cerise (color)
|
3,346
|
107
|
Stub
|
Low
|
282
|
Aquamarine (color)
|
3,323
|
107
|
Stub
|
Low
|
283
|
Blue-gray
|
3,323
|
107
|
C
|
Low
|
284
|
Opponent process
|
3,228
|
104
|
Start
|
High
|
285
|
Hypercolor
|
3,212
|
103
|
C
|
Low
|
286
|
Analogous colors
|
3,199
|
103
|
Stub
|
Mid
|
287
|
Shades of rose
|
3,163
|
102
|
List
|
Mid
|
288
|
Colored pencil
|
3,152
|
101
|
C
|
High
|
289
|
Monochromacy
|
3,125
|
100
|
C
|
Mid
|
290
|
Color gradient
|
3,066
|
98
|
Start
|
Low
|
291
|
Metamerism (color)
|
3,059
|
98
|
Start
|
High
|
292
|
Johannes Itten
|
3,019
|
97
|
Start
|
Mid
|
293
|
Chromophobia
|
2,971
|
95
|
Start
|
Mid
|
294
|
Linguistic relativity and the color naming debate
|
2,967
|
95
|
Start
|
Mid
|
295
|
Sunset (color)
|
2,949
|
95
|
Start
|
Low
|
296
|
Robin egg blue
|
2,945
|
95
|
Stub
|
Low
|
297
|
Chromostereopsis
|
2,922
|
94
|
C
|
Mid
|
298
|
School bus yellow
|
2,915
|
94
|
Start
|
Low
|
299
|
Color-blocking
|
2,883
|
93
|
Start
|
Low
|
300
|
Rose madder
|
2,853
|
92
|
Start
|
Low
|
301
|
Light blue
|
2,852
|
92
|
Stub
|
Low
|
302
|
Chestnut (color)
|
2,839
|
91
|
Stub
|
Low
|
303
|
Basic Color Terms
|
2,823
|
91
|
Start
|
Mid
|
304
|
Phthalocyanine Green G
|
2,788
|
89
|
Start
|
Low
|
305
|
Sage (color)
|
2,776
|
89
|
Stub
|
Low
|
306
|
Colorimetry
|
2,773
|
89
|
Start
|
High
|
307
|
Mahogany (color)
|
2,754
|
88
|
Stub
|
Low
|
308
|
Salmon (color)
|
2,730
|
88
|
Start
|
Low
|
309
|
Glaucous
|
2,710
|
87
|
Stub
|
Low
|
310
|
ColorChecker
|
2,709
|
87
|
Start
|
Mid
|
311
|
Wilhelm Ostwald
|
2,687
|
86
|
C
|
Mid
|
312
|
Xanthochromia
|
2,654
|
85
|
Start
|
Low
|
313
|
Plum (color)
|
2,653
|
85
|
Start
|
Mid
|
314
|
Colour banding
|
2,644
|
85
|
Stub
|
Low
|
315
|
Bronze (color)
|
2,633
|
84
|
Start
|
Mid
|
316
|
Alice blue
|
2,617
|
84
|
Stub
|
Low
|
317
|
Sable (heraldry)
|
2,614
|
84
|
Stub
|
Low
|
318
|
Photographic print toning
|
2,578
|
83
|
Start
|
Mid
|
319
|
List of inorganic pigments
|
2,564
|
82
|
List
|
Low
|
320
|
Animal coloration
|
2,557
|
82
|
GA
|
Mid
|
321
|
Natural Color System
|
2,556
|
82
|
Start
|
High
|
322
|
Adobe RGB color space
|
2,550
|
82
|
Start
|
Mid
|
323
|
Rec. 2100
|
2,529
|
81
|
Start
|
Low
|
324
|
Glare (vision)
|
2,527
|
81
|
Start
|
Low
|
325
|
Tooth discoloration
|
2,519
|
81
|
C
|
Low
|
326
|
Colors of the day in Thailand
|
2,504
|
80
|
Stub
|
Low
|
327
|
Lightness
|
2,499
|
80
|
Start
|
High
|
328
|
Russet (color)
|
2,495
|
80
|
Stub
|
Low
|
329
|
Sapphire (color)
|
2,465
|
79
|
Stub
|
Low
|
330
|
Red pigments
|
2,448
|
78
|
C
|
Low
|
331
|
Gamboge
|
2,442
|
78
|
Start
|
Low
|
332
|
Fawn (colour)
|
2,438
|
78
|
Stub
|
Low
|
333
|
Alvy Ray Smith
|
2,425
|
78
|
Start
|
Low
|
334
|
Tawny (color)
|
2,413
|
77
|
Start
|
Low
|
335
|
Diffuse sky radiation
|
2,389
|
77
|
C
|
Mid
|
336
|
Red-violet
|
2,379
|
76
|
Stub
|
Low
|
337
|
Color chart
|
2,374
|
76
|
Start
|
Mid
|
338
|
Color management
|
2,373
|
76
|
Start
|
Mid
|
339
|
Von Luschan's chromatic scale
|
2,370
|
76
|
Start
|
Low
|
340
|
Safety orange
|
2,361
|
76
|
Start
|
Low
|
341
|
Young–Helmholtz theory
|
2,359
|
76
|
Stub
|
High
|
342
|
Colorist
|
2,357
|
76
|
C
|
Low
|
343
|
Cream (colour)
|
2,350
|
75
|
Stub
|
Low
|
344
|
Persian blue
|
2,318
|
74
|
Stub
|
Low
|
345
|
History of Crayola crayons
|
2,275
|
73
|
C
|
Low
|
346
|
Air Force blue
|
2,270
|
73
|
Start
|
Low
|
347
|
Image gradient
|
2,267
|
73
|
Stub
|
Mid
|
348
|
Blue in culture
|
2,252
|
72
|
B
|
High
|
349
|
High Capacity Color Barcode
|
2,241
|
72
|
C
|
Low
|
350
|
Dracula (color scheme)
|
2,227
|
71
|
C
|
Low
|
351
|
Solarized
|
2,217
|
71
|
Start
|
Low
|
352
|
Oxblood
|
2,210
|
71
|
Start
|
Low
|
353
|
Falu red
|
2,200
|
70
|
Start
|
Low
|
354
|
Rust (color)
|
2,197
|
70
|
Stub
|
Low
|
355
|
Shades of azure
|
2,185
|
70
|
NA
|
NA
|
356
|
Azure (heraldry)
|
2,177
|
70
|
Start
|
Low
|
357
|
Carolina blue
|
2,164
|
69
|
Start
|
Mid
|
358
|
Lemon (color)
|
2,153
|
69
|
Stub
|
Low
|
359
|
Color code
|
2,145
|
69
|
Start
|
Mid
|
360
|
New riddle of induction
|
2,138
|
68
|
Start
|
Low
|
361
|
