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Draft:Lewis Josselyn

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  • Comment: "known for taking photographs of the pre World War 1" makes no sense? Theroadislong (talk) 06:18, 2 August 2024 (UTC)
  • Comment: Multiple issues mentioned by several editors and an admin on the talk page have not been addressed. Articles should summarize a selection of key events and works that are covered in depth by reliable sources; articles should not include every single minor thing in a persons life. Unresolved issues include excessive and unnecessary detail and bloat, WP:COATRACK; tone that inflates/exaggerates his alleged importance WP:PUFFERY; bloating of minor details, too many irrelevant examples and an excessive amount of namedropping WP:INDISCRIMINATE; refbombing, WP:REFBOMB; tone seems to promote the subject rather than summarize the key events in their life WP:MASK and WP:PROMO; use of hyperlocal sourcing WP:UNDUE. The draft needs to be seriously trimmed. The over-sized images should be re-scaled to MOS, and there should not be so many redundant images of buildings, Jo Mora, the community theater, and the chair photo, these have no encyclopedic value. Netherzone (talk) 12:49, 18 July 2024 (UTC)
  • Comment: I note that the creator/submitter of this draft is blocked from the namespace (Article) with an expiration time of indefinite, but remains free to edit drafts. I invite him to edit this draft -- by pruning it, drastically.
    The draft has a "List of photographs". They're JPEGs, or at least the few I looked at are. Given their coloration, etc, I imagine that most are taken from vintage prints. Most are described as "5 inches (130 mm) x 7 inches (180 mm)". If this is a description of the vintage print that the JPEG reproduces, then to say (elsewhere in the article) that "Josselyn employed 5 inches (130 mm) x 7 inches (180 mm) large-format glass plate negatives for photographing his images. Printing these negatives required a large-format enlarger." is odd at best: no enlargement was involved to create what were instead contact prints. As for "As a copyright notice, he often utilized a hand-operated embossing technique at the bottom edge, creating a raised relief on the printed photographs", I don't recall ever having seen this kind of detail in any article here on any photographer. The embossing certainly could be worth noting if there was an issue of distinguishing between genuine Josselyn prints and fake ones, but no such issue seems to be mentioned.
    I could point out other trivia, but shouldn't have to.
    The creator/submitter has written "All items above have been addressed." Not so. Please read, digest, and act on the first two sentences of Netherzone's comment.
    And a note for any reviewer thinking of "accepting" this as an article: before doing so, look at Draft talk:Lewis Josselyn and see if the issues raised there have yet been addressed in the draft itself. Hoary (talk) 09:17, 17 July 2024 (UTC)
  • Comment: Since I was asked to comment, I think the puffy, promotional tone needs cleanup before we even start to think about anything else. Just reading through the lead, I see "well-known", "prominent", a fluffy pull quote, "significant"; later on "These images are important..." (let the reader decide what's important; don't editorialize about it), and on like that. I also, in a spot check of sources, see some questionable ones, and also what looks like misrepresentation of them (for example, this source ([1]) is used for support of the assertion "Josselyn developed a new theory about stage lighting, which was "to paint with light...," yet the source states that a "Mr. Kuster" had already been talking about the "to paint with light" concept for some time, so it does not support (and in fact contradicts) the claim that Josselyn "developed" the idea or that it was "new".
    All told, I would oppose this going to mainspace in anything like this form. It would need to be carefully checked for other misrepresentations, and despite the reference bombing, I'm not sure notability is even reached here. Seraphimblade Talk to me 19:41, 4 April 2024 (UTC)
  • Comment: Bloat, puffery, overly-detailed minutia and ref-bombing should be eliminated. An encyclopedia article should not be a compendium of every single bit of trivia in a person's life, it should summarize their most important life accomplishments. Dubious claims should be eliminated such as the assertion that he invented "painting with light", this technique was in fact invented in the 1880s for both scientific and art photography, and was used by many well known photographers before Josselyn's time. Name dropping does not support a person's notability; a biography should focus on the person themself. Netherzone (talk) 18:26, 4 April 2024 (UTC)
  • Comment: @Seraphimblade:, could you review, or temporarily make the deleted version visible again for the purpose of comparing to see if there's so others can see if notability has somehow changed since deletion? Graywalls (talk) 17:17, 4 April 2024 (UTC)
Lewis Josselyn
Josselyn c. 1920s
Born(1883-09-13)September 13, 1883
San Diego, California, US
DiedMarch 14, 1964(1964-03-14) (aged 80)
Carmel-by-the-Sea, California, US
Resting placeGolden Gate National Cemetery in San Bruno, California
EducationBoston School of Fine Arts
Years active1901-1955
Known forPhotography
StyleMonochrome photography
Spouse
Augustine Eugenie Richard
​
​
(m. 1920; died 1988)​
Signature

