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http://www.timelinesdb.com 1986 Lazar Khidekel (b.1904), Russian artist and architect, died. He sustained a radical utopian vision and avant-garde aesthetic during decades of Soviet control of cultural production. 

   (SFC, 2/22/05, p.E1)

Categories: | Russian artists | Russian architects Suprematism | Russian Avant-garde | Modern artists | 1904 births | 1986 deaths | Visionary architect | Futuristic cities

LAZAR KHIDEKEL archives, unique by its entirety embracing more than six decades of work from 1918 to the 1970s. The archives had been never part. They survived WW2 with the siege of Leningrad and the repressive Stalinist era. The collection includes hundreds of works of art in Suprematist style, architectural drawings, plans, drafts, blueprints, and photographs. Along with Lazar Khidekel's theoretical manuscripts (dated as early as 1920 and written under Kazimir Malevich's influence), professional letters, including letters from El Lissitzky (1920) and Ilya Chashnik (1921), personal documents, and photographs, there is a solid body of historical material such as art publications including lithographic issues of the UNOVIS Suprematist group in Vitebsk, book and articles of Kazimir Malevich (1920–1922), Lazar Khidekel and Ilya Chashnik hand made book "Aero" (1920), one of Russian avant-garde mysterious rarities. Some of these unique materials such as "Aero" or letters to El Lissitzky and Ylya Chashnik had been never reproduced (some in their entirety).

1. 1918-1919 Pupil of Chagall: (1918–1919, gouaches). 2. 1920-1922 Vitebsk UNOVIS, under instruction of Kazimir Malevich. A series of drawings: from cubo-futurism to linear suprematism; stages of Suprematism: black, colored, white, metallic; Splitting the Square; Concentric Circles; Crosses; Yellow Cross, oil/c; Suprematist Cosmic ideas: Nebula – design for a Habitat in Space; From two-dimensional drawings to three-dimensional projects.

3. 1922-1925 Petrograd. Architectural studies 4. 1925-1930 First Suprematist architectural projects such as Worker’s Club, Collective Housing, and first futuristic projects: Aero-Cities, City on the Pillars, City over Water, and Garden-City. 5. 1930-1935 Leningrad. Projects and constructions: Radio Center, Sports Club, Cooperative Institute, Red Banner House of Culture, School on Weavers Prospect (drawings, photographs, drafts, blueprints) 6. 1935-1941 Projects and constructions: the school on Miasnitsky Street, the Movie theater Moscow. Sketches of arches for a proposed book Arches, 1941 7. 1941-1955 Projects and constructions: A school building on Dzerzhinsky Street; projects of monuments commemorating the Great Patriotic War (WWII). Sketches on subject of Russian national architecture inspired by the victory over Nazis. Participation in the competition for the Stalin’s Pantheon. 8. 1955- 1960’s Search for a new (sculptural) architectural language based on Suprematist vision. Architectural Projects: Theater in Budapest Museum of Konstantin Tsiolkovsky (international competitions). 9. Late 1950’s - Synthesis: Sketches for monumental frescos and a series of 

          works on paper developing the ideas and styles of Suprematism.

Unovis Group (1919–1922) Ilya Chashnik, Vera Ermolayeva, Ivan Gavris, Emma Gurovich, Anna Kagan, Lazar Khidekel, Katarzhina Kobro, Nina Kogan, Ivan Kudriashov, Evgenia Magaril, Georghy Noskov, Yefim Royak, Dmitry Sannikov, Vladislav Strzheminsky, Nikolai Suetin, Tziperson, Abram Vexler, Mikhail Vexler, Lev Yudin.

Lazar Khidekel’s selected publications (1920–1928):

Lazar Khidekel, Ilya Chashnik AERO. Articles and Projects. Hand lithographed & typewritten manifesto Unovis, Vitebsk, 1920

Лазарь Хидекель, Илья Чашник AERO. Статьи и проекты. Рукописный литографированный & машинописный манифест УНОВИС, Витебск, 1920

Lazar Khidekel 

The Way of Unovis

“AERO 2” (unpublished) Vitebsk, 1920

Lazar Khidekel Novyi Realism – Nasha Sovremennost (New Realism – Our Present) UNOVIS, Listok Vitebskogo Tvorkoma No. 1, p 1. (UNOVIS. Flyer No 1 of the Vitebsk Creative Committee of UNOVIS) Hand lithographed pamphlet, Vitebsk, November 20, 1920

