John Gillard
John Gillard | |
---|---|
Born | 14 February 1933 |
Died | 28 October 2000 | (aged 67)
Education | Royal College of Art |
Occupations |
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Years active | 1958–1995 |
John Anthony Gillard (14 February 1933 – 28 October 2000)[1] was an influential British teacher of advertising and design whose notable students included Sir John Hegarty, Michael Peters, and Graham Fink.[2][3] In a joint letter to Design Week magazine shortly after his death, leading figures from the creative industries (including Hegarty, Peters, and designer Mary Lewis) described Gillard as "without question the greatest inspirational teacher that the UK design and advertising industry has ever had".[4]
Life and career
[edit]Gillard grew up in Biggin Hill and studied at Beckenham School of Art[5] and the Royal College of Art before beginning his career as an art director at The Whitefriars Press in 1958. He remained there until 1961, when he became creative director of an advertising and graphic design consultancy.[2][6]
Between 1961 and 1968, he also worked as a visiting lecturer at the London College of Printing, in the graphic design department headed by Tom Eckersley, where other notable lecturers included Rolf Brandt (brother of photographer Bill Brandt), Richard Hollis, and Robin Fior.[7] It was here that Gillard first started to teach advertising, but (according to a 1988 interview he gave to Direction magazine) "met with such hostility from college authorities that he was obliged to adjourn his lessons to a pub after hours".[6] At LCP, Gillard taught John Hegarty (art director and founder of advertising agency Bartle Bogle Hegarty) and designer Michael Peters; his other pupils included art director and photographer Max Forsythe,[8] designer and Soviet design historian David King,[7] and avant garde composer Cornelius Cardew, who studied typography and design with Gillard and went on to document his music with radically inspired, graphical scores.[9][10]
Strongly influenced by groundbreaking American advertising copywriters Bill Bernbach and Howard Luck Gossage, Gillard's approach focused on using subtle and original ideas, rather than stating selling propositions in obvious or aggressive ways, and also taught the importance of "research, problem solving, and strategic planning".[11][12] When Gillard later met Bernbach in the United States, he was told that "Two or three or the best people we've had here came in off the street"—an idea that strongly resonated and influenced Gillard's eclectic choice of students in the years that followed.[6] Crucially, as copywriter David Abbott, founder of Abbott Mead Vickers BBDO, observed Gillard: "always gave his people real tasks that allowed them to gain creative judgement".[2] Bob Connor of Brunnings Advertising later recalled that Gillard's pupils from the London College of Printing were "fresh and original, clear thinking with a different perspective. Just like him... Many of today's top creative stars came from those early beginnings".[13]
During this part of his career, Gillard was also a visiting lecturer at Canterbury College of Art, Ealing Art College, Medway College of Art, and Middlesex Polytechnic.[1] At Canterbury, Gillard's pupils included Paul Jackson, who went on to become CEO of Ogilvy Advertising.[14]
From 1968 to 1974, Gillard was employed by the J. Walter Thomson advertising agency, where he was joint head of an in-house programme in creative advertising called the Conceptual Art Training Unit.[2] For the next two years, he went back to industry, working again at an advertising and design consultancy. Between 1976 and 1985, he returned to teaching, and became principal lecturer in graphics at Berkshire College of Art and Design (later Reading College), where his pupils included Graham Fink.[15][16]
The School of Communication Arts
[edit]By this time, Gillard had become disenchanted with traditional art-school education, which he considered "too precious", too theoretical and removed from everyday life, too formulaic, lacking diversity and professionalism, and with a "snobbish neglect of advertising".[6][17][18] According to Bob Connor of Brunnings, Gillard "harboured a restlessness about the teaching system... [so] he developed his own ideas, ideas which he shared with a number of friends and supporters..."[13] In 1985, with help from Peters, Hegarty, John Salmon, John Webster, Jeremy Sinclair, Terence Donovan, and numerous other figures from the creative world, Gillard managed to raise £110,000 to set up his own independent design college, The School of Communication Arts (SCA), and staffed it with 134 visiting lecturers from the advertising and design industries, most of whom agreed to work for nothing.[19][20] As reported by The Financial Times, Gillard and his backers, "united in their disenchantment with what they regard as an inadequate training and preparation for today's business world offered by the majority of art schools, has done something about it".[21] It was a big personal risk for Gillard, married with four children and already in his fifties,[1] as an article in The British Journal of Photography noted: "John Gillard has swapped the security of being a Principal Lecturer at Berkshire College of Art and Design to put his reputation as a teacher and man-manager on the line. More than money, his future is at stake."[22]
