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List of accolades and awards received by Ingmar Bergman

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List of accolades and awards for Ingmar Bergman
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Ingmar Bergman (14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. He is recognized as one of the most accomplished and influential filmmakers of all time,[1][2][3][4] and is well known for films such as The Seventh Seal (1957), Wild Strawberries (1957), Persona (1966), Cries and Whispers (1972), and Fanny and Alexander (1982).

Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity.

Philip French referred to Bergman as among the greatest artists of the 20th century.[5] Mick LaSalle compared Bergman's significance in film to that of Virginia Woolf and James Joyce in literature.[6]

List of accolades

[edit]
Bust of Ingmar Bergman in Celebrity Alley in Kielce, Poland

Terrence Rafferty of The New York Times wrote that throughout the 1960s, when Bergman "was considered pretty much the last word in cinematic profundity, his every tic was scrupulously pored over, analyzed, elaborated in ingenious arguments about identity, the nature of film, the fate of the artist in the modern world and so on."[7] Many filmmakers have praised Bergman[8] and some have also cited his work as an influence on their own:

  • Andrei Tarkovsky[9] held Bergman in very high regard, noting him and Robert Bresson as his two favourite filmmakers, stating: "I am only interested in the views of two people: one is called Bresson and one called Bergman." Such was Bergman's influence, Tarkovsky's last film was made in Sweden with Sven Nykvist, Bergman's longtime cinematographer, and several of Bergman's favoured actors including Erland Josephson. Bergman likewise had great respect for Tarkovsky, stating: "Tarkovsky for me is the greatest director."[10]
  • Alejandro González Iñárritu while entering the Berg-man compound (Bergman's house) on the remote island of Fårö for a documentary called Trespassing Bergman stated "If cinema was a religion, this would be Mecca, the Vatican. This is the center of it all."[11]
  • Bertrand Tavernier stated: "Bergman was the first to bring metaphysics — religion, death, existentialism — to the screen ... but the best of Bergman is the way he speaks of women, of the relationship between men and women. He's like a miner digging in search of purity."[2]
  • Nuri Bilge Ceylan[12]
  • Steven Soderbergh[13]
  • David Lynch[13]
  • Wes Craven[14][15]
  • Pedro Almodóvar[16]
  • Jean-Luc Godard[17]
  • Robert Altman[18]
  • Adoor Gopalakrishnan[19][20]
  • Olivier Assayas[21]
  • Francis Ford Coppola[22] stated: "My all-time favorite because he embodies passion, emotion and has warmth."
  • Guillermo del Toro said: "Bergman as a fabulist — my favorite — is absolutely mesmerizing."[23]
  • Asghar Farhadi[24]
  • Todd Field[25] stated: "He was our tunnel man building the aqueducts of our cinematic collective unconscious."
  • Federico Fellini[26] said: "I have a profound admiration for him (Bergman) and for his work, even though I haven't seen all of his films. First of all, he is a master of his métier. Secondly, he is able to make things mysterious, compelling, colorful and, at times, repulsive."
  • Woody Allen[27] has referred to Bergman as "probably the greatest film artist, all things considered, since the invention of the motion picture camera".[28] He said, "For me it was Wild Strawberries. Then The Seventh Seal and The Magician. That whole group of films that came out then told us that Bergman was a magical filmmaker. There had never been anything like it, this combination of intellectual artist and film technician. His technique was sensational." Allen has credited Bergman with inventing "a film vocabulary that suited what he wanted to say, that had never really been done before. He'd put the camera on one person's face close and leave it there, and just leave it there and leave it there. It was the opposite of what you learned to do in film school, but it was enormously effective and entertaining."[27]
  • Krzysztof Kieślowski[29] stated: "This man is one of the few film directors — perhaps the only one in the world — to have said as much about human nature as Dostoyevsky or Camus."
  • Stanley Kubrick[30] stated: "I believe Ingmar Bergman, Vittorio De Sica and Federico Fellini are the only three filmmakers in the world who are not just artistic opportunists. By this I mean they don't just sit and wait for a good story to come along and then make it. They have a point of view which is expressed over and over and over again in their films, and they themselves write or have original material written for them." Kubrick praised Bergman as "The Greatest film-maker, unsurpassed by anyone in the creation of mood and atmosphere, the subtlety of performance, the avoidance of the obvious, the truthfulness and completeness of characterization."[8]
  • Ang Lee stated: "For me the filmmaker Bergman is the greatest performer of all...",[31][32] "He (Bergman) is like God to me. I will take inspiration. I won't dare to imitate"[33][34]
  • François Ozon[21]
  • Park Chan-wook[21]
  • Éric Rohmer stated: "The Seventh Seal is the most beautiful film ever."[21]
  • Marjane Satrapi[21]
  • Mamoru Oshii[35]
  • Paul Schrader stated: "I would not have made any of my films or written scripts such as Taxi Driver had it not been for Ingmar Bergman. What he has left is a legacy greater than any other director. I think the extraordinary thing that Bergman will be remembered for, other than his body of work, was that he probably did more than anyone to make cinema a medium of personal and introspective value."[36]
  • Martin Scorsese said: "I guess I'd put it like this: if you were alive in the '50s and the '60s and of a certain age, a teenager on your way to becoming an adult, and you wanted to make films, I don't see how you couldn't be influenced by Bergman. You would have had to make a conscious effort, and even then, the influence would have snuck through."[37]
  • Steven Spielberg stated: "His love for the cinema almost gives me a guilty conscience."[38]
  • Satyajit Ray[39] stated: "I have great admiration for Bergman...It's Bergman whom I continue to be fascinated by. I think he's remarkable. I envy his stock company, because given actors like that one could do extraordinary things."
  • André Téchiné[21]
  • Liv Ullmann[40]
  • Lars von Trier, in reference to having once sent Bergman a letter, jokingly said, "I have seen all his movies, he is a great source of inspiration to me. He was like a father to me. But he treated me in the same way he treated all his children. No interest whatsoever!"[41]
[edit]

