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Challengers (film)

From Wikipedia, the free encyclopedia
This article is about the 2024 film. For films with similar titles, see Challenger (disambiguation).

Challengers
Theatrical release poster
Directed byLuca Guadagnino
Written byJustin Kuritzkes
Produced by
Starring
CinematographySayombhu Mukdeeprom
Edited byMarco Costa
Music by
Production
companies
Distributed by
Release dates
  • March 26, 2024 (2024-03-26) (Sydney)
  • April 26, 2024 (2024-04-26) (United States)
Running time
131 minutes[1]
CountryUnited States
LanguageEnglish
Budget$55 million[2]
Box office$96 million[3][4]

Challengers is a 2024 American romantic sports film directed by Luca Guadagnino and written by Justin Kuritzkes. It follows the love triangle between an injured tennis star-turned-coach (Zendaya), her low-circuit tennis player ex-boyfriend (Josh O'Connor), and her tennis champion husband (Mike Faist) across 13 years of their relationship, culminating in the latter two's match at the ATP Challenger Tour.

Kuritzkes' screenplay was acquired by MGM in February 2022, with the main cast and Guadagnino being hired shortly after; Zendaya, O'Connor, and Faist trained for months with former tennis player and coach Brad Gilbert to prepare for their roles. Principal photography ran from May to June 2022, primarily in Boston. Sayombhu Mukdeeprom, who previously worked with Guadagnino on Call Me by Your Name (2017) and Suspiria (2018), served as cinematographer.

Delayed from an initial September 2023 release in response to the 2023 SAG-AFTRA strike, Challengers premiered in Sydney on March 26, 2024, and was theatrically released in the United States by Amazon MGM Studios one month later. The film grossed $96 million worldwide on a $55 million budget, and received positive reviews from critics.

Plot

[edit]
The film is presented in a nonlinear narrative. The following is a linear summary of the plot.

In 2006, friends Patrick Zweig and Art Donaldson win the boys' junior doubles title at the US Open. They watch a match played by Tashi Duncan, a rising tennis star, with whom Patrick and Art become infatuated. After meeting at a party, Tashi joins Art and Patrick in their hotel room, where all three kiss before Tashi abruptly ends the tryst. She promises to give her phone number to whoever wins the final the next day. Patrick wins the match, and later signals to Art that he had sex with Tashi by placing the ball in the neck of his racket prior to serving, a tic of Art's.

In 2007, Tashi and Art play college tennis at Stanford University, while Patrick turns professional and begins a long-distance relationship with Tashi. Art suggests to Tashi that Patrick does not love her. When Patrick visits Stanford, Art similarly suggests to him that Tashi does not take the relationship seriously. Tashi and Patrick have an argument over her attempts to coach Patrick in tennis, and Patrick skips her match as a result; while playing, Tashi tears her ACL. Patrick comes to see Tashi, but Tashi angrily demands he leave. Art sides with her, ending his friendship with Patrick. Art aids in Tashi's recovery, but her injury ends her tennis career.

In 2009, Tashi reconnects with Art, becoming his coach and girlfriend. In 2011, Tashi and Art are now engaged, and Art's career is on the rise. Tashi and Patrick run into each other at the Atlanta Open and have a one-night stand, which Art notices.

In 2019, Tashi and Art are a wealthy power couple with a young daughter. Art is only one US Open title away from a Career Grand Slam, but has been struggling due to injury and age. Tashi enters Art as a wild card in a Challenger event in New Rochelle, New York, hoping to boost his confidence and return him to form. Patrick, who is living out of his car and scraping by on winnings from the lower circuits, happens to enter the New Rochelle Challenger as well.

Sensing Art's disillusionment, Patrick asks Tashi to coach him to a last winning season. She refuses, but keeps the slip of paper with his phone number on it. Starting at opposite ends of the seeding, Art and Patrick advance through the brackets until they find themselves facing each other in the final. The day before the final match, Patrick attempts to reconnect with Art, but Art rebuffs him.

The evening before the final, Art tells Tashi he plans to retire at the end of the season whether he wins the Open or not. Tashi is unhappy, but reluctantly accepts Art's decision. That night, Tashi secretly meets with Patrick to ask him to throw the match to Art, claiming it is to boost his confidence and to save their marriage. Patrick is disgusted but then agrees, and he and Tashi have a passionate argument before having sex inside his car.

The day of the final, Tashi watches as Art and Patrick play. Patrick wins the first set, and Art the second. Although the match remains close, Art reaches a match point. Patrick signals that he has slept with Tashi using Art's serve tic, which Tashi cannot decode. Stunned, Art allows Patrick to score to bring the match to a final tie break.

During the tie break, Art and Patrick furiously trade groundstrokes, but begin smiling as they continue. The rally intensifies and Art jumps for a volley at the net. As Art lunges for a final shot he collides with Patrick over the net and the two embrace. Tashi leaps from her seat and cheers the players on.

