List of paintings by Jean-Auguste-Dominique Ingres
This is an incomplete list of paintings by the French neoclassical painter Jean-Auguste-Dominique Ingres (1780–1867). Although he considered himself a classicist in the tradition of Nicolas Poussin and Jacques-Louis David and had a longstanding rivalry with Eugène Delacroix, some of his later works included elements of romanticism and orientalism. Despite his desire to be seen as a great history painter, traditionally viewed as the most important genre of painting, it is his portraits, both painted and drawn, rather than his history paintings that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists.
In 1802 he made his Salon debut, and won the Prix de Rome for his painting The Ambassadors of Agamemnon in the tent of Achilles. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters, particular Raphael—was fully developed, and would change little for the rest of his life. He was finally recognized at the Salon in 1824, when his Raphaelesque painting, The Vow of Louis XIII, was met with acclaim, and Ingres was acknowledged as the leader of the Neoclassical school in France.
List
[edit]Paris (1800-1806)
[edit]Source:[1]
Image | Title | Date | Current location | Dimensions (in cm's) |
---|---|---|---|---|
Antiochus | 1800 | Destroyed by fire in 1871 | 109.9 x 154.9 | |
Pierre-Francois Bernier | 1800 | Private collection | 46.3 x 38.1 | |
Study of a Male Nude | 1800 | École nationale supérieure des Beaux-Arts, Paris | 100 x 80 | |
Male Torso | 1800 | Musée Ingres, Montauban | 99 x 80 | |
The Ambassadors of Agamemnon in the tent of Achilles | 1801 | École nationale supérieure des Beaux-Arts, Paris | 110 x 155 | |
The Envoys of Agamemnon | 1801 | Nationalmuseum, Stockholm | 25 x 32.5 | |
Academic Study of a Male Torso | 1801 | National Museum, Warsaw | 97.5 x 80.6 | |
Male Nude | 1801 | Musée Ingres, Montauban | 78.1 x 54.9 | |
Male Nude | 1801 | Musée Ingres, Montauban | 78.1 x 54.9 | |
The Comtesse de la Rue | 1804 | Foundation E.G. Bührle, Zürich | 28.9 x 22.9 | |
Bonaparte, First Consul | 1804 | Curtius Museum, Liège | 226 x 144 | |
Portrait of Jean-Pierre-François Gilibert | 1804 | Musée Ingres, Montauban | 100 x 91 | |
Portrait of Jean-Marie-Joseph Ingres, the Painters Father | 1804 | Musée Ingres, Montauban | 55 x 47 | |
Self-Portrait Aged 24 | 1804 | Musée Condé, Chantilly | 77 x 61 | |
Self-Portrait Aged 24[a] | 1850-60 | Metropolitan Museum of Art, New York | 86.4 x 69.9 | |
Portrait of Yong Man with an Earring | 1804 | Musée Ingres, Montauban | 40.9 x 33 | |
Portrait of Belvèze-Foulon | 1805 | Musée Ingres, Montauban | 55 x 46 | |
The Engraver Desmarets | 1805 | Musée des Augustins, Toulouse | 65 x 54.5 | |
Portrait of Philibert Rivière | 1805 | Louvre, Paris | 116 x 88.9 | |
Portrait of Marie-Françoise Rivière | 1805 | Louvre, Paris | 117 x 82 | |
Mademoiselle Caroline Rivière | 1806 | Louvre, Paris | 100 x 70 | |
La Belle Zélie (Portrait of Madame Aymon) | 1806 | Musée des Beaux-Arts de Rouen | 59 x 49 | |
Portrait of Lorenzo Bartolini | 1806 | Musée Ingres, Montauban | 98 x 80 | |
Napoleon I on His Imperial Throne | 1806 | Musée de l'Armée, Paris | 259 x 162 | |
Venus, Wounded by Diomedes, Returns to Olympus | Kunstmuseum Basel | 26.6 x 32.6 | ||
Copy of a Detail from Poussin's Eliezer and Rebecca | Musée des beaux-arts de Marseille | 46 x 37 | ||
Portrait of Couderc-Gentillon | Private collection | 54.9 x 46 | ||
Portrait of Talma | Private collection | 45 x 34.9 | ||