A Bergman-themed parody spoofs the allegory of cheating death (Bergman's The Seventh Seal) in the sketch comedy show Saturday Night Live season 1 (ep. 23, 24 July 1976). The sketch, titled "Swedish Movie", is somberly narrated in the third-person by a Swedish-speaking Death (Tom Schiller) with English subtitles scrolling. The baleful voice-over dialogue, revealed to be emanating from the apparition of Death personified, imposes upon dreamily preoccupied lovers Sven (Chevy Chase) and Inger (Louise Lasser) who send a not-so-silently jeering Death out for pizza.

Monty Python's The Meaning of Life includes a sketch based on The Seventh Seal in which middle-class weekenders at an isolated farmhouse are visited by The Grim Reaper.

A television spoof of Persona appeared in an episode of the Canadian comedy series SCTV in the late 1970s.[42] SCTV later aired another Bergman parody, this time of Scenes From A Marriage that featured actor Martin Short portraying comedian Jerry Lewis as the star of a fictional Bergman film called Scenes From An Idiot's Marriage.[43]

Bill & Ted's Bogus Journey includes a further spoof on the theme of playing games with Death from Bergman's The Seventh Seal. Bill and Ted are set to play a game with Death. Rather than chess, they play checkers. When Bill and Ted win, Death challenges them to a best of three match, wherein they play Battleship and other games from popular culture.

The Muppets franchise had a spoof of Bergman's style in a segment entitled "Silent Strawberries" from the TV special, The Muppets Go to the Movies.[44]

In Season 2 Episode 2 of Welcome to Sweden, Jason Priestley asks to meet Ingmar Bergman.

Directed Academy Award performances

[edit]

Bergman directed two Oscar nominated performances.

Year Performer Film Result
Academy Award for Best Actress
1976 Liv Ullmann Face to Face Nominated
1979 Ingrid Bergman Autumn Sonata Nominated

Awards and nominations

[edit]

Academy Awards

[edit]

In 1971, Bergman received the Irving G. Thalberg Memorial Award at the Academy Awards ceremony. Three of his films won the Academy Award for Best Foreign Language Film. The list of his nominations and awards follows:

Year Category Nominated work Result Ref.
4 April 1960 Best Original Screenplay Wild Strawberries Nominated [45]
8 April 1963 Best Original Screenplay Through a Glass Darkly Nominated [46]
2 April 1974 Best Picture Cries and Whispers Nominated [47]
Best Director Nominated
Best Original Screenplay Nominated
28 March 1977 Best Director Face to Face Nominated [48]
9 April 1979 Best Original Screenplay Autumn Sonata Nominated [49]
9 April 1984 Best Director Fanny and Alexander Nominated [50]
Best Original Screenplay Nominated

BAFTA Awards

[edit]
Year Category Nominated work Result
1957 Best Film from any Source Smiles of a Summer Night Nominated
1959 Wild Strawberries Nominated
1960 The Magician Nominated[51]
1963 Through a Glass Darkly Nominated

Berlin Film Festival

[edit]

