Talk:Goddards
Goddards is currently an Art and architecture good article nominee. Nominated by Mertbiol (talk) at 17:19, 11 November 2024 (UTC) Any editor who has not nominated or contributed significantly to this article may review it according to the good article criteria to decide whether or not to list it as a good article. To start the review process, click start review and save the page. (See here for the good article instructions.) Short description: House in South East England |
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Thoughts
[edit]So, to take the specific question first, "is it a credible GAN", yes, it certainly is. I think you've done an excellent job of assembling the coverage from a range of RS, particularly given that, while interesting, Goddards may not be considered among the first rank of Lutyens' works. A quick glance over the criteria shows that it is:
- Well-written
- Verifiable with no original research
- Broad in its coverage:
- Neutral
- Stable
- Illustrated
Obviously, I can't foresee what a reviewer may take issue with, and there's always an element of pot-luck at GAN, but I'd be very surprised if anything major was identified as a stumbling block. One point, Earwig's Copvio Detector is giving a 46.5% with the Landmark Trust PDF, [1]. When you scrutinise the similarities, it's actually mostly quotes/common wordings, but you may be able to prevent any concerns by a bit of re-wording.
- I have rephrased in a couple of places, although the addition of the Nairn quote has actually increased the Earwig score to 50.3%. Mertbiol (talk) 17:19, 11 November 2024 (UTC)
- ‘‘Twas ever thus! KJP1 (talk) 18:06, 11 November 2024 (UTC)
On to specifics:
- History
- Penultimate para. "In the same year, the Halls hosted an exhibition on Lutyens, which helped to revive interest both in the architect's work and in the wider Arts and Crafts movement" - I don't know what Richardson says, but I would have thought the 1981 Hayward Gallery exhibition was more influential in rescuing Lutyens's reputation.
- I will take another look at Richardson when I am next at the British Library. Mertbiol (talk) 17:19, 11 November 2024 (UTC)
- Final para. - worth mentioning that you can rent the whole thing, as well as visit, given that you generally can with Landmark properties, [2]?
- Thanks for this suggestion - I have added this in. Mertbiol (talk) 17:19, 11 November 2024 (UTC)
- House
- First para. "the philosophy of his mentor, Randolph Caldecott", does Hussey really call him "mentor"? Need to check. And now have. Hussey says "one of those mentors...", so I shouldn't quibble, but I will! For me, describing Caldecott as "L's mentor" suggests he was the major influence on/the guiding practitioner for L, which I don't think is true, particularly as he wasn't an architect. I think one of the many interesting things about L was how little he was influenced by his contemporaries, certainly he himself suggested he learnt little from his pupillages. For me, I'd go for something like, "For Goddards, Lutyens followed the philosophy of one of his major early influences, the artist Randolph Caldecott, in creating a traditional country building..."
- I think your suggested wording works well, so I have replaced "mentor" with "one of his early influences". Mertbiol (talk) 17:19, 11 November 2024 (UTC)
- Fifth para. Somewhat surprisingly, Ridley (p=29) states that the original building had no bathrooms, as it was designed to be used only in the summer months. Presumably they had hip baths taken to the bedrooms. Worth a mention?
- I will take another look at Ridley when I am next at the British Library, but I have already mentioned that bathrooms were added as part of the 1910 alterations. Mertbiol (talk) 17:19, 11 November 2024 (UTC)
- Final para. - "The majority of the oil paintings at Goddards are by Charles Augustus Lutyens", should mention he's ELL's father.
- Thanks for this suggestion - I have added this in. Mertbiol (talk) 17:19, 11 November 2024 (UTC)
- Critical responses
- To your point on the section itself, I don't think there's anything wrong with having a Reactions section. Plenty of critics have opined on the building. Personally, I might call it Appreciation, as indeed it is in the Randolph Caldecott article, to avoid the negative impression some will take from the word "critical", but actually I think your title will do fine.
- I think I prefer the "Critical responses" title, but don't feel particularly strongly. I'll see what the GA reviewer recommends for this. Mertbiol (talk) 17:19, 11 November 2024 (UTC)
- I think I would include Ian Nairn's strictures, which could follow quite nicely from the Butler/Stewart/Hussey comment. I've only got a reprint of the 1971 Revised, so it would be worth checking the 2022 if you have it available. Something like; the critic Ian Nairn echoed this point in the Surrey volume in the Pevsner Buildings of England series; "a promising asymetrical style ruined by slack elevations and a remarkably unhappy choice of materials..."{p=86}
- The 2022 edition doesn't contain this wording, so I have added it using the 1971 reprint. I will check this myself at the British Library in a few weeks. Mertbiol (talk) 17:19, 11 November 2024 (UTC)
- Notes
- a - I don't think one can say Chesters was built by RNS, as it's an C. 18th house by Carr. Remodelled, with the splayed wings, certainly. Perhaps, "One of the earliest houses in Britain to have splayed wings is Chesters in Northumberland, which was remodelled by Richard Norman Shaw in 1891."
