Image
|
Title
|
Artist
|
Place of origin
|
Year
|
Material
|
Dimensions (inches)
|
Accession number
|
IMA page
|
|
Sunlight
|
Frank W. Benson
|
America
|
1909
|
Oil paint, Canvas
|
32 x 20
|
11.1
|
Sunlight
|
|
Breton Women at a Wall
|
Émile Bernard
|
France
|
1892
|
Oil paint, Cardboard
|
32.875 x 45.5
|
1998.172
|
Breton Women at a Wall
|
|
Tidying Up
|
Isabel Bishop
|
America
|
1941
|
Oil paint, Masonite
|
15 x 11.5
|
43.24
|
Tidying Up
|
|
Morning at Grand Manan
|
Alfred Thompson Bricher
|
America
|
1878
|
Oil paint, Canvas
|
25 x 50
|
70.65
|
Morning at Grand Manan
|
|
The Negress
|
Jean-Baptiste Carpeaux
|
France
|
1868
|
Bronze
|
22.375
|
80.202
|
The Negress
|
|
House in Provence
|
Paul Cézanne
|
France
|
c1885
|
Oil paint, Canvas
|
25.5 x 32
|
45.194
|
House in Provence
|
|
Dorothy
|
William Merritt Chase
|
America
|
1902
|
Oil paint, Canvas
|
72 x 36
|
03.4
|
Dorothy
|
|
Blasting St. Vincent's Rock, Clifton
|
John Sell Cotman
|
England
|
1830
|
Watercolor, Gum arabic, Pencil, Paper
|
13.5 x 22.75
|
1999.32
|
Blasting St. Vincent's Rock, Clifton
|
|
The Crucifixion
|
Lucas Cranach the Elder
|
Germany
|
1532
|
Oil paint, Wood
|
30 x 21.5
|
2000.344
|
The Crucifixion
|
|
Chinese Souls#2
|
Nancy Crow
|
America
|
1992
|
Resist dyed fabric
|
81 x 89
|
1996.249
|
Chinese Souls #2
|
|
The Valkhof at Nijmegen
|
Aelbert Cuyp
|
Netherlands
|
1652-4
|
Oil paint, Wood
|
19.25 x 29
|
43.107
|
The Valkhof at Nijmegen
|
|
Young Woman in Blue
|
Edgar Degas
|
France
|
1882-5
|
Pastel, Paper
|
18.5 x 12.25
|
38.12
|
Young Woman in Blue
|
|
Evening dress
|
Christian Dior
|
France
|
1956
|
Silk chiffon
|
36
|
2002.143
|
Evening dress
|
|
Reflections
|
Arthur Garfield Dove
|
America
|
1935
|
Oil paint, Canvas
|
15.125 x 21.0625
|
2003.161
|
Reflections
|
|
Courre Merlan (Whiting Chase)
|
Jean Dubuffet
|
France
|
1964
|
Oil paint, Canvas
|
38.25 x 51
|
1992.394
|
Courre Merlan (Whiting Chase)
|
|
The Holy Family with the Dragonfly
|
Albrecht Dürer
|
Germany
|
1495
|
Engraving
|
9.375 x 7.25
|
58.4
|
The Holy Family with the Dragonfly
|
|
Entry of Christ into Jerusalem
|
Anthony van Dyck
|
Flanders
|
1617
|
Oil paint, Canvas
|
59.5 x 90.25
|
58.3
|
Entry of Christ into Jerusalem
|
|
Palace plaque depicting warrior
|
Edo people
|
Africa
|
1500–1700
|
Brass
|
21.125 x 14.75 x 3
|
1989.845
|
Palace plaque depicting warrior
|
|
Galinthias Outwits Eileithyia by Announcing the Birth of Heracles / Portrait of Mrs. Fuseli
|
Henry Fuseli
|
Switzerland
|
1791
|
Graphite, Ink, Paper
|
12.25 x 15.625
|
1993.172
|
Galinthias Outwits Eileithyia by Announcing the Birth of Heracles
|
|
The Flageolet Player on the Cliff
|
Paul Gauguin
|
France
|
1889
|
Oil paint, Canvas
|
27.9375 x 35.9375
|
1998.168
|
The Flageolet Player on the Cliff
|
|
Landscape near Arles
|
Paul Gauguin
|
France
|
1888
|
Oil paint, Canvas
|
36 x 28.5
|
44.10
|
Landscape near Arles
|
|
Still Life with Profile of Laval
|
Paul Gauguin
|
France
|
1886
|
Oil paint, Canvas
|
18.125 x 15
|
1998.167
|
Still Life with Profile of Laval
|
|
Enclosed Field with Peasant
|
Vincent van Gogh
|
Netherlands
|
1889
|
Oil paint, Canvas
|
29 x 36.25
|
44.74
|
Enclosed Field with Peasant
|
|
U.S.A.
