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The Opera Portal

Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L'Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This 'golden age' developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

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Falstaff is a comic opera in three acts by Giuseppe Verdi. The libretto was adapted by Arrigo Boito from Shakespeare's The Merry Wives of Windsor and scenes from Henry IV, parts 1 and 2. The work premiered on 9 February 1893 at La Scala, Milan. Verdi composed Falstaff, which was the last of his 28 operas, as he was approaching the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following Macbeth and Otello. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight, Sir John Falstaff, to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused immense interest in Italy and around the world, Falstaff did not prove to be as popular as earlier works in the composer's canon. After the initial performances in Italy, other European countries and the US, the work was neglected until the conductor Arturo Toscanini insisted on its revival at La Scala and the Metropolitan Opera in New York from the late 1890s into the next century. The work is now part of the regular operatic repertory.

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Palau de les Arts Reina Sofía

Credit: Chosovi

Valencia's Ciutat de les Arts i les Ciències (City of Arts and Sciences) at night. The building to the left is the city's opera house and cultural centre, the Palau de les Arts Reina Sofía. Designed by Santiago Calatrava, the Palau de les Arts was officially opened in October 2005 and staged its first opera, Beethoven's Fidelio, in October 2006. The opera house suffered a setback in December of that year when the main stage platform collapsed with the complete set of Jonathan Miller's production of Don Giovanni.

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In this month

3 November 1864 - George Alexander Macfarren's Helvellyn had its world premiere at the Covent Garden Theater in London.
12 November 1898 – Enrique Granados' opera María del Carmen had its world premiere at the Teatro de Parish in Madrid.
13 November 1868 – Gioachino Rossini, the composer of The Barber of Seville, La Cenerentola, William Tell and 36 other operas, died in Paris at the age of 76.
17 November 1898 – Umberto Giordano's opera Fedora had its world premiere in Rome conducted by Giordano himself with Gemma Bellincioni in the title role.
17 November 1936 – The celebrated contralto, Ernestine Schumann-Heink, died in Los Angeles at the age of 75.
27 November 1758 – Senesino (pictured), the Italian castrato singer who created 17 leading roles in Handel's operas, died in Siena, the city of his birth, at the age of 72.
27 November 1880 – Rome's main opera house, the Teatro Costanzi (now known as the Teatro dell'Opera di Roma), was officially inaugurated with a performance of Rossini's Semiramide.
29 November 1797 – Gaetano Donizetti, the composer of Lucia di Lammermoor, La fille du régiment, and L'elisir d'amore was born in Bergamo.
30 November 1866 – The tenor and opera impresario, Andreas Dippel, was born in Kassel, Germany.

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Giacomo Meyerbeer, (born Jacob Liebmann Beer) (5 September 1791 – 2 May 1864) was a German opera composer of Jewish birth who has been described as perhaps the most successful stage composer of the 19th century. With his 1831 opera Robert le diable and its successors he gave the genre of grand opera "decisive character". Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe, and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the 19th century. Born to a very wealthy family, Meyerbeer began his musical career as a pianist, but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera Il crociato in Egitto was the first to bring him Europe-wide reputation, but it was Robert le diable (1831) which raised his status to great celebrity. His public career from 1831 until his death, during which he remained throughout a dominating figure in opera, was summarized by his contemporary Hector Berlioz, who claimed that he "has not only the luck to be talented, but the talent to be lucky." He was at his peak with his operas Les Huguenots (1836) and Le prophète (1849); his last opera (L'Africaine) was performed posthumously.

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I adore art... when I am alone with my notes, my heart pounds and the tears stream from my eyes, and my emotion and my joys are too much to bear.

— Giuseppe Verdi

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Ah! fuyez, douce image

From Jules Massenet's Manon sung by Aristodemo Giorgini in 1910.

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Did you know?

... that although opera singer Rita Fornia (pictured) began her career as a coloratura soprano, her voice lowered and darkened causing her to sing mostly mezzo-soprano roles?
... that before becoming a famous opera singer, Ines Maria Ferraris had a career as a concert pianist beginning at the age of 12?
... that operatic soprano Maria Zamboni was the first person to record the title role of Puccini's Manon Lescaut in its entirety?

