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Anupam Joshi ( Sarod Player )

Anupam Joshi
Born	December 9, 1983
Citizenship	India
Occupation	Sorad Player
Notable work	Anupam has created an instrument which he named ANUMOHINI VEENA. It is a variation on the Mohun Veena conceptualized originally by Radhika Mohan Moitra. He has redesigned it in a way to make it sound closer to a Rudra Veena.
Website	https://anupamjoshi.in/

Anupam Joshi Anupam Joshi (born December 9, 1983) is an Indian sarod player known for his dedication to the Seniya Maihar Gharana tradition of Hindustani classical music. With an early start in percussion on the tabla, Joshi transitioned to the sarod in pursuit of a deeper expression in Indian classical music, inspired by the music of Ustad Ali Akbar Khan. His journey reflects a lifelong commitment to understanding the intricate techniques and aesthetics of classical Indian music.

Early Life and Background Anupam Joshi was born in an academically accomplished family with a legacy of societal achievements. His family relocated to Jabalpur, where Joshi began his musical journey at the age of nine, studying tabla under Pandit Swatantra Kumar Savita. His foundational years with tabla provided him with a deep understanding of rhythm, and his passion for music grew as he learned by ear from the vocal lessons of Guru Daithankarbai.

Transition to Sarod Joshi's musical path took a transformative turn when he encountered the work of Ustad Nusrat Fateh Ali Khan, which introduced him to Sufism and its philosophical depth. Inspired by the sarod recordings of Ustad Ali Akbar Khan, Joshi sought to learn the sarod, despite the challenges posed by limited access to authentic training in his hometown.

Training and Mentorship In Pune, Joshi found his first formal connection to the Seniya Maihar Gharana through Pandit Sudhir Phadke, a sitar exponent and disciple of Annapurna Devi. Joshi spent three years under Phadke’s guidance, studying rare compositions. However, he later recognized that his technique required refinement, especially to achieve the tonal precision distinctive of the sarod.

This led him to Ken Zukerman, a senior disciple of Ustad Ali Akbar Khan. Zukerman offered Joshi critical guidance, prompting him to reshape his playing style from scratch. Joshi subsequently trained under Pandit Sohan Neelkanth in Ahmedabad for five years, deepening his technical understanding of the gharana’s nuances.

Advanced Training and Professional Pursuits Joshi’s pursuit of the sarod continued under Pandit Rajeev Taranath and Pandit Tejendra Narayan Majumdar, both senior disciples of Ustad Ali Akbar Khan. His dedication to mastering the sarod led him to relocate to Bangalore to train full-time under Pandit Taranath, even while managing a professional career in Japanese language instruction.

Japanese Studies and Career At 17, Joshi achieved proficiency in Japanese, receiving a scholarship for advanced training in Japan, where he was the youngest Indian to complete the program. He later worked as a Manager for Citi Group Japan before resigning to focus on his musical aspirations.

Musical Style and Contributions Joshi's sarod performances reflect a blend of rigorous technique and emotional depth, with influences from both the gayaki (vocal) style and instrumental traditions of the Maihar Gharana. His mastery of rapid taans (musical phrases) and a nuanced sense of rhythm and melody have distinguished him in the field.

Legacy and Future Endeavors Anupam Joshi continues his training and performances, contributing to the preservation and evolution of the Seniya Maihar Gharana tradition. His journey symbolizes a lifelong dedication to classical music, drawing from a lineage of revered mentors and an unyielding passion for the sarod.