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Tools Page

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This page is a mess and needs lots of work to be coherent

Special:MergeItems


Tools

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Library and research access

Patrol tools

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Meet up prep

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Userboxes

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WP:MOSTEDITS

This user has been on Wikipedia for 13 years, 9 months and 7 days.
This user has been on Wikipedia for 11 years, 2 months and 10 days.
Participant: Women in Red August 2018 achievements
Participant: Women in Red September 2018 achievements
This user attended a Meetup, meeting other Wikimedians.
BEThis user has a Bachelor of Engineering degree.
This user is a  
Mechanical Engineer.
UCDThis user attended or attends University College Dublin

4 		This user has set foot in 4 continents of the world.

17		This user has visited 17 of the 205 countries in the world.
This user has visited 18 of the 50 U.S. states and the District of Columbia.18


How to do collapsing texts

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<div class="NavFrame collapsed"> <div class="NavHead" style="text-align:left">[[<font color="#0000aa">'''Details'''</font>]]</div> <div class="NavContent" style="text-align:left"> </div> </div> </div>

  1. Space
  2. Space
  3. Space


OR

{{Collapse top}} {{Collapse bottom}}

Finding sources

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(Find sources: Google (books Â· news Â· scholar Â· free images Â· WP refs) Â· FENS Â· JSTOR Â· TWL)

Use excel to generate the list of source links... Put name in A1 then

=CONCATENATE("({{Find sources|",A1,"}}")

Policy questions

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Article assessment: ORES

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User:Fuzheado/ORES experiment. It sounds like it would be wonderful for use in teaching at an edit-a-thon. I'll suggest Fuzheado would the the best person to ask about any details. Smallbones(smalltalk) 17:22, 3 March 2016 (UTC)

(talk page stalker) Could I use that to set the first assessment of my own articles? I typically set most to stub and let someone else assess..but this took suggests at least 1 (the one I tried it on) could be a C class...Or would it be inappropriate? ☕ Antiqueight chatter 18:34, 3 March 2016 (UTC)
Short answer - it's not totally inappropriate, but there should be some system set up for each project to do this. IMHO the classification system has not worked very well for 2 reasons
  • It's used only once (or never) for the vast majority of articles. It needs to be used more often to see how articles improve
  • Very inconsistent or biased grading
That pretty much makes it useless for most of the things I do!
So I suggest that a system should be set up for each project that uses it.
  • 1st a rubric or grading system set up to concretely explain what the article class means
  • 2nd a consistent way to reclassify an article.
At WP:NRHP there is an easy way to ask for a reclassification. Just remove the class and in a few days it comes up on a list, linked to the project to-do list that says "these articles need a class"
ORES probably would help with the "concrete" part of the rubric. As I see ORES, it shows how many "tools" have been used to make the article. Does it have enough text, enough footnotes, sections, internal and external links, photos, etc. to come up to the average number of tools for that class. Obviously people need to get involved in the actual grading, but ORES, if used right should be a major help. Sorry this was so long! Smallbones(smalltalk) 19:27, 3 March 2016 (UTC)

DYK help

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Bias

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First step with working with a site that collects articles like this one is to do a search on each source. "source name" AND "credibility" is an excellent way to start. See what other authorities in relevant areas think of them.

To support an argument or a point successfully, ones needs unbiased sources, or they are just utilizing sources that agree with them and that is rather useless when one is trying to make a point. To successfully support a point of view or idea one needs to utilize unbiased information.

To establish bias, or lack there of, one needs to again, research the author. Look at how the material is written- are they presenting information or are they using language mean't to sway a reader to a particular point of view?

There are some excellent resources available for examining bias. These are a good place to start

AfD

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Personal notes

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Pages I want to remember

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Love, loss and what I wore

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The cast I saw was September 1 – October 3, 2010

Over and done or hopeless

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Probably never actually get to

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women's colleges

By 1895 there were five women's colleges. Those without pages are:

Notes:

Old details of WiR

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Ethosheia Hylton
Notable workBrixton Rock (2018)

Ethosheia Hylton (born c. 1983), notability

Biography

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Ethosheia Hylton grew up in Brixton. She finished school at eighteen and spent a number of years working as a flight attendant with British Airways. She went on to become an actor, completing her studies with The American Academy of Dramatic Arts in New York in 2003 before becoming a film director. In 2018 she was the winner of the first Academy Gold Fellowship for Women grant which, apart from the award and the evening of celebration with some significant names from film, included a prize of ÂŁ20,000 and year-long mentorship from the Academy of Motion Picture Arts and Sciences. The BBC is now making a feature length version of her film Brixton Rock which is based on the novel by Alex Wheatle. [1][2][3][4][5][6][7]

References and sources

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  1. ^ Wheatle, Alex (27 November 2015). "Brixton's gentrification: How did the area's character change so much?". The Independent. Retrieved 6 February 2020.
  2. ^ "2019 New York Festivals Advertising Award Winners". New York Festivals. Retrieved 6 February 2020.
  3. ^ "BRIXTON ROCK". London Short Film Festival. 19 January 2020. Retrieved 6 February 2020.
  4. ^ "AMPAS Luncheon". Swarovski Group. 1 November 2019. Retrieved 6 February 2020.
  5. ^ Berrington, Katie; Berrington, Katie (17 October 2018). "Filmmaker Ethosheia Hylton Interview". British Vogue. Retrieved 6 February 2020.
  6. ^ "Brixton Rock". Film Festivals. 14 May 2018. Retrieved 6 February 2020.
  7. ^ "New Page". The Femilist. Retrieved 6 February 2020.