|
John Haberle
|
America
|
1889
|
Oil paint, Canvas
|
8.5 x 12
|
2002.225
|
U.S.A.
|
|
Haida ceremonial dance rattle
|
Haida people
|
Canada
|
1850-80
|
Wood, Pigment
|
12.625 x 3.75 x 3.75
|
30.550
|
Ceremonial dance rattle
|
|
Cliff Rock--Appledore
|
Childe Hassam
|
America
|
1903
|
Oil paint, Canvas
|
29 x 36
|
07.1
|
Cliff Rock--Appledore
|
|
Fine Wind, Clear Morning
|
Katsushika Hokusai
|
Japan
|
1829-33
|
Wood block print
|
10.125 x 15
|
60.12
|
Fine Wind, Clear Morning
|
|
The Boat Builders
|
Winslow Homer
|
America
|
1873
|
Oil paint, Wood
|
6 x 10.25
|
54.10
|
The Boat Builders
|
|
Hotel Lobby
|
Edward Hopper
|
America
|
1943
|
Oil paint, Canvas
|
32.25 x 40.75
|
47.4
|
Hotel Lobby
|
|
LOVE (sculpture)
|
Robert Indiana
|
America
|
1970
|
Cor-ten steel
|
144 x 144 x 72
|
75.174
|
LOVE
|
|
LOVE (painting)
|
Robert Indiana
|
America
|
1966
|
Oil paint, Canvas
|
71.875 x 71.875
|
67.8
|
LOVE
|
|
The Rainbow
|
George Inness
|
America
|
1878-9
|
Oil paint, Canvas
|
30 x 45
|
44.137
|
The Rainbow
|
|
Untitled
|
Robert Irwin
|
America
|
1968-9
|
Lacquer, Cast acrylic, Tungsten lights
|
54
|
1988.220
|
Untitled
|
|
Untitled
|
Donald Judd
|
America
|
1967
|
Brass, Enamel, Cold rolled steel
|
6.125 x 138 x 6
|
1992.362
|
Untitled
|
|
Still Life with a Chinese Porcelain Jar
|
Willem Kalf
|
Netherlands
|
1669
|
Oil paint, Canvas
|
30.75 x 26
|
45.9
|
Still Life with a Chinese Porcelain Jar
|
|
Guardian figure
|
Kota people
|
Africa
|
1880–1920
|
Wood, Copper, Brass, Iron
|
15.5 x 7 x 4
|
1991.292
|
Guardian figure
|
|
Vorhor, the Green Wave
|
Georges Lacombe
|
France
|
1896-7
|
Egg tempera, Canvas
|
39.375 x 28.375
|
1984.202
|
Vorhor, The Green Wave
|
|
Madonna and Child with St. John the Baptist and St. Mary Magdalene
|
Neroccio di Bartolomeo de' Landi
|
Italy
|
1495
|
Tempera, Wood
|
28 x 20.125
|
2004.161
|
Madonna and Child with St. John the Baptist and St. Mary Magdalene
|
|
Untitled
|
Ronnie Landfield
|
American
|
1998
|
acrylic, Paper
|
29.75 x 22.75
|
2008.299
|
Untitled
|
|
Untitled (The Birth)
|
Jacob Lawrence
|
America
|
1938
|
Tempera, Paper
|
12.875 x 11.625
|
1997.130
|
Untitled (The Birth)
|
|
Man and Woman
|
Fernand Léger
|
France
|
1921
|
Oil paint, Canvas
|
36.25 x 25.5
|
52.28
|
Man and Woman
|
|
The Two Sisters
|
Georges Lemmen
|
Belgium
|
1894
|
Oil paint, Canvas
|
23.625 x 27.5625
|
79.317
|
The Two Sisters or The Serruys Sisters
|
|
The Flight into Egypt
|
Claude Lorrain
|
France
|
c1635
|
Oil paint, Canvas
|
28 x 38.5
|
2003.171
|
The Flight into Egypt
|
|
The Flight of Europa
|
Paul Manship
|
America
|
1925