Lewis Josselyn, (September 13, 1883 – March 14, 1964) was an American photographer. He is best known as the official photographer for the Forest Theater in Carmel-by-the-Sea, California. His photographs can be found in permanent collections and publications.

Early life

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Josselyn was born on September 13, 1883, in San Diego, California, to Massachusetts native parents, Charles Lewis Josselyn (1850–1917) and Alice R. Lamb.[1] He had two younger brothers, Albert and Windsor. He studied art and photography at the Boston School of Fine Arts (now School of the Museum of Fine Arts at Tufts).[2][3]

Career

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Early works and photography

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While in San Diego, Josselyn started his photography work. In 1914, he moved to the art colony at Carmel-by-the-Sea, where he was regarded as "one of the commercial photographers".[2][4] He became the official photographer at Forest Theater in Carmel.[5] He took his first theater photographs in 1915 for a theatrical production of A Midsummer Night's Dream,[6] and other plays including Treasure Island (1916), Inchling (1922),[7] Caesar and Cleopatra (1922),[8] and Hamlet (1926).[9] His works jas appeared and stored in California State Library, and Harrison Memorial Library.

During 1915, Josselyn was assistant stage manager for Helen Parke's play, The Columbine,[10] stage manager for a production of Weir of Hermiston,[11] stage manager and handled stage lighting for a production of Inchling in 1922.[12]

Josselyn (far right) with staff at the X-Ray Department ca. 1917

In May 1917, Josselyn and his brother Winsor left Carmel to enlist in the United States Army Medical Corps during the World War I. From 1917 to 1919 he served as Private first class on duty with Base Hospital in Nantes, France. He was stationed in the X-Ray department, where he photographed hospital scenes, and the American Expeditionary Forces.[2][13][14]: p8 [15] Josselyn took photographs of the Spanish missions in California, including The Plaza Mission Los Angeles (1915),[16][17] Mission San Francisco Solano (1920), Mission San Antonio de Padua (1928), San Carlos Mission,[18] and the chamber where Junipero Serra is buried.[19]

Between August 9 and September 4, 1920, Josselyn and fellow photographer, Louis S. Slevin exhibited their photographs at the fourteenth annual exhibition by the Carmel Arts and Crafts Club.[20][21] In 1926, he built his house and photographic studio.[14]

Josselyn took early pictures of the Monterey Peninsula, including images of the Lone Cypress in Pebble Beach and Point Lobos. One titled The View of Point Lobos, was featured in the Carmel Pine Cone on November 28, 1973.[22] In 2009, Michael Kenneth Hemp, wrote a book chronicling the history of Cannery Row, with photographs taken by Josselyn. These images feature scenes from the Point Lobos Canning Company (1916), abalone divers and shells (1916), a storm in Monterey Bay (1919), the Hotel Del Monte fire (1924), and a street scene along Lighthouse Avenue in Pacific Grove (1932).[23][24] He also captured the fire that destroyed the Associated Oil Company tanks on September 14, 1924.[25]