Irish women's awards 2020

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Winners are revealed for the 2nd Irish Women’s Awards 2020

Inspiring women were awarded at a glamorous event celebrating Irish female success. It took place at the Blanchardstown Crowne Plaza Hotel in Dublin on 29th January 2020. The Awards honoured the talent and hard work of female professionals and entrepreneurs across the region. It celebrated the achievements of women entrepreneurs, business women, professionals, civil servants, charity workers and others that make Ireland a great and more equal place to live and work. Creative Oceanic has delivered award ceremonies for a decade in cities across the world and launched recently in New York. Campaigns include the Irish Wedding Awards, the Food Awards Ireland and the Irish Hair and Beauty Awards. The Women’s Awards currently take place in Glasgow, Manchester, Birmingham, London, Cardiff, Dublin and Belfast.

CEO Irfan Younis said: “Congratulations to all winners and finalists at the 2nd Irish Women’s Awards 2020. We were delighted to host exceptional finalists who make brilliant role models and are leading a new generation of women and girls to greater success and more open doors. We look forward to growing this campaign and are excited to see it how it evolves over coming years.”

  • Contribution to Arts & Culture: Niamh O’Sullivan – Ireland’s Great Hunger Museum (Dublin)
  • Services to Accounting & Finance: MairĂ©ad Divilly – Mazars (Dublin)
  • Business Woman of the Year: Leonora O’Brien – Pharmapod (Dublin)
  • Beauty Entrepreneur of the Year: Libby Murray – Elysian Brows (Dublin)
  • Business Woman of the Year (less than 50 staff): Fiona Heaney Fee G fashion Brand (Dublin)
  • Corporate Leader of the Year: Jeanne Kelly – LK Shields Solicitors (Dublin)
  • Contribution to Civil Service: Berni Smyth – Irish Refugee Council (Dublin)
  • Creative Industries Leader of the Year: Gillian Blaney Shorte – Artzone (Rathfarnham)
  • Services to Charity / Third Sector: Caoimhe de Barra – TrĂłcaire (Maynooth)
  • Food Entrepreneur of the Year: Krissy Gibson – Take the Cake (Dublin)
  • CEO of the Year: Niamh Muldoon – Veterinary Council of Ireland (Dublin)
  • Entrepreneur of the Year: Ciara Donlon – THEYA Healthcare (Dublin)
  • Services to Education: Orla Hegarty – University College Dublin (Dublin)
  • Young Entrepreneur of the Year: Onagh O’Driscoll/Shane Somers – Platinum Human Hair Limited (Dublin)
  • Services to Law: Barbara Kenny – William Fry (Dublin)
  • Services to Medicine: Mary Favier – Start Ireland (Dublin)
  • Best Professional in Business: Michelle Lynch Power – The Hearing Clinic (Wicklow)
  • Rising Star of the Year: Noelle Long – Maxi Zoo Ireland (Cork)
  • Services to Sport: Stephanie Cotter – Athletics Ireland (Dublin)
  • Small Business of the Year: Jo Harpur Jewellery (Dublin)
  • Woman of the Year: Suzanne McClean – Rosabel’s Rooms (Galway)
  • Social Leader of the Year: Lisa Toner – Ettch (Dublin)
  • Managing Director of the Year: Catherine Lonergan – Eir Ireland – (Dublin)
  • Woman of Influence: Cara Augustenborg – President of Ireland Council State (Dublin)
  • Women Support Group of the Year: i-Smile Ireland (Dublin)

Done but with bits left over

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Miss Agnes G. Murphy, a member of the Council of Women journalists, England, a writer attached to the staffs of the "Pall Mall Gazette" and "M.A.P.," and also special London correspondent for the Australasian,

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  • August 1889 Table Talk (Melbourne) Fri 23 Aug 1889 Page 4 Art and Artists.

Another interesting visitor was Miss Agnes Murphy, who is now very much engrossed in rivalling Miss Alice C'ornwell by her speculations on the Melbourne Bourse, Miss Murphy is considered to have amassed a fortune by successful " dips," and evidently can afford to dispense with the friendship of some of the leaders of society by spicy accounts in her weekly letter of their harmless eccentricities of manner. Wo would offer Miss Murphy Punch's advice to those about to marry—" Don't " —do it in future, as it will lead to serious trouble. With Miss Murphy was a bright-eyed pretty girl, Miss Moore, one of the ladies on the Herald staff.

  • Newspapers: Table Talk (Melbourne, Vic. : 1885 - 1939) Fri 20 Dec 1889 Page 4 The Screw or the Banks.

Miss Agnes Murphy, the well-known Melbourne lady journalist, who is making her fortune out of the silver boom, has a cousin of the same name in New York who can give her, several points. The American Miss Agnes Murphy is only twenty years of age, and is carrying on a successful real estate business in New York, and has been proposed and accepted as a member of the New York Real Estate Exchange.