The SCA quickly achieved impressive results; by 1989, The Sunday Times noted that "The school has already built up a reputation as a fast track institution in its specialised field, with more than 80% of its people going to lucrative [advertising and design] agency jobs".[23] Gillard's notable SCA students included Tiger Savage, who became deputy creative director and head of art of M&C Saatchi,[24] and Adrian Rossi, who became executive creative director of Abbott Mead Vickers BBDO.[25]
Gillard, described in the FT article as "a jumping bean of a man whose infectious enthusiasm fires every imagination it touches",[21] ran the school for the next decade—in a manner variously described as "maverick,"[26] "stimulating and sometimes eccentric",[2] "anti-establishment",[27] and "controversial and colourful"[3]—until financial difficulties and his own declining health forced its closure, and his early retirement, in 1995.[27] According to Caroline Marshall, editor of Campaign magazine: "Gillard fought tirelessly in an ultimately doomed attempt to keep the SCA open with scant support from agencies who were prepared to spend plenty of money training account handlers and planners while underinvesting in the most important thing they have to offer, the creative product. It is a sad fact that the SCA would still have been open if London agencies had shown more interest and commitment".[28]
The following year, Gillard was reunited with his former student Graham Fink, who had recently been elected President of D&AD (Design and Art Direction Association) and decided to refocus the organization on education. Gillard developed a self-contained creative thinking course for D&AD, which he called the "Module of Discovery and Invention", and which was taken up by various colleges, including Southampton Institute and the University of Salford.[29]
In 1995, John Gillard, together with Marien de Goffau, set up the ‘School voor Commerciële Communicatie' (SCC) in Amsterdam, also known as the School for Commercial Communication. Based on SCA's years 1985 to 1995. In that first year, 1995, John Gillard also taught in Amsterdam for a short time. For ten years, from 1995 to 2005, ending in 2007, John Gillard's views and thinking were further developed in Amsterdam. The SCC training in Amsterdam was also highly appreciated internationally. Supported by many international advertising agencies and interest groups. The last year of SCC was led by Bas Strunk, deputy director of SCC. Bas Strunk was a student of the first year SCC in Amsterdam.[30]
Gillard died from Parkinson's disease on 28 October 2000, aged 67.[2][3]
The School of Communication Arts was relaunched in 2010 by one of the original college's former pupils, Marc Lewis,[31] adopting a similar industry-funding model to Gillard's but with greater emphasis on equality and diversity.[27][32]
Awards
[edit]Shortly after Gillard's death, D&AD set up The John Gillard Award in his memory to recognize "outstanding graduate talent".[4][33] The award was announced by Sir John Hegarty and German-born designer Julia Lohmann became its inaugural recipient in 2001.[34]
Gillard himself won four D&AD awards and the Creative Circle President's Award (for services to the creative industry) in 1986.[1][13] He was an associate of the Royal College of Art.[1]
Influence
[edit]In his 30-year career, Gillard taught many of the most famous names in British design and advertising. According to The Financial Times, Gillard's "long list of distinguished pupils now working in design and advertising is testament to his skills",[21] while a piece in The Guardian the same year suggested that "his past pupils read like a D&AD members list".[19] Also that year, an article in The British Journal of Photography argued that few people had had "such a profound effect on the communication industry as John Gillard.... [who] has helped to make British advertising and design the envy of the world".[35]
Gillard maintained this reputation until his death.[6] In its obituary, Campaign magazine described him as "one of the foremost teachers of creative skills in Britain",[2] while Michael Peters referred to him as "the guru of design arts education"[2] with a "manic, mesmerising influence".[26] John Hegarty has repeatedly paid tribute to Gillard's influence,[36][37][38] calling him "the Pied Piper of Creative Talent"[2] noting that "of the five people who have influenced my life, John Gillard is two of them",[21] and adding that "to describe John as one of the most influential people in advertising and design is to understate his profound influence on our industry".[39] According to Hegarty, it was Gillard who "introduced me to the work of Doyle Dane Bernbach, which for me was a seminal moment... What [Bernbach's work] did was create an entire generation who wanted to work in advertising".[39] Graham Fink, who once quipped that John Gillard "taught me more than I know",[40] has recalled that he "was an unbelievable teacher, very unorthodox... he got the best out of everybody. This country needs thousands of John Gillards".[15]
Gillard was highly respected and his influence extended beyond his own pupils. In a 1986 interview with The British Journal of Photography, for example, Paul Arden, some time creative director of Saatchi and Saatchi, described his "enormous admiration" for Gillard's educational work.[41] Copywriter David Abbott agreed, noting that "I never failed to be impressed by the people he had taught".[2] Lamenting the closure of The School of Communication Arts, shortly after John Gillard's death, Caroline Marshall, then editor of Campaign, noted that his "fame extended far beyond this advertising village and his influence will not be forgotten".[28]
References
[edit]- ^ a b c d e People of Today. Debrett's Peerage Limited. 1995. p. 751. ISBN 9781870520249. Retrieved 10 September 2021.
