Valaji
 | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (July 2020) |
| Arohanam | S G₃ P D₂ N₂ Ṡ |
|---|---|
| Avarohanam | Ṡ N₂ D₂ P G₃ S |
| Carnatic music |
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| Concepts |
| Compositions |
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Valaji or Valachi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a pentatonic scale (audava or owdava rāgam, which means "of 5"). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes). The equivalent of Valaji in Hindustani music is Kalāvati.[1][2]
Structure and Lakshana
[edit]
Valaji is a symmetric rāgam that does not contain rishabham or madhyamam. It is a pentatonic scale (audava-audava rāgam[1][2] in Carnatic music classification). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
(the notes used in this scale are shadjam, antara gandharam, panchamam, chathusruthi dhaivatham and kaisiki nishadham)
Valaji is considered a janya rāgam of Chakravakam, the 16th Melakarta rāgam, though it can be derived from other melakarta rāgams, Harikambhoji, Vagadheeswari, Ramapriya, Vachaspati or Nasikabhooshani, by dropping both rishabham and madhyamam. Since Chakravakam is lowest in ordinal number among these 6 melakarta scales, Valaji is associated with it.
Popular compositions
[edit]Valaji is a pleasing scale, but has only a few compositions in classical music. It has been used to score film music as well. Here are some popular kritis composed in Valaji.
- Jalandhara supithasthe japa kusuma bhasure by Muthiah Bhagavatar
- Santatam Ninne by G. N. Balasubramaniam
- Sri Gayatri, by Saint Gnanananda Tirtha (Sri Ogirala Veera Raghava Sarma)
- Tândava Priyâ by Kalyani Varadarajan
- Dari Yavudayya, Nachike Padabeda by Purandara dasa
- Padhame thunai by Papanasham Shivan
Related rāgams
[edit]This section covers the theoretical and scientific aspect of this rāgam.
Graha bhedam
[edit]Valaji's notes when shifted using Graha bhedam, yields another pentatonic rāgam Abhogi. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For more details and illustration of this concept refer Graha bhedam on Abhogi.
Scale similarities
[edit]- Malayamarutam is a rāgam which has shuddha rishabham in both ascending and descending scales in addition to the notes in Valaji. Its ārohaṇa-avarohaṇa structure is S R₁ G₃ P D₂ N₂ Ṡ: Ṡ N₂ D₂ P G₃ R₁ S
- Nagasvaravali is a rāgam which has the shuddha madhyamam in place of the nishadam. Its ārohaṇa-avarohaṇa structure is S G₃ M₁ P D₂ Ṡ: Ṡ D₂ P M₁ G₃ S
- Mohanam is a rāgam which has the chathusruti rishabham in place of the nishadam. Its ārohaṇa-avarohaṇa structure is S R₂ G₃ P D₂ Ṡ: Ṡ D₂ P G₃ R₂ S
Film Songs
[edit]| Song | Movie | Year | Composer | Singer |
|---|---|---|---|---|
| Naan Indri Yaar Vaaruvaar(Ragamalika: Abhogi, Valaji) | Maalaiyitta Mangai | 1958 | Viswanathan–Ramamoorthy | T. R. Mahalingam, A. P. Komala |
| Vasantha Kaalam Varumo | Marakka Mudiyumaa? | 1966 | T. K. Ramamoorthy | P. Suseela, K. J. Yesudas |
| Yeriyile Oru Kashmir Roja (Ragamalika: Kedar/Hamirkalyani, Valaji) | Madhanamaaligai | M. B. Sreenivasan | ||
| Unnai Yenni Yennai | Ragasiya Police 115 | 1968 | M. S. Viswanathan | P. Suseela |
| Pottu Vaitha Mugamo | Sumathi En Sundari | 1971 | S. P. Balasubrahmanyam, B. Vasantha | |
| Thatti Sellum | Thanga Pathakkam | 1974 | Vani Jayaram, Sai Baba | |
| Pongum Kadalosai | Meenava Nanban | 1977 | Vani Jairam | |
| Govardhanan Vanthan | Raga Bandhangal | Kunnakudi Vaidyanathan | ||
| Kudumbathin Thalaivi Kulavilakku | Olimayamaana Ethirkaalam | Vijaya Bhaskar | ||
| Devi Sridevi | Kavyamela | V. Dakshinamoorthy | P. Leela | |
| Oru Paarvai Nooru Kavithai(unreleased)
(Ragamalika:Valaji,Sahana,Kalyana Vasantham,Bhairavi ) |
Manoranjitham | V. Kumar | T. M. Soundararajan, Vani Jayaram | |
| Naayagan Avan Orupuram | Oru Vidukadhai Oru Thodarkadhai | 1979 | Gangai Amaran | K.J. Yesudas,S. Janaki |
| Naan Irukka Bayam Edarkku | Neethiyin Marupakkam | 1985 | Ilaiyaraaja | S. Janaki |
| Parvai Theril | Hemavin Kadhalargal | Raveendran | S. P. Balasubrahmanyam | |
| Naan Thantha Maalai | Ottumangani | Shankar–Ganesh | S. P. Balasubrahmanyam, Vani Jairam | |
| Azhagana Sandhangal | Adhu Antha Kaalam | 1988 | Chandrabose | K.J. Yesudas, Vani Jairam |
| Poo Ondruthaan | Aboorva Nanbargal | 1991 | K. S. Chithra | |
| Paattuku Yaar Ingu Pallavi | Band Master | 1993 | Deva | S.P. Balasubrahmanyam,K. S. Chithra |
| Kanchi Kamatchi | Killadi Mappillai | 1994 | Mano | |
| Thirukona Moolam | Desam | 2004 | A. R. Rahman | S.P. Balasubrahmanyam, Master Vignesh, Baby Pooja |
| Yedhukkaga Enna | Rummy | 2014 | D. Imman | Santhosh Hariharan, AV Pooja |
| Song | Movie | Year | Lyricist | Composer | Singer |
|---|---|---|---|---|---|
| Siva Pujaku Chigurinchina Siri Siri Muvva | Swarnakamalam | 1988 | Sirivennela Seetharama Sastry | Ilaiyaraja | S.P. Balasubrahmaniam, P. Susheela |