Extraordinary

  • Elizabeth Willoughby Varian (nĂ©e Treacy) 1821–1851–1896 was a poet and nationalist. Born in Ballymena, Co. Antrim of a unionist family, she published ...
  • Georgina Frost From Clare - 1920 first to hold public office Clerk of the petty sessions
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The Figlie del Coro was an all-women's orchestra in Venice in the 1700s. They were a phenomenon for about 100 years. Some of the players became celebrities across Europe, including an Anna Maria del Pieta, for whom Vivaldi bought a violin that cost him three months' income. Vivaldi wrote for the Figlie - including a whole notebook of compositions for her. But he apparently wrote extensively for the group as a whole (Haydn also wrote for them). Both Anna Maria and her successor, Chiara della Pieta, were hailed as the greatest violinists in Europe. One of them, Maddalena della Pieta, married and left the group, but toured as a soloist, and was sufficiently famous that she was covered by gossip writers. You'll notice the surnames. They were all from an orphanage, and the group began as a way to attract more people to Mass at the church that helped to support the orphanage. The group played behind a screen, lit from behind: the women were not necessarily pretty: they were not necessarily young (many of the orphans stayed their whole lives, working in and to support the orphanage) and a common source of unwanted babies was Venice's population of prostitutes, so many of the girls were born with diseases that did their looks no favors. So they used screens, and audiences raved about the hidden angels. The orphanage was trashed by Napoleon's troops in 1797. In 1997, the National Gallery of Art in Washington DC displayed a famous 18th Century painting of women, dressed in black, giving a concert from a balcony above the audience, the orchestra went unidentified.

Extended content

Thank you for your message. I think that your article needs to be more scholary in terms of refering to criticism , references, interviews and external links. I am attaching some additonal information on theses areas so that you can abstract what you consider useful . Please contact me if you require clarification.