Relative luminance
|
2,124
|
68
|
Start
|
Mid
|
362
|
Rosso corsa
|
2,122
|
68
|
Start
|
Low
|
363
|
Eton blue
|
2,118
|
68
|
Stub
|
Low
|
364
|
Complexion
|
2,108
|
68
|
Start
|
Low
|
365
|
Color constancy
|
2,104
|
67
|
Start
|
Mid
|
366
|
Han purple and Han blue
|
2,100
|
67
|
B
|
Mid
|
367
|
Ruby (color)
|
2,092
|
67
|
Start
|
Mid
|
368
|
Optical brightener
|
2,080
|
67
|
Start
|
Mid
|
369
|
Blood red
|
2,079
|
67
|
Stub
|
Low
|
370
|
Soil color
|
2,078
|
67
|
Start
|
Low
|
371
|
Super black
|
2,067
|
66
|
Start
|
Mid
|
372
|
Or (heraldry)
|
2,056
|
66
|
Stub
|
Low
|
373
|
Cambridge Blue (colour)
|
2,044
|
65
|
Start
|
Low
|
374
|
Color printing
|
2,038
|
65
|
C
|
High
|
375
|
Black-and-white dualism
|
2,032
|
65
|
Start
|
Low
|
376
|
Columbia blue
|
2,030
|
65
|
Stub
|
Low
|
377
|
Maya blue
|
2,027
|
65
|
C
|
Low
|
378
|
Rich black
|
1,994
|
64
|
C
|
Mid
|
379
|
Color vision test
|
1,992
|
64
|
B
|
High
|
380
|
LMS color space
|
1,982
|
63
|
Start
|
Mid
|
381
|
Champagne (color)
|
1,973
|
63
|
Stub
|
Low
|
382
|
Spectral power distribution
|
1,945
|
62
|
Start
|
High
|
383
|
Dinosaur coloration
|
1,945
|
62
|
C
|
Mid
|
384
|
Palette (computing)
|
1,938
|
62
|
C
|
Mid
|
385
|
Slate gray
|
1,936
|
62
|
Stub
|
Low
|
386
|
Apricot (color)
|
1,912
|
61
|
Stub
|
Low
|
387
|
Desert sand (color)
|
1,907
|
61
|
Start
|
Low
|
388
|
List of dyes
|
1,906
|
61
|
List
|
Mid
|
389
|
Lightfastness
|
1,906
|
61
|
Start
|
Mid
|
390
|
Wine color
|
1,902
|
61
|
Start
|
Low
|
391
|
Color science
|
1,890
|
60
|
Stub
|
Top
|
392
|
Color blind glasses
|
1,885
|
60
|
B
|
Mid
|
393
|
LED strip light
|
1,882
|
60
|
C
|
Low
|
394
|
Mars surface color
|
1,873
|
60
|
B
|
Low
|
395
|
Baby blue
|
1,855
|
59
|
Stub
|
Low
|
396
|
Hand-colouring of photographs
|
1,825
|
58
|
C
|
Mid
|
397
|
National colours of Australia
|
1,823
|
58
|
Start
|
Low
|
398
|
Chrominance
|
1,818
|
58
|
Start
|
Mid
|
399
|
High color
|
1,801
|
58
|
Start
|
Low
|
400
|
Color filter array
|
1,798
|
58
|
C
|
Low
|
401
|
Mountbatten pink
|
1,786
|
57
|
GA
|
Low
|
402
|
Indexed color
|
1,786
|
57
|
C
|
High
|
403
|
Color correction
|
1,766
|
56
|
Start
|
Mid
|
404
|
Bleu de France (colour)
|
1,764
|
56
|
Start
|
Low
|
405
|
International Commission on Illumination
|
1,750
|
56
|
Start
|
High
|
406
|
Domain coloring
|
1,747
|
56
|
C
|
Low
|
407
|
YIQ
|
1,736
|
56
|
Start
|
Low
|
408
|
Channel (digital image)
|
1,732
|
55
|
C
|
Mid
|
409
|
Forest green
|
1,718
|
55
|
Stub
|
Low
|
410
|
Colour trade mark
|
1,710
|
55
|
Start
|
High
|
411
|
Chrome yellow
|
1,704
|
54
|
Start
|
Mid
|
412
|
Hyaline
|
1,699
|
54
|
Stub
|
Low
|
413
|
Heliotrope (color)
|
1,698
|
54
|
Stub
|
Low
|
414
|
Alcian blue stain
|
1,682
|
54
|
C
|
Low
|
415
|
Cadet grey
|
1,669
|
53
|
Start
|
Low
|
416
|
List of animals that can change color
|
1,638
|
52
|
List
|
Low
|
417
|
Byzantium (color)
|
1,630
|
52
|
Start
|
Low
|
418
|
Inverted spectrum
|
1,623
|
52
|
B
|
Low
|
419
|
List of 16-bit computer color palettes
|
1,618
|
52
|
List
|
Low
|
420
|
Color appearance model
|
1,616
|
52
|
Start
|
Mid
|
421
|
Payne's grey
|
1,610
|
51
|
Stub
|
Mid
|
422
|
Planckian locus
|
1,582
|
51
|
C
|
Mid
|
423
|
Alizarin crimson (color)
|
1,576
|
50
|
Stub
|
Mid
|
424
|
HCL color space
|
1,549
|
49
|
Start
|
Mid
|
425
|
Majorelle Blue
|
1,544
|
49
|
Stub
|
Low
|
426
|
Eggplant (color)
|
1,543
|
49
|
Stub
|
Low
|
427
|
Old gold
|
1,542
|
49
|
Start
|
Low
|
428
|
White point
|
1,540
|
49
|
Start
|
High
|
429
|
Lüscher color test
|
1,536
|
49
|
Start
|
Low
|
430
|
Platinum (color)
|
1,528
|
49
|
Stub
|
Low
|
431
|
List of historical sources for pink and blue as gender signifiers
|
1,522
|
49
|
List
|
Low
|
432
|
Tertiary color
|
1,520
|
49
|
NA
|
High
|
433
|
Vair
|
1,513
|
48
|
Stub
|
Low
|
434
|
Harmony (color)
|
1,508
|
48
|
C
|
High
|
435
|
Gray card
|
1,508
|
48
|
Start
|
Low
|
436
|
ISCC–NBS system
|
1,499
|
48
|
Start
|
High
|
437
|
ProPhoto RGB color space
|
1,492
|
48
|
Start
|
Low
|
438
|
Spectral sensitivity
|
1,486
|
47
|
Start
|
Mid
|
439
|
Day-Glo Color Corp.