Lazar Khidekel O borjbe s estetikoy (On the struggle with aesthetics) UNOVIS, Listok Vitebskogo Tvorkoma No 1, p. 6 Hand lithographed pamphlet. Publication of the Central Creative Committee of UNOVIS, Vitebsk, November 20, 1920

Khronika (chronicles UNOVIS, Listok Vitebskogo Tvorkoma No 1, p. 6 Hand lithographed pamphlet. Publication of the Central Creative Committee of UNOVIS, Vitebsk, November 20, 1920 Вышел Листок Витебского УНОВИСа со статьямиЧашника, Коган, Хидекеля

Листок "От УНОВИСа" (без даты) воспроизведен в чехословацком журнале "Vytvarne umeni" (1967, № 8-9).

Lazar Khidekel UNOVIS in the Studios UNOVIS, 2nd Publication of the Vitebsk UNOVIS Creative Committee Hand lithographed pamphlet, Vitebsk, January 1921

Как возник Уновис. Эрмитаж,- 1922, № 10, с. 3, 4 Kak voznik Unovis. Ermitazh,1922, № 10, s. 3, 4 How did emerge Unovis. Hermitage,1922, № 10, p. 3, 4

Lazar Khidekel O reformakh v shkolakh iskusstv (About the reforms at art schools) Vulkan, Petrograd University, 1923, No 3

Lazar Khidekel Ploskie krishi (Flat Roofs) “Science and Technique”, Leningrad, 1928, No 18

Publications of the early Suprematist projects (1927–1931):

“Wasmuths Monatshefte fur Baukunst” Berlin, 1927, №10. p. 413

“L’Architecture Vivant” Paris, 1928, v.II, p. 46

“Sovremennaya Architectura” Moscow, 1930, No 4

Catalog Pervoy vistavki sovremennoy arhitectury, M., 1927 (Catalog of “The First Exhibition of Contemporary Architecture” Moscow, 1927

“Sovremennaya Architectura” (Contemporary Architecture) Moscow, 1927, No 6

Дома-коммуны. Матеpиалы конкурсов: Всесoюзного межвузовского конкурса на студенческий дом-коммуну. Конкурса Ленинградского Совета на дома-коммуны для рабочих. НТО Ленинградского Института Коммунального Строительства Кубуч. 1931 (Kubuch 1931) подпись Л. Хидекель Collective Housing. Mateials related to the competitions: All-Union inter-university competition for a Student house-commune. Leningrad Council's Competition for the house-commune for the workers. NTO of the Leningrad Institute of Public Construction Kubuch. 1931 (Kubuch 1931) Signature L. Khidekel

Сборник Студенческих Работ. Выпуск 1929 года Ленинградский Институт Коммунального Строительства бывш. Л.И.Г.И. Ленинград 1931 ("Коллективное Жилище" Л.Хидекель, курс IV. 1927 г. стр. 18-19; Проект Рабочего Клуба с залом на 320 чел. и столовой- Л.Хидекель, курс III. 1925 г. стр. 22) Collection of Student Works. Issued in 1929 Leningrad Institute of Public Construction former. L.I.G.I. Leningrad, 1931 ("Collective Housing" L.Hidekel, the rate of IV. In 1927 pp. 18–19; Project of Workers' Club with room for 320 people and dining-L. Khidekel, course III. 1925 page 22)

And 200 publications in the Soviet magazines, books, and catalogues through the 1930s-2008

Selected Publications (1973 –Present)

    • A. Pavelikhina, Architecturnoe dvishenie v Petrograde-Leningrade v 1920-e gody i

masterskaya A.S. Nikolskogo (The Architectural Movement in Petrograd-Leningrad in the 1920s and the Studio of A.S. Nikolsky) LISI, Leningrad, 1965

    • O.S. Khan-Magomedov, Theoretical Concepts of Soviet Architectural Trends, Moscow, 1974
    • Malevitch Ecrits presentes par A.B. Nakov, Champ Libre, Paris, 1975
    • Malevitch Ecrits I. De Sezanne au Suprematisme, II Le Miroir Suprematiste L’Age d’Homme, Lausanne, 1977
    • Construction and Architecture of Leningrad. Number 7, 1977, Leningrad
    • Яралов Ю. Старейший зодчий (О Л.Хидекеле) -Зодчество (2).-М., 1978.c.138-146