Cannes Film Festival

[edit]
Year Category Nominated work Result Ref.
1947 Palme d'Or A Ship Bound for India Nominated [54]
1956 Best Poetic Humour Smiles of a Summer Night Won [55]
Palme d'Or Nominated
1957 Special Jury Prize The Seventh Seal Won
Palme d'Or Nominated [55]
1958 Best Director Brink of Life Won [55]
Palme d'Or Nominated
1960 Special Mention The Virgin Spring Won [56]
FIPRESCI Prize Won
Palme d'Or Nominated [53]
1973 Vulcan Technical Grand Prize Cries and Whispers Won [57]
1997 Palme of the Palmes For his whole body of work Won [55]
1998 Prize of the Ecumenical Jury Won [58]
Un Certain Regard Award In the Presence of a Clown Nominated

Venice Film Festival

[edit]
Year Category Nominated work Result
1958 Pasinetti Award Wild Strawberries Won
1959 Grand Jury Prize The Magician Won[59]
New Cinema Award Won
Pasinetti Award Won
Golden Lion Nominated[60]
1983 FIPRESCI Prize Fanny and Alexander Won[61]

Cesar Awards

[edit]
Year Category Nominated work Result Ref.
1976 Best Foreign Film The Magic Flute Nominated [62]
1979 Autumn Sonata Nominated [63]
1984 Fanny and Alexander Won [64]
2005 Best European Film Saraband Nominated [65]

Bodil Award

[edit]
Year Category Nominated work Result Ref
1957 Best European Film Smiles of a Summer Night Won [66]
1959 Wild Strawberries Won
1974 Cries and Whispers Won
1979 Autumn Sonata Won

Golden Globe Awards

[edit]
Year Category Nominated work Result Ref.
28 January 1984 Fanny and Alexander Best Director Nominated [67]

Nastro d'Argento

[edit]
Year Category Nominated work Result Ref.
1960 Best Non-Italian Film Wild Strawberries Won [68]
1961 The Seventh Seal Won
1974 Cries and Whispers Won
1979 Autumn Sonata Won
1984 Fanny and Alexander Won

Guldbagge Awards

[edit]
Year Category Nominated work Result Ref.
25 September 1964 Best Film The Silence Won [69]
Best Director Won
9 October 1967 Best Film Persona Won [70]
29 October 1973 Cries and Whispers Won [71]
31 October 1983 Fanny and Alexander Won [72]
Best Director Won
1 March 1993 Best Screenplay The Best Intentions Won [73]

Other awards and honours

[edit]
Year Category Nominated work Result Ref.
1959 National Board of Review Award for Best Foreign Language Film Wild Strawberries Won [77]
January 1968 National Society of Film Critics Award for Best Director Persona Won [78]
National Society of Film Critics Award for Best Film Won
National Society of Film Critics Award for Best Screenplay 2nd Place
January 1969 National Society of Film Critics Award for Best Director Shame Won (for two films other one Hour of the Wolf) [79]
National Society of Film Critics Award for Best Screenplay 2nd Place
National Society of Film Critics Award for Best Film Won
1969 National Board of Review Award for Best Foreign Language Film Won [77]
1971 National Society of Film Critics Award for Best Director The Passion of Anna Won
1973 David di Donatello for Best Foreign Director Cries and Whispers Won [80]
24 December 1973 National Board of Review Award for Best Director Won [81]
National Board of Review Award for Best Foreign Language Film Won
29 December 1972 National Society of Film Critics Award for Best Screenplay Won [82]
3 January 1973 New York Film Critics Circle Award for Best Film Won [83]
New York Film Critics Circle Award for Best Director Won
New York Film Critics Circle Award for Best Screenplay Won
5 January 1975 National Society of Film Critics Award for Best Screenplay Scenes from a Marriage Won [84][85]
National Society of Film Critics Award for Best Film Won
National Society of Film Critics Award for Best Director Runner-up
28 January 1975 New York Film Critics Circle Award for Best Director Runner-up [86][87]
New York Film Critics Circle Award for Best Screenplay Won
New York Film Critics Circle Award for Best Film Runner-up
December 21, 1976 Los Angeles Film Critics Association Award for Best Foreign Language Film Face to Face Won [88]
22 December 1976 National Board of Review Award for Best Foreign Language Film Nominated [89]
1976 British Academy Television Award for Best Foreign Television Programme The Magic Flute Won [90]
29 December 1975 National Society of Film Critics Special Award Won [91]
19 December 1978 National Board of Review Award for Best Foreign Language Film Autumn Sonata Won [92]
National Board of Review Award for Best Director Won
28 January 1979 New York Film Critics Circle Award for Best Director 3rd place [93]
New York Film Critics Circle Award for Best Foreign Language Film 2nd place
1983 Directors Guild of America Award for Outstanding Directing – Feature Film Fanny and Alexander Nominated [94]
29 January 1984 New York Film Critics Circle Award for Best Director Won [95]
New York Film Critics Circle Award for Best Foreign Language Film Won
1984 National Board of Review Award for Best Foreign Language Film Won [77]
1984 Los Angeles Film Critics Association Award for Best Foreign Language Film Won [96]
1984 David di Donatello for Best Foreign Director Won [97]
David di Donatello for Best Foreign Film Won
David di Donatello for Best Foreign Screenplay Won
1988 European Film Academy Lifetime Achievement Award Won
1996 Nastro d'Argento Lifetime Achievement Award Won

