Talk:Marine – à travers les arbres
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Above sent to me by author of draft:
I have been reading the guidelines. I strongly believe that this musical work more than meets the threshold for notability To give you an idea, here are some of the highlights:
- the piece has been mentioned specifically in major newspapers such as The Times, Sunday Times, The Guardian, The Independent, BBC Music Magazine, Time (magazine), The Wall Street Journal, and in international publications, etc... - premiered by the London Symphony Orchestra at the Barbican - recorded in Studio 1 of Abbey Road with the LSO - released by EMI on the debut series - recorded by the BBC Philharmonic for the EBU - performed at Prom 63 in 1998 with the EUYO & Ashkenazy - Prom 63 was broadcast in full, live on BBC 2 television - broadcast in full on Radio 3 at least 3 times - published in 1998 by EMI and Novello & Co - broadcast in over 40 countries.
- included on the covermount CD of the BBC Music magazine.
I have revised many of the sources to reflect the more notable articles. Unfortunately a few of these more notable sources only exist as cuttings and PDFs which are not live online (so no URL). At the moment I have sourced a few of them without a live link. Is there anywhere the cuttings can be uploaded so that they can be sourced to with a URL?
I hope you can help me with this. I have put a lot of work into the page. There's still more to do.
Thank you for helping me so far.
Robert McClenon (talk) 21:51, 2 December 2019 (UTC)
- Regarding a reliable source for the main notability reference (and first citation), I propose: Pettitt, Stephen. "Taste of Things to Come - New music has no platform than Masterprize.", The Sunday Times, London, 12 April 1998. Retrieved on 02 December 2019. [1].
- There are multiple international sources, but not all of them cite the work's title. A notable source that does include the title is: Goldsmith, Charles. "From Mergers to Music - An Investment Banker Who Dreamed Up a Competition for New Composers", The Wall Street Journal Europe, New York, 7-8 September 2001, however a live URL is not available (there is a supporting PDF of the paper's cutting, but this is not online). There's a good reference from Der Spiegel: Umbach, Klaus. "Klänge für große Gefühle", Hamburg, 13 April 1998. [2], but the composition's title "Marine — à travers les arbres" has been rendered: "Seeblick - durch die Bäume" and is thus much harder to recognise. The translation of the piece's title is, however, good for showing the notability and reach of the work.