- ^ a b c d e f g h i j Tylee, John. "Gillard, the 'Pied Piper of creative talent', dies". Campaign. Archived from the original on 7 September 2021. Retrieved 7 September 2021.
{{cite news}}
: CS1 maint: bot: original URL status unknown (link) - ^ a b c "Obituary: John Gillard". Design Week. 2 November 2000. Retrieved 7 September 2021.
- ^ a b "D&AD planning a memorial for the late John Gillard". Design Week. 8 November 2000.
- ^ "Second in Window Display Contest". The Norwood News. 24 February 1950. p. 2.
- ^ a b c d e "On The Spot:John Gillard". Direction. 1988.
- ^ a b Poynor, Rick (2020). David King: Designer, Activist, Visual Historian. Yale University Press. p. 22. ISBN 9780300250107.
Figures such as Brandt, Fior, Hollis, Cunningham and John Gillard - with his 'outrageous enthusiasm for "advanced modern design"' - were, in Weigand's view King's 'yardsticks': 'These teachers gave David permission and affirmation: the self-belief is very important.'
- ^ Dye, Dave (3 July 2015). "N-CAMERA 4: Max Forsythe". Davedye.com. Retrieved 7 September 2021.
- ^ Tilbury, John (2008). Cornelius Cardew (1936-1981) A Life Unfinished. Copula. p. 129. ISBN 9780952549246. Retrieved 10 September 2021.
- ^ Hall, David (7 September 2020). "Cardew's Treatise: the greatest musical score ever designed". Davidhall.io. Retrieved 10 September 2021.
- ^ Hegarty, John (2011). Hegarty on Advertising: Turning Intelligence Into Magic. Thames & Hudson. ISBN 9780500515563.
- ^ Watts, Sally (30 September 1985). "Horizons: Whizz kids not wanted". The Times.
John Gillard's School of Communications Art, at Clerkenwell, London, will equip people for 'total design' in packaging, advertising and communications, and increase their ability to meet changes in their profession. Research, problem solving and strategic planning are included.
- ^ a b c The 1986 Advertising Creative Circle Honours. London: The Advertising Creative Circle. 1986.
- ^ "THE A LIST: Part 7 of 13". Campaign. 12 December 2003.
- ^ a b "Creative Review Graduate Guide 2010" (PDF). Creative Review. 2010. p. 12. Retrieved 7 September 2021.
- ^ "Interview with Graham Fink" (PDF). Lürzer's Archive. No. 2. 1995.
- ^ McQuiston, Liz; Kitts, Barry (1987). Graphic Design Source Book. Chartwell Books. p. 179. ISBN 9781555210779.
Rising out of a frustration with mainstream design education, in 1985 the independent School of Communication Arts was launched in London with John Gillard as its Head and financial backing from design and advertising studios.
- ^ McEwan, Feona (7 November 1985). "A marriage of design and business nous / Focus on the aims of the School of Communication Arts". Financial Times. p. 24.
His views are not those that sit cosily in the formal and rarefied air of traditional art schools. Ask Gillard what is wrong with the current system and you unleash a spate of passionate criticisms.
