Draft:Francesco D'Alconzo
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| Submission declined on 28 August 2022 by Theroadislong (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. Declined by Theroadislong 2 years ago. | |
Comment: The subject of this draft is a living person; therefore every assertion about him must be reliably sourced. Currently, only a small minority of the assertions in the draft are referenced (whether well or poorly). Hoary (talk) 03:15, 16 September 2024 (UTC)
- Comment: You have a single source source listed, which leads to a 404 error. Theroadislong (talk) 08:20, 28 July 2024 (UTC)
- Comment: Not clear how they pass WP:NARTIST? Theroadislong (talk) 10:06, 28 August 2022 (UTC)
 | This article is an autobiography or has been extensively edited by the subject or by someone connected to the subject. (September 2024) |
Francesco D'Alconzo (Campomaggiore - Italy, 13 September 1960) is an italian painter and sculptor.
Biography
[edit]Francesco D’Alconzo was born in Campomaggiore (Potenza) on September 13, 1960, and later moved with his family to Oggiono (Lecco).
In the mid-1990s he moved to Heidelberg, Germany, where he began his artistic production.
In July 2008 he presented his first solo exhibition in Milan, Francesco D'Alconzo, at the Artouverture Gallery.
In 2009 he participated in the 53rd edition of the Venice Art Biennale[1] in the National Pavilion of the Republic of Costa Rica, curator Gregorio Rossi, set up at Ca' Foscari University.
In 2011 he participated in the first edition of Symphonie de Couleurs, set up at Palazzo Pesaro Papafava (Venice).
In 2013 he exhibited at Palazzo Merati (Venice) in the international exhibition Tra astratto e figurativo - alla scoperta dell’arte del terzo millennio.
In 2014 he was chosen by art critic and historian Gregorio Rossi for the Permanent Collection of the Museum of Italian Contemporary Art in America (MACIA)[2], where contemporary Italian art is represented abroad.
In 2015 at Palazzo Bollani (Venice), he presented his works at “Il Grande Canale della Pace – artisti contro la guerra”, an international exhibition with the participation of Nobel laureates Hermann Hesse (represented by Eva Hesse) and Dario Fo.
In 2016 in Rome, at the Museal Complex of Villa Panfili (Villino Corsini), Francesco D'Alconzo returned to exhibit at the second edition of Il Grande Canale della Pace - artisti contro la guerra.
In August 2019, the expert magazine Art&trA International publishes Francesco D'Alconzo's Manifesto of Art. In September and October of the same year he is a guest at Palazzo Merati (Venice), for the third edition of the exhibition Symphonie de Couleurs: on this occasion, Francesco D'Alconzo's Art Manifesto is officially presented.
A few months later, one of his works is chosen for a preview-event of the Amedeo Modigliani Centenary, held at Palazzo Merati (Venice), on that occasion a museum of Giacomo Casanova.
In 2022 he moved back to Italy (Oggiono) where he resides and continues his artistic work. In the same year comes the updated and expanded reprint of the volume Natura e Sogni[3] (Palombi Editori), devoted entirely to D'Alconzo's participation in the 53rd Edition of the Venice Art Biennale.
The Manifesto
[edit]The publication of Francesco D'Alconzo's Manifesto[4] contains the author's artistic philosophy. Symbol of the Dalconzian stylema is the metal hinge, understood as closure/opening to the inner world. However, it is not a commonly understood "zipper," but this accessory deprived of its cursor, where the cursor is the observer himself who becomes the active conduit toward his introspection.
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The spiritual hinge lacks its slider because it is the artist himself who is the slider that opens and closes the door to the unconscious. Because of this characteristic, in March 2020 a work by D'Alconzo was offered at the Gabinetto dei Disegni e delle Stampe of the Uffizi Gallery in Florence and in May 2024 at the MAXXI museum in Rome.
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«D'Alconzo He does not write with a language, with a sedentary grammar, but breaks the rules with his brush, which revolts by heading inside the observer himself and becomes unconscious...»
Christian Parisot, President of the Modigliani Institute in Paris
Sacred art
[edit]Since 2000, D'Alconzo has also devoted himself to sacred art, and some of his works are now exhibited in various Christian places of worship in Europe.
Among them:
- Pacem in Terris - Birthplace of Pope John XXIII in Sotto il Monte (BG - Italy);
- Trinity - Entrance to the Mater Dolorosa Chapel of the Sanctuary of Our Lady of Lourdes (France);
- Zoe - Pontifical House Vatican City (Vatican City);
- Io, Francesco - Pontifical House Vatican City;
- Il sole di Fatima - Sanctuary of Fátima (Portugal);
- Rosa mystica - Church of St. James in Međjugorje (Bosnia and Herzegovina);
- Il Cantico delle Creature - Basilica of St. Francis of Assisi (PG - Italy);
- St. Pio - Sanctuary of St. Pio of Pietrelcina (FG - Italy);
- Resurrection - Mission of the Italian Catholic community in Mannheim (Germany);
- Antonio, il buon profumo di Cristo - Basilica of St. Anthony of Padua (Italy);
- Trinity (the only copy of the original present in Lourdes), Pope John XXIII and St. Joseph Moscati - M. SS. del Carmelo Church in Campomaggiore (PZ - Italy).
Bibliography
[edit]- G. Rossi and Francesco Elisei, 53rd Venice Art Biennale, Nature and Dreams Catalog, ed. Allemandi, Venice 2009 - p. 75-77.
- GCDP WEBZINE (no.3 - December 2017) by The Great Channel of Peace - Artists Against War - pag.9
- G. Rossi (ed.), Symphonie de couleurs Catalog, Venice - Pesaro Papafava Palace - Giorgio Grasso 2011 - pp. 22, 23, 24, 25, 26, 27.
- V. Casula, Suffering and faith, ed. Aracne 2018 - cover.
- A. M. Garzia, Ardesia, ed. Albatos Il Filo 2021 - cover.
- G. Rossi, Francesco D'Alconzo. Nature and Dreams. Museum of Contemporary Art in America. Bilingual ed. Palombi Publishers 2022.
- G. Rossi, A. Agozzino, Francesco D'Alconzo, ed. Palombi Publishers 2024.
References
[edit]- ^ exibart_admin. "53. Biennale - Padiglione Natura e Sogni". exibart.com (in Italian). Retrieved 2024-07-28.
- ^ "Francesco D'Alconzo | MACIA". museomacia.org. Retrieved 2024-07-28.
- ^ "Francesco D'Alconzo. Natura e Sogni. Museo di arte contemporanea in America. Ediz. bilingue". www.libreriauniversitaria.it (in Italian). Retrieved 2024-07-28.
- ^ Sparaci, Roberto (2019-09-03). "Blu Star International Srl - Roma - MANIFESTO". www.accainarte.it (in Italian). Retrieved 2024-07-28.