Yuri Yaralov, Stareyshiy zodchiy (O L. Khidekel). Zodchestvo 2, М., 1978 (Yaralov Yu. The Elder Architect (About L. Khidekel), Zodchestvo 2, М., 1978, p. 138-146)

    • Larissa A. Zhadowa, Suche und Experiment. Russische und sowjetische Kunst 1910 bis 1930,VEB Verlag der Kunst, Dresden, 1978
    • Larissa A. Zhadova, Malevich: Suprematism and Revolution in Russian Art 1910-1030,

Thames and Hudson, London, 1982

    • Selim O. Chan-Magomedow, Pioniere der sowjetischen Architectur, VEB Verlag der Kunst, Dresden, 1983
    • Selim O. Chan-Magomedow, Pioneers of Soviet Architecture: The Search for New Solutions in the 1920s and 1930s.

New York, Rizzoli, 1987

    • Tradition and Revolution

The Jewish Renaissance in Russian Avant-Garde Art 1912-1928 The Israel Museum, Jerusalem, 1988

  • Mark Khidekel, Suprematism and Architectural Projects of Lazar Khidekel

Architectural Design 59, # 7-8, 1989

  • Mark Khidekel, Suprematism in Architecture. L’Arca, Italy, # 27, 1989
  • Oleg Romanov, The Experiment Goes On. L’Arca, no. 27, 1989
  • Christoph Vitali, Marc Chagall: The Russian Years, 1906-1922.Frankfurt: Schirn Kunshalle, 1991
  • Svetozar Zavarikhin, From the Plead of Pioneers: The Sketch of Creative Portrait. Lazar Khidekel, 1904-1986. Architecture and Construction of Russia, no.3, 1991
  • Gail Harrison Roman and Virginia Hagelstein Marquardt, eds., The Avant-Garde Frontier: Russia Meets the West, 1910–1930 [Gainesville, Fla.: University Press of Florida, 1992], 138.)
  • Alexandra Schatskikh, Unovis: Epicenter of a New World. The Great Utopia. The Russian and Soviet Avant-Garde 1915-1932

Solomon Guggenheim Museum, State Tretiakov Gallery, State Russian Museum, Schirn Kunsthalle, Frankfurt, 1992

  • Dmitry Sarabyanov and Alexandra Schatskikh, Malevich. Iskusstvo, Moscow, 1993
  • Europa, Europa. Das Jahrhundert Der Avantgarde In Mittel-und Osteuropa. Kunst-undAusstellungshalle der Bundesrepublik Deutschland. Bd. 1, Bd. 3, 27, May – 16, October, Bonn, 1994
  • Selim Khan-Magomedov: “The Suprematist Architecture of Lazar Khidekel”, Regina Khidekel: “Lazar Markovich Khidekel. A Remembrance; Development of art Education at UNOVIS; Chronology. Lazar Markovich Khidekel. Suprematism and Architecture. Leonard Hutton Galleries, New York, 1995
  • Pepe Karmel , Lazar Markovich Khidekel. The New York Times, March 21, 1995
  • Susan T. Goodman and Ziva Amishai-Maisels. Russian Jewish Artists in a Century of Change 1890-1990. The Jewish Museum/Prestel, New York, 1995
  • Hilton Kramer, “Jewish Artists in Rubble of Tragic Russian Era”. New York Observer, October 2, 1995, p 1
  • Catherine Cooke, Russian Avant-Garde. Theories of Art, Architecture and the City. Academy Editions, London, 1995
  • S.O. Khan-Magomedov, Pioneers of the Soviet Design. Galart, Moscow, 1995
  • Vasiliy Rakitin, Nikolai Suetin. RA, 1998
  • Timothy J. Clark. “God Is Not Cast Down”. Farewell to an Idea: Episodes from a History of Modernism. New Haven, CO, Yale University Press, 1999
  • Vasiliy Rakitin. Ilya Chashnik. RA, 2000
  • Regina Khidekel, Mark Khidekel, Lazar Khidekel in Malevich’s Circle. Confederates. Students. Followers in Russia 1920s-1950s

