Draft:Performance Tour
Submission declined on 24 August 2024 by SafariScribe (talk). This submission is not adequately supported by reliable sources. Reliable sources are required so that information can be verified. If you need help with referencing, please see Referencing for beginners and Citing sources.
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Submission declined on 8 February 2024 by MicrobiologyMarcus (talk). This submission is not adequately supported by reliable sources. Reliable sources are required so that information can be verified. If you need help with referencing, please see Referencing for beginners and Citing sources. Declined by MicrobiologyMarcus 9 months ago. |
- Comment: I would love to approve this but the sources do not really go into depth about the tour. They are mainly mentions. First thing needed is to remove all of the content that is not support by a source. Then, please introduce references that focus on the tour, not just mention when covering the history of the group. Will leave open for now in the chance another reviewer disagrees with me. CNMall41 (talk) 22:57, 25 July 2024 (UTC)
- Comment: close, but still largely unreferenced sections. Personnel, Set list, and Tour dates are entirely unreferenced and there are existing {{citation needed}} tags. microbiologyMarcus (petri dish·growths) 22:18, 8 February 2024 (UTC)
Tour by Pet Shop Boys | |
Location |
|
---|---|
Associated album | Behaviour |
Start date | 11 March 1991 |
End date | 14 June 1991 |
Pet Shop Boys concert chronology |
The Performance Tour was a concert tour by English synthpop duo Pet Shop Boys launched in 1991 to promote their fourth studio album Behaviour (1990). Despite being their second tour overall, this was their first world tour to visit the US. Spanning all in all three continents, the tour lasted three months, starting on 11 March 1991 in Tokyo, Japan, and concluding on 14 June 1991 in Dublin, Ireland.
The show was directed by David Alden and designed by the award-winning stage designer David Fielding, a cutting edge duo known for their their avantgarde reworkings of traditional operas.[1] In the same vein, Performance purported to stage a theatrical presentation of the band's music.
Background and concept
[edit]Despite ambitious plans for a theatrical live show in 1986 and 1987, Pet Shop Boys soon realised that the financial realities of the pop music industry clashed with their vision, forcing them to cancel the planned tours. Thanks to a kind offer from a Japanese promoter, the idea was revived in 1989, but even then Pet Shop Boys were not entirely convinced of the idea of nightly performances in front of fans.[2] The band's first small-scale tour consisting of 14 dates visited Japan, Hong Kong and the UK.[3] "We're not a live band, really," remarked lead singer Neil Tennant during one of the press conferences held to promote the tour.[2] Despite this, the band returned to the road two years later announcing that the new tour would be even more theatrical than the previous one.[4]
The Performance tour was conceived with no live band on stage; instead, it involved background singers, dancers and "more costume changes than at a Cher concert".[5] With the emphasis on theatrical elements and choreography, the show prioritised a dramatic presentation over traditional band performance with Neil Tennant and Chris Lowe adopting a more actor-like stage presence.[6]
With the set design visualising the themes of the songs in the set list, the show featured a slew of characters including, among others, English schoolboys in uniforms, women in 1950s attire and a ballerina with a gun. The concert's imagery also included an act of self-strangulation with a telephone cord and Neil Tennant being electroshocked while sitting in a cage.[7][8]
The tour kicked off in Tokyo on 11 March 1991, the same day as the double-A side single 'How Can You Expect to Be Taken Seriously? / Where the Streets Have No Name" was released.[4]
Critical Response
[edit]North America
[edit]The tour sparked diverse reactions in the press. Many American reviewers were left unimpressed with stage reimaginings of Pet Shop Boys' songs and the overall emphasis on theatrics over musicianship. "Was all this a crutch for songs that couldn't stand on their own?", asked a reviewer in San Jose Mercury News.[9]
While acknowledging the uniqueness of the theatrical concert experience, critic Barbara Jaeger of The Record (New York) found Performance devoid of both drama and humour. Instead, she described the show as a sequence of "grotesque characters" and disturbing visuals.[10] Dan Aquilante of New York Post described the concert as "a stunning display of pretentiousness", which was "overdone, under-thought and outrageous".[8] He was particularly displeased with the show's eroticism, particularly the scene of simulated masturbation (during the English schoolboy number) at the end of This Must Be the Place I've Waited Years to Leave, calling on the Radio City Music Hall "to install windows to air the place out".[5]
Other reviewers were more favourable, likening the audacity and scope of the show to Broadway productions.[11] Richard Cromelin of the Los Angeles Times compared Performance to other concerts in the rock-theater tradition, such as David Bowie’s Diamond Dogs Tour and Madonna’s Blond Ambition. He particularly praised the set and staging noting that it "serves the sense and the tone of the song".[12]
Continuing the comparisons with Madonna's Blond Ambition tour, Barry Walters of San Francisco Examiner described the show as bold and sensational. He recognised the shared influences between Madonna and Pet Shop Boys noting how both drew on "similar sources – cabaret, disco escapism, post modern deconstruction, religion, sex, camp and the love of a good, gaudy show-stopper." The result, according to Walters, was "more performance art than rock concert", which could be "the future of pop".[11]
Rob Taunenbaum in his Rolling Stone review of the New York concert further acknowledged the show's potential impact, suggesting it could "set a new standard for pop flamboyance and grandiosity" and even become one of "pivotal events in concert history." However, Taunenbaum also recognised how it could be perceived as "an epic display of pretentiousness".