Exhibitions

[edit]

Filmography

[edit]

See also

[edit]

References

[edit]
  1. ^ Rothstein, Mervyn (30 July 2007). "Ingmar Bergman, Famed Director, Dies at 89". New York Times. Retrieved 31 July 2007. Ingmar Bergman, the 'poet with the camera' who is considered one of the greatest directors in motion picture history, died today on the small island of Faro where he lived on the Baltic coast of Sweden, Astrid Soderbergh Widding, president of The Ingmar Bergman Foundation, said. Bergman was 89.
  2. ^ a b Rothstein, Mervyn (30 July 2007). "Ingmar Bergman, Master Filmmaker, Dies at 89". The New York Times. ISSN 0362-4331. Retrieved 4 February 2016.
  3. ^ Tuohy, Andy (3 September 2015). A-Z Great Film Directors. Octopus. ISBN 9781844038558.
  4. ^ Gallagher, John (1 January 1989). Film Directors on Directing. ABC-CLIO. ISBN 9780275932725.
  5. ^ French, Philip (5 August 2007). "Twin visionaries of a darker art". The Observer. Retrieved 15 May 2017.
  6. ^ LaSalle, Mick (30 July 2007). "Ingmar Bergman, director who captured life's emotion, dead at 89". San Francisco Chronicle. Retrieved 15 May 2017.
  7. ^ Rafferty, Terrence (8 February 2004). "FILM; On the Essential Strangeness of Bergman". The New York Times. Retrieved 19 February 2017.
  8. ^ a b "16 Legendary Filmmakers Praised by Other Great Directors". Taste of Cinema. 9 September 2015.
  9. ^ Le Cain, Maximillian. "Andrei Tarkovsky". Archived from the original on 23 March 2010.
  10. ^ Title quote of 2003 Tarkovsky Festival Program, Pacific Film Archive.
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  12. ^ "Nuri Bilge Ceylan:"Ingmar Bergman meant a lot to me"". Le Monde.fr. 5 August 2014.
  13. ^ a b "10 Famous Directors Hugely Influenced by Ingmar Bergman". Taste of Cinema. 3 March 2016.
  14. ^ "Wes Craven: the mainstream horror maestro inspired by Ingmar Bergman". The Guardian. 31 August 2015.
  15. ^ "The Bergman Film That Inspired Wes Craven". Criterion.com.
  16. ^ "Young and Learning:An Interview with Pedro Almodóvar". Reverse Shot.
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  18. ^ "Robert Altman biography". IMDb. Retrieved 10 January 2008.
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  22. ^ Biography for Francis Ford Coppola at IMDb
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  26. ^ "Federico Fellini:Playboy Interview (1966)". scraps from the loft. 25 October 2017.
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  31. ^ "Ang Lee praises Bergman". Archived from the original on 19 May 2008. Retrieved 22 July 2008.
  32. ^ "Ang Lee on Ingmar Bergman's The Virgin Spring". YouTube. 9 April 2011.
  33. ^ "Ang Lee on Ingmar Bergman". Cinephilia & Beyond. 28 January 2015.
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  39. ^ Satyajit Ray (2007). Satyajit Ray: Interviews. Univ. Press of Mississippi. p. 74. ISBN 978-1-57806-937-8.
  40. ^ Ebert, Roger. "Roger Ebert Review of Faithless (2000)". Chicago Sun-Times.
  41. ^ https://www.youtube.com/watch?v=6halL2A3Bc8 Lars Von Trier on Bergman – YouTube
  42. ^ Steene 2005, p. 270.
  43. ^ "Scenes From An Idiot's Marriage". Funny Or Die. 14 April 2008.
  44. ^ Bennun, David (7 August 2007). "How the Muppets made us all Bergman experts". The Guardian. London.
  45. ^ "Winners & Nominees". Academy of Motion Picture Arts and Sciences. 5 October 2014. Retrieved 5 August 2019.
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  49. ^ "Winners & Nominees". Academy of Motion Picture Arts and Sciences. 5 October 2014. Retrieved 5 August 2019.
  50. ^ "The 56th Academy Awards (1984) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on 2 April 2015. Retrieved 27 October 2013.
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  55. ^ a b c d Rooney, David (9 April 1997). "Bergman to get special Cannes salute". Variety. Retrieved 22 August 2019.
  56. ^ Sundholm, John; Thorsen, Isak; Andersson, Lars Gustaf; Hedling, Olof; Iversen, Gunnar; Møller, Birgir Thor (2012). Historical Dictionary of Scandinavian Cinema. Lanham, Maryland: The Scarecrow Press. p. xxiii. ISBN 978-0810855243.
  57. ^ "Le Prix Vulcain de l'Artiste Technicien" (in French). Commission supérieure technique de l'image et du son. Archived from the original on 12 November 2008. Retrieved 14 November 2009.
  58. ^ Gray, Tim (22 June 2018). "Ingmar Bergman's Centennial: A Time to Celebrate Joy of Filmmaking". Variety. Retrieved 22 August 2019.
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  61. ^ "40th Venice Film Festival". FIPRESCI.
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  66. ^ "Denmark's National Union of Film Critics". bodilprisen.
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  71. ^ "Viskningar och rop (1973)". Swedish Film Institute. 2 March 2014. Archived from the original on 19 January 2015.
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  79. ^ "Past Awards". National Society of Film Critics. 19 December 2009. Retrieved 12 November 2016.
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  87. ^ Weiler, A. H. (31 December 1974). "Film Critics Cite 'Amarcord' and Fellini". The New York Times. Retrieved 29 December 2017.
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  93. ^ Maslin, Janet (21 December 1978). "Miss Bergman, Jon Voight And Deer Hunter Cited". The New York Times. Retrieved 24 August 2019.
  94. ^ "NY Times: Fanny and Alexander". Movies & TV Dept. The New York Times. 2010. Archived from the original on 23 February 2010. Retrieved 1 January 2009.
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  96. ^ "9TH ANNUAL LOS ANGELES FILM CRITICS ASSOCIATION AWARDS". lafca.net.
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Bibliography

