User:Ham II/Sandpit A
University Challenge
[edit]- Keith Wyness
- Andrew Williams (novelist)
- Mark Wallace (journalist)
- Michael Taylor (historian)
- Josh Spero
- John Shepherd (scientist)
- Allan Segal
- Simon Schaffer
- Jeremy Sams
- Mark Pallen
- David Norris (politician)
- Roger Mosey
- Edward Mortimer
- J. R. Morgan
- Nicholas Montagu
- Tony Michell
- Noel Malcolm
- Diarmaid MacCulloch
- Christopher Lovelock
- Robert Rogers, Baron Lisvane
- Chris Lintott
- James Kennard
- Paul Carey Jones
- Jackie Hunter
- Jesse Honey
- Anthony Holden
- Norman Hammond
- Tim Footman
- Trevor Fisk
- James Drummond Young, Lord Drummond Young
- Nicholas de Jongh
- Tim Brain
- Ashley Blaker
- Olav Bjortomt
- Kishore Bhimani
- Trevor Bench-Capon
- Ian Bayley
- Timothy Adès
Italian names
[edit]- Shuttleworth, Christine (October 2006), "Italian names" (PDF), The Indexer, vol. 25, no. 2, Australian and New Zealand Society of Indexers, pp. C15–16: "Modern surnames with prefixes (usually prepositions) are indexed under the prefix:"
- "During the Middle Ages and Renaissance, surnames as we know them today were not universally used, the person [often] possessing only a given name, along with a phrase to distinguish between persons with the same name. [...] Surnames became increasingly used as they were needed, especially during the Renaissance and in early modern times, and names from this period often show a mixture of forms and usage."
- "Before the modern period [...] prepositions such as de, de', degli, dei and de li [sic] were not usually part of the surname, so Lorenzo de' Medici is indexed as Medici, Lorenzo de'."
- "Patronymics and names derived from those of associates": index by given name, including for Andrea del Sarto
- "Geographic names Derived from the individual's birthplace or home town. Leonardo da Vinci, to use a well-known example, came from the town of Vinci (the word 'da' means 'from'). The artists Caravaggio and Correggio also took their names from their home towns, and the name of Perugino is derived from Perugia."
- Antonello da Messina
- Caravaggio (Michelangelo Merisi da Caravaggio)
- Correggio (Antonio Allegri)
- Leonardo da Vinci
- Mino da Fiesole
- Palestrina, Giovanni Pierluigi da
- Perugino (Pietro Vannucci)
Historical Italian names containing a particle in lowercase (da, della, di, etc.) are most often sorted by the given name preceding the particle: {{DEFAULTSORT:Leonardo da Vinci}}
. There are exceptions:
- Some instances of da: Caravaggio, Michelangelo Merisi da; Correggio, Antonio da; Maiano, Benedetto da; Palestrina, Giovanni Pierluigi da; Sangallo, Antonio da
- Most instances of de'
- Most instances of del: Sarto, Andrea del; Verrocchio, Andrea del (but del Monte, Francesco Maria; Sebastiano del Piombo).
Artists, architects and patrons in the ULAN
[edit]- Antonello da Messina
- Antonio de Saliba
- Baccio da Montelupo (cf. his son Raffaello)
- Baglioni, Bartolomeo (Baccio d'Agnolo)
- Bartolomeo Veneto
- Benedetto di Pietro dal Mugello (Benedetto da Fiesole)
- Caravaggio, Michelangelo Merisi da
- Castagno, Andrea del
- Chirico, Giorgio de
- Cima da Conegliano, Giovanni Battista
- Conti, Bernardino de'
- Correggio, Antonio da (Antonio Allegri da Correggio)
- Cossa, Francesco del
- Dal Pozzo, Cassiano
- De Fabris, Emilio
- Della Robbia family (but Robbia, Andrea della, Robbia, Luca della, etc.)