Other Writings

  • "Mullaghareirk: Aspects in Perspective". Author writes about her youth in Eire-Ireland 28, no. 4 (Winter 1993):pp. 32-5
  • ' Thomas Mann Country ' in Poetry Ireland Review, ed. Michael O'Siadhail[12]
  • Translation[edit]
  • Padraic O Conaire, " Tetrach of Galiee". Translated by Eithne Strong. In the finest Stories of Padraic O Conaire. Dublin: Poolbeg. 1982, 35-42.Translation
  • Criticism[edit]
  • Bertram, Vicki. ed. Kicking Daffodils: Twentieth Century Women Poets. Smyth, Ailbhe .Dodging Around the Grand Piano: Sex, Politics and Contemporary Irish Women's Poetry. Edinburgh University Press, 1997. 56-83.
  • Clifton, Harry. 'Available Air: The Role of Women in Contemporary Irish Poetry 1975-1985. Krino, No. 7, 1989, pp. 20-30.
  • Colum, Padraic. Introduction to Songs of Living, Dublin: Runa, 1961, 7 -8.
  • Consalvo, Deborah Mcwilliams. Review of the Love Riddle. Irish Studies Review 4, no. 3 (January 19196) 52-53.
  • Haberstroh, Patricia Boyle. "Eithne Strong" in Women Creating Women: Contemporary Irish Women Poets. Syracuse, NY: Syracuse University Press, 2001.
  • Haberstroh, Patricia Boyle. ed. My Self, My Muse: Irish Women Poets Reflect on Life and Art. Syracuse, NY: Syracuse University Press, 2001.
  • Heininger, Joseph, ' Eithne Strong' in Gonzalez Alexander, (ed.) Irish women Writers: an A to Z Guide, Greenwood, 2006, pp. 303-8.
  • O'Donnell, Mary. "Introduction". In Spatial Nosing: New and Selected Poems. Galway: Salmon, 1993.
  • McWilliams, Deborah H. ' Eithne Strong ' in Gonzalez, Alexander (ed). Modern Irish Writers A Critical Sourcebook, Aldwych Press, London, 1997, pp. 390-93.
  • Smyth, Ailbhe. ed.Wildish Things: An Anthology of New Irish Women's Writing. Attic, 1989, 1990.
  • Terente, Ines Praga. A Voice of Their Own? The Role of Women in Contemporary Irish Poetry[. Universidad de Valladolid Revista Alicantina de Estudios Ingleses 5 (1992): 131-41.
  • Further Reading
  • Review of Women Creating Women: Contemporary Irish Women Poets by Patricia Boyle Haberstroh. Review by Roz Cowman in The Poetry Ireland Review, No 52 ( Spring , 1997) , pp. 107 - 110; published by Poetry Ireland.
  • Review of 'My Darling Neighbour' by Eithne Strong in 'The Non-Aligned Storyteller ' by Thomas McCarthy in Irish University Review, Vol 15, No. 2 , Autumn 1985 , 10 pages.
  • Poetry in the Archive: Reflections of a Former Archivist on the Manuscripts of Twentieth-century Irish Poets in the National Library of Ireland by Eilis Ni Duibhne in Irish University Review, Vol. 43, Issue1, May 2012. Describes process of acquiring one poetry archive, that of Eithne Strong . Available on-line.
  • Mary Maher in The Irish Times on Patrick Kavanagh and Eithne Strong, 1980.
  • John Feeney in The Irish Press: ' Eithne Gets to Grip with Sin ' 1980.
  • Brady, Anne M. and Cleeve, Brian. eds. A Biographical Dictionary of irish Writers, The Lilliput Presss, 1985, p. 229
  • Buck, Clare. ed. Guide to Women's Literature, Bloomsbury Publishing, 1992, p. 1052.
  • Crowe,Thomas Rain et al. eds. Writing The Wind: A Celtic Resurgence: The New Celtic Poetry, New Native Press, 1997, pp. 154-55.
  • Dunne, Sean. ed. Poets of Munster. London Anvil Press, 1985.
  • Fallon,Peter. The Penguin Book of Contemporary Irish Poetry, Hardmonsworth Penguin Books, 1990.
  • Fitzmaurice, Gabriel and Kiberd, Declan. eds. An Crann Faoi Blath / TheFlowering Tree, Wolfhound Press 1991, pp. 110-113.
  • Hogan, Robert. ed . The Macmillian Dictionary of Irish Literature, The Macmillam Press Ltd. 1980 pp. 630-31.
  • Kelly, Angeline A. ed. The Pillars of the House: An Anthology of Verse by Irish Women from 1690 to the Present. Wolfhound, 1997. p. 114. Translation of 'Necessity for Reverence' from the Irish.
  • McRedmond, Louis. ed. Modern Irish Lives Dictionary of 20th Century Irish Biography, Gill and Macmillan, 1996, pp. 301-2.
  • Morgan, Jack. New World Irish: Notes on 100 Years of Lives and Letters in American Culture: The Celtic Carnivalesque and Muriel Rukeyser's Irish Journey of Passion and Transformation. Palgrave McMillan, 2011, Chap. 13.
  • Nic Thaidhg, Andrea. The German translation of ' A Cheile na Triocha mBliain' in Und Sucht Meine Zunge Ab ach Worten, Edition Druckhaus, Neunsehn, 1996.
  • Weekes, Ann Owens, ed. Unveiling Treasures: The Attic Guide to Irish Literary Writers, Attic Press, Dublin 1993, pp. 331-3.
  • Welch, Robert.The Concise Oxford Companion to Irish Literature, Oxford University Press, 2000.
  • Other Reading
  • Selected Poems: Rupert Strong, The Runa Press, 1974.
  • Pre-Requiem for a Clown: Rupert Strong, The Runa Press, 1983, Illustrated by Jennifer Strong.
  • Poems of the Ordinary: Rupert Strong,The Runa Press, 1967.
  • Illustrated by Pauline Bewick.
  • References
  • 1. * Haberstroh, Patricia (1996). Women Creating Women: contemporary Irish Women Poets. British Library: Syracuse University Press. pp. 29 –57. ISBN 9781855941731
  • 2. * Strong, Eithne (1993). Spatial Nosing: New and Selected Poems. British Library: Salmon. pp. 'O Magnificent Why!', Essay Forward by Mary O'Donnell. ISBN 1-897648-04-9.
  • 3. * Murray, Christine Elizabeth (March 2011). "'No Earthly Estate': the Poetry of Patrick Kavanagh, Padraic Colum and Eithne Strong". poethead.
  • 4. * "Eithne Strong". www.ricorso.net. Retrieved 2016-01-09.http://www.ricorso.net/rx/az-data/authors/s/Strong_E/life.htm
  • 5. Wilson/ Sommerville-Arjat, Rebecca E./ Gillean (1990). Sleeping with Monsters: Conversations with Scottish and Irish women poets. British Library: Polygon Edinburgh. pp. 109–119. ISBN 0-7486-6027-5.
  • 6. Gonzalez, Alexander G. (2006). Irish Women Writers:an A-Z
  • Guide: ed. Gonzalez, Alexander G. Eithne Strong by Joseph Heininger,. British Library: Greenwood Press. pp. 303 – 308. ISBN 0313328838
  • 7.The Crane Bag: Jonathan Hanaghan: The Founder of Psychoanalysis in Ireland by Ross Skelton, Vol. 7.no.2. the Forum issue, Richard Kearney, 1983. pp. 103-190.
  • 8. Aosdana www.aosdana.artscouncil.ie/members/Literature/Strong.aspx was established by the Irish Arts council in 1981 to honour those artists whose work has made an outstanding contribution to the arts in Ireland.
  • 9. http://www.poetrynow.ie/strong.html
  • 10. The Strong Reading and Award for Best First Collection. "the Strong/Shine Award"
  • Interviews[edit]
  • Consalvo, Deboorah McWilliams:: 'To Have the Right of Utterance: an Inerview with Eithne Strong in The Celtic Pen 2:2 (Autumn 1995) pp. 17-20.
  • Holmquist, Kathryn: 'An Interview with Eithne Strong' in The Irish Times (03/11/1993).
  • O'Rourke, Christopher. ed. In Cognito Vol. 3 Spring (1998) pp 9-17.
  • Wilson, Rebecca E., and Gilean Somerville-Arjat, eds." Interview with Eithne Strong " in Sleeping With Monsters: Conversations with Scottish and Irish Women Poets. Scotland. Polygon 1990, 109-2.
  • Wright, Nancy Means and Hannan, Dennis: 'An Interview with Eithne Strong' in Irish Literary Supplement 13: 1 (Spring 1994) pp. 13-15.


