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The Cartoon Portal

A cartoon shows a bearded man with a red bow tie holding the hat from Dr. Seuss's "The Cat in the Hat".
Example of a modern cartoon. The text was excerpted by cartoonist Greg Williams from the Wikipedia article on Dr. Seuss.

A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.

The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in Punch magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animated films that resembled print cartoons. (Full article...)

This section is an excerpt from Cartoon § Mass media.[edit]
John Leech, Substance and Shadow (1843), published as Cartoon, No. 1 in Punch, the first use of the word cartoon to refer to a satirical drawing

In print media, a cartoon is a drawing or series of drawings, usually humorous in intent. This usage dates from 1843, when Punch magazine applied the term to satirical drawings in its pages,[1] particularly sketches by John Leech.[2] The first of these parodied the preparatory cartoons for grand historical frescoes in the then-new Palace of Westminster in London.[3]

Davy Jones' Locker, 1892 Punch cartoon by Sir John Tenniel

Sir John Tenniel—illustrator of Alice's Adventures in Wonderland—joined Punch in 1850, and over 50 years contributed over two thousand cartoons.[4]

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Sam & Max is a media franchise focusing on the fictional characters of Sam and Max, the Freelance Police. The characters, who occupy a universe that parodies American popular culture, were created by Steve Purcell in his youth, and later debuted in a 1987 comic book series. The characters have since been the subject of a graphic adventure video game developed by LucasArts, a television series produced for Fox in cooperation with Nelvana Limited, and a series of episodic adventure games developed by Telltale Games. In addition, a variety of machinima and a webcomic have been produced for the series. The characters are a pair of anthropomorphic, vigilante private investigators based in a dilapidated office block in New York City. Sam is a calculative six-foot dog wearing a suit and a fedora, while Max is a short and aggressive "hyperkinetic rabbity thing". Both enjoy solving problems and cases as maniacally as possible, often with complete disregard for the law. Driving a seemingly indestructible black-and-white 1960 DeSoto Adventurer, the pair travel to many contemporary and historical locations to fight crime, including the Moon, Ancient Egypt, the White House and the Philippines, as well as several fictitious locations. The series has been very successful despite its relatively limited amount of media and has gathered a significant fan base. However, the franchise did not gain more widespread recognition until after the 1993 release of LucasArts' Sam & Max Hit the Road, which cultivated interest in Purcell's original comics. Sam & Max Hit the Road is regarded as an exceptional adventure game and an iconic classic of computer gaming in the 1990s. Subsequent video games and the television series have also fared well with both critics and fans; critics consider the episodic video games to be the first successful application of the episodic distribution model.

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Jerry Siegel, creator of Superman

Superman is a fictional character and one of the most famous and popular comic book superheroes of all time. Created by American writer Jerry Siegel and Canadian artist Joe Shuster in 1932 while both were growing up in Cleveland, Ohio, and sold to Detective Comics Inc. the same year Superman debuted in Action Comics #1 (June 1938), the character has since appeared in radio serials, television programs, films, comic books, newspaper strips and video games, contributing to his long-standing ubiquity. Superman is born Kal-El on an alien planet — later named Krypton — and is rocketed to Earth as an infant by his scientist father moments before the planet's destruction. The rocket lands on Earth, where he is found by passing motorists who adopt him and give him the name Clark Kent. As Clark reaches maturity, he learns he has superhuman abilities which he resolves to use to help others, fighting anything from petty crime to universal threats. After adopting a Kryptonian fabric costume consisting of a blue shirt with a stylized "S" on the chest, a pair of red briefs over blue pants, a pair of red boots, and a red cape, he becomes Earth's champion, with the media giving him several nicknames including "The Man of Steel", "The Man of Tomorrow" and "The Last Son of Krypton". To keep his identity secret when not fighting evil as Superman, Clark lives among humanity as a "mild-mannered" reporter for the Metropolis newspaper The Daily Star (later changed to the Daily Planet). Clark works alongside reporter Lois Lane, with whom he is romantically involved (and married in the mainstream current comics' continuity).

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The episodes of The Bellflower Bunnies, a children's animated series based on the Beechwood Bunny Tales books by Geneviève Huriet, Amélie Sarn and Loïc Jouannigot. It debuted on TF1, a French television network, on 24 December 2001. The series is written by Valérie Baranski, and produced by Patricia Robert. The show centres on the adventures and exploits of the Bellflower family, a clan of seven rabbits who live in Beechwood Grove. The two adults in the family, Papa Bramble and Aunt Zinnia, take care of their five children: Periwinkle, Poppy, Mistletoe, Dandelion and Violette. The series has also been broadcast on CBC Television and TFO in Canada, KI.KA in Germany, Portugal's RTP in the Azores, and in several other countries. The show has fifty-two episodes: four in the first season, twenty-two in the second, and twenty-six in the third. In the entire series, thirteen are based directly on installments in Beechwood Bunny Tales, published by Milan Presse of France and Gareth Stevens in the United States; the rest are based on scripts by Valérie Baranski. Distributors in Europe, North America, and South Korea have released DVDs of the first two seasons.

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Purcell at the 2008 Game Developers Conference

Steve Ross Purcell is an American cartoonist, animator and game designer. He is most widely known as the creator of Sam & Max, an independent comic book series about a pair of anthropomorphic animal vigilantes and private investigators, for which Purcell received an Eisner Award in 2007. The series has since grown to incorporate an animated television series and several video games. A graduate of the California College of Arts and Craft, Purcell began his career creating comic strips for the college newsletter. He performed freelance work for Marvel Comics and Fishwrap Productions before publishing his first Sam & Max comic in 1987. Purcell was hired by LucasArts as an artist and animator in 1988, working on several titles within the company's adventure games era. Purcell collaborated with Nelvana to create a Sam & Max television series in 1997, and briefly worked as an animator for Industrial Light & Magic after leaving LucasArts. He is currently employed in the story development department at Pixar. His main work for the animation studio has been with the 2006 film Cars and spin-off materials such as shorts and video games. Despite his employment with Pixar, Purcell has continued to work with comic books and came together with Telltale Games in 2005 to bring about new series of Sam & Max video games.

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A good film is one that requires the viewer to create, through an orchestration of impressions, the meaning of its events. It is, in the end, our ability to create meaning out of the raw experience of life that makes us human. It is the exercise of our faculty to discover meaning which is the purpose of art. The didactic imparting of moral or political messages is emphatically not the purpose of art -- that is what we call propaganda.
— Peter Chung, Korean animator, series creator of Æon Flux

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Sources

  1. ^ Punch.co.uk. "History of the Cartoon". Archived from the original on 2007-11-11. Retrieved 2007-11-01.
  2. ^ Adler & Hill 2008, p. 30.
  3. ^ "Substance and Shadow: Original Editorial Accompanying "Cartoon, No. I"". Victorian web.org. Retrieved 29 October 2023.
  4. ^ "Sir John Tenniel". National Portrait Gallery. Retrieved 26 August 2022.

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