- della Vittoria, Gloria
- Desiderio da Settignano
- Di Matteo, Gabriele
- Domenico Veneziano
- Duccio di Buoninsegna
- Francesco di Giorgio Martini
- Gentile da Fabriano
- Giotto di Bondone
- Giovanni da Udine
- Jacopo della Quercia
- Leonardo da Vinci
- Lorenzo di Credi
- Maiano, Benedetto da
- Martini, Giovanni (Giovanni Martini da Udine; Giovanni da Udine)
- Melozzo da Forlì
- Menabuoi, Giusto de'
- Michelino da Besozzo
- Monaco, Lorenzo (Piero di Giovanni)
- Montelupo, Raffaello da (cf. his father Baccio)
- Moretto da Brescia
- Nanni di Bartolo
- Niccolò dell'Arca
- Oggiono, Marco d'
- Parmigianino (Girolamo Francesco Maria Mazzola)
- Perugino (Pietro Perugino)
- Pierino da Vinci
- Piero della Francesca
- Piero di Cosimo
- Polidoro da Caravaggio
- Pollaiuolo, Antonio
- Pollaiuolo, Piero
- Porta, Guglielmo della
- Predis, Giovanni Ambrogio de (et al.)
- Raffaelino del Garbo
- Raphael (Raffaello Sanzio da Urbino)
- Romanino (Girolamo Romanino)
- Romano, Giulio
- Rossi, Properzia de'
- Rosso Fiorentino (Giovanni Battista di Jacopo Rosso)
- Sangallo, Antonio da, the elder (et al.)
- Santacroce, Girolamo da
- Sarto, Andrea del
- Sassoferrato (Giovanni Battista Salvi da Sassoferrato)
- Sebastiano del Piombo
- Simone Martini
- Stefano da Verona
- Stella, Fermo da Caravaggio (sic)
- Veronese, Paolo
- Verrocchio, Andrea del
- Vignola, Jacopo da
Nobility
[edit]Others
[edit]Georgian, Victorian and Edwardian sculptors
[edit]- Yale Center for British Art, Sculpture and Ceremonial: Monuments to Queen Victoria
- George Gammon Adams, 1821–1898
- John Adams-Acton, 1830–1910
- C. J. Allen, 1862–1956
- Henry Hugh Armstead, 1828–1905
- William Aumonier, 1841–1914
- Stanley Nicholson Babb, c. 1873–1957
- John Bacon the Younger, 1777–1859
- John Bacon the Elder, 1740–1799
- Charles Bacon, c. 1822–86
- Edward Hodges Baily, 1788–1867
- Thomas Banks, 1735–1805
- Harry Bates, 1850–1899
- Gilbert Bayes, 1872–1953
- William Behnes, 1791?–1864
- Edith A. Bell, fl. 1890–1910 ♀
- John Bell, 1811–1895
- Mary Bennett, active c. 1878 ♀
- H. C. Binney, active 1901–1913
- Charles Bell Birch, 1832–1893
- Ferdinand Victor Blundstone, 1882–1951
- Joseph Edgar Boehm, 1834–1890
- Frank Bowcher, 1854–1938
- William Brindley, 1832–1919
- Edward G. Bramwell, 1865–1944
- Abraham Broadbent, c. 1868–1919
- Eric Raymond Broadbent, fl. 1911–24
- Thomas Brock, 1847–1922
- William Brodie, 1815–1881
- Mortimer Brown, 1874–1966
- William Kellock Brown, c. 1856–1934
- Albert Bruce-Joy, 1842–1924
- Henry Bursill, fl. 1855–1870
- Alfred Buxton, 1884–1929?