|
1,483
|
47
|
Start
|
Mid
|
440
|
Metallic color
|
1,481
|
47
|
Start
|
Mid
|
441
|
Iron oxide red
|
1,478
|
47
|
Stub
|
Low
|
442
|
APHA color
|
1,476
|
47
|
Start
|
Low
|
443
|
Photochromism
|
1,474
|
47
|
C
|
Low
|
444
|
History of red
|
1,465
|
47
|
C
|
Mid
|
445
|
Steel blue
|
1,464
|
47
|
Stub
|
Low
|
446
|
Orchid (color)
|
1,453
|
46
|
Stub
|
Low
|
447
|
Marengo (color)
|
1,447
|
46
|
Start
|
Low
|
448
|
Color quantization
|
1,445
|
46
|
C
|
High
|
449
|
Citrine (colour)
|
1,435
|
46
|
Stub
|
Low
|
450
|
Colour Index International
|
1,426
|
46
|
Start
|
Mid
|
451
|
Colour fastness
|
1,420
|
45
|
Start
|
Low
|
452
|
List of people with color blindness
|
1,420
|
45
|
List
|
Low
|
453
|
EnChroma
|
1,385
|
44
|
Start
|
Mid
|
454
|
History of spectroscopy
|
1,373
|
44
|
B
|
Mid
|
455
|
Chocolate (color)
|
1,367
|
44
|
Start
|
Low
|
456
|
Cordovan (color)
|
1,363
|
43
|
Stub
|
Low
|
457
|
Fulvous
|
1,359
|
43
|
Start
|
Low
|
458
|
Cardinal (color)
|
1,355
|
43
|
Stub
|
Low
|
459
|
Line of purples
|
1,354
|
43
|
Start
|
Mid
|
460
|
Coffee (color)
|
1,354
|
43
|
Start
|
Low
|
461
|
Caput mortuum (pigment)
|
1,349
|
43
|
Start
|
Low
|
462
|
Powder blue
|
1,346
|
43
|
Stub
|
Low
|
463
|
Bistre
|
1,345
|
43
|
Start
|
Mid
|
464
|
Coquelicot
|
1,340
|
43
|
Start
|
Low
|
465
|
Liver (color)
|
1,339
|
43
|
Stub
|
Low
|
466
|
Coyote brown
|
1,335
|
43
|
Stub
|
Mid
|
467
|
Standard-dynamic-range video
|
1,331
|
42
|
C
|
Mid
|
468
|
Xanthochromism
|
1,326
|
42
|
Stub
|
Low
|
469
|
Sepia tone
|
1,312
|
42
|
NA
|
Mid
|
470
|
Abnormal urine color
|
1,292
|
41
|
Start
|
Low
|
471
|
Selective yellow
|
1,284
|
41
|
C
|
Low
|
472
|
Color picker
|
1,279
|
41
|
Start
|
Low
|
473
|
Rufous
|
1,272
|
41
|
Start
|
Low
|
474
|
Iris (color)
|
1,262
|
40
|
Stub
|
Low
|
475
|
St. Patrick's blue
|
1,254
|
40
|
Start
|
Low
|
476
|
Correlated color temperature
|
1,250
|
40
|
C
|
Low
|
477
|
Color preferences
|
1,250
|
40
|
Stub
|
Mid
|
478
|
Duotone
|
1,247
|
40
|
Start
|
Low
|
479
|
Fire engine red
|
1,243
|
40
|
Stub
|
Low
|
480
|
Aureolin
|
1,238
|
39
|
Stub
|
Low
|
481
|
Flax (color)
|
1,216
|
39
|
Stub
|
Low
|
482
|
Van Dyke brown
|
1,212
|
39
|
Stub
|
Low
|
483
|
CMY color model
|
1,204
|
38
|
NA
|
NA
|
484
|
Gray
|
1,201
|
38
|
NA
|
NA
|
485
|
Orcein
|
1,199
|
38
|
Start
|
Mid
|
486
|
Electrochromism
|
1,192
|
38
|
C
|
Low
|
487
|
Solvatochromism
|
1,182
|
38
|
Start
|
Low
|
488
|
CIECAM02
|
1,169
|
37
|
B
|
High
|
489
|
Savoy blue
|
1,168
|
37
|
C
|
Low
|
490
|
Non-photo blue
|
1,166
|
37
|
Start
|
Low
|
491
|
Wide-gamut RGB color space
|
1,160
|
37
|
Start
|
Mid
|
492
|
Field-sequential color system
|
1,158
|
37
|
C
|
Low
|
493
|
MacAdam ellipse
|
1,154
|
37
|
C
|
High
|
494
|
X-Rite
|
1,147
|
37
|
Start
|
Low
|
495
|
Illuminant D65
|
1,144
|
36
|
NA
|
Mid
|
496
|
Rifle green
|
1,144
|
36
|
NA
|
Low
|
497
|
Goldenrod (color)
|
1,143
|
36
|
Start
|
Low
|
498
|
Venetian red
|
1,142
|
36
|
Stub
|
Low
|
499
|
Color histogram
|
1,137
|
36
|
Start
|
Mid
|
500
|
Visual processing
|
1,129
|
36
|
Start
|
Low
|
501
|
Spot color
|
1,126
|
36
|
Start
|
High
|
502
|
Camel (color)
|
1,124
|
36
|
Start
|
Low
|
503
|
List of chicken colours
|
1,121
|
36
|
List
|
Low
|
504
|
Farnsworth–Munsell 100 hue test
|
1,115
|
35
|
C
|
Low
|
505
|
Palatinate (colour)
|
1,111
|
35
|
Start
|
Low
|
506
|
Federal Standard 595
|
1,100
|
35
|
Stub
|
Low
|
507
|
Marigold (color)
|
1,098
|
35
|
Stub
