Talk:The Peanut Vendor

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Correct title

The correct English song title seems to be "Peanut Vendor" without the article "The". This is the title used in the sheet music and in WHO WROTE THAT SONG. ~~paramucho~~

La canción original fue escrita en español bajo el nombre de "El Manisero", por tanto esperaría que en inglés o cualquier otro idioma tenga el articulo "El". En el caso de la versión en inglés, desde que se registró por primera vez por el señor Edward B. Marks apareció como "The Peanut Vendor" Aparece así referenciada en el libro "El Manisero: El Rey de los Pregones" escrito por el investigador colombiano Jorge Eduardo Camargo Franco.

La adaptación de la letra fue hecha por Marion Sunshine, quien era familiar de Don Aspiazu, dicha adaptación no fue una traducción literal del español al inglés. ~~josemmoraf~~ —Preceding unsigned comment added by Josemmoraf (talk • contribs) 22:57, 18 November 2009 (UTC)[reply]

test for future article in french

El Manicero (traduction : le vendeur de cacahuères, titre en anglais : The Peanut Vendor) est une chanson (genre : son-pregon) composée en 1928 par le cubain Moisés Simons.

(Marion Sunshine/L Wolfe Gilbert/Moises Simons)

Moisés Simons (-28 de junio de 1945 Madrid) en se promenant un soir à la Havane Cacahuètres grillées. Serviette et trascrivit la mélodie au piano. en 1928.

Le vendeur de cacahuète

MACHÍN popularise le fameux pregón "El Manisero" de Moisés SIMÓNS.

En 1930 "Don AZAPIAZU's et se rend avec son orchestre aux Etats-Unis. Il emmène le chanteur Antonio MACHÍN. Sur le bateau se trouve également le saxophoniste Mario BAUZÁ. Le "Don AZPIAZU's ORCHESTRA" joue au Palace Theater sur Broadway à New York et obtient un immense succès en diffusant la musique traditionnelle cubaine et ses thèmes les plus connus, "Ay mama Iñes", "Amor sincero" et une toute récente composition de SIMÓNS que la voix de Antonio MACHÍN va propager à travers tout le pays, le pregón "El Manisero". Le public new-yorkais est enthousiasmé par l'orchestre et ses percussions cubaines : maracas, güiro, claves, timbales, congas et bongó.

La RCA Victor entraîne immédiatement l'orchestre vers ses studios.

Don AZPIAZU's ORCHESTRA" joue dans plusieurs villes américainesIl devient commercialement nécessaire de traduire en anglais les paroles des différents thèmes et en premier lieu celles du pregón "El Manisero", ce que fait avec succès Marion Sunshine. Le thème sera désormais plus connu sous son titre anglais "The Peanut vendor".

11 octobre 1931, Mistinguette sous le titre "La rumba d¨amour".

1932 Belgique, notamment au Palace et au Pingouin à Bruxelles Lester Square Theater de Londres. A Paris, à la fin de l'année, ce sont les clubs La Plantation sur les Champs Elysées, le Théâtre de l'Empire qui les accueillent. Les chanteurs José "Chepín" PEREIRA et José "Chiquito" SOCARRÁS sont les voix de l'orchestre qui parvient à enregistrer plusieurs titres dans la capitale française. L'orchestre à le temps de participer au film Orchidées Noires

"pregones" chanson populaire des marchands de rue El manisero (Le vendeur de cacahuètes) et El botellero (le repreneur de bouteilles).

Peanut Vendor (The) Enregistrée le 10 janvier 1969 pendant la session de "Let It Be".

The song was popular in Cuba for several years when Herbert Marks, son of sheet music publisher E.B. Marks, heard it and convinced his father to release it with English lyrics by Louis Rittenberg. Cuban band leader Don Azpiazu then recorded it with different lyrics written by his sister-in-law, Marion Sunshine, and Wolfe Gilbert. When Azpiazu debuted his band in New York in 1931, the song and the Latin sound were wildly successful novelties to American audiences. Azpiazu's recording sold over one million copies in under two years, easily making it one of the top sellers of the decade. Hollywood jumped on the bandwagon and put out one of the earliest musicals, "Cuban Love Song," featuring a rendition by that authentic Latin interpreter, the opera singer Lawrence Tibbett. The success of "Peanut Vendor" led a wave of Latin music into America. Within a year of its publication, E.B. Marks listed over 600 Latin songs, and Latin bands were prominently featured in films, radio, and live performances.

Don Azpiazu (#1); Louis Armstrong (#15) California Ramblers (#5) Red Nichols (#5); Don Azpiazu (charted 1931) Stan Kenton Desi Arnaz Fania All Stars Mongo Santamaria Xavier Cugat Perez Prado Tex Beneke Lalo Schifrin Dean Martin Chet Atkins Michel Legrand The Ventures