Cast

[edit]
The cast of Challengers in 2024 from left to right: Mike Faist, Zendaya, Josh O'Connor.
  • Zendaya as Tashi Duncan[5]
  • Josh O'Connor as Patrick Zweig[5]
  • Mike Faist as Art Donaldson[5]
  • Darnell Appling as New Rochelle Final Umpire[6]
  • Shane Harris as Art's security guard
  • Nada Despotovich as Tashi's mother
  • AJ Lister as Lily Donaldson
  • Naheem Garcia as Tashi's father
  • Jake Jensen as Finn Larsen[7]
  • Hailey Gates as Helen

Production

[edit]

Development

[edit]

Writer Justin Kuritzkes was inspired to make a tennis film after watching the 2018 U.S. Open match between Serena Williams and Naomi Osaka, in which Williams was penalized for receiving coaching from the sidelines. He had never heard of the rule and thought the fact that the player could not talk with such an important figure during the match seemed cinematic. He observed, "What if you really had to talk about something important that went beyond tennis? Something going on with you personally?" While doing research for the script, he read Andre Agassi's memoir Open, in which Agassi recounts how his then-coach Brad Gilbert entered him into a Challenger event in Nevada. This served as inspiration for Art's arc in the film.[8]

Kuritzkes also knew what the characters' origins were while writing: "Tashi was always a Black woman. Patrick was always a very well-to-do Jewish guy, and Art was always a somewhat well-to-do WASP." He thought that a story about tennis with no Black characters would be weird because "that is the story of American women's tennis, if you look at all of the big superstars from the past decade".[9] The script landed on The Black List, an annual list of the best unproduced scripts in Hollywood, in December 2021.[10] That same year, producing partners Amy Pascal and Rachel O'Connor read the script. Pascal had been wanting to work with director Luca Guadagnino for a long time, and sent him the script while he was filming the short film O Night Divine starring John C. Reilly. Guadagnino recalled, "I had the script on set, hiding myself from John C., not showing him that I was reading while I was directing. Anyway, I found it amazing."[9] In a 2022 interview with Collider, Guadagnino cited Kuritzkes' screenplay, Pascal, and Zendaya as inspirations for making the film.[11] At the behest of Guadagnino, Kuritzkes modified the script to add a scene where Patrick and Art end up kissing each other: "Luca felt it was very important that, in any love triangle, all the corners touch, and I quickly realized he meant it literally."[9]

In early 2022, MGM's then-chairman Kevin Ulrich met with Guadagnino to discuss distributing the independently financed Bones and All. During the meeting, Guadagnino told Ulrich he was also in the midst of developing a "sexy tennis story starring Zendaya". Ulrich contacted Michael De Luca and Pamela Abdy, the then-heads of MGM, and they negotiated a two-picture deal over the next 24 hours to pick up both films. When Amazon completed its acquisition of MGM, it latter inherited the films, and Zendaya gained a $10 million paycheck as both star and producer.[9] In February 2022, the film was announced with Zendaya, Josh O'Connor, and Mike Faist set to star.[12]

Casting

[edit]

Pascal's first choice to play Tashi was Zendaya, whom she knew from working on several Spider-Man films with, and passed her the script. Zendaya accepted the role, as it would be a departure from the teenagers she was used to portraying, and she felt it was the right time to move into more adult roles: "It was nice to play a character that was not a child anymore. It was also interesting playing parts of my life that I haven't experienced yet: I've not gotten married. I've not had a child. Those milestones, I don't necessarily have a direct reference point for."[9]

Guadagnino suggested Josh O'Connor should play the cocky Patrick. For the role of Art, Guadagnino considered West Side Story star Mike Faist, whose agent insisted he read the script; Faist then agreed to travel to London for a screen test with Zendaya. He later said, "I thought, 'Why not? If I don't get the job, I got a trip out of it." He thought that the audition had gone badly, but Guadagnino loved his interpretation of the character. Faist said that Guadagnino's main preoccupations were that he was blond and that his body should be hairless. Faist was put off by the idea of shaving his body, but Guadagnino felt that he needed to be "aerodynamic" as an athlete.[9]

Zendaya's best friend and personal assistant Darnell Appling portrayed the umpire at the New Rochelle Final. Guadagnino wanted him to sit on the umpire chair during a camera test; he thought he would just be acting as a stand-in, as he had done previously in other Zendaya projects. Guadagnino instead asked him to play the part, which he accepted with Zendaya's blessing. To prepare for the role, Guadagnino asked Appling to attend umpire school. Appling spent three weeks filming his role.[6][13]

Filming

[edit]

Principal photography began on May 3, 2022, in Boston, where a casting call took place for local residents to audition to play tennis players, general extras, and stand-ins.[14] In preparation for their roles, Zendaya, Faist, and O'Connor spent three months training with pro-tennis player-turned-coach Brad Gilbert.[15][9] Faist had to gain 30 pounds for the film. Gilbert, who was also a consultant on the film, said: "Mike had to eat between 8,000 to 10,000 calories a day because they wanted him to gain weight. He was super thin. He had to work on his tennis and gain like 30 pounds. I had Zendaya in Los Angeles, so we got her on a program right away, and Josh was working, so [Faist] had the latest start." During training, the actors started at 6 a.m., were at the tennis center until noon, and then would act in the afternoon.[16] Filming occurred in and around the Back Bay and East Boston neighborhoods.[17] Sayombhu Mukdeeprom served as cinematographer.[18] Irish fashion designer Jonathan Anderson, currently serving as creative director of Spanish luxury brand Loewe, worked as the film's costume designer.[19] Filming wrapped on June 26, 2022.[20]