- ^ a b "Why this new arts school has 134 teachers and only 30 students". The Guardian. 20 May 1985. p. 6.
- ^ "People: John Gillard". Designer. 1985. pp. 4–8. Retrieved 10 September 2021.
The post graduate school plan sounds as though it has more mileage. It has been concocted by Peters and Hegarty... and is built around the teaching talents of John Gillard ('a genius', according to Peters).
- ^ a b c d McEwan, Feona (7 November 1985). "A marriage of design and business nous / Focus on the aims of the School of Communication Arts". Financial Times. p. 24.
The school's radical approach to design is the vision of one man, John Gillard, its principal, whose long list of distinguished pupils now working in design and advertising is testament to his skills. Peters calls him 'the guru of design arts education.' Another founder, John Hegarty of agency Bartle Bogle Hegarty, has said: 'Of the five people who have influenced my life, John Gillard is two of them.
- ^ "Arts education". British Journal of Photography. 132: 409. 1985. Retrieved 10 September 2021.
- ^ Thompson, Hugh (19 February 1989). "College jumps gun in loans debate". The Sunday Times.
- ^ Vince, Larissa (25 June 2010). "Tiger Savage quits M&C Saatchi for solo venture". Campaign. Retrieved 14 January 2022.
- ^ Magee, Kate (13 December 2018). "Grey London brings in AMV's Adrian Rossi as creative chairman". Campaign. Retrieved 14 January 2022.
- ^ a b Peters, Michael; Owens, Sarah (2008). Yes Logo: 40 Years of Michael Peters : Branding, Design and Communication. Black Dog. p. 172. ISBN 9781906155377.
- ^ a b c Kiefer, Brittany (7 October 2019). "Oddballs and misfits welcome: Inside the famed School of Communication Arts". Campaign.
- ^ a b Marshall, Caroline (3 November 2000). "Dotcoms can't afford to ignore the reality of sound advertising". Campaign. Retrieved 26 September 2021.
- ^ "D&AD makes plans to put education at centre of activities". 10 May 1996. Retrieved 26 September 2021.
- ^ [1]PZC, March 14 1998, page 31, Commercial is meer dan goed idee
- ^ Tylee, John (22 January 2010). "Close-Up: Relaunching the creative university". Campaign. Retrieved 8 September 2021.
- ^ Lewis, Marc (1 March 2010). "School of Communication Arts brings new opportunities for students of advertising". The Guardian. Retrieved 8 September 2021.
In 1993, I was extremely lucky to win a scholarship from this newspaper to attend John Gillard's venerated School of Communication Arts.... Over the last three years I have been working to resurrect the school...
- ^ Tylee, John (16 March 2001). "D&AD to honour Gillard in awards". Campaign.
- ^ Reid, Alasdair (2 November 2001). "Close-up: Newsmaker/Julia Lohmann - New blood transforms maggots into award winner. Julia Lohmann has taken the inaugural John Gillard Award". Campaign. Retrieved 7 September 2021.
- ^ "Arts education". The British Journal of Photography. 132: 409. 1985.
- ^ "Interview with Sir John Hegarty" (PDF). Lürzer's Archive. No. 3. 1990.
- ^ Porter, Henry (16 April 1995). "THE BEST OF SELLERS - Judiciously tanned, utterly plausible, awfully rich, and the smiling face of his profession: that's John Hegarty, the apotheosis of advertising today, and maybe, some believe, the man with the answer to Tony Blair's prayers". The Independent.
- ^ Vaske, Hermann (2001). Standing on the Shoulders of Giants: Hermann Vaske's Conversations with the Masters of Advertising. Prestel. p. 150. ISBN 9783931126698.
- ^ a b Tungate, Mark (2007). Adland: A Global History of Advertising. Kogan Page. p. 105. ISBN 9780749452179.
- ^ "John Gillard has passed away". Adland. No. 2 November 2000.
- ^ "From the New World". The British Journal of Photography. 133: 222. 1986.
- 1933 births
- 2000 deaths
- Academics of the London College of Communication
- Academics of Middlesex University
- Academics of the University for the Creative Arts
- Advertising directors
- Alumni of the Royal College of Art
- Associates of the Royal College of Art
- British graphic designers
- Founders of British schools and colleges
- British educators
- Advertising theorists
- People from the London Borough of Bromley