Personnel
[edit]Adapted from the Performance Tour DVD box.
Vocals (additional)
[edit]Sylvia Mason-James, Derek Green and Pamela Sheyne
Dancers
[edit]Petee Aloysius, Trevor Henry, Craig Maguire, Catherine Malone, Mark Martin, Leon Maurice Jones, Suki Miles, Katie Puckrick, Sarah Toner and Noel Wallace
Choreography
[edit]Jacob Marley
Recording
[edit]The tour was captured on film by director Eric Watson and released as a concert film in 1991. Alongside the live show the film features backstage footage.
The VHS release of the film skips the latter portion of the "Where the Streets Have No Name / I Can't Take My Eyes Off You" medley, which was removed from the recording due to copyrights issues, although it was shown in full length on British television in 1991. The missing segment was later included in a 2004 DVD release.[1]
Set list
[edit]Adapted from the Performance Tour DVD box.
- "This Must Be the Place I've Waited Years to Leave"
- "It's a Sin"
- "Losing My Mind"
- "This Must Be the Place I've Waited Years to Leave" (Reprise)
- "What Have I Done to Deserve This?"
- "My October Symphony"
- "I'm Not Scared"
- "We All Feel Better in the Dark"
- "So Sorry, I Said"
- "Suburbia"
- Interval
- "So Hard"
- "Opportunities (Let's Make Lots of Money)"
- "How Can You Expect to Be Taken Seriously?"
- "Rent"
- "Where the Streets Have No Name (I Can't Take My Eyes Off You)"
- "West End Girls"
- "Jealousy"
- Encore
- "Always On My Mind"
- "Being Boring"
- "Your Funny Uncle"
Tour dates
[edit]Adapted from the Pet Shop Boys official website.[13]
Date | City | Country | Venue |
---|---|---|---|
Asia | |||
11 March 1991 | Tokyo | Japan | Yoyogi Olympic Pool |
12 March 1991 | Osaka | Castle Hall | |
14 March 1991 | Yokohama | Gym | |
15 March 1991 | Tokyo | Budokan | |
North America | |||
20 March 1991 | Miami | United States | Knight Center |
21 March 1991 | New Orleans | McAllister/Saenger | |
23 March 1991 | Houston | Southern Star Amphitheatre | |
27 March 1991 | San Francisco | Warfield Theater | |
28 March 1991 | San Francisco | Warfield Theater | |
29 March 1991 | Los Angeles | Universal Amphitheatre | |
30 March 1991 | Universal Amphitheatre | ||
1 April 1991 | Salt Lake City | Kingsbury Auditorium | |
3 April 1991 | Minneapolis | Orpheum Theater | |
4 April 1991 | Chicago | Rivera Theater | |
5 April 1991 | Detroit | Clubland | |
7 April 1991 | Washington DC | Bender Arena/American University | |
9 April 1991 | New York City | Radio City Music Hall | |
10 April 1991 | Radio City Music Hall | ||
11 April 1991 | Boston | Orpheum Theater | |
14 April 1991 | Toronto | Canada | Varsity Arena |
15 April 1991 | Montreal | Verdun Auditorium | |
Europe | |||
18 April 1991 | Paris | France | Zenith |
19 April 1991 | Brussels | Belgium | Forest National |
21 April 1991 | Berlin | Germany | Deutscheland Halle |
22 April 1991 | Bremen | Stadhalle | |