  • Awards[edit]
  • Member of Aosdana [8].
  • Kilkenny Design Award for Flesh - The Greatest Sin , 1991.
  • Film[edit]
  • Danta: Eithne Strong. Interviewed by Tadhg Mac Dhonnagain. RTE , May, 1999.
  • Archive
  • Strong Manuscripts, National Library of Ireland in special collections.
  • Catergories: Irish poet, Irish women poets, Irish women writers, Irish authors female,English-language poets, Poetry Now Festival , Aosdana members, Alumni of TCD, people from Limerick, Newcastle West, 20th century writers, psychoanalysis in Ireland,Irish Writers Union, Irish teachers, civil servant, people educated at Scoil Muiris, Ennis, Co. Clare.

Thank you for reply. I appreciate that it will take time to go through the notes and it is good to know that others with an interest in the subject can access and edit. I thought the information on Eithne's Strong career was limited so I am adding some more notes here

Eithne Strong nee O’Connell ( 1923 -1999) born West Limerick, Ireland was an Irish woman poet and writer. Patricia Boyle Haberstroh in Women Creating Women described her as having one of the longest careers among contemporary Irish women poets.[1]. Author and poet Mary O'Donnell in her forward-essay[2] to Strong's poems suggested that “ diversity of thought and impulse makes these poems radiate humanity, belief and a revelatory sense of justice.” The editor of Poethead Wordpress, Christine Elizabeth Murray has linked the poetry [3] of Patrick Kavanagh, Padraic Colum and Eithne Strong describing their work " as an example of the triumph of art and literature providing an amazing root-system for new writers in terms of earthly estate, land and language". Life and Career

Eithne's parents , John Quin O'Connell and Kathleen Lennon were schoolteachers. During her childhood, Breac Gaelic was freely used - Irish interspersed with English [4]. Her formative years were dominated by a strict Roman Catholic upbringing. She spent her secondary education at the Irish speaking Scoil Muiris, Convent of Mercy in Ennis, Co. Clare. In 1941 she joined the Civil Service (1942-43) and the Irish language movement [4].

Her earliest poetry was published when she was 19 in An Glor [2]. It was in Dublin that she met her future husband, the Freudian psychoanalyst and poet Rupert Strong, an Englishman and a Protestant whom she married at 20 [1] . Wilson/Sommerville-Arjat describe how Strong’s career as a poet was unusual at a time when Irish women poets were scant and how she continued to write throughout her life despite having nine children[5]. At the time of her death in 1999, she had published five collections of poetry in Irish, six collections of poetry in English, two novels, one short story collection Irish and one short story collection in English [6]. Rupert Strong was one of the founder members of the first and oldest psychoanalytic associations in Ireland, the Irish Pyscho-Analytic Association (IPAA).[7]

Eithne Strong's early work appeared in Poetry Quatros (Runa. 1943-45). Her first poetry collection, Songs of Living with an introduction by Padraic Colum was published in 1961 when she was 38[1 ] . In her late forties, Strong graduated from Trinity College Dublin with a degree in Irish and English and a diploma in education (1975) and combined teaching, writing and family. Her poetry has been translated into French, Italian and German [4].

SARAH STRONG (92.24.80.57 (talk) 10:09, 28 February 2016 (UTC))

Gothic writers

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"During this period, the key Irish authors of Gothic fiction were mainly women, and include Anne Fuller, Regina Maria Roche, Anne Burke, Mrs F. C. Patrick, Anna Millikin, Catharine Selden, Marianne Kenley, and Sydney Owenson (later Lady Morgan)"

Mildred Darby wrote under the name Andrew Merry until prevented by her husband in Leap Castle - she may have been the originator of the ghosts/ http://sites.cardiff.ac.uk/romtext/files/2013/02/cc10_n02.pdf 1796

A. Burke, The Sorrows of Edith (London)

Some of the identified Irish female authors who published in Dublin include: Mrs Burke, E. Connor, Anne Fuller, and Tamary Elizabeth Hurrell.




Education for women

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Notes I haven't yet added or were cancelled when the edit conflict happened - http://www.census.nationalarchives.ie/pages/1901/Antrim/St__George_s_Ward_Belfast/Great_Victoria_Street/955795/ http://www.maltaramc.com/ladydoc/b/belleg.html http://www.census.nationalarchives.ie/pages/1911/Down/Ouley/Corcreeghy/253933/ http://www.census.nationalarchives.ie/pages/1911/Antrim/St__George_s/Great_Victoria_St_/156882/

