Jump to content

User talk:DionysosProteus/Sandbox21

Page contents not supported in other languages.
From Wikipedia, the free encyclopedia

To add to Expressionism article

[edit]
Something about Raymond Williams' analysis of social and subjective Expressionism
Something here about delay within theatre between dramatic and theatrical movements.
Something here about worldwide impact of German Expressionist cinema, international reach of German Expressionist theatre (and interaction/influence of cinema), etc.
Now something about how all that changed during the First World War and its international promotion by German Expressionist cinema (branding), and the emergence of Expressionism on the American stage; this shouldn't become a section about influence, but rather try to map the movement by confining itself to people who came to self-identify or who have been identified in retrospect by critics, as Expressionist.
Need to add in Gilles Deleuze's analysis of Expressionism as a rupturing of the principles of organic composition developed by D. W. Griffiths and the Soviet montage schools.

List of Expressionist painters

[edit]

Some of the leading visual artists in the early 20th century associated with the Expressionist movement were:

[2] [3]

of the fifties represented New York figurative artists such as: Robert Beauchamp, Elaine de Kooning, Robert Goodnough, Grace Hartigan, Lester Johnson, Alex Katz, George McNeil, Jan Muller, Fairfield Porter, Gregorio Prestopino, Larry Rivers and Bob Thompson.

[4][5] represented by the early figurative expressionists from the San Francisco area Elmer Bischoff Richard Diebenkorn, and David Park. The movement from 1950 to 1965 was joined by Theophilus Brown, Paul Wonner, James Weeks, Hassel Smith, Nathan Oliveira, Bruce McGaw, Joan Brown, Manuel Neri, Joan Savo and Roland Peterson.

References

[edit]
  1. ^ Chilvers (2004, 506).
  2. ^ Paul Schimmel and Judith E Stein, The Figurative fifties : New York figurative expressionism (Newport Beach, California : Newport Harbor Art Museum : New York : Rizzoli, 1988.) ISBN 0847809420 9780847809424 0917493125 9780917493126
  3. ^ “Editorial,” Reality, A Journal of Artists’ Opinions (Spring 1954), p. 2.
  4. ^ Caroline A. Jones, Bay Area figurative art, 1950-1965, (San Francisco, California : San Francisco Museum of Modern Art ; Berkeley : University of California Press, ©1990.) ISBN 9780520068421
  5. ^ American Abstract and Figurative Expressionism: Style Is Timely Art Is Timeless (New York School Press, 2009.) ISBN 9780967799421 pp. 44-47; 56-59; 80-83; 112-115; 192-195; 212-215; 240-243; 248-251
  6. ^ Marika Herskovic, American Abstract Expressionism of the 1950s An Illustrated Survey, (New York School Press, 2000. ISBN 0-9677994-1-4. pp. 46-49; pp. 62-65; pp. 70-73; pp. 74-77; pp. 94-97; 262-264
  7. ^ American Abstract and Figurative Expressionism: Style Is Timely Art Is Timeless: An Illustrated Survey With Artists' Statements, Artwork and Biographies(New York School Press, 2009. ISBN 9780967799421. pp.24-27; pp.28-31; pp.32-35; pp. 60-63; pp.64-67; pp.72-75; pp.76-79; pp. 112-115; 128-131; 136-139; 140-143; 144-147; 148-151; 156-159; 160-163;

Sources

[edit]
  • Chilvers, Ian. 2004. The Oxford Dictionary of Art. Oxford: Oxford UP. ISBN 0198604769.