|
Bronze, Marble
|
25 x 30.5 x 8.25
|
50.30
|
Flight of Europa
|
|
Rebecca and Eliezer at the Well
|
Carlo Maratta
|
Italy
|
1655-7
|
Oil paint, Canvas
|
47 x 62
|
1988.70
|
Rebecca and Eliezer at the Well
|
|
Hurricane
|
John Marin
|
America
|
1944
|
Oil paint, Canvas
|
25 x 30
|
61.42
|
Hurricane
|
|
Afternoon Tea
|
Richard E. Miller
|
America
|
1910
|
Oil paint, Canvas
|
39.5 x 32
|
1997.139
|
Afternoon Tea
|
|
Peasant with a Wheelbarrow
|
Jean-François Millet
|
France
|
1848-52
|
Oil paint, Canvas
|
14.875 x 17.875
|
49.48
|
Peasant with a Wheelbarrow
|
|
Crucifixion
|
Barnaba da Modena
|
Italy
|
1375
|
Tempera, Gold, Wood
|
41 x 26.5
|
24.5
|
Crucifixion
|
|
The Boy
|
Amedeo Modigliani
|
Italy
|
1919
|
Oil paint, Canvas
|
36.25 x 23.75
|
46.22
|
The Boy
|
|
Battle Between Carnival and Lent
|
Jan Miense Molenaer
|
Netherlands
|
1633-4
|
Oil paint, Wood
|
16 x 21.75
|
1998.96
|
Battle Between Carnival and Lent
|
|
Charing Cross Bridge
|
Claude Monet
|
France
|
1900
|
Oil paint, Canvas
|
26 x 36
|
65.15
|
Charing Cross Bridge
|
|
Boreas and Oreithyia
|
Charles-Joseph Natoire
|
France
|
1740
|
Chalk, Paper
|
12.375 x 14.75
|
80.366
|
Boreas and Oreithyia
|
|
The Holy Family with Saint John the Baptist
|
Nosadella
|
Italy
|
1550-60
|
Oil paint, Wood
|
19.5 x 15
|
66.233
|
The Holy Family with Saint John the Baptist
|
|
Crucifix
|
Gaspar Núñez Delgado
|
Spain
|
1599
|
Ivory, Ebony, Mahogany, Silver, Polychromy
|
26.75 x 14 x 3.25
|
1995.24
|
Crucifix
|
|
Jimson Weed
|
Georgia O'Keeffe
|
America
|
1936
|
Oil paint, Linen
|
70 x 83.5
|
1997.131
|
Jimson Weed
|
|
Magbo helmet mask for Oro society
|
Onabanjo of Itu Meko
|
Africa
|
1880–1920
|
Wood, Pigment, Iron
|
28.75 x 13.75 x 18.5
|
1989.754
|
Magbo helmet mask for Oro association
|
|
Roman Capriccio: The Pantheon and Other Monuments
|
Giovanni Paolo Panini
|
Italy
|
1735
|
Oil paint, Canvas
|
39 x 53.5
|
50.5
|
Roman Capriccio: The Pantheon and Other Monuments
|
|
Ma Jolie
|
Pablo Picasso
|
Spain
|
1914
|
Oil paint, Canvas
|
21.1875 x 25.625
|
61.36
|
Ma Jolie
|
|
The Banks of the Oise near Pontoise
|
Camille Pissarro
|
France
|
1873
|
Oil paint, Canvas
|
15 x 22.25
|
40.252
|
The Banks of the Oise near Pontoise
|
|
The House of the Deaf Woman and the Belfry at Eragny
|
Camille Pissarro
|
France
|
1886
|
Oil paint, Canvas
|
25.625 x 31.875
|
2002.76
|
The House of the Deaf Woman and the Belfry at Eragny
|
|
Self-Portrait
|
Rembrandt van Rijn
|
Netherlands
|
1629
|
Oil paint, Wood
|
17.5 x 13.5
|
C10063
|
Self-Portrait
|
|
Aristotle
|
Jusepe de Ribera
|
Spain
|
1637
|
Oil paint, Canvas