- Thomas Campbell, 1790–1858
- Ruth Canton, active 1897 ♀
- John Edward Carew, c. 1782–1868
- Alexander Carrick, 1882–1966
- Ella Casella, 1858–1950 ♀ (a redirect)
- John Cassidy, 1860–1939
- Francis Chantrey, 1781–1841
- Léon-Joseph Chavalliaud, c. 1858–1921
- Benjamin Clemens, 1875–1957
- Ernest A. Cole, 1890–1979
- John Henry Cole, 1818–1874
- William Robert Colton, 1867–1921
- Walter Crane, 1845–1915
- Benjamin Creswick, 1853–1946
- T. Mewburn Crook, 1869–1949
- Jules Dalou, 1838–1902
- Andrew Davidson (1841–1925) and D. and A. Davidson
- John Daymond, 1821–98
- Evelyn De Morgan, 1850–1919 ♀
- William Reid Dick, 1878–1961
- Charles Doman, 1884–1944
- Edith Downing, 1857–1931 ♀
- Francis William Doyle-Jones, 1873–1938
- Conrad Dressler, 1856–1940
- Alfred Drury, 1856–1944
- Susan Durant, d. 1873 ♀
- Joseph Durham, 1814–1877
- Thomas Earp, 1828–1893
- Joseph Edwards, 1814–1882
- George Edwin Ewing, 1828–1884
- William Bateman Fagan, 1860–1948
- Thomas Farrell, 1827–1900
- William Farmer
- Henry Charles Fehr, 1867–1940
- Alexander Fisher, 1864–1936
- Percy Hetherington Fitzgerald, 1834–1925
- Thomas Fitzpatrick, active 1856–1870
- John Flaxman, 1755–1826
- John Henry Foley, 1825–1892
- Edward Onslow Ford, 1852–1901
- Stanley Mace Foster, active 1903–1934
- George Frampton, 1860–1928
- John Francis, 1780–1861
- J. L. Franklin
- William Silver Frith, 1850–1924
- Emil Fuchs, 1866–1929
- John Henry Monsell Furse, 1860–1950
- James Gamble, c. 1835–1911
- Richard Louis Garbe, 1876–1957
- Ada Freeman Gell ♀
- John Gibson 1790–1866
- Alfred Gilbert, 1854–1934
- Margaret Giles, 1868–1949 ♀
- Ernest George Gillick, 1874–1951
- Lady Feodora Gleichen, 1861–1922 ♀
- Count Victor Gleichen, 1833–1891
- Edward Godwin, 1876–1957
- Misleading redirect to his father
- Basil Gotto, 1866–1954
- Richard Reginald Goulden, 1876–1932
- Lord Ronald Gower, 1845–1916
- Mary Grant, c. 1830–1908 ♀
- James Milo Griffith, 1843–97
- Elinor Hallé ♀
- Frederick James Halnon, 1881–1958
- Emmeline Halse ♀
- Lilian Vereker Hamilton, 1865–(?)1939
- Herbert Hampton, 1862–1929
- John Hancock, c. 1825–1869
- Alfred Hardiman, 1891–1949
- Charles Leonard Hartwell, 1873–1951
- Adèle Hay, fl. 1890–1910 ♀
- Percival M. F. Hedley, d. 1921
- Ralph Hedley, 1848–1913
- Amelia Robertson Hill (née Paton), 1820–1904 ♀
- Vincent Hill, active 1900–1946
- Nathaniel Hitch, 1845–1938
- Albert Hodge, 1875–1918
- Alfred Hodges, fl. 1909–1911
- John Holmes, 1890–1928
- Henry Richard Hope-Pinker, 1850–1927