|
Low
|
508
|
Calcein
|
1,091
|
35
|
Start
|
Low
|
509
|
Blue light spectrum
|
1,088
|
35
|
C
|
Unknown
|
510
|
Color gel
|
1,073
|
34
|
Start
|
Low
|
511
|
Budgerigar colour genetics
|
1,069
|
34
|
Start
|
Low
|
512
|
Vert (heraldry)
|
1,066
|
34
|
Start
|
Low
|
513
|
Printing registration
|
1,066
|
34
|
C
|
Low
|
514
|
Color of the day (police)
|
1,064
|
34
|
Start
|
Low
|
515
|
Marian blue
|
1,050
|
33
|
Start
|
Low
|
516
|
Candy apple red
|
1,037
|
33
|
Start
|
Low
|
517
|
PAL-M
|
1,033
|
33
|
Start
|
Low
|
518
|
Cerebral achromatopsia
|
1,027
|
33
|
C
|
Low
|
519
|
Android green
|
1,023
|
33
|
Stub
|
Low
|
520
|
Color solid
|
1,012
|
32
|
Start
|
High
|
521
|
Yale Blue
|
1,012
|
32
|
Start
|
Low
|
522
|
Drab (color)
|
1,010
|
32
|
Stub
|
Low
|
523
|
List of color film systems
|
1,002
|
32
|
List
|
Low
|
524
|
Mulberry (color)
|
997
|
32
|
Stub
|
Low
|
525
|
Purpure
|
978
|
31
|
Start
|
Low
|
526
|
Raspberry (color)
|
970
|
31
|
Start
|
Low
|
527
|
Dominant wavelength
|
964
|
31
|
Start
|
High
|
528
|
Colourant
|
952
|
30
|
Stub
|
High
|
529
|
Sakura Color Products Corporation
|
945
|
30
|
Stub
|
Low
|
530
|
Bleu celeste
|
938
|
30
|
Start
|
Low
|
531
|
Pearl (color)
|
931
|
30
|
Stub
|
Low
|
532
|
RG color models
|
911
|
29
|
C
|
Mid
|
533
|
Chromatic adaptation
|
903
|
29
|
Start
|
Mid
|
534
|
Eggshell (color)
|
899
|
29
|
Stub
|
Low
|
535
|
Kruithof curve
|
893
|
28
|
C
|
Mid
|
536
|
Sinopia
|
883
|
28
|
Start
|
Low
|
537
|
Olive drab
|
878
|
28
|
NA
|
NA
|
538
|
Colorburst
|
876
|
28
|
Start
|
Low
|
539
|
Magnolia (color)
|
874
|
28
|
Stub
|
Low
|
540
|
Evolution of color vision in primates
|
866
|
27
|
C
|
Mid
|
541
|
Abney effect
|
859
|
27
|
B
|
Mid
|
542
|
ICtCp
|
846
|
27
|
C
|
Mid
|
543
|
Lion (color)
|
827
|
26
|
Stub
|
Low
|
544
|
Jonquil (color)
|
825
|
26
|
Stub
|
Low
|
545
|
Unique hues
|
820
|
26
|
C
|
Mid
|
546
|
Color triangle
|
812
|
26
|
Start
|
High
|
547
|
Tenné
|
804
|
25
|
B
|
Low
|
548
|
ScRGB
|
801
|
25
|
Start
|
Mid
|
549
|
Philosophy of color
|
800
|
25
|
Start
|
High
|
550
|
Oren–Nayar reflectance model
|
793
|
25
|
C
|
Low
|
551
|
Mexican pink
|
793
|
25
|
Start
|
Low
|
552
|
Vision science
|
782
|
25
|
Start
|
Mid
|
553
|
Albert Henry Munsell
|
773
|
24
|
Start
|
Mid
|
554
|
Evolution of color vision
|
772
|
24
|
Start
|
Mid
|
555
|
Tricolour
|
763
|
24
|
NA
|
NA
|
556
|
Arylide yellow
|
752
|
24
|
Stub
|
Low
|
557
|
Mired
|
743
|
23
|
Start
|
Mid
|
558
|
Utility location
|
736
|
23
|
Start
|
Mid
|
559
|
Zinc white
|
733
|
23
|
C
|
Mid
|
560
|
Vanilla (color)
|
733
|
23
|
Start
|
Mid
|
561
|
Color calibration
|
723
|
23
|
Start
|
Mid
|
562
|
Capri (color)
|
721
|
23
|
Stub
|
Low
|
563
|
Composite artifact colors
|
721
|
23
|
C
|
Low
|
564
|
Cinereous
|
720
|
23
|
Stub
|
Low
|
565
|
Straw (colour)
|
717
|
23
|
Stub
|
Low
|
566
|
YCoCg
|
713
|
23
|
C
|
Mid
|
567
|
Index of color-related articles
|
706
|
22
|
Start
|
Mid
|
568
|
Mysore Paints and Varnish
|
702
|
22
|
Start
|
Low
|
569
|
Floral color change
|
700
|
22
|
C
|
Low
|
570
|
Maize (color)
|
699
|
22
|
Stub
|
Low
|
571
|
Murrey
|
693
|
22
|
Stub
|
Low
|
572
|
Fechner color
|
687
|
22
|
Start
|
Low
|
573
|
Rose pink
|
684
|
22
|
Stub
|
Low
|
574
|
Standard Reference Method
|
683
|
22
|
C
|
Low
|
575
|
Color organ
|
683
|
22
|
C
|
Low
|
576
|
On Vision and Colours
|
683
|
22
|
Start
|
Low
|
577
|
Citron (color)
|
682
|
22
|
Stub
|
Low
|
578
|
Wheat (color)