23 April 1991 | Dortmund | Westfallen Halle | |
25 April 1991 | Frankfurt | Festhalle | |
26 April 1991 | Mannheim | Eisstadion | |
28 April 1991 | Munich | Olympia Halle | |
30 April 1991 | Hannover | Eilenriede Halle | |
2 May 1991 | Copenhagen | Denmark | Valby Hotel |
3 May 1991 | Gothenburg | Sweden | Scandanavium |
4 May 1991 | Stockholm | The Globe | |
6 May 1991 | Helsinki | Finland | Ishallen |
9 May 1991 | Prague | Czechoslovakia | CSTV Sportshal |
10 May 1991 | Ostrava | Palace of Sports and Culture | |
11 May 1991 | Vienna | Austria | Stadhalle |
12 May 1991 | Budapest | Hungary | Sportshall |
14 May 1991 | Zagreb | Croatia | Sportshall |
16 May 1991 | Stuttgart | Germany | Hans Martin Schleyer Halle |
17 May 1991 | Zurich | Switzerland | Hallen Stadion |
18 May 1991 | Milan | Italy | Palatrussardi |
21 May 1991 | Madrid | Spain | Palacio De Los Deportes |
22 May 1991 | Barcelona | Palau De San Jordi | |
24 May 1991 | Rotterdam | Netherlands | The Ahoy |
27 May 1991 | Blackpool | England | Opera House |
28 May 1991 | Glasgow | Scotland | S.E.C.C. |
29 May 1991 | Aberdeen | Exhibition Centre | |
1 June 1991 | Birmingham | England | N.E.C. |
2 June 1991 | |||
3 June 1991 | |||
5 June 1991 | Whitley Bay | Ice Rink | |
7 June 1991 | London | Wembley Arena | |
8 June 1991 | |||
9 June 1991 | |||
13 June 1991 | Belfast | Northern Ireland | Kings Hall |
14 June 1991 | Dublin | Ireland | The Point |
References
[edit]- ^ a b Griffiths, James (1 October 2004). "Pet Shop Boys, Performance". The Guardian. ISSN 0261-3077. Retrieved 3 January 2024.
- ^ a b "How the Pet Shop Boys accidentally made the best tour diary in pop history". BBC Entertainment. 22 March 2020. Retrieved 3 January 2024.
- ^ "History: 1989". Pet Shop Boys. Retrieved 3 January 2024.
- ^ a b "History: 1991". Pet Shop Boys. Retrieved 3 January 2024.
- ^ a b Heath, Chris (19 March 2020). Pet Shop Boys versus America. Random House. ISBN 978-1-4735-7568-4.
- ^ Nast, Condé. "Pet Shop Boys: Discovery: Live in Rio 1994". Pitchfork. Retrieved 3 January 2024.
- ^ Pareles, Jon (11 April 1991). "Review/Pop; Serious Spectacle From the Pet Shop Boys". The New York Times. ISSN 0362-4331. Retrieved 3 January 2024.
- ^ a b "USA Tour". Pet Shop Boys, Literally (6). 1992.
- ^ Alwakeel, Ramzy (21 July 2016). Smile If You Dare. Watkins Media Limited. ISBN 978-1-910924-23-5.
- ^ "Chris's flat". www.petshopboys.cz. Retrieved 3 January 2024.
- ^ a b "Literally 6 Page 1 – Absolutely Pet Shop Boys". Retrieved 3 January 2024.
- ^ Cromelin, Richard (1 April 1991). "POP MUSIC REVIEW : Rock-Theater Revival : The Pet Shop Boys' fans finally get to see the band in the flesh, in its first U.S. concert tour since its ironic records hit the charts". Los Angeles Times. Retrieved 3 January 2024.
- ^ "Tour Archive". PetShopBoys.co.uk. Retrieved 7 June 2024.
Category:1991 concert tours Category:Pet Shop Boys concert tours