Jo Mora with his sculpture The Poppy Nymph (1916) by Josselyn

From the 1920s to the 1940s Josselyn took photographs of Jo Mora, a sculptor, artist, and writer in Pebble Beach.[26] Josselyn's images are featured in two of books, Peter Hiller's The Life and Times of Jo Mora: Iconic Artist of the American West, and Mary Murray's book Jo Mora Artist And Writer. In Jo Mora Artist And Writer, an early Josselyn photograph captures Mora with his sculptor The Poppy Nymph (1916), which was exhibited at the Panama Pacific International Exposition in San Francisco.[27] [28][26]

Josselyn captured images of the Junípero Serra cenotaph, considered by Mora, to be the pinnacle of Mora's artistic achievements.[27]: p184  He photographed the unveiling ceremony of the Statue of Junípero Serra on the inaugural day of the Carmel Woods subdivision on July 22, 1922.[29]: p4 [30] In 1938, Josselyn assisted Mora in making and photographing a large Portolá expedition diorama depicting the discovery of San Francisco Bay by Gaspar de Portolá.[26][31] Josselyn's photographs of Mora's artworks were shown in a Monterey History and Art Association exhibit from November 15, 2003 to February 29, 2004.[26]

Starting in 1924, Josselyn documented the initial activities of theatrical producer Edward G. Kuster's newly established Theatre of the Golden Bough. He photographed the opening of the theatre with productions of Mother of Gregory (1924), and The Princess Who Wouldn't Say Die (1924). His photographs depicted the auditorium with a stage spanning 38 ft (12 m), as well as the Court of the Golden Bough and portraits of the summer school's teaching staff from 1924.[32][33] Josselyn photographed storefronts lining Kuster’s Court of the Golden Bough. Among these were the Carmel Weavers Studio (1922), Sade's (1924), and the Seven Arts Shop (1937).[34][35] He documented the Theatre of the Golden Bough's destruction by fire on May 19, 1935.[29]

Poet Robinson Jeffers stands in doorway of Hawk Tower (1925) by Josselyn

In 1925, Josselyn took photographs of Carmel poet Robinson Jeffers in front of his Hawk Tower,[36] which are part of the Robinson Jeffers Collection at the Occidental College.[37] One of Josselyn's portraits of Jeffers from the same year has been featured in various publications and is held in the archives of the Tor House Foundation.[38]

Josselyn's photographs depict the coastal town of Big Sur, featuring the Post Ranch House, the Big Creek Bridge (1932), the Big Sur maintenance yard, the Pheiffer's Ranch Resort,[39] and the construction of the Bixby Creek Bridge (1932).[29]: p147  He photographed the Bixby Creek Bridge on November 23, 1932, during its dedication and opening to the public.[39] He produced early photo postcards promoting the Monterey Bay Area, including views of the Bixby Creek Bridge on the Big Sur coast and construction of California Highway 1.[4] Josselyn also photographed the Steel Bridge over Garrapata Creek, north of Big Sur, as well as William Brainard Post's homestead (1920) near the area.[39] His photographs of the Big Sur region include Palo Colorado Canyon, California, Torres Canyon, the United States Forest Service ranger headquarters at Big Sur, Pico Blanco from the coastline, the Little Sur River, and Slates Hot Springs.[40]

Later years

[edit]

Josselyn married Augustine Jeanne Richard (1896–1988), of Nantes[41] on February 24, 1920 in Stamford, Connecticut.[42] Josselyn documented Paul Flanders Mansion, Outlands in Carmel-by-the-Sea, taken shortly after the mansion's completion in 1926. His photographs were integrated into the Historic American Buildings Survey,[43] included in the Monterey County's National Register of Historic Places listings, and featured in the National Park Service's digital assets gallery.[44]

Abalone League with aviator Virginia Stanton and Wilna Hervey (1923) by Josselyn

Josselyn took photographs of the Abalone League, and both he and his wife participated in the league games.[45]

In April 1926, Josselyn embarked a two-week photographic expedition across the Mojave Desert and Death Valley in the Southwestern United States,[46] returning in May, accompanied by playwright John Northern Hilliard and others, to live among the Hopi and the Navajo peoples.[47]