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WikiProjects

Parent projects

WikiProject Arts • WikiProject Music • WikiProject Theatre

Main project

WikiProject Opera

Descendant projects

WikiProject Richard Wagner • WikiProject Gilbert and Sullivan

Similar projects

WikiProject Classical music • WikiProject Composers

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Main topics

Opera history: Origins of opera • Italian opera • Opera in German • French opera • Opera in English • Polish opera • Russian opera • Hungarian opera • Armenian opera • Opera in Latin America

Opera genres: Azione teatrale · Ballad opera · Comédie en vaudevilles · Comédie mêlée d'ariettes · Dramma giocoso · Dramma per musica · Farsa · Festa teatrale · Género chico · Grand Opera · Music Drama · Opéra-ballet · Opera buffa · Opéra bouffe · Opéra bouffon · Opéra comique · Opéra féerie · Opera semiseria · Opera seria · Operetta · Pastorale héroïque · Romantische Oper · Savoy opera · Semi-opera · Singspiel · Spieloper · Tragédie en musique · Verismo · Zarzuela · Zeitoper

Opera terms: Aria · Aria di sorbetto · Arioso · Bel canto · Breeches role · Burletta · Cabaletta · Cadenza · Cantabile · Castrato · Cavatina · Chest voice · Claque · Coloratura · Comprimario · Convenienze · Coup de glotte · Da capo aria · Diva · Entr'acte · Fach · Falsetto · Fioritura · Gesamtkunstwerk · Head voice · Intermezzo · Kammersänger · Leitmotif · Legato · Libretto · Literaturoper · Mad scene · Maestro · Melodrama · Melodramma · Monodrama · Messa di voce · Opera house · Passaggio · Portamento · Prima donna · Prompter · Recitative · Regietheater · Répétiteur · Sitzprobe · Spinto · Sprechgesang · Squillo · Stagione · Surtitles · Tessitura · Timbre · Vibrato

Opera voices: Baritenor · Baritone · Bass · Bass-baritone · Coloratura soprano · Contralto · Countertenor · Dramatic soprano · Haute-contre · Lyric soprano · Mezzo-soprano · Soprano · Soubrette · Spinto soprano · Tenor · Tenore contraltino · Tenore di grazia

Opera lists: Opera topics • List of operas by composer • Important operas • Major opera composers • Opera librettists • Opera houses • Opera companies • Opera festivals • Opera directors • Operetta composers • Orphean operas • Zarzuela composers • Opera genres • Operas set in the Crusades • The Record of Singing • Bayreuth canon