Various references
Extended content
  1. https://books.google.ie/books?id=92zTnb5r-mYC&pg=PA37&lpg=PA37&dq=%22Margaret+Dobbs%22+ireland&source=bl&ots=-Ztde1u0A2&sig=eMJn1MBIHjBKUpRYDPtxwAc7pHg&hl=en&sa=X&ved=0ahUKEwimyauSiMbLAhUUSo4KHdM3CfgQ6AEIJzAC#v=onepage&q=%22Margaret%20Dobbs%22%20ireland&f=false
  2. http://www.historyireland.com/20th-century-contemporary-history/cumann-na-mban-by-joseph-e-a-connell-jr/
  3. http://www.newulsterbiography.co.uk/index.php/home/viewPerson/405
  4. https://books.google.ie/books?id=B6UIQXpF6M4C&pg=PA63&lpg=PA63&dq=%22Margaret+Dobbs%22+ireland&source=bl&ots=b-ll-wOiyW&sig=y0Dv3PMm2qizWVfe3yNeOpa7jyc&hl=en&sa=X&ved=0ahUKEwimyauSiMbLAhUUSo4KHdM3CfgQ6AEIQDAH#v=onepage&q=%22Margaret%20Dobbs%22&f=false
  5. https://books.google.ie/books?id=4oXJL2NldlIC&pg=PA180&lpg=PA180&dq=%22Margaret+Dobbs%22+ireland&source=bl&ots=BIZfnFkcXo&sig=24ANfQQvdTYx4KchI8a6JhOCWmw&hl=en&sa=X&ved=0ahUKEwimyauSiMbLAhUUSo4KHdM3CfgQ6AEIRDAI#v=onepage&q=%22Margaret%20Dobbs%22&f=false
  6. https://books.google.ie/books?id=zGqNAwAAQBAJ&pg=PT110&lpg=PT110&dq=%22Margaret+Dobbs%22+ireland&source=bl&ots=yt3bo3vTqu&sig=uqOwfUGwsxMBfntRZFK2tmPJ4p0&hl=en&sa=X&ved=0ahUKEwimyauSiMbLAhUUSo4KHdM3CfgQ6AEISDAJ#v=onepage&q=%22Margaret%20Dobbs%22%20ireland&f=false
  7. https://books.google.ie/books?id=pzYkTYi3JRgC&pg=PA94&lpg=PA94&dq=%22Margaret+Dobbs%22+ireland&source=bl&ots=lWWwMk_UeV&sig=1ip8bgoqO21Ip13YeCfZ4wZuV-g&hl=en&sa=X&ved=0ahUKEwjq7_eriMbLAhWEGY4KHcfPCPM4ChDoAQgaMAA#v=onepage&q=%22Margaret%20Dobbs%22%20ireland&f=false
  8. http://www.ainm.ie/Bio.aspx?ID=18
  9. https://books.google.ie/books?id=a7uTAgAAQBAJ&pg=PA115&lpg=PA115&dq=%22Margaret+Dobbs%22+ireland&source=bl&ots=OGldjcraMZ&sig=XClxK52xYP6VLwVse7Dw90oaAJ8&hl=en&sa=X&ved=0ahUKEwjq7_eriMbLAhWEGY4KHcfPCPM4ChDoAQgiMAI#v=onepage&q=%22Margaret%20Dobbs%22&f=false
  10. https://archive.org/stream/journalofroyalso42roya/journalofroyalso42roya_djvu.txt
  11. http://www.ucc.ie/celt/published/I3000012/header.html
  12. http://www.ucc.ie/celt/Eriu1-46.pdf
  13. http://www.wynnshotel.ie/1916.html
  14. http://www.culturenorthernireland.org/features/heritage/feis-na-ngleann
  15. http://www.placenamesni.org/resultdetails.php?entry=17814
  16. https://www.jstor.org/stable/30005393?seq=1#page_scan_tab_contents
  17. http://www.rte.ie/radio1/the-history-show/programmes/2014/0330/604446-the-history-show-sunday-30-march-2014/?clipid=1518346#1518346
  18. https://books.google.ie/books?id=6q1chFiVU9EC&pg=PT117&lpg=PT117&dq=%22Margaret+Dobbs%22+ireland&source=bl&ots=f_62j0yml5&sig=6vZ_rTlBjB2OiEuYEn18fFAkEyw&hl=en&sa=X&ved=0ahUKEwjq7_eriMbLAhWEGY4KHcfPCPM4ChDoAQgpMAQ#v=onepage&q=%22Margaret%20Dobbs%22&f=false


I can't find anything more about missing names of the Nine Graces

Extended content

Purdon, Katherine Frances (1852–1920), author, was born at Hotwell, near Enfield, Co. Meath, second daughter ...

  • CANDLE & CRIB Author Frances Purdon, Katherine Publisher ST PAUL PRISBN 9781505285727