|
670
|
21
|
Stub
|
Low
|
579
|
Beta movement
|
668
|
21
|
C
|
Low
|
580
|
Cyanometer
|
665
|
21
|
Stub
|
Low
|
581
|
Colored smoke
|
654
|
21
|
Stub
|
Mid
|
582
|
Synthetic colorant
|
654
|
21
|
C
|
Low
|
583
|
Eyeborg
|
650
|
20
|
Start
|
Low
|
584
|
Jasmine (color)
|
649
|
20
|
Stub
|
Low
|
585
|
Dichroic filter
|
648
|
20
|
NA
|
NA
|
586
|
Image color transfer
|
641
|
20
|
Start
|
Low
|
587
|
Red in culture
|
638
|
20
|
C
|
High
|
588
|
Dandelion (crayon color)
|
633
|
20
|
Start
|
Low
|
589
|
HSV color space
|
632
|
20
|
NA
|
High
|
590
|
Jungle green
|
609
|
19
|
C
|
Low
|
591
|
Tangerine (color)
|
608
|
19
|
Stub
|
Low
|
592
|
Duke blue
|
597
|
19
|
Stub
|
Low
|
593
|
Acid green
|
593
|
19
|
Stub
|
Low
|
594
|
Hexachrome
|
591
|
19
|
Start
|
Low
|
595
|
Navajo white
|
588
|
18
|
Stub
|
Low
|
596
|
PALplus
|
586
|
18
|
C
|
Low
|
597
|
International Colour Day
|
583
|
18
|
Start
|
Mid
|
598
|
Blue Wool Scale
|
580
|
18
|
Stub
|
Low
|
599
|
Tuscan red
|
580
|
18
|
Start
|
Low
|
600
|
Gene therapy for color blindness
|
572
|
18
|
C
|
Low
|
601
|
Erin (color)
|
572
|
18
|
Stub
|
Low
|
602
|
Tristimulus colorimeter
|
570
|
18
|
Stub
|
Low
|
603
|
Lava (color)
|
568
|
18
|
Stub
|
Low
|
604
|
Carnelian (color)
|
561
|
18
|
Stub
|
Low
|
605
|
Grassmann's laws (color science)
|
550
|
17
|
Start
|
Mid
|
606
|
Ewald Hering
|
542
|
17
|
Start
|
Mid
|
607
|
MERDC camouflage
|
525
|
16
|
Stub
|
Low
|
608
|
Map coloring
|
521
|
16
|
Start
|
Low
|
609
|
Ostwald color system
|
520
|
16
|
C
|
High
|
610
|
Gardner color scale
|
518
|
16
|
Stub
|
Mid
|
611
|
Persian red
|
515
|
16
|
Stub
|
Low
|
612
|
XvYCC
|
512
|
16
|
Start
|
Low
|
613
|
Color war
|
510
|
16
|
Stub
|
Low
|
614
|
Blush (color)
|
501
|
16
|
Stub
|
Low
|
615
|
On Colors
|
490
|
15
|
Start
|
Low
|
616
|
Seal brown
|
483
|
15
|
Stub
|
Low
|
617
|
CcMmYK color model
|
483
|
15
|
Stub
|
Low
|
618
|
CIE 1960 color space
|
475
|
15
|
Start
|
Low
|
619
|
Double cone (biology)
|
469
|
15
|
Start
|
Low
|
620
|
Zaffre
|
468
|
15
|
Stub
|
Mid
|
621
|
Color print film
|
467
|
15
|
Start
|
Low
|
622
|
Azure spar
|
462
|
14
|
List
|
Low
|
623
|
Bastard color
|
461
|
14
|
Stub
|
Low
|
624
|
International Color Consortium
|
455
|
14
|
Start
|
Mid
|
625
|
Reseda green
|
449
|
14
|
Stub
|
Low
|
626
|
Color of clothing
|
447
|
14
|
Start
|
Mid
|
627
|
Colorpuncture
|
445
|
14
|
C
|
Low
|
628
|
HWB color model
|
444
|
14
|
Stub
|
Low
|
629
|
Chromism
|
442
|
14
|
C
|
Low
|
630
|
Mars Black (pigment)
|
437
|
14
|
Stub
|
Low
|
631
|
Pompeian red
|
436
|
14
|
B
|
Low
|
632
|
Colour cast
|
432
|
13
|
Start
|
Mid
|
633
|
Bezold–Brücke shift
|
430
|
13
|
Stub
|
Low
|
634
|
Coventry blue
|
429
|
13
|
Stub
|
Low
|
635
|
Color cycling
|
428
|
13
|
Start
|
Low
|
636
|
ColorADD
|
427
|
13
|
Start
|
Low
|
637
|
CIE 1964 color space
|
424
|
13
|
Stub
|
Low
|
638
|
Carnation pink
|
421
|
13
|
NA
|
Low
|
639
|
Colour recovery
|
418
|
13
|
C
|
Low
|
640
|
The Secret Lives of Colour
|
416
|
13
|
C
|
Low
|
641
|
Azurite (pigment)
|
416
|
13
|
Stub
|
Low
|
642
|
Carnation (heraldry)
|
406
|
13
|
Stub
|
Low
|
643
|
Local color (visual art)
|
391
|
12
|
Stub
|
Low
|
644
|
Seashell (color)
|
389
|
12
|
Stub
|
Low
|
645
|
Marrs green
|
389
|
12
|
Stub
|
Low
|
646
|
Harvest gold
|
379
|
12
|
Stub
|
Low
|
647
|
Werner's Nomenclature of Colours
|
378
|
12
|
Stub
|
Low
|
648
|
Cyclamen (color)
|
374
|
12
|
NA
|
Low
|
649
|
Sanguine (heraldry)
