User talk:খাত্তাব হাসান

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Happy editing! I dream of horses (Contribs) (Talk) 17:30, 11 January 2022 (UTC)[reply]

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Orphaned non-free image File:Yumna Zaidi.jpg

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Salim Ahmed Ibn Mahfouz

This article that you created has a problem with its Infobox. Nothing displays, because the parameters need to be in English. For an explanation of what parameters are supported, see Template:Infobox person. Gronk Oz (talk) 13:06, 17 April 2024 (UTC)[reply]

Kafirs add unsourced captions to Islamic art and create discord

The essay to which Future Perfect at Sunrise refers was created by Future Perfect at Sunrise himself. Ejected from a research doctorate and professorship at Hamburg University after other researchers refused to work with him any longer, his position may be summed up in one word: humbug. Previously de-sysopped, his admin tools were inexplicably restored and the parade of complaints against him at ANI and ArbCom resumed. In a gross violation of WP:INVOLVED he protected Islamic calendar indefinitely to thwart moves to provide an accurate caption to the picture there after a petition to correct it garnered 400,000 signatures. Scholars have confirmed that the picture, apparently of Ali preaching to the Ahl al-Bayt inside a mosque, has no relevance to the pilgrimage, which is an outdoor event. Here is a suggested correction:

An Imam preaching from the *minbar* of a mosque. Illustration added by an unknown artist to a 14th century Ilkhanid king's copy of Al-Biruni's tenth century work *The Remaining Signs of Past Centuries* at the point where it discusses Muhammad's prohibition of intercalation in his Farewell Sermon delivered on 7 March AD 632 from the back of a grey mule in the open air on a hilltop to 44,000 pilgrims during his final pilgrimage. 17th-century copy of an early 14th-century Ilkhanid manuscript.^[1]

References

^ Bibliothèque Nationale, Paris, Arabe 1489 fol. 5v. (Bibliothèque Nationale on-line catalog). See also: Robert Hillenbrand, "Images of Muhammad in al-Bīrūnī's Chronology of Ancient Nations", in: R. Hillenbrand (ed.), Persian Painting from the Mongols to the Qajars: Studies in Honour of Basil W. Robinson (London/New York: I.B. Tauris Publishers, 2000), pp. 129–46, which confirms that the prohibition of intercalation is an "unlikely" theme of the work.

[1] Bibliothèque Nationale, Paris, Arabe 1489 fol. 5v. (Bibliothèque Nationale on-line catalog). See also: Robert Hillenbrand, "Images of Muhammad in al-Bīrūnī's Chronology of Ancient Nations", in: R. Hillenbrand (ed.), Persian Painting from the Mongols to the Qajars: Studies in Honour of Basil W. Robinson (London/New York: I.B. Tauris Publishers, 2000), pp. 129–46, which confirms that the prohibition of intercalation is an "unlikely" theme of the work.

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