This article is within the scope of WikiProject Lists, an attempt to structure and organize all list pages on Wikipedia. If you wish to help, please visit the project page, where you can join the project and/or contribute to the discussion.ListsWikipedia:WikiProject ListsTemplate:WikiProject ListsList articles
This article falls within the scope of WikiProject Opera, a group writing and editing Wikipedia articles on operas, opera terminology, opera composers and librettists, singers, designers, directors and managers, companies and houses, publications and recordings. The project discussion page is a place to talk about issues and exchange ideas. New members are welcome!OperaWikipedia:WikiProject OperaTemplate:WikiProject OperaOpera articles
This article is within the scope of the WikiProject Composers, a group of editors writing and developing biographical articles about composers of all eras and styles. The project discussion page is the place to talk about technical and editorial issues and exchange ideas. New members are welcome!ComposersWikipedia:WikiProject ComposersTemplate:WikiProject ComposersComposers articles
As pointed out by the uploader of Op.3 to IMSLP, there's arguably too much divisi in the Andante and Allegretto for string quintet pub. in 1914 for it to actually be for string quintet; sometimes string quintet means string orchestra ("double winds, timpani and string quintet" for rather small orchestra without brass, even if the strings are a small string -section-...), though, and that makes most sense under the circumstances. The one recording of the work- by an actual string quintet (with double bass) (in the 2010 recording of the 5 string quartets and other chamber works) - only manages this by ignoring some of those divisi instructions, it seems. ELSchissel (talk) 01:36, 8 August 2023 (UTC)[reply]