- Charles Sargeant Jagger, 1885–1934
- Frank Lynn Jenkins, 1870–1927
- William Goscombe John, 1860–1952
- BLB: Done
- Adrian Jones, 1845–1938
- Samuel Joseph, 1791–1850
- Charles J. Samuel Kelsey, c. 1820–1888
- Eric Henri Kennington, 1888–1960
- John Lockwood Kipling, 1837–1911
- Thomas Kirk, 1781–1845
- Edwin Landseer, 1802–1873
- Helen Langley, fl. 1890s ♀
- Édouard Lantéri, 1848–1917
- John Lawlor, 1820–1901
- George Anderson Lawson, 1832–1904
- Charles W. Layzell, fl. 1910–1918
- Thomas Stirling Lee, 1857–1916
- Alphonse Legros, 1837–1911
- Frederic Lord Leighton, 1830–1896
- Alexander J. Leslie, 1873–1930
- Ruby Levick, fl. 1890s ♀
- John Graham Lough, 1798–1876
- Richard Cockle Lucas, 1800–1883
- Andrea Carlo Lucchesi, 1860–1925
- Augustus Lukeman, fl. 1890s
- Charles Henry Mabey, c. 1836–1912
- Patrick McDowell, 1799–1870
- David McGill, c. 1864–1947
- James Pittendrigh MacGillivray, 1856–1938
- Edgar Bertram Mackennal, 1863–1931
- Thomas Eyre Macklin, 1863–1943
- Samuel Manning Jr., 1815–1866
- Sydney March, 1875–1968
- Carlo Marochetti, 1805–1867
- William Calder Marshall, 1813–1894
- Edith C. Maryon, 1872–1924 ♀
- Eleanor Mercer, fl. 1890–1910 ♀
- Leonard Stanford Merrifield, fl. 1909–1935
- Hubert Miller, active 1905–1930
- Thomas Milnes, 1813–1888
- Horace Montford, active 1898–1912
- Paul Raphael Montford, 1868–1948
- John Mossman, 1817–1890
- Edwin Roscoe Mullins, 1848–1907
- BLB: Done
- Alexander Munro, 1825–1871
- W. G. Nicholl, 1796–1871
- Thomas Nicholls, fl. 1853–1895
- Matthew Noble, c. 1817–1876
- Herbert W. Palliser, 1883–1963
- Charles A. Palmer
- Harold Parker, 1873–1962
- George Henry Paulin, 1888–1962
- Alfred Bertram Pegram, 1895–1939
- Henry Alfred Pegram, 1862–1937
- John Birnie Philip, 1824–1875
- Joseph Phillips, fl. 1924
- Theodore J. B. Phyffers, c. 1820–1876
- Edward James Physick, 1820–1906
- Charles James Pibworth, 1878–1958
- Henry Poole, 1873–1928
- BLB: Done
- Frederick W. Pomeroy, 1856–1924
- Percy Portsmouth, 1873–1953
- Mary Pownall, active 1904–1911 ♀
- Edward John Poynter, 1839–1919
- Hugues Protat, active 1835–1871
- James Redfern, 1838–76
- William Reynolds-Stephens, 1862–1949
- William Birnie Rhind, 1873–1933
- Edward Richardson, 1812–1869
- Charles de Sousy Ricketts, 1866–1931
- John Wenlock Rollins, 1862–1940
- Dorothy Anne Aldrich Rope, active 1910–1916 ♀
- Ellen Mary Rope, 1855–1934 ♀
- Louis Frederick Roslyn, 1878–1934
- Thomas Rudge, 1868–1942
- Charles Rutland, 1859–1943
- Henry Thomas Schafer, 1851–1915[?]
