I've Lost My Head (Ntobela)
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| I’ve Lost My Head - Flames of Passion Leap from My Belly | |
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| Artist | Zandile Ntobela |
| Year | 2021 |
| Medium | Textile |
| Dimensions | 83 cm × 108 cm (33 in × 43 in) |
| Location | Memorial Art Gallery, Rochester, New York |
I’ve Lost My Head - Flames of Passion Leap From my Belly is a beadwork art piece made of Czech and Miyuki glass beads on fabric. Zandile Ntobela created it in South Africa using traditional methods.[1] Ntobela is one of four women who make up Ubuhle: Beautiful Beads, South African artists who are credited to creating the art form, Ndwango.[2]
Description
[edit]I’ve Lost My Head - Flames of Passion Leap From my Belly is entirely covered in beads. The beads are small and round, with the exception of some cylindrical shapes. While the bead shape remains similar, there is a wide variety in their opacities and pigments, using primarily greens, blues and reds. Many of them are grouped together by color or pattern, and create large shapes distinctive from each other.
In the middle left of the piece, there are large sections of beading that differ from the rest, with intricate and unique patterns. The areas are well defined and divided with silver beaded division lines and contain a consistent color palette, with different combinations of silver, gold, and black. These sections connect to form a torso of an animal with two legs and a tail. The body resembles a zebra, with two tapering rectangles coming down from the torso area to represent the legs. At the end of the torso is the tail, which hangs off starting with another tapered rectangle and ends with a long, slightly curved but smooth shape.[1]
Title
[edit]The name of the artwork, I’ve Lost My Head - Flames of Passion Leap From my Belly, reflects Zandile’s emotions amidst the South African COVID-19 lockdowns.[1] The lost head is the red ball to the left of the body. The red branches coming from the ball may resemble blood, suggesting that the head has been removed or “lost”.[1] The animalistic body with fire coming from it could be interpreted as Ntobela's belly. This may reflect Ntobela's values, where even while she was anxious and faced harsh realities during the pandemic, she “believes in a world filled with beauty, life, and positivity.” Because the animal does not stand out much, it can be interpreted that there is much more in the beauty of life that could overlook the negative events that we face. The beadwork of Ntobela reflects her core truths and is a physical representation of her perspective on the world.[1]
Zandile Ntobela and artistic expression
[edit]Zandile Ntobela uses her art to express her emotions and reflect aspects of her personal life.[3] Her artwork titles are literal to the meaning of each piece, with more abstract imagery.[4] She uses repetitive patterns of different shapes and colors, such as in The Marriage, and Ripples of Life which depict personal moments in her life.[3] Her online presence is scarce, but one could learn information about her through her works alone.
Ubuhle: Beautiful Beads
[edit]Ubuhle: Beautiful Beads is a group of South African women whose mission is to establish a name for themselves and gain respect through their voices in art, “creating a powerful platform that has deeply challenged and changed the manner in which African women are perceived.” [2] "Ubuhle" translates to beauty in English.[5] Ubuhle Beads was founded by Ntombephi Ntobela, Zandile's sister and beadworking teacher, and Beverly Gibson in 1999.[6] Ubuhle Beads has had art showcased by museums such as the Smithsonian Institution and Memorial Art Gallery.
Medium
[edit]Ntobela uses beadworking on traditional Xhosa cloth. Ndwango translates to “cloth” in Xhosa, and is the bead art method used by Ntobela to create I’ve Lost My Head. The process involves overlaying glass beads over stretched Xhosa fabrics.[7]
Origins of Xhosa beadwork
[edit]Zandile Ntobela is part of the Mpondo-Xhosa.[4] There are approximately 2 million Mpondo-Xhosa people.[8]
The colors of Xhosa beadwork have meaning that derives from historical contexts. Red, white, yellow and green individually symbolized different ideas. Blue is also used frequently in beadworking but the meaning has not been specified. Certain colors combined with various patterns can convey unique messages. Popular patterns include triangles, circular shapes, and stars. A red zigzag may correspond to an idea connecting royalty to rivers. Note that information on Xhosa symbolism is limited, and nothing can be confirmed.
Beads and buttons were a commodity for the Xhosa. Even after bead supply had significantly increased, their value remained high. Everyone wore some form of beadwork, from the lower to upper ranked peoples.[9] Important Xhosa officials and chiefs would wear apparel with specific bead patterns and buttons woven into them.[10] Given that the beads were traditionally valuable, they still hold significance in the Xhosa.[10]
References
[edit]- ^ a b c d e Zandile Ntobela, I’ve Lost My Head - Flames of Passion Leap from My Belly, 2021, Czech and Miyuki glass beads on fabric, Memorial Art Gallery, New York
- ^ a b "Ubuhle Home". Ubuhle Beads - Stunning African Beadwork Art. Retrieved 2024-10-29.
- ^ a b Everhart, Nicole (2018-06-07). "The stories behind Ubuhle Women tapestries in the Museum Store". National Czech & Slovak Museum & Library. Retrieved 2024-12-12.
- ^ a b "Zandile Ntobela". Ubuhle Beads - Stunning African Beadwork Art. Retrieved 2024-12-12.
- ^ "English ::Xhosa Online Dictionary". English :: Xhosa Online Dictionary. Retrieved 2024-12-12.
- ^ "Ubuhle Women: Beadwork and the Art of Independence". Paine Art Center and Gardens. Retrieved 2024-12-12.
- ^ "Ubuhle Women: Beadwork and the Art of Independence". Memorial Art Gallery. Retrieved 2024-10-29.
- ^ "Mpondo". Oxford Reference. doi:10.1093/oi/authority.20110803100213670#:~:text=quick%20reference,million%20people%20consider%20themselves%20mpondo. Retrieved 2024-12-12.
- ^ Costello, Dawn (1990). Dawn Costello, Not Only for Its Beauty: Beadwork and Its Cultural Significance among the Xhosa-speaking Peoples. Pretoria: University of South Africa. pp. 1–35.
- ^ a b Van Wyk, Gary (2003-10-01). "Illuminated Signs: Style and Meaning in the Beadwork of the Xhosa- and Zulu-Speaking Peoples". African Arts. 36 (3): 12–94. doi:10.1162/afar.2003.36.3.12 (inactive 1 November 2024). ISSN 0001-9933.
{{cite journal}}: CS1 maint: DOI inactive as of November 2024 (link)