Talk:Sadia Sadia
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COI tag (August 2021)
[edit]Created and extensively edited by a seeminly close associate: Olliewoodpecker (talk · contribs · deleted contribs · logs · filter log · block user · block log). SmartSE (talk) 15:26, 12 August 2021 (UTC)
read me first
[edit]The article has been the subject of AfD discussion. Much of it was very out of date, which is now being rectified.
The entries that were deleted as having out of date references or URLs have now been reviewed, sourced and updated. Thanks,
GreenForestRanger (talk) 10:21, 21 September 2021 (UTC)
edit request
[edit] | This edit request by an editor with a conflict of interest has now been answered. |
Introduction
[edit]- Sadia received her MSc in Political Science and Economics (Gender, Culture and Society) from Birkbeck, University of London in 1994, MA in Design Studies from Central Saint Martins, University of the Arts in 2001, and PhD in Fine Art from the Royal Melbourne Institute of Technology in 2019.[1] She is a Fellow of the Royal Society of Arts.[2]
- Her fine art practice is primarily focused on how and why viewers experience epiphanic and transcendent states in the encompassing installation environment [[3]][[4]] and frequently incorporates the distortion or manipulation of time [[5]].
Done The first paragraph was already there. I added the 2nd paragraph under a new header on the bottom, which seemed more appropriate. Loveboba (talk) 19:47, 7 November 2021 (UTC)
Music
[edit]- From 1998 to 2007 the Sydney Dance Company under the direction of Graeme Murphy held two works choreographed by Wakako Asano [6] as part of their permanent repertoire, Unwitting Sight (1998) and Cradle Song (2001) [7] with music by Sadia Sadia (Equa). [8]
- In 1996 she produced the single ‘Respect’ and ‘Respect Yourself’ (Polygram)[9] for the Trades Union Congress (TUC) Unite Against Racism [10] festival which received a commendation from the House of Commons (UK) through the passage on an Early Day Motion (EDM) [11].
Done both sections added. Loveboba (talk) 19:51, 7 November 2021 (UTC)
Installations
[edit]Installations → Para 2
- In 2009 Sadia was awarded a Studio 18 artists' residency at Gertrude Contemporary, Melbourne.[12] During this time she produced her three channel work Metamorphoses in ‘A’ Minor[13] with the support of the British Council (Aus).[14] It most recently screened at Sarah Lawrence's Third Annual Dancefilm Festival at the Heimbold Visual Arts Center in 2018.[15]
Done this part is done. Loveboba (talk) 20:24, 7 November 2021 (UTC)
Please add to Para. 2 to bring up to date
- The work was permanently installed with an updated sixteen channel surround soundfield in Gallery Eight at QVMAG's Royal Park location as part of the 130th Anniversary celebrations which opened on July 31st 2021 [[16]].
Done check if this is correct, can you be more specific as to where to add this? Loveboba (talk) 20:24, 7 November 2021 (UTC)
Can we please add this to the 'Ghosts of Noise' para. 4 to bring it up to date
- "In 2019 'Ghosts of Noise' [17][18] was exhibited as a four-channel video and eight channel audio installation in The Model Citizen [19] at the RMIT Gallery, Melbourne, curated by Sean Redmond and Darrin Verhagen [20]."
GreenForestRanger (talk) 09:22, 15 September 2021 (UTC)
Done all done. Loveboba (talk) 20:28, 7 November 2021 (UTC)
References
- ^ Sadia, Sadia (2019). The sacred ground: enhancing and constructing the transcendent state in the immersive installation environment (Thesis). RMIT University. Retrieved 2021-09-15.
- ^ "Sadia Sadia". Royal Society of Arts. Retrieved 2021-09-15.
- ^ Proceedings of the 25th International Symposium on Electronic Art,(Gwangju, Korea, 22/06/2019 - 28/06/2019, pp.527-530) https://researchrepository.rmit.edu.au/esploro/outputs/conferenceProceeding/The-Illuminated-Self-Transcendent-and-Epiphanic/9921861057001341
- ^ https://brill.com/view/journals/artp/9/1/article-p1_1.xml
- ^ https://brill.com/view/journals/artp/6/4/article-p151_151.xml?rskey=Gl01WM&result=5&ebody=previewPdf-46504
- ^ https://web.archive.org/web/20160808030024/http://jad.jpf-sydney.org/artists/wakako-asano/index.html
- ^ https://web.archive.org/web/20070901193524/http://sydneydancecompany.com/repertoire/complete_all.shtml?premiere
- ^ https://web.archive.org/web/20070901193524/http://sydneydancecompany.com/repertoire/complete_all.shtml?premiere
- ^ Farmer, Neville, ‘In The Studio: TUC United Against Racism ‘RESPECT’, Music Week (UK), 22 June 1996, p. 30.
- ^ Sanders, Rob (ed), Respect Festival 1996, TUC Trades Union Congress, London WC1B.
- ^ https://edm.parliament.uk/early-day-motion/12253/respect-festival
- ^ https://web.archive.org/web/20100209021604/http://www.gertrude.org.au/studio-artists
- ^ https://www.artschimera.com/MetaHomePage.html
- ^ https://art.base.co/organisation/39-gertrude-contemporary/events/archive?page=2
- ^ https://www.sarahlawrence.edu/news-events/events/detail/3378?month=2018-09
- ^ https://www.examiner.com.au/story/7405580/new-era-of-recognition-and-voice-begins-for-qvmag/
- ^ https://artsreview.com.au/the-model-citizen/
- ^ https://rmitgallery.com/news/sadia-sadia-in-conversation-from-record-producer-to-ghosts-of-noise/
- ^ https://rmitgallery.com/exhibitions/the-model-citizen/
- ^ https://issuu.com/rmit610/docs/tmc_catalogue_combined