|
372
|
12
|
Stub
|
Low
|
650
|
Orange (heraldry)
|
372
|
12
|
Stub
|
Low
|
651
|
Color rendering
|
369
|
11
|
Start
|
Mid
|
652
|
Continuous tone image
|
363
|
11
|
NA
|
NA
|
653
|
Bice
|
362
|
11
|
Stub
|
Low
|
654
|
Bole (color)
|
361
|
11
|
Start
|
Low
|
655
|
Jacob Christoph Le Blon
|
355
|
11
|
Start
|
Low
|
656
|
Cream (color)
|
354
|
11
|
NA
|
Low
|
657
|
Rg chromaticity
|
351
|
11
|
Stub
|
Low
|
658
|
Color reproduction
|
349
|
11
|
Stub
|
High
|
659
|
Color phi phenomenon
|
344
|
11
|
Start
|
Low
|
660
|
Memory color effect
|
344
|
11
|
C
|
Mid
|
661
|
Halochromism
|
343
|
11
|
Start
|
Low
|
662
|
Cerulean blue
|
337
|
10
|
NA
|
NA
|
663
|
Fallow (color)
|
337
|
10
|
Stub
|
Low
|
664
|
Margaret Hayden Rorke
|
337
|
10
|
C
|
Low
|
665
|
Spring bud
|
335
|
10
|
C
|
Low
|
666
|
American Association of Textile Chemists and Colorists
|
333
|
10
|
Stub
|
Mid
|
667
|
Color Association of the United States
|
328
|
10
|
Start
|
Mid
|
668
|
ASC CDL
|
321
|
10
|
Start
|
Low
|
669
|
French gray
|
319
|
10
|
Stub
|
Low
|
670
|
Cynthia Brewer
|
317
|
10
|
Start
|
Low
|
671
|
Colors (Ken Nordine album)
|
313
|
10
|
Start
|
Low
|
672
|
Brunswick green
|
303
|
9
|
NA
|
Low
|
673
|
HKS (colour system)
|
299
|
9
|
Stub
|
Low
|
674
|
Hunter Lab
|
290
|
9
|
Start
|
Low
|
675
|
Rose (heraldic tincture)
|
287
|
9
|
Start
|
Low
|
676
|
Burnt sienna
|
278
|
8
|
NA
|
Mid
|
677
|
Cendrée
|
275
|
8
|
Stub
|
Low
|
678
|
Titanium yellow
|
273
|
8
|
Stub
|
Low
|
679
|
Spring green (color)
|
268
|
8
|
NA
|
NA
|
680
|
TSL color space
|
265
|
8
|
Stub
|
Low
|
681
|
YDbDr
|
261
|
8
|
Start
|
Low
|
682
|
Icterine
|
259
|
8
|
Stub
|
Low
|
683
|
Hooker's green
|
255
|
8
|
NA
|
NA
|
684
|
Moses Harris
|
254
|
8
|
Start
|
Mid
|
685
|
Polka-dot paint
|
250
|
8
|
Start
|
Low
|
686
|
Dark blue (color)
|
249
|
8
|
NA
|
Low
|
687
|
Specifications for Web Offset Publications
|
248
|
8
|
Start
|
Low
|
688
|
Color suite
|
247
|
7
|
Start
|
Low
|
689
|
Pterobilin
|
246
|
7
|
Start
|
Low
|
690
|
IT8
|
245
|
7
|
Start
|
Low
|
691
|
Bipack color
|
243
|
7
|
C
|
Low
|
692
|
Hunt effect (color)
|
243
|
7
|
Stub
|
Low
|
693
|
ColorCode 3-D
|
241
|
7
|
Start
|
Low
|
694
|
National colours of Portugal
|
241
|
7
|
Start
|
Low
|
695
|
ColorZilla
|
238
|
7
|
Stub
|
Low
|
696
|
Color normalization
|
237
|
7
|
Start
|
Mid
|
697
|
Bondi blue
|
236
|
7
|
NA
|
NA
|
698
|
Burnt umber
|
231
|
7
|
NA
|
Mid
|
699
|
Color coding in data visualization
|
227
|
7
|
NA
|
High
|
700
|
Ao (color)
|
224
|
7
|
NA
|
Low
|
701
|
Amethyst (color)
|
219
|
7
|
NA
|
NA
|
702
|
PAL-S
|
214
|
6
|
Start
|
Low
|
703
|
Whiteness (colorimetry)
|
211
|
6
|
Start
|
Low
|
704
|
Iron ochre
|
206
|
6
|
List
|
Low
|
705
|
Coloroid
|
202
|
6
|
Stub
|
Low
|
706
|
Standard Color Reference of America
|
200
|
6
|
Start
|
Low
|
707
|
Ruddy
|
197
|
6
|
NA
|
NA
|
708
|
Coloured Book protocols
|
197
|
6
|
C
|
Low
|
709
|
Color reaction
|
194
|
6
|
Stub
|
Mid
|
710
|
Golden ochre
|
191
|
6
|
C
|
Low
|
711
|
Mikado yellow
|
189
|
6
|
Stub
|
Low
|
712
|
Grey component replacement
|
185
|
5
|
Stub
|
Low
|
713
|
Principle of univariance
|
184
|
5
|
Stub
|
Low
|
714
|
OSA-UCS
|
183
|
5
|
Stub
|
Low
|
715
|
Color task
|
180
|
5
|
B
|
Mid
|
716
|
Portland Orange
|
178
|
5
|
Unknown
|
Unknown
|
717
|
Jade (color)
|
175
|
5
|
NA
|
Low
|
718
|
Color Naming System
|
175
|
5
|
Start
|
Low
|
719
|
Teal (color)
|
172
|
5
|
NA
|
NA
|
720
|