Josselyn collaborated with western writer Frederick R. Bechdolt, serving as a photojournalist for stories published in The Saturday Evening Post. In November 1936, Josselyn illustrated Bechdolt's article Stampede, 1936 Model, about the modern gold rush to the hills northwest of Winnemucca, Nevada.[48] Similarly, in November 1941, Josselyn's photographs were featured in Bechdolt's article Uncle Sam Goes Prospecting, documenting their journey through a mining county.[49]Winnemu From 1932 to 1955, Josselyn worked with botanist and horticulturalist Lester Rowntree to capture images of California native plants for The Christian Science Monitor,[50] The National Horticultural Magazine, [51][52] and Sunset Magazine.[53] His photographs also appeared in botanist Gilbert Morgan Smith's A textbook of general botany.[54]

Collections

[edit]

Josselyn's work is held in the permanent collections of the San Francisco Maritime Museum,[55] Monterey Museum of Art,[56] Pacific Grove Museum of Natural History,[57] and the Art, Design & Architecture Museum.[58]

Death and legacy

[edit]

Josselyn died, from a stroke, on March 14, 1964, in his home in Carmel.[2][3]

After Josselyn's death, his sister-in-law, Florence Josselyn, exhibited his Old Monterey photographs at Casa Serrano in Monterey in 1965. Many of the photographs were taken of buildings prior to their destruction or restoration.[59] In 1973, she exhibited his 1920s and 1930s photographs at the Marjorie Evans Gallery in the Sunset Center, presenting them under the title "The Carmel of Lewis Josselyn."[60]

On November 29, 1970,[16] Josselyn's widow donated about 3,000 original glass plates and film negatives, sized at 5 inches (130 mm) x 7 inches (180 mm), as well as original prints and his photographic equipment to photo archivist Pat Hathaway.[17][61] Following Hathaway's death in 2021, Josselyn's collection of glass plates and film negatives were gifted to the Monterey County Historical Society in Salinas, California.[62]

List of photographs

[edit]

This is a partial list of Josselyn's photographs.

Photograph Title Year Dimensions Collections
A Midsummer Night's Dream 1915 5 inches (130 mm) x 7 inches (180 mm) California Digital Library
Treasure Island: Tusitala 1916 5 inches (130 mm) x 7 inches (180 mm) California State Library
Flavel steam schooner 1923 5 inches (130 mm) x 7 inches (180 mm) The San Francisco Maritime Museum's Research Center has a collection of Josselyn's photographs.[55]
Caesar and Cleopatra 1922 5 inches (130 mm) x 7 inches (180 mm) Harrison Memorial Library[8]
Carmel Mission 1919 5 inches (130 mm) x 7 inches (180 mm) Pat Hathaway Photo Collection[36]
Carmel Summer School 1924 5 inches (130 mm) x 7 inches (180 mm) University of Michigan Library Special Collections Research Center has a collection of Josselyn's photographs of the Golden Bough Theatre productions.[32]
Jeffers at Tor House 1925 5 inches (130 mm) x 7 inches (180 mm) Robinson Jeffers Collection at the Occidental College Library in Los Angeles, California.[37]
Jarvis House 1920s 5 inches (130 mm) x 7 inches (180 mm) Art, Design & Architecture Museum[58]
Home of old lady Allen 1920s 5 inches (130 mm) x 7 inches (180 mm) MayoHayes O'Donnell Library[63]
Carmel Mission, Viewed Through Tranquera 1931 10 inches (250 mm) x 13 inches (330 mm) Center for Creative Photography, located on the University of Arizona, has two prints by Josselyn in there fine print collection. Both were posthumously printed by Hathaway and were gifted to CCP by Ansel and Virginia Adams.[64]