|
49 x 39
|
2000.345
|
Aristotle
|
|
The Love Song
|
Norman Rockwell
|
America
|
1926
|
Oil paint, Canvas
|
38.375 x 42.875
|
1997.151
|
The Love Song
|
|
The Triumphant Entry of Constantine into Rome
|
Peter Paul Rubens
|
Belgium
|
1620-2
|
Oil paint, Wood
|
19 x 25.5
|
2001.237
|
The Triumphant Entry of Constantine into Rome
|
|
Coffee service
|
Gottfried Schmidt
|
Austria
|
1811
|
Hard-paste porcelain, Polychrome enamels, Gilding, Silvering
|
16.5
|
1995.60-.67
|
Coffee service
|
|
Mother (Mutter)
|
Karl Schmidt-Rottluff
|
Germany
|
1916
|
Wood block print, Paper
|
24.5 x 20.25
|
57.95
|
Mother (Mutter)
|
|
Senufo female ancestor figure
|
Senufo people
|
Africa
|
1901–1930
|
Wood
|
41.625 x 8 x 3.75
|
1999.31
|
Female ancestor figure
|
|
The Channel of Gravelines, Petit Fort Philippe
|
Georges Seurat
|
France
|
1890
|
Oil paint, Canvas
|
28.875 x 36.5
|
45.195
|
The Channel at Gravelines, Petit Fort Philippe
|
|
Red Kimono on the Roof
|
John Sloan
|
America
|
1912
|
Oil paint, Canvas
|
24 x 20
|
54.55
|
Red Kimono on the Roof
|
|
Egyptian Barnyard
|
David Smith
|
America
|
1954
|
Wrought and Soldered Silver
|
14.5 x 24 x 5.5
|
60.279
|
Egyptian Barnyard
|
|
Preparing for the Matinee
|
Edmund Charles Tarbell
|
America
|
1907
|
Oil paint, Canvas
|
45.5 x 35.5
|
82.201
|
Preparing for the Matinee
|
|
Angel of the Resurrection
|
Tiffany Studios
|
America
|
1904
|
Glass, Lead
|
348 x 168
|
72.75
|
Angel of the Resurrection
|
|
Broek in Waterland
|
Jan Toorop
|
Netherlands
|
1889
|
Oil paint, Canvas
|
27 x 30
|
2000.156
|
Broek in Waterland
|
|
Moulin Rouge: La Goulue
|
Henri de Toulouse-Lautrec
|
France
|
1891
|
Lithograph, Paper
|
66.375 x 46.75
|
36.4
|
Moulin Rouge--La Goulue
|
|
The Fifth Plague of Egypt
|
Joseph Mallord William Turner
|
England
|
1800
|
Oil paint, Canvas
|
48 x 72
|
55.24
|
The Fifth Plague of Egypt
|
|
Acton
|
James Turrell
|
America
|
1976
|
Tungsten lights, Specially designed room
|
408 x 252
|
1989.111
|
Acton
|
|
Healing of Abiku Children
|
Twins Seven-Seven
|
Nigeria
|
1973
|
Wood, Pigment
|
51.375 x 51.5625
|
1993.82
|
Healing of Abiku Children
|
|
The Quintet of the Silent
|
Bill Viola
|
America
|
2001
|
DVD, Panasonic plasma screen, Line doubler, Surge protector, DVD player
|
24.75 x 40.5 x 7
|
2001.381A-J
|
The Quintet of the Silent
|
|
The Seamstress
|
Édouard Vuillard
|
France
|
1892
|
Oil paint, Cardboard
|
11 x 10
|
69.68
|
The Seamstress
|
|
They Waz Nice White Folks While They Lasted (Sez One Gal to Another)
|
Kara Walker
|
America
|
2001
|
Cut paper, Overhead projector
|
168 x 168 x 240