Candle and Crib 1920 (Abbey) | Abbey Archives | Abbey Theatre - Amharclann na Mainistreach Coaching Press Careers Technical Casting People Your Visit How To Book FAQs How To Find Us Food Drink Our Venues Accessibility Venue Hire Gift Vouchers Literary NPP blog on workshop 3 NPP blog1 Abbey Theatre presents the New Playwrights Programme 2011 What We Do Writer in Association Award Submitting a Script Engage Learn The Abbey Talks Workshops Resource Packs Backstage Tours Matinee Club Volunteering Support The Abbey 110th Anniversary Campaign Membership Donations Legacy Search Archives Plays People Characters Year Home Productions Candle and Crib 1920 Abbey Candle and Crib 1920 Abbey by Katherine Frances Purdon Opening Night Monday 27 December 1920 Number of Performances 8 Monday to Saturday evening performances Monday and Saturday matinees This play was one of two plays produced on these nights The other play was The Suburban Groove Venues Abbey Theatre Abbey Street Dublin Ireland Start Date Monday 27 December 1920 End Date Saturday 1 January 1921 Cast Creative Hayden Christine Actor as Mrs Moloney Murphy Gertrude Actor as Delia Moloney Nolan Peter Actor as Michael Moloney Quinn Tony Actor as Art Moloney Images Posters 0 No items Video Audio 0 No items The online archive is a work in progress The information in the database http://www.abbeytheatre.ie/archives/production_detail/930 (2011-08-02)

Dinny of the doorstep / by K.F. Purdon. http://catalogue.nli.ie/Record/vtls000285127 Main Creator: Purdon, Katherine Frances, 1852-1920 BOOKPublished / Created: Dublin : Phoenix Publishing Co., [1918?] The Irish Revival Reappraised Betsey Taylor FitzSimon, James H. Murphy Four Courts Press, 2004 - History - 236 pages


http://archive.spectator.co.uk/article/19th-november-1910/60/the-fortunes-of-not-by-k-f-purdon-t-nelson LF01-13 K.F. Purdon, Author : http://www.dublincity.ie/image/libraries/lf01-13-kf-purdon?language=en

Pictured here is K.F. Purdon, author of "The Folk of Furry Farm" and "Song of the Lark". Another published author in The Lady of the House periodical during the 20th century, here she is sporting a Tudor-collared black frock. Over the frock, she has a floor-length, capped-sleeve jacket in a light grey cloth. Placed elegantly over her shoulders, her attire is finished with a white sheer scarf, which is fringed at the bottom.

  1. M.A. Rathkyle [who?]
  2. m hamilton [who?]
Extended content

Margaret Dobbs
Bornxxxx
xxxx, Ireland
Died(xxxx-01-31)January 31, Expression error: Unrecognized word "xxxx".Expression error: Unrecognized word "xxxx".
xxxx, Ireland
NationalityIrish

Margaret Dobbs


(This may be a different "Dobbs." The Dobbs who is involved with Feis is (1871-1962). (source -Megalibrarygirl No- I just forgot to delete the data from the page I used initially when I started writing it up)

Dobbs was from Cushendall. She was involved with the Feis na nGleann.[7]


Source:

  1. ^ E. Lisa Panayotidis; Paul Stortz (19 September 2017). Women in Higher Education, 1850-1970: International Perspectives. Taylor & Francis. pp. 420–. ISBN 978-1-134-45824-0.
  2. ^ Judith Harford; Claire Rush (2010). Have Women Made a Difference?: Women in Irish Universities, 1850-2010. Peter Lang. pp. 61–. ISBN 978-3-0343-0116-9.
  3. ^ Janet Horowitz Murray; Myra Stark (6 January 2017). The Englishwoman's Review of Social and Industrial Questions: 1909-1910. Taylor & Francis. pp. 71–. ISBN 978-1-315-39492-3.
  4. ^ Conor Kostick (12 October 2015). Michael O'Hanrahan: 16Lives. O'Brien Press. pp. 111–. ISBN 978-1-84717-805-3.
  5. ^ "irishmedals.orgJacob's Factory". Irishmedals.org. Retrieved 21 October 2016.
  6. ^ Brian Barton (23 March 2010). The Secret Court Martial Records of the Easter Rising. History Press. pp. 241–. ISBN 978-0-7509-5905-6.
  7. ^ Vallely 2011, p. 15.


She was born on the 19th of November, 1871. Her father Conway Edward Dobbs was a J.P., for County Antrim, High Sheriff for Carrickfergus (an Assize town) in 1875 and High Sheriff for County Louth in 1882. The Carrickfergus appointment was due to a long family association with the town. In 1690, Margaret’s family lived in Dublin then the undisputed capital of an undivided Ireland but she was soon to learn that it was an English city. In 1866, she expressed the desire to learn the Irish language. Her parents did not object. 

When Conway Dobbs died in 1898 Sarah and the children moved permanently to Glenariffe. Margaret was twenty-seven.

Margaret found in the quiet of the Glens what had been drowned out in the bustle of Dublin, spoken Irish. More importantly she found others of her faith who shared her love of the language and scholars like Hugh Flatley the Mayo Schoolmaster who were prepared to teach it. 

1904 as the year in which the Abbey Theatre was founded, the Glens remembered it as the year of the ‘Big Feis’. Look at our society’s book ‘Oh, Maybe it was Yesterday’ and you’ll see a photograph of the great Feis procession and up front Miss Margaret Emmeline Dobbs for whom life was only beginning. A member of the Feis committee from the start and later a tireless literary secretary, her Dobbs scholarship to a Gaeltacht College was the most coveted award in the literary section for many years.