See also

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References

[edit]
  1. ^ Perkins, Thomas Allen (1917). Addresses Delivered Before the California Society of the Sons of the American Revolution. San Francisco, California: The Society. p. 55. Retrieved 2023-11-25.
  2. ^ a b c d "Lewis Josselyn". Carmel Pine Cone. Carmel-by-the-Sea, California. 1964-03-19. p. 16. Retrieved 2022-07-14.
  3. ^ a b Josselyn, Lewis (March 16, 1964). "Lewis Josselyn, Early Day Carmel Photographer, Dies". The Monterey County Herald. p. 2. Retrieved 2024-05-31.
  4. ^ a b "Post Cards and Calendar Pages". Mayo Hayes O'Donnell Library. Retrieved 2023-11-22.
  5. ^ Jennie V. Cannon. "Biographies of Carmel and Berkeley Artists | Lewis Josselyn (1883-1964)" (PDF). Traditional Fine Arts Organization. p. 460. Retrieved 2023-11-14.
  6. ^ "A Midsummer Night's Dream (a37)". Harrison Memorial Library. Carmel-by-the-Sea, California. 1915. Retrieved 2024-03-07.
  7. ^ "Inchling by Lewis Josselyn". University of California. 1922. Retrieved 2024-03-07.
  8. ^ a b "Caesar and Cleopatra by Lewis Josselyn". Harrison Memorial Library. 1922. Retrieved 2023-12-07.
  9. ^ "Hamlet by Lewis Josselyn". Harrison Memorial Library. 1926. Retrieved 2023-12-07.
  10. ^ "'First Poet' is very Forceful Production". Monterey Daily Cypress and Monterey American. Monterey, California. July 21, 1915. p. 4. Retrieved 2023-11-12.
  11. ^ Redfern Mason (July 16, 1916). "Mr. Bunt. By Rem". The San Francisco Examiner. San Francisco, California. p. 71. Retrieved 2023-11-12.
  12. ^ "Inchling, Forest Theater Children's Phantasie, Unique". Carmel Pine Cone. Carmel-by-the-Sea, California. 1922-08-17. Retrieved 20 August 2022.
  13. ^ Pitts, Edmund M. (1922). Base Hospital 34 in the World War. Philadelphia: Lyon & Armor. pp. 3, 36, 108, 147. Retrieved 2023-11-25.
  14. ^ a b "Coastal Development Permit Application" (PDF). California Coastal Commission. Santa Cruz, California. May 25, 2001. pp. 3, 9, 11. Retrieved 2022-07-14.
  15. ^ Thompson, John. "Lewis Josselyn". Freedom of Speech. 4 (4): 8–10. Retrieved 2024-05-31.
  16. ^ a b Rubén G. Mendoza. "Missions, Persidios, and Pueblos, The Hathaway Collection of Early California Photography - 1850-1990" (PDF). Boletin California Missions Foundation. Retrieved 2024-04-15.
  17. ^ a b Sheila Sobell (July 26, 2001). "Saving a Glimpse Of Old California". Davis County Clipper. Bountiful, Utah. p. 24. Retrieved 2022-08-17.
  18. ^ Omer, Engelbert. The last of the conquistadors, Junípero Serra, 1713-1784. New York, Harcourt, Brace. p. 211. Retrieved 2023-11-29.
  19. ^ "California Missions and Churches". Mayo Hayes O'Donnell Library. Retrieved 2023-12-01.
  20. ^ "Carmel Art Exhibition". Carmel Pine Cone. September 9, 1920. p. 3. Retrieved 2022-07-26.
  21. ^ "Exhibitors of the Carmel Arts and Crafts Club (1906-1924)" (PDF). www.tfaoi.org. Retrieved 2024-03-28.
  22. ^ "Remember When?". Carmel Pine Cone. Carmel-by-the-Sea, California. 1973-11-28. p. 4. Retrieved 2022-07-14.
  23. ^ Hemp, Michael Kenneth (2009). Cannery Row: the history of John Steinbeck's old Ocean View Avenue. Carmel-by-the-Sea, California: The History Company. pp. 24, 28, 30–32, 46, 48–49, 53, 51, 55, 69. ISBN 978-0-941425-01-8. Retrieved 2022-08-17.