|
2002.1
|
They Waz Nice White Folks While They Lasted (Sez One Gal to Another)
|
|
The Country Dance
|
Jean-Antoine Watteau
|
France
|
1706-10
|
Oil paint, Canvas
|
19.5 x 23.625
|
74.98
|
The Country Dance
|
|
Face mask
|
We people
|
Africa
|
1900–1950
|
Wood, Pigment, Shells, Cloth, Fiber, Fur, Paper, Metal, Feathers
|
19 x 13.5 x 11.5
|
1989.373
|
Face mask
|
|
Portland vase
|
Josiah Wedgwood
|
England
|
1790
|
Stoneware
|
10
|
1994.2
|
Portland vase
|
|
Entry of Christ into Jerusalem
|
Master of Taüll
|
Spain
|
1125
|
Fresco transferred to Canvas
|
70.25 x 121
|
57.151
|
The Entry of Christ into Jerusalem
|
|
Triptych of the Annunciation
|
Master of the Legend of Saint Ursula
|
Flanders
|
1483
|
Oil paint, Wood
|
23.25 x 45.75
|
1997.138
|
Triptych of the Annunciation
|
|
Eli Lilly Family Quilt
|
|
America
|
1847
|
Cotton
|
104.5 x 105
|
1996.281
|
Eli Lilly Family Quilt
|
|
High chest of drawers (Indianapolis Museum of Art)
|
Inspired by Thomas Chippendale
|
America
|
1760-80
|
Walnut, Brass
|
98 x 43.25 x 22.25
|
75.99
|
High chest
|
|
Ritual wine server (guang), Indianapolis Museum of Art, 60.43
|
|
China
|
1200–1100 BCE
|
Bronze
|
9
|
60.43
|
Ritual wine server
|
|
Vase with carved peony scrolls
|
|
China
|
1000
|
Cizhou ware
|
17
|
47.153
|
Vase with carved peony scrolls
|
|
Bowl with two violet spots
|
|
China
|
1200
|
Jun ware
|
6
|
47.131
|
Bowl with two violet spots
|
|
Cong-shaped vase
|
|
China
|
1200
|
Longquan celadon
|
16.375
|
47.154
|
Cong-shaped vase
|
|
Covered jar with carp design
|
|
China
|
1522-66
|
Porcelain
|
18
|
60.88A-B
|
Covered jar with carp design
|
|
Vase with nine peach design
|
|
China
|
1736-95
|
Porcelain, Overglaze enamel
|
19.5 x 14.5
|
60.116
|
Vase with nine peach design
|
|
Side chair
|
Inspired by Thomas Chippendale
|
England
|
1755-65
|
Mahogany
|
39.5 x 25 x 21
|
81.375
|
Side chair
|
|
Woman's apron
|
|
Germany
|
1760
|
Silk, Metallic and silk thread
|
36 x 39
|
70.46
|
Woman's apron
|
|
Sumbanese woman's ceremonial skirt
|
|
Indonesia
|
1900
|
Cotton, Nassa shells, Glass trade beads
|
29 x 46.5
|
33.682
|
Woman's ceremonial skirt
|
|
Ksitigarbha bodhisattva
|
|
Japan
|
1175
|
Wood
|
49
|
59.29
|
Ksitigarbha bodhisattva
|
|
Shigaraki ware storage jar
|
|
Japan
|
1450
|
Stoneware
|
17.75
|
81.378
|
Storage jar
|
|
Moroccan wall hanging
|
|
Morocco
|
1800s
|
Silk velvet, Gold metallic thread
|
66 x 156
|
1983.66
|
Ceremonial hanging
|
|
Helmet mask (Tatanua)
|
|
New Ireland
|
1880–1930
|
Wood, Cloth, Fiber, Pigment, Lime, Shells
|
19 x 8.25 x 11
|
1989.1421
|
Helmet mask (Tatanua)
|