Post-production

[edit]

Guadagnino visited Zendaya on the set of Dune: Part Two in order to complete ADR for Challengers.[21] Trent Reznor and Atticus Ross composed the film's score, having previously worked with Guadagnino on 2022's Bones and All.[22] Guadagnino approached them to score Challengers by sending them an email that read, "Do you want to be on my next film? It's going to be super sexy."[23] Post-production was completed by April 2023.[24]

Music

[edit]
Main article: Challengers (soundtrack)

The film's original score was composed by Trent Reznor and Atticus Ross. A remixed version was released in collaboration with Boys Noize.[25]

Release

[edit]

The film was previously set to be released on September 15, 2023,[26] and before that August 11, 2023.[27] The film was also scheduled to have its world premiere as the opening film of the 80th Venice International Film Festival,[28] but was delayed and pulled out from the festival by Amazon MGM Studios due to the 2023 SAG-AFTRA strike at the time.[29]

Challengers premiered in Sydney, Australia on March 26, 2024, followed by premieres in Paris, London and at the Westwood Village Theater in Los Angeles, the latter of which had tennis player Venus Williams in attendance.[30]

Theatrical

[edit]

It was released in theaters and IMAX in the United States and Canada by Amazon MGM Studios on April 26, 2024, the same month as the centennial anniversary of the founding of MGM on April 17.[31][29][32][33][34][excessive citations]

Warner Bros. Pictures serves as the film's international distributor.[35] Although the film was initially set for a direct-to-streaming release on Amazon Prime Video in France instead of a theatrical release, the decision was reversed in January 2024, meaning the film would start streaming on the service 17 months after its initial theatrical release. The film was released there on April 24, 2024, 2 days before its release in the United States, although a spokesperson for Warner Bros. Discovery initially denied this, stating the film had not been dated for a French theatrical release yet.[36][37][4]

Home media

[edit]

The film was made available on VOD on May 17, 2024.[38] It was released on Blu-ray and DVD on July 9, 2024.[39]

Reception

[edit]

Box office

[edit]

Challengers grossed $50.1 million in the United States and Canada, and $45.9 million in other territories, for a worldwide total of $96 million.[4][3]

In the United States and Canada, Challengers was released alongside Boy Kills World and Unsung Hero, and was projected to gross $12–15 million from 3,477 theaters in its opening weekend.[40][2] The film made $6.2 million on its first day, including $1.9 million in Thursday night previews.[41] It went on to debut to $15 million, topping the box office and marking the best domestic opening weekend of Guadagnino's career.[42] In its second weekend the film made $7.9 million (a drop of 49%), finishing second behind newcomer The Fall Guy and the re-release of Star Wars: The Phantom Menace.[43] It then made $4.4 million in its third weekend.[44]

Critical response

[edit]

On the review aggregator website Rotten Tomatoes, 88% of 366 critics' reviews are positive, with an average rating of 8/10. The website's consensus reads: "With its trio of outstanding performers volleying their star power back and forth without ever dropping the ball, Challengers is a kinetic and sexy romp at court."[45] Metacritic, which uses a weighted average, assigned the film a score of 82 out of 100, based on 64 critics, indicating "universal acclaim".[46] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale, while those polled by PostTrak gave it a 77% overall positive score, with 59% saying they would definitely recommend it.[42]

Accolades

[edit]
Award Date of ceremony Category Recipient(s) Result Ref.
The Queerties March 20, 2024 Next Big Thing Challengers Nominated [47]
Astra Midseason Movie Awards July 3, 2024 Best Picture Nominated [48]
[49]
Best Director Luca Guadagnino Nominated
Best Actor Josh O'Connor Nominated
Best Actress Zendaya Won
Best Supporting Actor Mike Faist Nominated
Best Screenplay Justin Kuritzkes Won
Hollywood Music in Media Awards November 20, 2024 Best Original Song – Feature Film "Compress/Repress" – Trent Reznor, Atticus Ross & Luca Guadagnino Nominated [50]
Best Original Score – Feature Film Trent Reznor & Atticus Ross Nominated
Gotham Awards December 2, 2024 Best Feature Luca Guadagnino, Rachel O'Connor, Amy Pascal, and Zendaya Pending [51]
Spotlight Tribute Zendaya Won [52]
Winter IndieWire Honors December 5, 2024 Impact Award Justin Kuritzkes, Amy Pascal, Luca Guadagnino & Rachel O’Connor Won [53]
Grammy Awards February 2, 2025 Best Score Soundtrack for Visual Media Trent Reznor & Atticus Ross Pending [54]

References

[edit]
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