Talk:Wilton Diptych

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Hmm

the map at the top of the orb is actually thought to be ireland. A reflection of Richard's interest in the island during the mid to late 1390s.

St. George Cross

While it is true that the red cross on a white ground was used in Medieval and Renaissance painting in scenes of the Resurrection, in an English context it has a much more significant overlay of meaning. To the English it was primarily the symbol of St. George and therefore the symbol of England. Millions of English stll recognise it as the symbol of England and have no idea that it also symbolises the Resurrection or "Triumph of the Cross". So the fact that it also occcurs in Resurrection pictures is probably of little significance here. The painting was done at a time when, locally, it was firmly established as associated with st George.

Though it could be argued that it also celebrates the power of the Christ Child over all things, even death. Amandajm 11:52, 15 September 2007 (UTC)[reply]

Rename without "The"

Certainly the correct form - requested at the "uncontroversial" section of Requested moves [1]. Johnbod (talk) 10:17, 12 October 2008 (UTC)[reply]

External links modified

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Two images from this article to appear as POTD soon

Hello! This is a note to let the editors of this article know that File:Wilton diptych; left-hand panel.jpg and File:Wilton diptych; right-hand panel.jpg will be appearing as picture of the day on 21 December 2018. You can view and edit the POTD blurb at Template:POTD/2018-12-21. If this article needs any attention or maintenance, it would be preferable if that could be done before its appearance on the Main Page. Thanks — Amakuru (talk) 21:19, 14 December 2018 (UTC)[reply]

Picture of the day

The Wilton Diptych is a small portable diptych of two Baltic oak panels, painted on both sides, set in frames of the same material and joined by two hinges. Dating from around 1395–1399, it is an extremely rare survival of a late Medieval religious panel painting from England. The diptych was painted for King Richard II, who is depicted kneeling before the Virgin and Child in what is known as a donor portrait. He is presented to them by his patron saint, John the Baptist, and by the English royal saints Edward the Confessor and Edmund the Martyr. The inner faces of the panels are in excellent condition for their age, though some glazes have been lost, but the outer faces have paint losses from handling.

This picture shows the righthand panel of the inside of the diptych, with the Virgin and Child.

See also: the lefthand inside panel, showing Richard II and the saints.Painting: Unknown English or French painter from the 1390s

Archive – More featured pictures...

Recent edit

Removed, but the material on "family portraits", though not generally accepted, could be refactored, refed, & given a section lower down. Johnbod (talk) 15:40, 3 March 2020 (UTC)[reply]