  24. ^ "1920-1930: U.S. Keeps Cool With Coolidge; Green Gold Found". The Californian. Salinas, California. 12 Jun 1950. p. 42. Retrieved 2022-07-14.
  25. ^ "Associated Oil Company Fire, Soon after start of fire". Monterey County Free Libraries. Salinas, California. September 14, 1924. Retrieved 2024-03-26.
  26. ^ a b c d "Back to the Drawing Board with Artist Jo Mora" (PDF). Monterey History and Art Association. LII (3). Monterey, California. 2003. Retrieved 2023-11-13.
  27. ^ a b Hiller, Peter (April 20, 2021). The Life and Times of Jo Mora: Iconic Artist of the American West. Gibbs Smith. pp. viii, xi, 144, 186, 193–196, 203, 294, 305. ISBN 978-0-692-05342-3. Retrieved 2023-11-13.
  28. ^ Murray, Mary (1998). Jo Mora Artist And Writer. Monterey Museum of Art. pp. 1–2, 19, 23, 26, 32. ISBN 978-1-891586-01-9. Retrieved 2023-11-25.
  29. ^ a b c Hale, Sharron Lee (1980). A tribute to yesterday: The history of Carmel, Carmel Valley, Big Sur, Point Lobos, Carmelite Monastery, and Los Burros. Santa Cruz, California: Valley Publishers. pp. 2, 4, 26, 49, 75–76, 80, 147. ISBN 9780913548738. Retrieved 2022-07-14.
  30. ^ "Opening Dale Day Carmel Woods Lots". Carmel Pine Cone. Carmel by the sea, California. 1922-07-20. p. 5. Retrieved 2021-01-04.
  31. ^ "Treasure Island Art in Preview". Oakland Tribune. 13 October 1938. p. 4. Retrieved 2023-11-26.
  32. ^ a b Browne, Ellen Van Volkenburg. "Ellen Van Volkenburg and Maurice Browne papers, 1772-1983". University of Michigan Library. Retrieved 2024-03-21. Photographs are available by request from the University of Michigan Library Special Collections Research Center.
  33. ^ Daisy F. Bostick (March 29, 1924). "Gay Carmel to Act Up in Own Theater". San Francisco Bulletin. San Francisco, California. p. 23. Retrieved 2024-04-18.
  34. ^ "A Salute to Carmel On Its Golden Year". Carmel Valley Outlook. Carmel-by-the-Sea, California. October 26, 1966. pp. 9, 11, 16. Retrieved 2023-11-22.
  35. ^ "Remember When?". Carmel Pine Cone. January 22, 1981. p. 17. Retrieved 2023-11-15.
  36. ^ a b Tom Leyde (February 28, 1981). "The Pat Hathaway Collection Archivist collects photo treasures". The Californian. Salinas, California. p. 25. Retrieved 2023-12-02.
  37. ^ a b "Robinson Jeffers Collection COL-022". Online Archive of California. Los Angeles, California. 1925. Retrieved 2024-03-26. Photographs by Josselyn are available by request from the Occidental College Library.
  38. ^ "Jeffers Studies" (PDF). The Robinson Jeffers Association. 16 (1, 2): 1, 25. 2012. Retrieved 2023-11-22.
  39. ^ a b c Lussier, Tomi Kay (1979). Big Sur: a complete history & guide. Big Sur Publications. pp. 12, 15, 28, 39, 43, 45–46, 48, 50. ISBN 978-0-935766-27-1. Retrieved 2023-11-22.
  40. ^ "Finding Aid to the Save the Redwoods League photograph collection. 1885-2014". Retrieved 2024-03-23.
  41. ^ "Augustine Josselyn". Carmel Pine Cone. Carmel-by-the-Sea, California. 1988-01-21. p. 19. Retrieved 2024-03-01.
  42. ^ "It Happened in the Nutmeg State". Carmel Pine Cone. Carmel-by-the-Sea, California. February 2, 1920. p. 1. Retrieved 2023-11-16.
  43. ^ "The Flanders Mansion Historic American Buildings Survey" (PDF). City of Carmel. Carmel-by-the-Sea, California. March 2014. pp. 3–4, 9, 12–13. Retrieved 2023-12-02.
