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Keith Martin (artist)

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Keith Morrow Martin
Born1911
Lincoln, Nebraska, United States
Died1983
Cockeysville, Maryland, United States
Alma materUniversity of Nebraska, School of the Art Institute of Chicago
StyleAbstraction, surrealism, and collage

Keith Martin (also known as Keith Morrow Martin) was an American abstract and surrealist painter and collagist during the 20th century.[1] His paintings are in a multitude of art museums and collections, including the Smithsonian American Art Museum, The National Gallery of Art, and the Museum of Modern Art.[2][3][4]

Biography

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Keith Morrow Martin was born in Lincoln, Nebraska, in 1911.[5][2] He studied fine arts at the University of Nebraska, graduating in the class of 1933.[6] During his studies, Martin would win a state-wide poster contest in 1930.[7] After graduating, Martin would attend the Art Institute of Chicago with his childhood friend and fellow artist Charles Rain, with both of them traveling to a variety of European cities such as Vienna, Paris, and Berlin in the 1930s-1940s.[8] Martin served in the army as a camouflager and was discharged in the autumn of 1945.[1][6]

Although he lived in New York from 1937-1941, Martin's main residence was in Baltimore, Maryland, where he spent the majority of his career (35 years), including teaching at the Baltimore Museum of Art from 1958-68.[9][1] He died in Cockeysville, Maryland, in 1983.[2]

Career and Exhibitions

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Keith Martin's art style shifted throughout his career, beginning in a surrealist style during the 1930s-1940s and changing to abstraction in the 1950s.[10]

In 1935, Keith Martin had a solo exhibition at the Julien Levy gallery in New York City, an early center for surrealist and modern art.[11] In 1936 and 1937, Martin designed costumes for ballets performed by the School of American Ballet.[4][12] Martin also participated in a show in Minneapolis in 1947 alongside other Nebraskan artists, including Dwight Kirsch and Gladys M. Lux.[13] Later this same year, Martin's paintingThe Tragedy of Hamlet would go on display at an exhibition at the University of Nebraska.[13] In 1956, Martin had another exhibition in New York, this time at the Duveen-Graham Gallery.[14]

Collections

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  • The University of Maryland has a collection of ink drawings and lithographs by Keith Martin.[15]
  • The Art Institute of Chicago has Martin's painting The Tragedy of Hamlet from 1947.[5]
  • The Museum of Modern Art has a collection of Martin's ballet costume drawings.[4]
  • The Smithsonian American Art Museum has five of Martin's artworks: Witch Box (1964), Yellow Lily #1 (1971), Disaster Area (1970), Dried Leaves (1965), and Altar Table (1966).[2]
  • The National Gallery of Art has several works by Martin, including drawings and a collage.[3]
  • The Sheldon Museum of Art has a variety of paintings, drawings, and collages by Keith Martin.[16]
  • The Museum of Nebraska Art has a collection of some of Martin's paintings and drawings.[17]
  • The Baltimore Museum of Art has several paintings, drawings, and collages by Martin.[18]
  • In 2019, Keith Martin's costume designs for the ballets Harlequin for President and Show Piece were featured in an exhibition at the Museum of Modern Art about Lincoln Kirstein, a co-founder of the New York City Ballet and the School of American Ballet.[4]

References

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  1. ^ a b c "Keith Morrow Martin – U.S. Department of State". Retrieved 2024-03-18.
  2. ^ a b c d "Keith Martin | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2024-03-18.
  3. ^ a b "Collection Search Results". www.nga.gov. Retrieved 2024-03-22.
  4. ^ a b c d "Keith Morrow Martin". MoMa. March 23, 2024.
  5. ^ a b "Keith Morrow Martin". The Art Institute of Chicago. 1911. Retrieved 2024-03-18.
  6. ^ a b "The daily Nebraskan. ([Lincoln, Neb.) 1901-current, April 04, 1946, Page Page 4, Image 4 « Nebraska Newspapers". nebnewspapers.unl.edu. Retrieved 2024-03-22.
  7. ^ "The daily Nebraskan. ([Lincoln, Neb.) 1901-current, February 12, 1930, Page FOUR, Image 4 « Nebraska Newspapers". nebnewspapers.unl.edu. Retrieved 2024-03-22.
  8. ^ Sheldon Museum of Art; Ruud, Brandon K.; Nosan, Gregory, eds. (2014). Painting from the collection of the Sheldon Museum of Art. American transnationalism: perspectives from the Sheldon Museum of Art. Lincoln: University of Nebraska Press. ISBN 978-0-8032-4869-4.
  9. ^ "Keith Morrow Martin Sold at Auction Prices". Invaluable. 2024-04-04. Retrieved 2024-04-04.
  10. ^ Balder, Alton Parker (1955). Six Maryland Artists: A Study In Drawings (1st ed.). Baltimore, Maryland: Balboa Publications. pp. 79–80. ISBN 978-1127535484.
  11. ^ "The daily Nebraskan ([Lincoln, Neb.) 1901-current, March 12, 1935, Page TWO, Image 2 « Nebraska Newspapers". 1935-03-12. Retrieved 2024-03-22.
  12. ^ McCausland, Elizabeth (1938). "Gallery Notes". Parnassus. 10 (1): 44–47. doi:10.2307/771592. ISSN 1543-6314. JSTOR 771592.
  13. ^ a b "The daily Nebraskan. ([Lincoln, Neb.) 1901-current, September 21, 1947, Image 1 « Nebraska Newspapers". nebnewspapers.unl.edu. Retrieved 2024-03-28.
  14. ^ "News Reports". College Art Journal. 15 (3): 265–276. 1956. ISSN 1543-6322. JSTOR 773255.
  15. ^ "Keith Morrow Martin | University of Maryland Art Gallery". artgallery.umd.edu. Retrieved 2024-03-24.
  16. ^ "eMuseumPlus - Collection | Result". emp-web-95.zetcom.ch. Retrieved 2024-03-24.
  17. ^ Kearney, dpi graphics, University of Nebraska at (2016-12-20). "Keith Martin: MONA collection artwork | MONA". Retrieved 2024-03-25.{{cite web}}: CS1 maint: multiple names: authors list (link)
  18. ^ "Search keith martin (Objects) – Search – The Baltimore Museum of Art | Baltimore Museum of Art". collection.artbma.org. Retrieved 2024-03-28.

Further reading

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