Portrait of Baron Joseph-Pierre Vialetès de Mortarieu | 1806 | Norton Simon Museum, Pasadena | 61.2 x 50.2 |
Italy (1806-1824)
[edit]Image | Title | Date | Current location | Dimensions (in cm's) |
---|---|---|---|---|
The Half-Length Bather | 1807 | Musée Bonnat, Bayonne | 51 x 42.5 | |
The Orangerie at the Villa Borghese | 1807 | Musée Ingres, Montauban | 17 x 17.5 | |
Le Aurora Casino of the villa Ludovisi | 1807 | Musée Ingres, Montauban | 17 x 17.5 | |
Portrait of Madame Duvaucey | 1807 | Musée Condé, Chantilly | 76 x 59 | |
Portrait of Madame Duvaucey | 1807 | Musée Bonnat, Bayonne | 29 x 23.5 | |
Raphael's Casino in Rome | 1807 | Musée des Arts Décoratifs, Paris | 14.9 diameter | |
Portrait of François Marius Granet | 1807 | Musée Granet, Aix-en-Provence | 75 x 53 | |
Old Man Seated | 1807 | Musée Granet, Aix-en-Provence | 69.8 x 53 | |
The Valpinçon Bather | 1808 | Louvre, Paris | 146 x 97.5 | |
A Sleeping Odalisque | Victoria and Albert Museum | 29.8 x 47.6 | ||
The Sleeping Woman of Naples | Unknown[b] | |||
Oedipus and the Sphinx | 1808-27 | Louvre, Paris | 189 x 144 | |
Oedipus and the Sphinx | 1826 | National Gallery, London | 17.5 x 13.7 | |
Head of a Bearded Man | 1808 | Musée Granet, Aix-en-Provence | 33 x 24.1 | |
Fair Haired Girl with Blue Eyes | Private collection | 26.3 x 20 | ||
Copy of Raphael's "Eve Tempting Adam with the Forbidden Fruit" | 1809 | Musée Ingres, Montauban | 92 x 56 | |
Copy of the Heads of a Woman and Children in Raphael's "Mass of Bolsena" | 1809 | Musée Ingres, Montauban | 53 x 40 | |
Portrait of Charles Marcotte | 1810 | National Gallery of Art, Washington, D.C. | 93.7 x 69.4 | |
Portrait of Jean-Baptiste Desdéban | 1810 | Musée des Beaux-Arts et d'Archéologie de Besançon | 60 x 47 | |
Portrait of Joseph-Antoine Moltedo | 1810 | Metropolitan Museum of Art, New York | 75.2 x 58.1 | |
Jupiter and Thetis | 1811 | Musée Granet, Aix-en-Provence | 324 x 260 | |
Head of Jupiter | Unknown | 47 x 39 | ||
Head of Jupiter in Profile | Private collection | 47.9 x 40 | ||
Portrait of Edmé Bochet | 1811 | Louvre, Paris | 94 x 69 | |
Portrait of Madame Panckoucke | 1811 | Louvre, Paris | 93 x 68 | |
Portrait of Charles-Joseph-Laurent Cordier | 1811 | Louvre, Paris | 90 x 69.5 | |
Portrait of Hippolyte-François Devillers | 1811 | Private collection | 99 x 80 | |
Portrait of Dr. De France | Private collection | 61.9 x 50.2 | ||
Portrait of Paul Lemoyne | 1811 | Nelson-Atkins Museum of Art, Kansas City | 47.1 x 36.5 | |
Portrait of Monsieur de Norvins | 1811 | National Gallery, London | 97 x 78 | |
Romulus' Victory Over Acron | 1812 | École des Beaux-Arts, Paris | 276 x 530 | |
Virgil reading The Aeneid before Augustus, Livia and Octavia | 1812 | Musée des Augustins, Toulouse | 307 x 326 | |
Portrait of the Countess of Tournon | 1812 | Philadelphia Museum of Art | 92.5 x 73.2 | |
The Betrothal of Raphael and the Niece of Cardinal Bibbiena | 1813 | Walters Art Museum, Baltimore | 59.1 x 46.5 | |
The Dream of Ossian | 1813 | Musée Ingres, Montauban | 348 x 275 | |
Raphael and La Fornarina | 1813 | Fogg Museum, Cambridge | 64.8 x 53.3 | |
Raphael and the Fornaria | Private collection | 31.1 x 26.7 | ||
Pope Pius VII in the Sistine Chapel | 1814 | National Gallery of Art, Washington, D.C. | 74.5 x 92.7 | |
Grande Odalisque | 1814 | Louvre, Paris | 91 x 162 | |
Paolo and Francesca da Rimini | 1814 | Musée Condé, Chantilly | 35 x 28 | |