- F. E. E. Schenck, active 1873–1920
- Kathleen Scott, 1878–1947 ♀
- Reuben Sheppard, fl. 1906
- Robert Sievier, 1794–1865
- George Blackall Simonds, 1843–1929
- Lilian Simpson, 1871–97 ♀
- Theodore Spicer Simson, 1896–1923
- Benjamin Edward Spence, c. 1822–1866
- Oscar Spalmach, 1864–1917
- Edward Caldwell Spruce, 1849–1923
- Phoebe Gertrude Stabler, 1879–1955 ♀
- John Steell, 1804–1891
- Florence Harriet Steele, 1857–1948 ♀
- Edward Bowring Stephens, c. 1815–1882
- Alfred Stevens, 1817–1875
- W. Grant Stevenson, 1849–1919
- Charles Robinson Sykes, fl. 1912
- Godfrey Sykes, 1824–1866
- Thomas Tarran, 1851–1933
- Frank Mowbray Taubman, 1868–1946
- John Edward Taylerson, 1854–1942
- John Ternouth, 1796–1848
- William Theed, 1804–1891
- Frederick Thomas, 1860–(?)1924
- John Thomas, 1813–1862
- John Evan Thomas, 1810–1873
- Hamo Thornycroft, 1850–1925
- Mary Thornycroft, 1814–1895 ♀
- Thomas Thornycroft, 1815–1885
- George Tinworth, 1843–1913
- Albert Toft, 1862–1949
- Reuben Townroe, 1835–1911
- Henri de Triqueti, 1803–1874
- John Lucas Tupper, 1824?–1879
- Alfred Turner, 1874–1940
- John Tweed, 1869–1933
- BLB: Done
- Thomas Tyrell
- George Edward Wade, 1853–1933
- BLB: Done
- William Wheatley Wagstaff, fl. 1908–1919
- Arthur George Walker, 1861–1936
- Musgrave Watson, 1804–1847
- George Frederic Watts, 1817–1904
- Reginald Fairfax Wells, 1877–1933
- Oliver Wheatley, 1868–1931
- Charles Wheeler, 1892–1974
- S. M. Wiens, fl. 1912
- Henry Weekes, 1807–1877
- James Sherwood Westmacott, 1823–1900
- Richard Westmacott, 1775–1856
- Richard Westmacott, Junior, 1799–1872
- Oliver Wheatley
- Arthur Charles White, c. 1874–1924
- John Whitehead, active 1889–95
- Onslow Whiting, active, 1903–12
- G. A. Williams, c. 1890–1910
- Lucy Gwendolen Williams, 1870–1955 ♀
- Francis John Williamson, 1833–1920
- John Warrington Wood, 1839–1886
- William Frederick Woodington, 1806–1893
- Francis Derwent Wood, 1871–1926
- Marshall Wood, active 1856–1878
- James Arthur Woodford, 1893–1976
- Thomas Woolner, 1825–1892
- Frank Arnold Wright, 1874–1961
- Matthew Cotes Wyatt, 1777–1862
- Richard James Wyatt, 1795–1850
- Edward William Wyon, 1811–1885
- William Wyon, 1795–1851
- A. Stanley Young
- H. Young, fl. 1859
Statues (etc.) of peers
[edit]- WP:NCPEER
- Wikipedia_talk:Manual_of_Style/Biography/2021_archive#Peerage_titles_and_honorifics_amendments
Burdett-Coutts Memorial Sundial, Cheylesmore Memorial, Shaftesbury Memorial Fountain
For a visual arts manual of style
[edit]- Article naming conventions
- "General rules"
- Capitalization (and italicization)
- Artworks. "Generic and non-generic name" distinction in WP:NCMUSIC may be helpful here; they always italicize non-generic names except for those of MINORWORKS. Do not use italics and sentence case together, except perhaps in languages other than English (per MOS:NONENGTITLE).
- When to use title case and italics. Majority of paintings? Portraits. Many sculptures. Drawings, photographs and prints.
- When to use title case without italics. Often noun phrases including words such as "Memorial", "Monument", "Tomb". San Damiano Cross.
- When to use sentence case. Descriptive names which are not titles; these can be identified by their inclusion of generic terms such as "bust", "statue". But perhaps not "altarpiece" or "portrait"?
- Foreign-language titles: MOS:NONENGTITLE:
Capitalization in non-English language titles varies, even over time within the same language. Retain the style of the original for modern works. For historical works, follow the dominant usage in modern, English-language, reliable sources.
- Series of artworks (including cycles of paintings?)