Color Marketing Group
|
171
|
5
|
Stub
|
Low
|
721
|
Multi-primary color display
|
171
|
5
|
Stub
|
Low
|
722
|
Rail Blue
|
170
|
5
|
NA
|
NA
|
723
|
Harlequin (color)
|
165
|
5
|
NA
|
NA
|
724
|
Alumina effect pigment
|
164
|
5
|
Start
|
Low
|
725
|
Zinzolin
|
163
|
5
|
B
|
Low
|
726
|
Society of Dyers and Colourists
|
162
|
5
|
Stub
|
Mid
|
727
|
Oil droplet
|
161
|
5
|
Start
|
Low
|
728
|
True Blue (color)
|
158
|
5
|
NA
|
Low
|
729
|
Windows Color System
|
157
|
5
|
Start
|
Mid
|
730
|
Burned (image)
|
153
|
4
|
Start
|
Mid
|
731
|
British Colour Council
|
148
|
4
|
Start
|
Mid
|
732
|
Practical Color Coordinate System
|
143
|
4
|
Stub
|
Low
|
733
|
Postage stamp color
|
142
|
4
|
C
|
Low
|
734
|
Raisin black
|
137
|
4
|
Stub
|
Low
|
735
|
Coloured hat
|
132
|
4
|
Start
|
Low
|
736
|
Hansa yellow
|
131
|
4
|
NA
|
Low
|
737
|
International Colour Authority
|
130
|
4
|
Stub
|
Low
|
738
|
Bernice Kentner
|
130
|
4
|
Start
|
Low
|
739
|
Attic ochre
|
128
|
4
|
C
|
Low
|
740
|
Sinople
|
127
|
4
|
NA
|
NA
|
741
|
Moss green
|
126
|
4
|
NA
|
Low
|
742
|
International Colour Association
|
125
|
4
|
C
|
Mid
|
743
|
David MacAdam
|
123
|
3
|
Start
|
Mid
|
744
|
Charcoal (color)
|
121
|
3
|
NA
|
NA
|
745
|
Von Kries coefficient law
|
121
|
3
|
C
|
Low
|
746
|
Colorimeter
|
111
|
3
|
NA
|
NA
|
747
|
Colorway
|
107
|
3
|
NA
|
Low
|
748
|
Splash of color
|
107
|
3
|
Stub
|
Low
|
749
|
Neugebauer equations
|
105
|
3
|
Stub
|
Mid
|
750
|
Color quality scale
|
105
|
3
|
Stub
|
Mid
|
751
|
Historic paint analysis
|
104
|
3
|
C
|
Low
|
752
|
Army green
|
104
|
3
|
NA
|
NA
|
753
|
Color wheel (optics)
|
104
|
3
|
Stub
|
Low
|
754
|
Skyscope
|
101
|
3
|
Stub
|
Unknown
|
755
|
Munsell Color Company
|
99
|
3
|
Stub
|
Mid
|
756
|
Absolute color space
|
95
|
3
|
NA
|
Mid
|
757
|
UCLA Blue
|
93
|
3
|
NA
|
Low
|
758
|
Leaf Color Chart
|
90
|
2
|
Stub
|
Low
|
759
|
Emerald (color)
|
89
|
2
|
NA
|
Low
|
760
|
Liquid color
|
89
|
2
|
C
|
Low
|
761
|
Lemon chiffon
|
88
|
2
|
NA
|
Low
|
762
|
Augusto Garau
|
86
|
2
|
Start
|
Low
|
763
|
European Color Initiative
|
86
|
2
|
Start
|
Low
|
764
|
ICAM (color appearance model)
|
85
|
2
|
Start
|
Low
|
765
|
Pumpkin (color)
|
84
|
2
|
NA
|
NA
|
766
|
Battleship grey
|
84
|
2
|
NA
|
NA
|
767
|
Lead ochre
|
84
|
2
|
List
|
Low
|
768
|
Sea green
|
81
|
2
|
NA
|
Low
|
769
|
Color Light Output
|
81
|
2
|
Start
|
Low
|
770
|
Colour look-up table
|
80
|
2
|
NA
|
Low
|
771
|
Pinchin Johnson & Associates
|
79
|
2
|
Start
|
Low
|
772
|
Deane B. Judd
|
79
|
2
|
Start
|
Low
|
773
|
Peach black
|
79
|
2
|
Stub
|
Low
|
774
|
Lusty gallant
|
74
|
2
|
Stub
|
Low
|
775
|
Monochromatic colors
|
72
|
2
|
NA
|
Mid
|
776
|
Cycolor
|
70
|
2
|
Stub
|
Low
|
777
|
Adams chromatic valence color space
|
69
|
2
|
Start
|
Mid
|
778
|
Inter-Society Color Council
|
68
|
2
|
Start
|
Low
|
779
|
Registration black
|
67
|
2
|
NA
|
Mid
|
780
|
Tekhelet in Judaism
|
67
|
2
|
NA
|
Low
|
781
|
EciRGB
|
67
|
2
|
Stub
|
Low
|
782
|
The Color Association of the United States
|
65
|
2
|
NA
|
Mid
|
783
|
Klaer Lightende Spiegel der Verfkonst
|
64
|
2
|
Stub
|
Low
|
784
|
Tristimulus value
|
62
|
2
|
NA
|
Mid
|
785
|
Differential phase
|
62
|
2
|
Start
|
Low
|
786
|
Forensic colorimetry
|
60
|
1
|
Start
|
Low
|
787
|
Ada Aline Urban
|
57
|
1
|
C
|
Low
|
788
|
Myrtle (color)
|
54
|
1
|
NA
|
Low
|
789
|
Two-color system
|
53
|
1
|
Stub
|
Low
|
790
|
Green-yellow
|
52
|
1
|