Portrait of Caroline Murat, Queen of Naples | 1814 | Private collection | 92 x 60 | |
The Duke of Alba at Sainte-Gudule in Brussels | 1815 | Musée Ingres, Montauban | 105 x 82 | |
Aretino and Charles V's Ambassador | 1815 | Private collection | 44.5 x 33 | |
Aretino in the Studio of Tintoretto | 1815 | Private collection | 44.5 x 33 | |
Portrait of Jean-Pierre Cortot | 1815 | National Museum of Fine Arts of Algiers | 41.9 x 33 | |
Portrait of Joseph-Antoine de Nogent | 1815 | Fogg Museum, Cambridge | 47 x 33 | |
Madame Ingres, the Painter's Wife | Private collection | 67.9 x 54.6 | ||
Portrait of Abbot de Bonald | 1816 | Louvre, Paris | 12.5 x 9.5 | |
Portrait of Madame de Senonnes | 1816 | Musée d'Arts de Nantes | 106 x 84 | |
Head of a Bearded Man | Private collection | 36.8 x 28 | ||
Henry IV Receiving the Spanish Ambassador | 1817 | Petit Palais, Paris | 70.5 x 80.5 | |
Henry IV, the Dauphin and the Spanish Ambassador | 1817 | Victoria and Albert Museum, London | 50.5 x 62.3 | |
Henry IV Playing with his Children | 1817 | Private collection | 41.9 x 47 | |
Copy of Raphael's "Virgin with the Candlesticks" | 1817 | Château de Blois | 35.9 x 26.7 | |
The Death of Leonardo da Vinci | 1818 | Petit Palais, Paris | 72 x 81.5 | |
The Death of Leonard da Vinci | Smith College Museum of Art, Northampton | 40.9 x 47.9 | ||
Philip V of Spain investing the Marshall of Berwick with the Golden Fleece | 1818 | Private collection | 87.7 x 108.9 | |
Paolo and Francesca da Rimini | 1819 | Musée des Beaux-Arts d'Angers | 47.9 x 39 | |
Paolo and Francesca da Rimini | Private collection | 28.9 x 22.8 | ||
Paolo and Francesca da Rimini | 1814-20 | Barber Institute of Fine Arts, Birmingham | 35 x 28 | |
Roger Freeing Angelica | 1819 | Louvre, Paris | 147 x 190 | |
Perseus and Andromeda | 1819 | Detroit Institute of Arts | 18.1 x 14.9 | |
Angelica | 1819 | La Piscine Museum, Roubaix | 102 x 73.7 | |
Augustus Listening to the Reading of the "Aeneid" | 1819 | Royal Museums of Fine Arts of Belgium, Brussels | 138 x 142 | |
Don Pedro of Toledo Kissing Henry IV's Sword | 1819 | Château de Pau, Paris | 45.5 x 36.5 | |
Pope Pius VII attending the Sistine Chapel | 1820 | Louvre, Paris | 69.5 x 55.5 | |
Jesus Returning the Keys to St. Peter | 1820 | Musée Ingres, Montauban | 280 x 217 | |
Head of Christ | Private collection | 50.2 x 36.8 | ||
Head of Saint John the Evangelist | Metropolitan Museum of Art, New York | 39.4 x 27 | ||
Head of Saint Matthew the Evangelist | Louvre, Paris | 54.9 x 46 | ||
Don Pedro of Toledo Kissing Henry IV's Sword | 1820 | Private collection | 47.9 x 40 | |
Portrait of Lorenzo Bartolini | 1820 | Louvre, Paris | 108 x 85.7 | |
Head of a Jewish Woman | Private collection | 21 x 16.5 | ||
The Condottiere | 1821 | Private collection | 50.2 x 40 | |
The Dauphin's Entry Into Paris | 1821 | Wadsworth Atheneum, Hartford | 47 x 55.9 | |
Portrait of Mademoiselle Jeanne Gonin | 1821 | Taft Museum, Cincinnati | 76.2 x 60.3 | |
Portrait of Count Nicolas de Gouriev | 1821 | Hermitage Museum, St. Petersburg | 107 x 86 | |
Copy of Titian's "Venus of Urbino" | 1822 | Walters Art Museum, Baltimore | 116 x 168 | |
Portrait of Madame Jacques-Louis Leblanc | 1823 | Metropolitan Museum of Art, New York | 119.4 x 92.7 | |
Portrait of Jacques-Louis Leblanc | 1823 | Metropolitan Museum of Art, New York | 121 x 95.6 | |
The Vow of Louis XIII | 1824 | Montauban Cathedral | 421 x 262 | |
First Thoughts of "The Vow of Louis XIII" | 1820-24 | Musée Ingres, Montauban | 36 x 23 | |
