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Yuri Rydkin

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Yuri Rydkin
BornYuri Anatolevich Rydkin
(1979-04-08) 8 April 1979 (age 45),
Gomel, Byelorussian Soviet Socialist Republic, Soviet Union
Occupationpoet, fotocollage maker, literary critic, translator, musical artist
LanguageRussian, Belarusian
CitizenshipBelarus
Alma materFrancisk Skorina Gomel State University
Genrepoetry, prose, fotocollage
Literary movementpost-postmodernism, eclecticism, post-conceptual art, new media art, futures studies

Yuri Anatolyevich Rydkin (Russian: Ю́рий Анато́льевич Ры́дкин, IPA: [ˈjʉrʲɪj ɐnɐˈtolʲjɪvʲɪtɕ ˈrɨtkʲɪn]; born 8 April 1979) is a Russian and Belarusian poet, media artist,[1] a bot poetry (bot-non-fiction)[2][3][4] researcher.

Biography

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The author studied at school No.3, Gomel (1986–1996).

He graduated from the Belarusian department of the Linguistic Faculty of Francisk Skorina Gomel State University in 2004.

6 October 1998 Yuri Rydkin attempted to commit a suicide jumping from a railway bridge in Gomel, as a result he got injured and disabled.[5][6] The consequences of the trauma were reflected in the author's work.[7][2]

Work

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Rydkin explores the genre of conversation with bots in the most scrupulous way.[8][2][9][10][11][12] Explores the impact of new technologies on poetic text.[13] His works are screenshots of art-dialogues with virtual interlocutors,[4] including Alice.[12] In a literary critic Galina Rymbu's opinion, «Bot Conversation» is written in the genre of found poetry.[14] This bot is compared to the emancipated Galatea.[11]

The poet has had an artistic dialogue with COVID-19 on Facebook, the screenshots of his fb-posts are published under the title of «COVID-POETRY» in a literary almanac.[15]

Rydkin is the founder of cyberzaum[8][16] and hyperlink poetry,[17][18][19][20][21][12][22][8][23] its concept and method of creation was expressed in the manifesto.[24] Critics see author's hypertext works as aesthetic indicators that are consistent with "writing degree zero" — a language free from the signs of ideology.[19] These works are fully covered by markup language, each verse block is associated with a certain media, texts and Internet resources are equal participants in poetic communication. This creates a specific structure at the level of associations and subtext.[17][20][18]

Rydkin has made a few post-conceptual[25] photo collages which attracted the attention of a art critic Теймур Даими, a professor Елена Зейферт and a photo artist Василий Ломакин, who analyzes Rydkin's works based on Michel Foucault's book "The Order of Things".[26] When creating experimental photographs,[1][13] the author uses ACDSee, Microsoft Paint and FaceApp programs.

Rydkin is the author of literary critical articles on the prose of Margarita Meklina, Владимир Паперный, Вадим Месяц, Александр Уланов, the poetry of Maria Stepanova, Алла Горбунова, Таня Скарынкина, Ирина Шостаковская, Ирина Котова, Лида Юсупова, Виктор Лисин and others.

The author has translated the works[27] by Daniil Kharms, Eduard Limonov and a chapter "Ultima Thule"[28] from the last unfinished Russian novel by Vladimir Nabokov into Belarusian.

His works have been published in such paper and electronic editions as Транслит, Novy Mir, Znamya, Волга, Цирк «Олимп», Топос, Сетевая словесность, Homo Legens, Полутона, Ф-письмо, Лиterraтура, Журнальный зал, Метажурнал, Post(non)fiction, on the website of the publishing house Новое литературное обозрение[29][30] and in other journals.

The poet's works were shown at the exhibition "Poetry by any means" — it was devoted to new readymade-technologies in poetry, created with the help of Internet search engines, various objects, newspaper articles and more.[31] The author's photographs are presented in virtual galleries of various media projects.[32][33][34][35][36]

In 2024, Yuri Rydkin performed several songs in English.[37] Registered as a musical performer in Estonia.[38] Has appeared on the Euro Indie Music charts many times[39][40][41] and radio show[42][43][44][45] with broadcasts in the USA, United Kingdom, France, Germany, Japan, Australia, Canada, Ireland, Spain, Italy, Netherlands, Portugal, Greece, Croatia, Poland, New Zealand, Malta and in other countries.

Art style

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"Modernity requires from the author not only philosophical reflection and creative use of digital developments, but also a willingness to entrust himself to them".