The State Russian Museum, Palace Edition, St. Petersburg, 2000

  • Alexandra Schatskikh. Vitebsk. Life of Art.1917-1922. Moscow, 2001
  • Malevich About Himself. Contemporaries About Malevich. I.A. Vakar, T.N. Mikhienko. Moscow, 2004
  • Vitebsk: Klassika i Avangard. Istoria Vitebskogo khudozhestvennogo uchilishcha v dokumentakh Gosudarstvennogo Arkhiva Vitebskoi oblasti (1918–1923). Vitebsk, 2004

Vitebsk: Classics and Avant-garde. History of Vitebsk Art School in documents of State Archive of Vitebsk region (1918–1923). Vitebsk, 2004

  • Alla Efimova, Surviving Suprematism: Lazar Khidekel. Judah L. Magnes Museum, Berkeley CA, 2004. Catalog: Article - Alla Efimova, Conversation: Alla Efimova, Mark and Regina Khidekel
  • Symposium for SURVIVING SUPREMATISM. The Judah L. Magnes Museum, December 5, 2005

Participants: Mitchell Schwarzer, Chair of Visual Studies, California College of the Arts, Kathleen James-Chakraborty, Associate Professor of Architecture, UC Berkeley, Mark and Regina Khidekel, and Alla Efimova, Chief Curator at the Magnes.

Historic collection of Jewish artifacts to move to UC Berkeley Thousands of objects and documents from the Judah L. Magnes Museum will be housed close to campus, more easily accessible. Los Angeles Times,2010

  • S. O. Khan-Magomedov, 100 Masterpieces of Soviet Avant-garde Architecture. Russian Academy of Architecture,

Published by the decision of NIITAG (Institute of Scientific Research on Theory of Architecture and Urbanism) M., Editorial URSS, 2005

  • S. O. Khan-Magomedov, Suprematism. Супрематизм и архитектура (проблемы формообразования). M., Architectura – C, 2007
  • Alla Rosenfeld, A World of Stage: Russian Designs for Theater, Opera, and Dance (Traveling exhibition catalog)

Japan 2007

  • Shishkanov V.A., Vitebsk museum of the modern art - history of creation and collection.1918-1941. Minsk, Medisont, 2007
  • Д. Козлов, Архитектор Никольский и супрематизм // И/&. Сборник трудов факультета истории искусств Европейского университета в Санкт-Петербурге. СПб. 2007. С.98-113.
  • D. Kozlov, Architect Nicholsky and Suprematism - Proceedings of the Department of Art History, European University at St. Petersburg. St. Petersburg, 2007. P.98-113.
  • S. O. Khan-Magomedov, Lazar Khidekel (Creators of Russian Classical Avant-garde series). M., 2008 (Russian)
  • Dmitry Kozlov, Review on "Lazar Khidekel" by S. O. Khan-Magomedov. NRS, New York, 2008
  • http://chitaem-knigi.livejournal.com/658976.html
  • Первый супрематический архитектор (review on S. O. Khan-Magomedov, Lazar Khidekel (Creators of Russian Classical Avant-garde series) M., 2008
  • Regina Khidekel, Homage to Diaghilev’s Enduring Legacy.NY, 2009
  • ВЛАДИМИР СМИРНОВ. ПЕРЕУЧЁТ / ХИДЕКЕЛЕВСКИЕ ШКОЛЫ

Vladimir Smirnov, Pereuchet / Khidekelevskye shkoli

  • http://adresaspb.ru/arch/adresa_20/20_017/20_17.htm
  • Unmapping the City: Perspectives of Flatness. edited by Alfredo Cramerotti
  • S. O. Khan-Magomedov, Lasar Khidekel. M., 2011 (English)
  • "Полеты во сне и наяву / Flights in Dream and Reality" Proun Gallery, the Moscow Biennial, September 24 through December 28, 2011. Catalog

Catalog: Regina Khidekel, Lazar Khidekel. Trajectory of Suprematism – between Sky and Earth.