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1899 poster of Mme. M. Sissieretta Jones
Adolphe-Joseph-Louis Alizard from Le Charivari
Advertisement for the music score of La Bohème, 1895
Aida poster colors fixed
Al quartiere latino, bozzetto di Adolf Hohenstein per La Bohème (1896) - Archivio Storico Ricordi ICON000086 - Restoration
Albert Pierre-René Maignan - Jules Massenet - Ariane
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Alexandre Charles Lecocq - Giuseppe Verdi - La forza del destino
Alexandre Fragonard - Scène de L'orage (Barbier de Séville)
Alexandre Lacauchie - Gilbert Duprez as Gaston in Verdi's Jérusalem
Alfredo Edel - Jules Massenet - Le mage
Alice Neilsen's production of Victor Herbert's The Fortune Teller
Amilcare Ponchielli (before 1886) - Archivio Storico Ricordi FOTO000794 - Restoration
Amédée Forestier - Illustrated London News - Gilbert and Sullivan - Ruddygore (Ruddigore)
Anna Fernqvist, rollporträtt - SMV - H1 122 - Restoration
Atelier Nadar - Fly scene from Offenbach's Orphée aux enfers with Jeanne Granier as Eurydice and Eugène Vauthier as Jupiter, 1887 revival, wide-angle shot
Atelier Nadar - Galli-Marié in Bizet's Carmen
Atelier Nadar - Jacques Isnardon, Vaudeville
Auguste François-Marie Gorguet - poster for the première performance of Édouard Lalo's Le roi d'Ys (1888)
Barbier, Jules, Nadar, Gallica
Boris Kustodiev - Portrait of Fyodor Chaliapin - Google Art Project
Carl Nielsen c. 1908 - Restoration
Carloz Schwabe - Vincent d'Indy's Fervaal
Cavalleria Rusticana - Alfio and Turiddu embrace
Cavalleria Rusticana - Santuzza and Turiddu outside the church
Charles Gounod (1890) by Nadar
Charles Motte - Rossini et Georges IV - la soirée de Brighton
Charles-Antoine Cambon - La Esmeralda, Act 3, Scene 2 set
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Charles-Antoine Cambon - Set design for Act V, Scene 2 of Fromental Halévy's La reine de Chypre
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Elliott & Fry - photograph W. S. Gilbert
Ethel Smyth
Eugène Du Faget - Costume designs for Guillaume Tell - 1-3. Laure Cinti-Damoreau as Mathilde, Adolphe Nourrit as Arnold Melchtal, and Nicolas Levasseur as Walter Furst
Eugène Du Faget - Costume designs for Les Huguenots - 2. Julie Dorus-Gras as Marguerite, Adolphe Nourrit as Raoul, and Cornélie Falcon as Valentine
Eugène Grasset - Jules Massenet - Werther
Falka - Weir Collection
Falstaff 3
Fausta Labia, porträtt - SMV - H5 028 - Restoration
François-Joseph Bélanger - Set design for Gluck's Alceste
Fromental Halévy, L'Éclair score cover - Restoration
Georges Rochegrosse - Henry Février - Henri Cain and Louis Payen after Victorien Sardou - Gismonda
Georges Rochegrosse - Jules Massenet - Roma
Georges Rochegrosse - Poster for Gabriel Fauré's Pénélope (1913)
Georges Rochegrosse - Poster for the prèmiere of Claude Debussy and Maurice Maeterlinck's Pelléas et Mélisande
Georges Rochegrosse's poster for Jules Massenet's Don Quichotte
Geraldine Ulmar in Gilbert and Sullivan's The Mikado - photograph only
Giacomo Puccini (1924) - Archivio Storico Ricordi FOTO003293 - Restoration
Gilbert Duprez & Rosine Stoltz in Donizetti's La Favorite
Giuseppe Barberis - Carlo Cornaglia - Giuseppe Verdi's Don Carlo at La Scala
Giuseppe Verdi, Giovanna d'Arco, Vocal Score - Restoration
Giuseppe Verdi, La traviata title page - Restoration
Giuseppe Verdi, Lombardi alla prima crociata. Libretto, 1843 - Restoration
Giuseppe Verdi, Rigoletto, Vocal score illustration by Roberto Focosi - Restoration
Giuseppe Verdi, Simon Boccanegra first edition libretto for the 1881 revision of the opera - Restoration
Giuseppe Verdi, Un Ballo in maschera, Vocal score frontispiece - restoration
H. M. Brock - Gilbert and Sullivan - D'Oyly Carte Opera Company Ruddigore revival 1921
H. M. Brock - Poster for Iolanthe
H.J. Whitlock - Photograph of Arthur Sullivan
Haydée, ou Le secret Act II - Philippe Chaperon
Hector Berlioz, Béatrice et Bénédict score title page - Restoration
Hector Berlioz, La Prise de Troie score cover - Restoration
Hector Berlioz, Les Troyens vocal score cover - Restoration
Hector Berlioz, Les Troyens à Carthage vocal score cover - Restoration
Henri C. R. Presseq - Camille Erlanger - Le juif polonais
Henry Atwell Thomas - Franz von Suppé - Fatinitza
