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The Bad Good Man

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The Bad Good Man
Directed byIosif Kheifits
Written byIosif Kheifits
StarringOleg Dahl
Vladimir Vysotsky
Music byNadezhda Simonyan
Production
company
Release date
  • 10 December 1973 (1973-12-10)
Running time
1h 38min
CountrySoviet Union
LanguageRussian

The Bad Good Man (Russian: Плохой хороший человек, romanizedPlokhoy khoroshiy chelovek) is a 1973 Soviet historical drama film based on the novella The Duel by Anton Chekhov.[1]

Plot

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The film’s plot centers on the intense ideological clash between two strong personalities, Laevsky (Oleg Dal) and von Koren (Vladimir Vysotsky), each holding distinct life philosophies. Von Koren views Laevsky as the embodiment of human vices, while Laevsky sees von Koren as someone capable of committing cruel acts in the name of abstract ideals, potentially even eliminating those deemed unfit for a new social order. Their mutual friend, Dr. Samoylenko, shares Laevsky’s concerns about von Koren’s harsh principles. For a while, von Koren’s ideas about punishing morally corrupt people remain theoretical, until he makes a disparaging remark about Laevsky’s “hopeless situation,” prompting an angry Laevsky to retort, which von Koren interprets as a “duel challenge” – a comment made half in jest. Despite despising von Koren, Laevsky accepts the duel.

Neither the duelists nor their seconds truly understand the rules, fumbling through what they remember from classic literature. Beforehand, von Koren confidently predicts that Laevsky will shoot into the air, a prediction that proves correct. Von Koren himself claims he wouldn’t waste time risking his life for Laevsky, but goaded by the seconds’ sentimental appeals for reconciliation, he aims his shot at Laevsky, only to miss due to the startled cry of a deacon hiding nearby. This close brush with death deeply changes Laevsky, inspiring him to work hard to repay debts and improve his life, while his wife shifts her focus from social gatherings to managing their household. However, von Koren remains skeptical, doubting the sincerity or longevity of Laevsky’s transformation. He also begins to question his own purpose and the righteousness of his mission to “improve humanity” after his failed attempt in the duel.

Cast

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Awards

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  • 1974 - The "Charybdis" prize for the best performance of the male role to Vladimir Vysotsky at the V festival of Nations in Taormina, Italy.[1]

References

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  1. ^ a b "Плохой хороший человек". Culture.ru (in Russian). Retrieved 13 May 2018.
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