- Thanks for this suggestion - I have amended the wording to make this clearer. Mertbiol (talk) 17:19, 11 November 2024 (UTC)
- Bibliography
- There are quite a few author-links you could do if you wanted, e.g. Gavin Stamp, Bridget Cherry
- Thanks for this suggestion - I have added these in. Mertbiol (talk) 17:19, 11 November 2024 (UTC)
- Is Pevsner not credited as an author in the 2022 revised Surrey? Worldcat does, [3].
- The hard copy of the 2022 edition describes Pevsner as a "founding editor", but doesn't list him as an author. The British Library catalogue says that Pevsner is an "editor" for the 2022 edition, so I have added him using the
|editor
tags. Mertbiol (talk) 17:19, 11 November 2024 (UTC)
- The hard copy of the 2022 edition describes Pevsner as a "founding editor", but doesn't list him as an author. The British Library catalogue says that Pevsner is an "editor" for the 2022 edition, so I have added him using the
- Ridley’s full title is “The Architect and His Wife: A Life of Edwin Lutyens”
- Thanks for this - I have amended the title. Mertbiol (talk) 17:19, 11 November 2024 (UTC)
- Possible additional sources
- I think you've done a very effective scrape, and I can't find much to suggest. However:
- In the first para. of House, you write of the possible influence of almshouses. Lutyens' Letters covers that specific point and may make a nice footnote. August 5, 1901 - "I am very anxious Mirrielees should add to Goddards! It is such a happy pleasant form of charity for a rich man to indulge and suits me exactly! At Chichester there is a building called St Mary's Hospital - an Almshouse. The aisles are filled in with rooms for the brothers and sisters - on opposite sides. The nave remains a common hall. Can you imagine a more delightful scheme for a home of rest? and this is what I want him to do." The Letters of Edwin Lutyens: To his wife, Lady Emily. Editors: Clayre Percy and Jane Ridley. Collins, London. 1985. p=91
- Jane Brown devotes about four pages to Goddards. Not much that you don't already have, but the third para. of House could perhaps be expanded a little. Brown stresses the "Surrey" nature of the interior, noting that all of the ironmongery was made at the local smithy. She also notes Mirrielees' depression and attempted suicide in 1913, but I'm not sure that's necessarily critical to a history of the house. Lutyens and the Edwardians: An English Architect and his clients. Jane Brown. Penguin, London. 1997. p=41
- Going back to the point of influences on/from Lutyens, the catalogue for the 1981 Hayward gallery exhibition (see above) makes an interesting point: "The white gabled effect of the entrance front links this house to [Randolph] Caldecott's images of Surrey and the houses of Voysey and Baillie Scott." Might be another footnote? Lutyens: The work of the English architect Sir Edwin Lutyens (1869-1944) Colin Amery, Margaret Richardson and Gavin Stamp. Arts Council of Great Britain, London. 1981. p=83
Very best of luck with it. I think it will make a fine GA. Let me know if anything needs clarifying. KJP1 (talk) 08:08, 11 November 2024 (UTC)
- Thanks @KJP1: This is a very helpful and highly detailed review. Thank you for giving up a significant chunk of your Sunday to read through the article and to give your thoughts! This really is super feedback – and far more than I could have ever reasonably expected!
- I made a quick dash to the local library at lunchtime today, primarily to check the 2022 Pevsner guide. I have made some changes as a result of your feedback (and have also given a few responses above). The three additional sources that you have recommended will probably need a trip to the British Library, which I won't be able to visit for a couple of weeks.
- I will nominate for GA now, if only to get the article "in the queue", but will make a few more additions when I'm able to get to London.
- Thanks again for your thoughts and I'll let you know how the GA review goes. Best wishes Mertbiol (talk) 17:19, 11 November 2024 (UTC)
- My pleasure - if you have email activated, I could scan the three additional sources, and mail them. KJP1 (talk) 18:00, 11 November 2024 (UTC)
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