Draft:Wanyubi Marika
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- Comment: Doesn't meet WP:NARTIST. Safari ScribeEdits! Talk! 08:58, 3 September 2024 (UTC)
Wanyubi Marika | |
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Born | 1967 (age 56–57) Darwin, NT, Australia |
Education | Djambawa Marawili, Roy Marika, Wukuka Marika, Gawirrin Gumana |
Alma mater | Batchelor Institute of Indigenous Tertiary Education |
Known for | Bark painting |
Spouse | Gurrundul Marika |
Parents |
|
Wanyubi Marika is a contemporary Aboriginal Australian artist known for his bark painting. He is also a well-known community leader and senior ranger in the Laynhapuy Homelands.
Biography
[edit]Wanyubi Marika was born in Darwin, Australia on January 30th, 1967.[1] He lives between the town of Yirrkala in Eastern Arnhem Land, and his wife's outstation at Baniyala.[2] He is of the Dhuwa moiety, the son of Milirrpum Marika and Reverend Liyapadiny Marika, and a member of the Rirratjingu clan. His father, best known for being the plaintiff in the Australian Supreme Court case Milirrpum v Nabalco Pty Ltd, sent Wanyubi to school to learn English. Wanyubi attended preschool, primary and secondary school in Yirrkala, graduating from Nhulunbuy Secondary School in 1983.[1][3] He also attended Batchelor Institute[2] through TAFE NSW[3] where he earned an Associate degree in Community Management. [2][3]
Domestic Career
[edit]In the early 2000s, inspired by the positive impact that the Dhimurru Indigenous Protected Area (or IPA), Wanyubi set out to form an IPA for the Laynhapuy region.[4] One Homeland-based Yirralka Ranger stated that, "I was there at the start, when Wanyubi [Yolngu initiator of the program] started up. I’ll be a ranger until I die!"[5] Beginning with nearly 1,160 square miles (300,000 hectares) in 2006, the region now covers over 2,600 square miles (690,000 hectares).[6][7] As of 2014, Wanyubi serves the Laynhapuy IPA as one of Yirrkala's two Senior Culture Advisors.[8] He has been a significant inspiration to the other rangers.
Art Career
[edit]Beginning his art career with two works at Saltwater–Yirrkala Bark Paintings of Sea Country[3][9], Wanyubi Marika built on the artistic training of his "fathers", friends and kin of his father's, to learn painting skill. Notable examples of his mentors include Djambawa Marawili and Gawirrin Gumana.[2] He currently holds the position of Buku-Larranggay Mulka committee chairperson, and was part of the curatorial team for Maḏayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala, an exhibition made in conjuction with the Kluge-Ruhe Aboriginal Art Collection.[10]
References
[edit]- ^ a b "Yalangbara: art of the Djang'kawu". Darwin: Charles Darwin University Press (CDU Press). p. 182. hdl:10070/816699. Retrieved 6 May 2024.
- ^ a b c d National Museum of Australia. "National Museum of Australia - The Marika family". www.nma.gov.au. Retrieved 2024-05-06.
- ^ a b c d Film Australia; Denise Haslem Productions Pty Ltd.; Yirrkala Dhanbul Community Association; Rirratjingu Association (2006). "CEREMONY – THE DJUNGGUWAN OF NORTHEAST ARNHEM LAND BACKGROUND MATERIAL" (PDF). Film Australia National Interest Program. National Film and Sound Archive of Australia. pp. 77–78.
- ^ Frances Morphy; Wanyubi Marika; Indigenous Community Governance Project (December 2005), "LAYNHAPUY IPA & YIRRALKA RANGER PROGRAM", Community Governance : An Occasional Newsletter from the Indigenous Community Governance Project, 1 (4), Centre for Aboriginal Economic Policy Research (CAEPR), The Australian National University, ISSN 1832-5157 – via National Library of Australia
{{citation}}
: CS1 maint: date and year (link) - ^ Barber, M (2015). Rangers in place: the wider Indigenous community benefits of Yirralka Rangers in Blue Mud Bay, northeast Arnhem Land. Charles Darwin University. pp. 13, 49. ISBN 978-1-4863-0491-2.
- ^ Laynhapuy IPA Management Team (2016). "LAYNHAPUY INDIGENOUS PROTECTED AREA MANAGEMENT PLAN (2017-2022)" (PDF). Laynhapuy.
- ^ Cabinet, Prime Minister and (2015-11-05). "Laynhapuy IPA and Yirralka Rangers". National Indigenous Australians Agency. Retrieved 2024-05-07.
- ^ Yirralka Rangers (May 2014). Keeping Country: Putting both ways culture into practice (1 ed.). Nhulunbuy NT: em PRESS Publishing. pp. 21, 26. ISSN 2203-2754.
{{cite book}}
: CS1 maint: date and year (link) - ^ Buku-Larrngay Mulka Center (1999). Saltwater: Yirrkala bark paintings of sea country (Unstated ed.). Jennifer Isaacs Pub. pp. 108, 110. ISBN 978-0646377025.
- ^ "Dhuwa Yarrpany | Dhuwa Honeybee". Kluge-Ruhe: Madayin. Retrieved 2024-05-07.