Portrait of Raphael | 1820-24 | Musée Ingres, Montauban | 43.2 x 34.3 |
Paris (1824-1834)
[edit]Image | Title | Date | Current location | Dimensions (in cm's) |
---|---|---|---|---|
The Small Bather | 1826 | The Phillips Collection, Washington, D.C. | 33 x 25 | |
Portrait of Madame Marcotte de Sainte-Marie | 1826 | Louvre, Paris | 93 x 74 | |
Portrait of Amédée-David, the Comte de Pastoret | 1823-26 | Art Institute of Chicago | 103 x 83.5 | |
The Apotheosis of Homer | 1827 | Louvre, Paris | 386 x 515 | |
The Iliad | Private collection | 59 x 53 | ||
The Odyssey | Museum of Fine Arts of Lyon | 61 x 55 | ||
Pindar Offering his Lyre to Homer | National Gallery, London | 34.9 x 27.9 | ||
The Martyrdom of St Symphorian (Study) | 1827 | Private collection | 34.9 x 29.5 | |
The Virgin of the Blue Veil | 1827 | São Paulo Museum of Art | 77 x 65 | |
The Little Bather; Harem interior | 1828 | Louvre, Paris | 35 x 27 | |
Portrait of King Charles X of France in Coronation Robes | 1829 | Musée Bonnat, Bayonne | 129 x 90 | |
Don Pedro of Toledo Kissing Henry IV's Sword | 1831 | Louvre, Paris | 36 x 28 | |
Portrait of Monsieur Bertin | 1832 | Louvre, Paris | 116 x 95 | |
Head of a Young Woman | Artizon Museum, Tokyo | 40.8 x 32.3 | ||
Blessing Christ | 1834 | São Paulo Museum of Art | 80 x 66 | |
The Martyrdom of Saint Symphorian | 1834 | Autun Cathedral | 407 x 339 | |
The Martyr, his Mother, the Centurion on Horseback and Other Figures (Study for "The Martyrdom of Saint Symphorian") | Fogg Museum, Cambridge | 61.9 x 50.2 | ||
Lictors, Stone Thrower, and Spectator (Study for "The Martyrdom of Saint Symphorian") | Fogg Museum, Cambridge | 60 x 49.5 | ||
The Lictor in the Foreground and Other Studies (Study for "The Martyrdom of Saint Symphorian") | Musée Ingres, Montauban | 60 x 48.9 |
Rome (1834-1841)
[edit]Image | Title | Date | Current location | Dimensions (in cm's) |
---|---|---|---|---|
The Illness of Antiochus | 1834 | Cleveland Museum of Art | 48.1 x 63.9 | |
Portrait of Louis-Mathieu Molé | 1834 | Louvre, Paris | 147 x 114 | |
Odalisque in Grisaille | 1834 | Metropolitan Museum of Art, New York | 83.2 x 109.2 | |
Roger Freeing Angelica | 1839 | National Gallery, London | 47.6 x 39.4 | |
Odalisque with Slave | 1839 | Fogg Museum, Cambridge | 72.1 x 100.3 | |
Raphael and the Baker's Daughter | 1840 | Columbus Museum of Art | 35.5 x 27.3 | |
The Illness of Antiochus | 1840 | Musée Condé, Chantilly | 77 x 61 | |
Roger Freeing Angelica | 1841 | Musée Ingres, Montauban | 54 x 46 | |
The Virgin Adoring the Host | 1841 | Pushkin Museum, Moscow | 116 x 84 | |
Portrait of Luigi Cherubini | 1841 | Cincinnati Art Museum | 83.2 x 71.1 |
Paris (1841-1867)
[edit]Image | Title | Date | Current location | Dimensions (in cm's) |
---|---|---|---|---|
Portrait of Luigi Cherubini and the Muse of Lyric Poetry | 1834-42 | Louvre, Paris | 105 x 94 | |
Odalisque with Slave | 1842 | Walters Art Museum, Baltimore | 76 x 105 | |
Portrait of Ferdinand-Philippe d'Orleans | 1842 | Louvre, Paris | 158 x 122 | |
Portrait of Ferdinand-Philippe d'Orleans | 1842 | National Gallery, London | 54.3 x 45.1 | |
Portrait of Ferdinand-Philippe d'Orleans | 1843 | Palace of Versailles | 154 x 119 | |
Portrait of Ferdinand-Philippe d'Orleans | 1843 | Perpignan Museum | 154 x 119 | |
Portrait of Ferdinand-Philippe d'Orleans | 1844 | Wadsworth Atheneum, Hartford | 72.1 x 40 | |
Portrait of Ferdinand-Philippe d'Orleans | 1844 | Palace of Versailles | 218 x 131 | |