NA
|
Mid
|
791
|
Flame (color)
|
52
|
1
|
NA
|
NA
|
792
|
Pine green
|
50
|
1
|
NA
|
Low
|
793
|
Tufts Blue
|
48
|
1
|
NA
|
Low
|
794
|
Lavender pink
|
47
|
1
|
NA
|
NA
|
795
|
Brandeis blue
|
46
|
1
|
NA
|
NA
|
796
|
Autotype (printing)
|
46
|
1
|
NA
|
NA
|
797
|
George Palmer (colour theorist)
|
45
|
1
|
C
|
Low
|
798
|
Under color addition
|
43
|
1
|
Stub
|
Low
|
799
|
Sap green
|
43
|
1
|
NA
|
Low
|
800
|
Ghost white
|
43
|
1
|
NA
|
NA
|
801
|
Descriptive Color Names Dictionary
|
42
|
1
|
Stub
|
Low
|
802
|
Vantage theory
|
42
|
1
|
Start
|
Low
|
803
|
Hermann Alfred Tanner
|
42
|
1
|
GA
|
Low
|
804
|
Corn (color)
|
41
|
1
|
NA
|
Low
|
805
|
The Colour Group
|
41
|
1
|
Stub
|
Low
|
806
|
Charles Albert Keeley
|
40
|
1
|
Start
|
Low
|
807
|
Robert Birmelin
|
40
|
1
|
C
|
Low
|
808
|
Davy's grey
|
37
|
1
|
NA
|
Low
|
809
|
Theostein
|
37
|
1
|
NA
|
NA
|
810
|
Color engraving
|
36
|
1
|
Stub
|
Low
|
811
|
Upsdell red
|
36
|
1
|
Stub
|
Low
|
812
|
Dark purple
|
36
|
1
|
NA
|
Low
|
813
|
Hal Glicksman
|
36
|
1
|
Start
|
Low
|
814
|
Salmon pink
|
35
|
1
|
NA
|
Low
|
815
|
(255, 0, 0)
|
35
|
1
|
NA
|
NA
|
816
|
Papaya whip
|
34
|
1
|
NA
|
Low
|
817
|
Peach-yellow
|
34
|
1
|
NA
|
Low
|
818
|
Rendering intent
|
34
|
1
|
NA
|
Mid
|
819
|
Nardo gray
|
32
|
1
|
NA
|
Low
|
820
|
Amber shift
|
31
|
1
|
Stub
|
Low
|
821
|
Magic Pink
|
29
|
0
|
NA
|
Low
|
822
|
Spray booth
|
27
|
0
|
NA
|
NA
|
823
|
Lavender blush
|
26
|
0
|
NA
|
NA
|
824
|
Fern green
|
25
|
0
|
NA
|
Low
|
825
|
Wenge (colour)
|
25
|
0
|
NA
|
Low
|
826
|
Pear (color)
|
24
|
0
|
NA
|
Low
|
827
|
Alexis Spectral Data
|
24
|
0
|
Stub
|
Low
|
828
|
Variations of gray
|
24
|
0
|
NA
|
NA
|
829
|
Redwood (color)
|
21
|
0
|
NA
|
NA
|
830
|
Jorrit Tornquist
|
20
|
0
|
Stub
|
Low
|
831
|
Truecolor
|
18
|
0
|
NA
|
Mid
|
832
|
Bright green
|
18
|
0
|
NA
|
NA
|
833
|
Color in Informatics and Media Technology
|
18
|
0
|
Start
|
Low
|
834
|
Deep sky blue
|
18
|
0
|
NA
|
Low
|
835
|
Pastel green
|
16
|
0
|
NA
|
Low
|
836
|
Mint cream
|
16
|
0
|
NA
|
NA
|
837
|
Blue Violet
|
15
|
0
|
NA
|
NA
|
838
|
Fluorescence intensity decay shape microscopy
|
15
|
0
|
Start
|
Low
|
839
|
Saffron in Hinduism
|
14
|
0
|
NA
|
Low
|
840
|
Sandy brown
|
13
|
0
|
NA
|
NA
|
841
|
Henry Hemmendinger
|
13
|
0
|
Start
|
Mid
|
842
|
Tea green
|
12
|
0
|
NA
|
Low
|
843
|
Process blue
|
12
|
0
|
NA
|
NA
|
844
|
Dark-on-light color scheme
|
11
|
0
|
NA
|
Low
|
845
|
Old lace (color)
|
11
|
0
|
NA
|
Low
|
846
|
Ash grey
|
11
|
0
|
NA
|
Low
|
847
|
Asparagus (color)
|
8
|
0
|
NA
|
NA
|
848
|
Value (colorimetry)
|
8
|
0
|
NA
|
Mid
|
849
|
Gray-asparagus
|
7
|
0
|
NA
|
Low
|
850
|
Cool grey
|
6
|
0
|
NA
|
NA
|
851
|
CG Red
|
6
|
0
|
NA
|
NA
|
852
|
Ford Blue
|
6
|
0
|
NA
|
NA
|
853
|
Peach-orange
|
5
|
0
|
NA
|
Low
|
854
|
Geru
|
5
|
0
|
NA
|
Low
|
855
|
Persian orange
|
5
|
0
|
NA
|
NA
|
856
|
Color volume
|
5
|
0
|
NA
|
NA
|
857
|
Pale brown
|
4
|
0
|
NA
|
Low
|
858
|
Boysenberry (color)
|
4
|
0
|
NA
|
NA
|
859
|
Non-spectral color
|
4
|
0
|
NA
|
NA
|
860
|
Blaze Orange
|
3
|
0
|
NA
|
Mid
|
861
|
Color Matching Method
|
3
|
0
|
NA
|
Low
|
862
|
Aramanth purple
|
3
|
0
|
NA
|
NA
|
863
|
Camouflage green
|
2
|
0
|
NA
|
NA
|
864
|
Raw umber (color)
|
2
|
0
|
NA
|
Low
|
865
|
Visible frequency
|
2
|
0
|
NA
|
NA
|
866
|
Wisteria (colour)
|
1
|
0
|
NA
|
NA
|
867
|
Alice-Blue (color)
|
0
|
0
|
NA
|
Low
|
868
|
LED ribbon
|
0
|
0
|
NA
|
Low
|