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Portal:Visual arts

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THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts, as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

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A precursor to A Vision, The Vision of the Last Judgement 1808, ink and watercolour described in a letter to Humphry

A Vision of the Last Judgement is a painting by William Blake that was designed in 1808 before becoming a lost artwork. The painting was to be shown in an 1810 exhibition with a detailed analysis added to a second edition of his Descriptive Catalogue. This plan was dropped after the exhibition was cancelled, and the painting disappeared. Blake's notes for the Descriptive Catalogue describe various aspects of the work in a detailed manner, which allow the aspects of the painting to be known. Additionally, earlier designs that reveal similar Blake depiction of the Last Judgement have survived, and these date back to an 1805 precursor design created for Robert Blair's The Grave. In addition to Blake's notes on the painting, a letter written to Ozias Humphrey provides a description of the various images within an earlier design of the Last Judgement. (Full article...)

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Phoenix detail from the Aberdeen Bestiary
Phoenix detail from the Aberdeen Bestiary
Phoenix detail from the Aberdeen Bestiary
Credit: Aberdeen Bestiary
Illustration detail of a phoenix from the Aberdeen Bestiary, a 12th century example of an illustrated manuscript.

Selected quote


Drawing is the honesty of the art. There is no possibility of cheating. It is either good or bad.
Salvador Dalí, People (September 27, 1976)


Selected biography

Bannister, c. 1880

Edward Mitchell Bannister (November 2, 1828 – January 9, 1901) was a Canadian–American oil painter of the American Barbizon school. Born in colonial New Brunswick, he spent his adult life in New England in the United States. There, along with his wife Christiana Carteaux, he was a prominent member of African-American cultural and political communities, such as the Boston abolition movement. Bannister received national recognition after he won a first prize in painting at the 1876 Philadelphia Centennial Exhibition. He was also a founding member of the Providence Art Club and the Rhode Island School of Design.

Bannister's style and predominantly pastoral subject matter reflected his admiration for the French artist Jean-François Millet and the French Barbizon school. A lifelong sailor, he also looked to the Rhode Island seaside for inspiration. Bannister continually experimented, and his artwork displays his Idealist philosophy and his control of color and atmosphere. He began his professional practice as a photographer and portraitist before developing his better-known landscape style. (Full article...)

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General images

The following are images from various visual arts-related articles on Wikipedia.

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