Portrait of Edmond Cavé | 1844 | Metropolitan Museum of Art, New York | 40.6 x 32.7 | |
Portrait of Madame Edmond Cavé | 1844 | Metropolitan Museum of Art, New York | 40.6 x 32.7 | |
Portrait of Comtesse d'Haussonville | 1845 | Frick Collection, New York | 131.8 x 92 | |
Portrait of Augustine-Modeste-Hortense Reiset | 1846 | Fogg Museum, Cambridge | 62 x 49.5 | |
Aretino and Charles V's Ambassador | 1848 | Museum of Fine Arts of Lyon | 41.5 x 32.5 | |
Aretino in the Studio of Tintoretto | 1848 | Metropolitan Museum of Art, New York | 44.2 x 35.9 | |
Venus Anadyomene | 1848 | Musée Condé, Chantilly | 164 x 82 | |
Portrait of Baronne de Rothschild | 1848 | Private collection | 141.9 x 101 | |
Eros | Kunstmuseum Basel | 32 diameter | ||
Juno | Krannert Art Museum, Champaign | 32 diameter | ||
Mars | Kunstmuseum Basel | 32 x 31 | ||
Minerva | Wallraf–Richartz Museum, Cologne | 32 diameter | ||
Jupiter and Antiope | 1851 | Musée d'Orsay, Paris | 32.5 x 43.5 | |
Portrait of Madame Inés Moitessier | 1851 | National Gallery of Art, Washington, D.C. | 148 x 101.6 | |
The Virgin Adoring the Host | 1852 | Metropolitan Museum of Art, New York | 40.3 x 32.7 | |
Portrait of Madame Gonse | 1852 | Musée Ingres, Montauban | 73 x 62 | |
Apotheosis of Napoleon I | 1853 | Petit Palais, Paris | 62 x 62 | |
The Princesse de Broglie | 1853 | Metropolitan Museum of Art, New York | 121.3 x 90.9 | |
Joan of Arc at the Coronation of Charles VII | 1854 | Louvre, Paris | 240 x 178 | |
The Virgin Adoring the Host | 1854 | Louvre, Paris | 113 diameter | |
St. Germaine Cousin of Pibrac | 1856 | Église Saint-Étienne de Sapiac, Montauban | 186 x 115.9 | |
The Source | 1820-56 | Musée d'Orsay, Paris | 163 x 80 | |
Portrait of Madame Moitessier | 1856 | National Gallery, London | 121.3 x 90.9 | |
Molière at the Table of Louis XIV at Versailles | 1857 | Comédie-Française, Paris | 47.9 x 66 | |
Virgin of the Adoption | 1858 | National Gallery of Victoria, Melbourne | 69.5 x 56.8 | |
Self-Portrait at Seventy-Eight | 1858 | Uffizi, Florence | 62 x 51 | |
Roger Freeing Angelica | 1859 | São Paulo Museum of Art | 97 x 75 | |
Virgin with the Crown | 1859 | Private collection | 66.9 x 50.8 | |
Portrait of Madame Ingres | 1859 | Am Römerholz, Winterthur | 65 x 53 | |
The Virgin with the Host | 1860 | Private collection | 60 x 46 | |
The Golden Age | 1862 | Fogg Museum, Cambridge | 47.9 x 61.9 | |
Jesus among the Doctors | 1862 | Musée Ingres, Montauban | 265 x 320 | |
Study for "Jesus among the Doctors" | Musée Ingres, Montauban | 59 x 45 | ||
The Turkish Bath | 1862 | Louvre, Paris | 108 x 110 | |
Oedipus and the Sphinx | 1864 | Walters Art Museum, Baltimore | 105.5 x 87 | |
Self-Portrait | 1864 | Royal Museum of Fine Arts Antwerp | 96.7 x 86 | |
The Martyrdom of Saint Symphorian | 1865 | Philadelphia Museum of Art | 36.5 x 31.5 | |
Virgil Reading from the Aeneid | Private collection | 61 x 49.8 |
Notes
[edit]- ^ This version was made between 1850 and 1860 by one of Ingres pupils (possibly Madame Gustave Héquet) under Ingres' supervision and retouched by him after he acquired it in 1866[2]
- ^ Disappeared during the pillaging that followed Joachim Murat's fall from power in 1815
References
[edit]- ^ All information comes from Georges Wildenstein's catalogue raisonne of Ingres
- ^ "Ingres (1780–1867) as a Young Man". Met Museum. Retrieved 7 January 2021.
Sources
[edit]- Wildenstein, Georges, ‘’Ingres’’. London: Phaidon Press, 1954.