  • Ettore Gualtiero Robbiani , A Utopian Vision. Lazar Khidekel -the rediscovered Suprematist. Journal: AHEAD, Issue 3, Zurich, 2011
  • The House Konstruktiv Collection and the Exhibition "Complete Concrete", Hatje Cantz, 2011
  • Floating Worlds and Future Cities: The Genius of Lazar Khidekel, Suprematism and the Russian Avant-Garde. Catalog in conjunction with the exhibition at YIVO, NY. Lazar Khidekel Society, NY, 2013

Regina Khidekel, editor and Chronology Maria Kokkori and Alexander Bouras The Suprematist line: Kazimir Malevich and Lazar Khidekel Gines Garrido Anti-Gravity urban visions for a new world Roman Khidekel From Visionary to Reality

  • Elena Dobriakova: Interview with Regina Khidekel. Art1 St. Petersburg, 2013

http://art1.ru/architecture/xidekel-i-goroda-budushhego/

  • Gines Garrido, Cuidades aereas. Visions of Lazar Khidekel . Arquitectura Viva 153. 6/13, p. 58 – 61
  • Михаил Карасик

Оммаж Хидекелю — литографские этюды. Mikhail Karasik: Homage to Khidekel Санкт-Петербург: Издательство М.К., 2012. 12 + 1 листов – автолитография в одну краску, бумага BFK Rives Cream. Не сброшюрована. Папка – фанера, картон, переплетная ткань, шелкография. На русском и англ. яз.; перевод – Пол Уильямс. 35 × 59 см. Тираж: 12 экз. http://mikhailkarasik.com/ENG/Selected/Khidekel.html http://www.mikhailkarasik.com/RUS/Selected/Khidekel.html

  • AIA 2014

http://www.snipview.com/q/Lazar%20Khidekel (video)

Khidekel Elements # Suprematism for Humanity, Venice Biennial 2014 Booth D1

  • Lazar Khidekel and Suprematism. Prestel Publishing 2014

Regina Khidekel, with contributions by Constantin Boym, Magdalena Dabrowski, Charlotte Douglas, Tatyana Goryacheva, Irina Karasik, Boris Kirikov and Margarita Shtiglits, and Alla Rosenfeld

  • Авангард и Авиация (Avant-garde and Aviation).The Jewish Museum and Tolerance Center, Moscow, 2014

Catalog: Alexandra Selivanova, …

  • Regina Khidekel. Closing Lecture. The Jewish Museum and Tolerance Center, Moscow, August 5, 2014
  • Catalog: “Fair Enough” Pavilion of the Russian Federation at the 14th International Architecture Exhibition – la Biennale di Venezia, p. 13, 88-92, booth D 1

(The needs and desires that expire our exhibitors)

  • Khidekel Elements # Suprematism for Humanity . Folded brochure printed in conjunction with the “Fair Enough” Pavilion of the Russian Federation at the 14th International Architecture Exhibition – la Biennale di Venezia.
  • Russishe Avantgarde. Wurzeln der sammlung Otten / Russian Avant-garde. Roots of the Otten Collection, Verlag for Moderne Kunst Nurnberg
  • The Jewish World: 100 Treasures of Art and Culture, 2014, Skira Rizzoli. Text by Alla Efimova and Francesco Spagnolo;

http://www.strelka.com/en/magazine/2014/07/16/biennale-week http://fairenough.ru/participants/khidekel-elements/ http://fairenough.ru/about/

    • Building Drawings, Drawing Buildings.Lazar Khidekel, Suprematism and Russian Avant-garde.

Catalog: The Lazar Khidekel Archives by Maria Kokkori, Lazar Khidekel Society, London 2014

http://blog.gmane.org/gmane.culture.studies.history.slavic/month=20130401 http://www.russianartandculture.com/exh-symposium-exhibition-opening-reception-lazar-khidekel-21-april-2013-yivo-institute-at-the-center-for-jewish-history-manhattan/ http://www.bustler.net/index.php/event/floating_worlds_and_future_citieslazar_khidekel_suprematism/ http://internationalpsychoanalysis.net/2013/04/14/this-week-at-yivo/

http://kharshak.livejournal.com/117943.html (Proector #2, Sankt Petersburg) http://www.revistacruce.com/artes/lazar-khidekel-y-la-posibilidad-de-una-arquitectura-revolucionaria.html

http://rosswolfe.wordpress.com/2013/12/25/khidekel-and-the-cosmist-legacy-of-suprematism-in-architecture/