[edit]
  • Bergman on Bergman: Interviews with Ingmar Bergman. By Stig Björkman, Torsten Manns, and Jonas Sima; translated by Paul Britten Austin. Simon & Schuster, New York. Swedish edition copyright 1970; English translation 1973.
  • Filmmakers on filmmaking: the American Film Institute seminars on motion pictures and television (edited by Joseph McBride). Boston, Houghton Mifflin Co., 1983.
  • Images: my life in film, Ingmar Bergman. Translated by Marianne Ruuth. New York, Arcade Pub., 1994, ISBN 1-55970-186-2
  • Steene, Birgitta (1 January 2005). Ingmar Bergman: A Reference Guide. Amsterdam University Press. ISBN 9789053564066.
  • The Magic Lantern, Ingmar Bergman. Translated by Joan Tate New York, Viking Press, 1988, ISBN 0-670-81911-5
  • The Demons of Modernity: Ingmar Bergman and European Cinema,[1] John Orr, Berghahn Books, 2014.
  • Gado, Frank (1986). The Passion of Ingmar Bergman. Duke University Press. ISBN 0822305860.
[edit]
Bibliographies
Awards and achievements
Preceded by Prix du Jury
1957
for The Seventh Seal
Succeeded by
Preceded by Prix de la mise en scène
1958
for Brink of Life
Succeeded by
Preceded by Golden Bear
1958
for Wild Strawberries
Succeeded by
Preceded by Irving G. Thalberg Memorial Award
1971
Succeeded by
Preceded by Career Golden Lion
1971
Succeeded by
Preceded by New York Film Critics Circle Award for Best Director
1972
for Cries and Whispers
Succeeded by
Preceded by New York Film Critics Circle Award for Best Screenplay
1972
for Cries and Whispers
Succeeded by
Preceded by New York Film Critics Circle Award for Best Screenplay
1974
for Scenes from a Marriage
Succeeded by
Preceded by New York Film Critics Circle Award for Best Director
1983
for Fanny and Alexander
Succeeded by
  1. ^ Orr, John (March 2014). The Demons of Modernity. Berghahn Books. doi:10.3167/9780857459787. ISBN 978-0-85745-978-7.