Margaret who went off to the Irish College at Cloughaneely in the Donegal Gaeltacht. Often she would recall the hardships encountered by teachers and students in those primitive days. She became treasurer of the summer school and brought back to the Glens of Antrim the message from the Gaeltacht: know your own language. Protestant There is an unfortunate inclination to link the language with Catholics only but when Margaret Dobbs was spreading her gospel in the Glens she gathered around her a group of ladies from well-known Protestant families, names like, Young, Hutton, McNaughten, Richardson, who shared her zeal for the spread of the Language. One of them Rose Young is worth more than a passing reference such as this. Ostracised by her family because of her pro-Irish views she came to live with Margaret Dobbs at Portnagolan, Cushendall and died there in 1947. She compiled an anthology of Irish verse with the help of Douglas Hyde, the first president of the Gaelic league and the first President of the Republic of Ireland. Rose Young is buried in the Presbyterian churchyard at Ahoghill, Co. Antrim. I turned up at a Feis programme of 1930 to find Margaret Dobbs and Ada MacNeill on the committee and Rose Young with one J. Humbert Craig judging the arts and crafts exhibition. She went on to say: ‘Ireland is a closed book to those who do not know her language. No one can know Ireland properly until one knows the language. Her treasures are hidden as a book unopened. Open the book and learn to love your language’. Playwriting occupied a decade or more of her life prior to 1921. In all she wrote seven plays, three of which were publicly performed though one only was produced outside the Glens – ‘The Doctor and Mrs McAuley’ which won the Warden trophy for one-act plays at Belfast festival in 1913. Her plays were published by Dundalgan Press in 1920. In the Glens they were performed in what she described as a hayloft turned into a hall at the rear of the Glens of Antrim Hotel in Cushendall. One player appeared in all three plays. Dan McMullan the tailor of whom Lynn Doyle wrote in the December 1931 issue of ‘The Glensman’. ‘There was a great comic actor lost to the world in Dan, to all the world that is but Cushendall’. Nicolas Crommelin brother of the afore-mentioned Constance appeared in two plays. By far the most interesting play was never performed – shades of Francis the Incorruptible. It was entitled ‘A man and a brother’. Described as of three acts it ran to only 36 pages and must have been the fastest three act play in theatrical history. Miss Dobbs gave as her reason for its non-performance ‘fear of political misunderstanding’. When she sent the draft to Masefield he described it as the best constructed of her plays but added a prophetic note – the letter was dated 3rd January 1921: ‘I hope that we may see it acted, but I think the Irish world will change so soon and so much that it will be old-fashioned before we come over. However you would not mind that I’m sure’. Masefield knew her mind better than most, for the change that was to come was what she and others had dreamed of for years – Casement’s dream, Hyde’s dream and the dream of that fierce Republican Ada MacNeill of whom Pat McCormick, was to say, ‘Miss Ada’s alright, alright all the way’. But Margaret was not so politically outspoken as Miss Ada and she was probably satisfied to see the play in print.

Though she worked hard for ten years at her craft she failed as a playwright. after 1920 she never wrote another line for theatre. In the end Masefield quietly got his way. Her main interest she gave as research work in historical and archaeological matters. She had articles published in the Ulster Journal of Archaeology, in a German magazine for Celtic studies, in the French ‘Revue Cletique’and in the Irish magazine ‘Eriu’.

One in 1939 was a lengthy look at the Ui Dercu Cein a section of the Cruitne, the Picts of Dalriada and traced their development from about 500 AD till around 1030 Ad. In 1950 she was writing about the name Dalriada linking the name with a race of horse breakers and riders claiming descent from Conall Cearnach of Táin fame of whom it was said
so she noted ‘He was the third who rode a single horse first in Eire’. An article in Vol. 19 in 1956 looks at Lough Neagh and the traditions concerning it and shows careful research of genealogical tracts in Laud 610 (Bodlian Library) and to make easier reading of a transcript quoted she gives the English translation of a number of Gaelic names of people and places. Speaking of Casement she said: “Roger was my friend. He used to stay here weekends after his return, almost broken in health, from Putamayo.” (It was Casement’s exposure of the conditions under which the natives worked in this Belgian Colony, which earned him his Knighthood.) But because she kept her politics to herself we can only guess. Yet when Casement was arrested and charged with treason this lady from a more than loyal home did not disown him. When asked if it was true that she had contributed to his defence costs she replied without hestitaion: “Of course its true. Roger was my friend’. She played organ in the Parish Church in Cushendall while it lay within her power. Love of music and opera took her south and she was a regular at the far-away Wexford Festival. She read and researched. Like many other ladies she was in the Women’s Institute. http://antrimhistory.net/margaret-dobbs/

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possible relations - http://search.library.utoronto.ca/details?1517798 - author: ProchĂĄzka, Ottokar, Freiherr von, 1811-1885. added author: ProchĂĄzka, Leopoldine Henrika, Freiherrin, 1821-1889. title: Revelations of Hungary, or, Leaves from the diary of an Austrian officer who served during the late campaign in that country / by the Baron Prochazka ; with a memoir of Kossuth. imprint: London : W. Shoberl, 1851. general note: Caption title: The campaign in Hungary.Preface signed: L.H.P. [i.e. Leopoldine Henrika Prochakza]

Title The Abduction, Or, The Marvels of Mesmerism Author Leopoldine Henrika ProchĂĄzka (Freiherrin) Publisher W. Shoberl, 1850

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