Selected Exhibitions/Symposiums

    • First State Exhibition of Local and Moscow Artists,Vitebsk, 1919
    • Exhibition of UNOVIS Work, Vitebsk, 1921
    • Exhibition of Paintings by Petrograd Artists of All Trends, 1918–1923, Petrograd, 1923
    • First Exhibition of Contemporary Architecture (SA), Moscow 1927
    • The Great Utopia.The Russian and Soviet Avant-Garde 1915-1932 at Solomon Guggenheim Museum, State Tretiakov Gallery, State Russian Museum,

Schirn Kunsthalle Frankfurt 1992

    • Europa, Europa. Das Jahrhundert Der Avantgarde In Mittel-und Osteuropa, Kunst-undAusstellungshalle der Bundesrepublik Deutschland

Bonn 27, May – 16, October 1994

    • Lazar Khidekel atLeonard Hutton Galleries, New York, 1995
    • Kasimir Malewitsch. Werk and Wirkung at Museum Ludvig Koln, 1995
    • Russian Jewish Artists in a Century of Change 1890-1990 at The Jewish Museum, NY 1996
    • Venice Biennial 1992
    • Malevich’s Circle. Confederates. Students. Followers in Russia 1920s-1950s at The State Russian Museum, St. Petersburg 2000
    • Russian Revolutions: Generations of Russian Jewish Avant-Garde Artists at Singer Gallery, Mizel Center for Arts and Culture, Denver, CO, 2002
    • Surviving Suprematism: Lazar Khidekel at Judah L. Magnes Museum, Berkeley CA, 2004–2005
    • Venice Biennial 2006
    • A World of Stage: Russian Designs for Theater, Opera, and Dance,Japan 2007
    • Homage to Diaghilev’s Enduring Legacy at Columbia University, 2009

Lazar Markovich Khidekel – the Rediscovered Suprematist at COMPLETE CONCRETE (100-year of development constructivist, concrete and conceptual art and its effect on the present) at House Konstruktiv, Zurich, Switzerland, 2010–2011 Regina Khidekel “Visual Power of Suprematism”(Lecture), at House Konstruktiv, Zurich,January 24, 2011 Lazar Khidekel’s manifesto “AERO” 1920 was included in the exhibition Timeline.

    • "Полеты во сне и наяву / Flights in Dream and Reality" in conjunction with the Moscow Biennial, Proun Gallery, Moscow, 2011.
    • Lazar Markovich Khidekel - the Rediscovered Suprematist 2 at Historic Landmark - The Leuenhof on Bahnhofstrasse 32, Zurich, 2012
    • Floating Worlds and Future Cities. Genius of Lazar Khidekel, Suprematism and Russian Avant-garde. NYC, 2013
    • Lazar Khidekel. Exhibition, State University of Architecture and Construction (former PIGI and LISI), St. Petersburg, 2013
    • Celebration of the 110th Anniversary of Lazar Khidekel: An Artist, Visionary Architect, Designer, Theoretician and Pioneer of Environmentalism March 11, 2014, the Center for Architecture, NY. Exhibition and Panel. Speakers: Daniel Libeskind, Dr. Jean-Louis Cohen, Dr. Maria Kokkori, Anya Bokov,

Dr. Mark Khidekel and Roman Khidekel; Moderator: Dr. Regina Khidekel,

    • The 14th International Architecture Biennale. Khidekel Elements # Suprematism for Humanity, Venice Biennial 2014, Booth D1 (Special Mention)
    • Авангард и Авиация (Avant-garde and Aviation) at The Jewish Museum and Tolerance Center, Moscow, 2014
    • Regina Khidekel. Closing Lecture

The Jewish Museum and Tolerance Center, Moscow, August 5, 2014

    • Building Drawings, Drawing Buildings. Lazar Khidekel, Suprematism and Russian Avant-garde

Exhibition and Panel Discussion.Introduction lecture and moderator: Regina Khidekel Speakers: Christina Lodder, Brandon Taylor, and Elena Sudakova at Pushkin House, London 2014

    • Suprematism, UNOVIS and Lazar Khidekel, Harriman Institute | Columbia University 2014. Exhibition and Panel: Dr. Regina Khidekel, moderator, Dr. Masha Chlenova, Dr. Xenia Vituleva, Anya Bokova, Ph.D. Candidate, Yale University

Lazar Khidekel Award for Young Architects St. Petersburg 2013 Baku 2014 Zheleznovodsk 2015 http://azmiu.edu.az/images/konkursen.pdf

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