- Movements, periods and styles. Archaic (including Archaic smile; also pre-Archaic, etc.) and archaic, Classical and classical, Decorated and decorated, Flamboyant and flamboyant, Geometric and geometric, Impressionist and impressionist, Mannerism and mannerism, Orientalizing and orientalizing, Perpendicular and perpendicular, Realism and realism, Severe and severe, Symbolism and symbolism. -Isms. Broad tendencies (figurative painting, abstraction, classicism, minimalism, conceptualism) contrasted with more narrowly defined movements. Lower case for "school".
- Exhibitions: title case. No italics for large-scale or recurring exhibitions; italics for others. Individual instances of these exhibitions follow the capitalization and (lack of) italicization of the series. What of First Impressionist Exhibition?
- Large-scale/recurring: Royal Academy Summer Exhibition, Venice Biennale, Documenta.
- Temporary "special exhibitons", monographic, etc.: Hajj: Journey to the Heart of Islam
- Artworks. "Generic and non-generic name" distinction in WP:NCMUSIC may be helpful here; they always italicize non-generic names except for those of MINORWORKS. Do not use italics and sentence case together, except perhaps in languages other than English (per MOS:NONENGTITLE).
- Construction of article titles for artworks
- Something on the way the titles of artworks have been devised historically?
- The. Often a redirect with or without an initial "The" is likely to be useful. MOS:AT: "
Do not use articles (a, an, or the) as the first word ... unless it is an inseparable part of a name ... or the title of a work
." MOS:THETITLE: "A leading A, An, or The is preserved in the title of a work, including when preceded by a possessive or other construction that would eliminate the article in something other than a title ... however, the is sometimes not part of the title itself, e.g.: the Odyssey
." - Consistency with other artistic treatments of the same subject. Avoid pseudo-precise titles for earlier works.
- Saints?
- Avoid the construction "X's Y" – but not in Van Gogh's Chair, Hogarth's Servants
- By type
- Portraits (primarily painted ones)
- Public commemorative sculpture
- Disambiguation
- Artists
- Artworks
- Usually by artist (short form of the name, usually a surname), then by location (e.g., a city rather than a museum). Usually not by artform, medium, year or museum – but one of this group may be needed if artist and city are not sufficient. Avoid using accession numbers as disambiguation. When artists' names are ambiguous or obscure, is there a need to give full names? What about "(Jones painting)" and suchlike?
- When a painting is from an artist's workshop or circle, how should it be disambiguated? Is concision the most important thing? Tobias and the Angel (Verrocchio); Virgin and Child with Saints and Donors
- Usually by artist (short form of the name, usually a surname), then by location (e.g., a city rather than a museum). Usually not by artform, medium, year or museum – but one of this group may be needed if artist and city are not sufficient. Avoid using accession numbers as disambiguation. When artists' names are ambiguous or obscure, is there a need to give full names? What about "(Jones painting)" and suchlike?
- Capitalization (and italicization)
- "General rules"
- Lead sections
- Checklist of things the opening paragraph of an article should mention: artist, date, medium, location, type, subject (where known, in all cases).
- Measurements in the lead section, or just in the infobox?
- Should locations be given in the Location field of infoboxes for reproductive works (prints, possibly photographs)? Or should they just be in the captions? e.g. The Spanish Bullfight
- "held at/in", "conserved at/in", "preserved at/in", "in the collection of", "now at/in", "on display at/in", "currently resides in", "currently housed at", "now hangs in"
- Image captions
- Standardised format (template) for captions?
- Consistency with MOS:SAINT – and check existing art FAs on this.
- Per WP:CONCISE, "Madonna" and "Virgin" need not be preceded by "The" at the beginning of an article title? Would this also apply to more modern works, e.g. Dalí's The Madonna of Port Lligat?
- Title case for titles of artworks? Including ones from French, etc. (e.g. La Belle Ferronnière, Le Déjeuner sur l'herbe)? Follow usage in sources?