  44. ^ "National Register of Historic Places". National Park Service. Carmel-by-the-Sea, California. August 1988. Retrieved 2023-11-14.
  45. ^ Katherine (May 8, 1922). "Katrinka Swings Wicked Bat at Carmel Tourney". Oakland Tribune. Oakland, California. p. 63. Retrieved 2024-03-24.
  46. ^ "Pine Needles". Carmel Pine Cone. Carmel-by-the-Sea, California. April 24, 1926. p. 14. Retrieved 2024-03-25.
  47. ^ "Carmel Hostess Entertains at Home With Tea". Oakland Tribune. Oakland, California. May 2, 1926. p. 98. Retrieved 2024-03-25.
  48. ^ "Bechdolt Story In Current Post". Carmel Pine Cone. November 13, 1936. p. 7. Retrieved 2023-11-26.
  49. ^ "Bechdolt Has Article in 'Post': By Lewis Josselyn". Carmel Pine Cone. November 13, 1941. p. 1. Retrieved 2023-11-15. Josselyn's photographs were featured in an article titled Uncle Sam Goes Prospecting.
  50. ^ "Christian Science Monitor". Carmel Pine Cone. Carmel-by-the-Sea, California. June 17, 1932. p. 14. Retrieved 2024-05-06.
  51. ^ "The National Horticultural Magazine" (PDF). The American horticultural Society, Inc. April 1935. p. 189. Retrieved 2024-03-06.
  52. ^ "The National Horticultural Magazine" (PDF). The American horticultural Society, Inc. October 1955. p. 207. Retrieved 2023-11-15.
  53. ^ "In The Magazines". Carmel Pine Cone. Carmel-by-the-Sea, California. May 22, 1930. p. 2. Retrieved 2023-11-26.
  54. ^ Smith M., Gilbert (1935). A Textbook Of General Botany. The Macmillan Company. pp. 236–238. Retrieved 2024-04-06.
  55. ^ a b "Museum Collections". National Park Service. 1920. Retrieved 2023-03-27. Photographs by Josselyn are available by request, which include Montgomery Block (1920), Japanese diver at Point Lobos (1910), Fisherman's wharf, and Monterey Harbor.
  56. ^ "Sur Lighthouse". Monterey Museum of Art. Monterey, California. 1935. Retrieved 2023-11-14.
  57. ^ "Photo Record". Pacific Grove Museum of Natural History. Pacific Grove, California. August 13, 1930. Retrieved 2024-04-07. View from rocks on coast of Pacific Grove, with Lovers Point in background.
  58. ^ a b "SBCAA: Jarvis House (Carmel, Calif.)". AD&A Museum UC Santa Barbara. Carmel, California. 1920s. Retrieved 2023-11-14.
  59. ^ "Noticias del Puerto de Monterey" (PDF). The Monterey History and Art Association. IX (1). Monterey, California: 7. March 1965. Retrieved 2024-03-24.
  60. ^ Frank Riley (1973-03-15). "Two Sunset exhibits are well worth viewing". Carmel Pine Cone. Carmel-by-the-Sea, California. p. 18. Retrieved 2022-08-17.
  61. ^ "Earliest recorded images of our area". Carmel Pine Cone. Carmel-by-the-Sea, California. August 27, 1981. p. 1. Retrieved 2024-03-26.
  62. ^ Tess Kenny (January 23, 2022). "Legacy of late local photographer Pat Hathaway continues on at Monterey County Historical Society". Monterey Herald. Monterey, California. Retrieved 2024-04-19.
  63. ^ "Home of old lady Allen". Mayo Hayes O'Donnell Library. Monterey, California. Retrieved 2024-03-03. Photographs by Josselyn are available by online, which include Colton Hall, Custom House, and Bixby Bridge.
  64. ^ "Lewis Josselyn". International Center of Photography. Manhattan, New York. December 11, 2019. Retrieved 2024-02-06. Photographs by Josselyn are available by request from CCP in there fine print collection.
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