Il signor Tambourossini - Delaroche
Il trovatore by Luigi Morgari
Illustrated London News - Giuseppe Verdi's Attila at Her Majesty's Theatre, London
Iolanthe piano transcriptions by Ernst Perabo
Ivor Novello
Jacques Offenbach - A. Jannin - Robinson Crusoé
Jacques Offenbach by Nadar
Jean de Paleologu - Jules Massenet - Sapho
Jeremiah Gurney - Photograph of Euphrosyne Parepa-Rosa
Johann Strauss II by Fritz Luckhardt
John Phillip Sousa - De Wolf Hopper - El Capitan1
Joseph Albert - Ludwig und Malwine Schnorr von Carolsfeld - Tristan und Isolde, 1865f
Jules Massenet - Le Cid 2e Acte, 3e Tableau - L'Illustration
Jules Massenet - Le Cid 3e Acte, 6e Tableau - L'Illustration
Jules Massenet by Eugène Pirou
La Juive Act 1 set 1835 - Restoration
Le comte Ory - Dubois & chez Martinet - Final scene
Lilly Walleni in Daria at Kungliga Operan 1907 - SMV - NV059
Louis Guéymard as Robert le Diable by Gustave Courbet - The Metropolitan Museum of Art 436015 (cropped)
Lucy Arbell as Queen Amahelli in Massenet's Bacchus, wide view
Lucy Arbell in Massenet's Thérèse
Lucy Arbell photographed by Paul Nadar
Luigi Verardi after Dominico Ferri - Gaetano Donizetti - Carrefour de St Jean et Paul. Dans l'Opéra Marino Faliero
Luigi Verardi after Dominico Ferri - Vincenzo Bellini - Théatre Royal Italien. Salle d'armes dans l'Opéra I Puritani
M. Browne - Herbert Railton - Sydney Grundy - Arthur Sullivan - Haddon Hall
Mademoiselle Maupin de l'Opéra (Julie d'Aubigny)
Mademoiselle Priola de l'Opéra Comique, rôle de Javotte dans "Le Roi l'a dit" de Delibes
Magna Lykseth in Tristan och Isolde at Kungliga Operan 1909 - SMV - GL164
Marcel Jambon - Giuseppe Verdi - Otello Act I set design model
Maria Carrara Verdi, Barberina Strepponi, Giuseppe Verdi, Giuditta Ricordi, Teresa Stolz, Umberto Campanari, Giulio Ricordi, Leopoldo Metlicovitz (1900) - Archivio storico Ricordi FOTO003107 - Restoration
Marian Anderson
Maritana - Nov 22 1845 Illustrated London News
Max Brückner - Otto Henning - Richard Wagner - Final scene of Götterdämmerung
Meyerbeer - Les Huguenots - Décor Acte II
Michael William Balfe - Atelier Nadar
Napoli, strada Acquaquilia, bozzetto di Riccardo Salvadori per A Basso Porto (1894) - Archivio Storico Ricordi ICON002556
Nelly Martyl by Jean Reutlinger (Image 10715)
Paul Maurou - Poster for Edmond Audran's Gillette de Narbonne
Percy Anderson - Poster for The Duchess of Dantzic
Philippe Chaperon - Meyerbeer - Les Huguenots Act I (1896)
Philippe Chaperon - Rigoletto
Philippe Chaperon by Atelier Nadar
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Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, Giulietta act
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PikiWiki Israel 13773 AIDA AT MASADA 2011
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Poster for Burnand and Sullivan's Cox and Box - Royal Gallery of Illustration
Poster for Gilbert and Clay's Ages Ago at the Royal Gallery of Illustration
Poster for Jules Massenet's La Navarraise with Emma Calvé in the rôle of Anita
Poster for Le pardon de Ploërmel 1859
Prokofieff (i.e. Prokofiev) LCCN2014708419 Crop 2
Prudent-Louis Leray - Poster for the première of Georges Bizet's Carmen
Robert Jacob Hamerton - Poster for A Sensation Novel
Robert Jacob Hamerton - Poster for F. C. Burnand and Arthur Sullivan's The Contrabandista
Rosa Raisa (1917) - Archivio Storico Ricordi FOTO002701 - Restoration
Set design by Philippe Chaperon for Act1 sc2 of Aida by Verdi 1871 Cairo - Gallica - Restored
Set design by Philippe Chaperon for Act4 sc2 of Aida by Verdi 1880 Paris
Strauss, Richard - Ariadne auf Naxos - Restoration
Tavola 5, bozzetto di Gebrüder Brückner per Tannhäuser (s.d.) - Archivio Storico Ricordi ICON011721 - Restoration, crop
Teatro Municipal de São Paulo 8
The Mikado Chappell Vocal Score cover (c.1895)
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Utopia Limited Poster
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Verdi conducting Aida in Paris 1880 - Gallica - Restoration
Wally (soprano), figurino di Adolf Hohenstein per La Wally (1892) - Archivio Storico Ricordi ICON004639 - Restoration
Wilhelm - Costume design for Arac, Gunon, and Scynthius (Princess Ida, 1884)
Édouard de Reszke by Nadar (BPL Hale Coll)
Émile Bertrand - Jules Massenet - Cendrillon poster