Nice things people have said about the list of public art in the City of Westminster
[edit]"This list is great! ... It's a model for what other cities could be doing!" ... "Very thorough, well-written, sourced, and would make an excellent travel companion" ... "Nice list: many sources, many images, good structure" ... "Delighted to see this" ... "A phenomenal and fascinating list and an astonishing body of work." ... "An impressive list – I was playing a little game with myself about how many artworks I had seen." ... "You have put a lot of work into this" ... "This is a prodigious article, of which Wikipedia can be proud. There's nothing to match it anywhere else that I can find online." ... "Happy to support this very fine page for promotion to Featured status. It gave me enormous pleasure, taught me a lot, and meets all the Featured List criteria in my view. Bravo!" ... "A very extensive and interesting list." ... "Wow, congratulations! What an undertaking... It is wonderful to have an example to use for similar lists... Very, very well done!" ... "That's a lovely list."
Sforza Monument
[edit]The mercenary Francesco Sforza had been elected Duke of Milan in 1450 and died in 1466; his son Galeazzo Maria Sforza sought to commemorate him with an equestrian statue. In 1472 two Milanese sculptors, the brothers Mantegazza, were commissioned to produce a memorial, but they seem to have turned the commission down. Galeazzo Maria's brother Ludovico Sforza ("il Moro") took an active interest in the project after he succeeded to the lordship of Milan in 1479. [Pope-Hennessy 207] Two drawings by the Florentine Antonio del Pollaiuolo survive for a scheme which envisaged a rearing horse, something hitherto unprecedented in equestrian statuary. [Pope-Hennessy 208 ?] In 1482 Leonardo da Vinci wrote a letter to Ludovico il Moro, for which a draft survives, in which he outlined his expertise in engineering, architecture, sculpture and painting, and recommended himself for the project of the memorial. There is no further mention of the statue until the summer of 1489, [Pope-Hennessy 210] when the Florentine agent in Milan wrote to Lorenzo de' Medici, asking for some Florentine sculptors either to assist Leonardo or to replace him. Nothing is known to have come from this letter, and in April 1490 Leonardo wrote that "I began the horse afresh". [Pope-Hennessy 211]
By 1493 a clay model of the horse was finished, and was shown in the courtyard of the ducal residence, but owing to the French invasion it was never cast. [Pope-Hennessy 211]
Tate Britain
[edit]Tate Britain is an art gallery in Millbank, London, housing the United Kingdom's national collection of British art. It was founded as the National Gallery of British Art in 1897 and was financed by the sugar magnate Sir Henry Tate. Known informally at first, and then officially, as the Tate Gallery, it began to collect modern European art alongside British works. The modern collection moved to a new site at Tate Modern in 2000, when the gallery at Millbank received its current name. Tate Britain's collection includes works from J. M. W. Turner's bequest to the nation. These are housed in the Clore Gallery, an extension built in 198X by Sir James Stirling. Since 1984 Tate Britain has hosted the Turner Prize, an often controversial annual exhibition of contemporary art. It is the senior institution in the Tate network of galleries in England, which also includes Tate Modern, Tate Liverpool and Tate St Ives.
VADS
[edit]VADS
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New York City
[edit]Image | Statue | Location | ? |
---|---|---|---|
Cristofer Columbus | Central Park | Wendy A. MacLeod | |
Harriet Tubman | Harlem | Terry McMillan | |
Joan of Arc | Eastside | Marc Acito | |
Frederic Douglass | New-York Historical Society | Terry McMillan | |
Abraham Lincoln | New-York Historical Society | ||
George Washington | Federal Hall | Wendy A. MacLeod | |
Peter Stuyvesant | New York | Marc Acito | |
Statue of Abraham Lincoln | Union Square | ||
Robert Burns | Central Park | Wendy A. MacLeod | |
Confucius | Chinatown | Jean Kwok |