—Yuri Rydkin, Znamya.[4]

Rydkin's stanza lyrics have a mark of futurology. He is interested in the feelings of people who have become programs,[23] he is interested in the physicality of the bot.[25] The poet shows the katabasis of a man, his fall into the world of bots.[8] The author speaks on behalf of a bot in the afterlife, and such a poetic speech is recognized as unique. In his poems, Rydkin demonstrates the absence of the Other, and this absence has a female gender.[2] Doctor of Science Jana Kostincová writes that in multimodal poetry he uses artificial intelligence and develops intertext play.[12] The poem "Вверх тормашками стул рогат" is written in the genre of modern metarealism.[1] The author also writes prose that has many synchronized worlds.[46] Despite Rydkin's statements about the need to emancipate the machine, about the need to biocybernetics, something very human is felt in his texts. Rydkin's dialogues with bots contain pragmatics and a behavioral study of contemporary Russian poetry.[8] Music criticism notes Rydkin's transition from poetry and visual arts to music, where he pays particular attention to psychedelic rap and hip-hop. "Pocket" is not just a song, but an innovative artistic statement that illustrates the evolution of an artist who has taken his unique experience and self-expression to new heights in the music world.[47]

Recognition

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Yuri Rydkin's publication "Between the living and the artificial. Merging digital technologies with human, writer and literature" was recognized by the professionals of the Журнальный зал as the best in August 2021.[48] In the journal Znamya, the author was ranked among the new literary generation, which is changing something in literature.[9] The poet has been widely quoted by his contemporaries.[49][50][51][52][53][54] The author's creations have attracted much attention from literary critics; according to their opinion, his works of art are close to the works by Fyodor Svarovsky,[23] Dmitri Prigov and Lev Rubinstein.[8] Critics call the Belarusian[55] poet — a bot of Russian literature.[8][1][56] In 2024, according to the European Indie Music Network rating, Rydkin entered the Top Indie Music with the song "Pocket".[57]

References

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  1. ^ a b c d Podlubnova J. "Review of the work of Yuri Rydkin". Metajournal. 23 September 2021. Retrieved 1 November 2021.
  2. ^ a b c d Malinovskaya M. "Man and Death". Volga. 22 January 2020. Retrieved 30 May 2020.
  3. ^ Oborin L. "The best on the literary Internet". Gorky. 25 November 2018. Retrieved 30 May 2020.
  4. ^ a b c Rydkin Y. "Between the living and the artificial. Merging digital technologies with human, writer and literature in the periodicals of the first half of 2021". Znamya. 1 August 2021. Retrieved 1 November 2021.
  5. ^ "The interview". Takie dela. 29 January 2020. Retrieved 30 May 2020.
  6. ^ "Fb posts compilation by Yuri Rydkin. Anti-anniversary (the 20th anniversary of my death). 06. 10. 2018". Sygma. 6 October 2018. Retrieved 30 May 2020.
  7. ^ Podlubnova J. "Practices of Traumatic Speaking in Modern Russian Poetry (2020, p.438-453)". Smolensk State University / eLibrary.Ru. 15 May 2020. Retrieved 19 May 2022.
  8. ^ a b c d e f g Konakov A. "Russian poetry in the times of bot-to-bot communication". Colta. 21 November 2018. Retrieved 30 May 2020.
  9. ^ a b Korkunov V. "Discussuon. New literary generation: does it really exist?". Znamya. 17 June 2019. Retrieved 30 May 2020.
  10. ^ Oborin L. "What literary movements have appeared in the 21st century? Making a list for the nearest future". Yandex. 27 June 2019. Retrieved 30 May 2020.
  11. ^ a b Bonch-Osmolovskaya T. "Review on "Bot Conversation"". Articulyatsia. 28 February 2019. Retrieved 30 May 2020.
  12. ^ a b c d Kostintsova Y. "Media poetry and bio-cyber art. Algorithm like instrument or (co)author? (2019, p.13-14)". Masaryk University / ResearchGate. 1 January 2019. Retrieved 1 November 2021.
  13. ^ a b Dunchenko T., Ochirov A. "Non-free microphone. Desktop. Puffing Creakles (timecode: Yuri Rydkin)". YouTube. 8 October 2020. Retrieved 20 December 2021.
  14. ^ Rymbu G. "Eight poetic online publications (March 2019)". Year of Literature. 30 March 2019. Retrieved 30 May 2020.
  15. ^ Rydkin Y. "COVID-POETRY". Articulyatsia. 21 April 2020. Retrieved 30 May 2020.
  16. ^ Rydkin Y. "Cyberzaum". Polutona. 20 October 2018. Retrieved 9 January 2021.
  17. ^ a b Abrosimova C. "Modern hypertextual poetry (aspects of interaction of authentic texts and internet media), 2020, No.8". Scientific dialogue / CyberLeninka. 28 August 2020. Retrieved 1 November 2021.
  18. ^ a b Abrosimova C. "Typology of intermedial relationships in a modern poetical discourse (a systematic review) // Linguistic sciences, Theory and practice matters. 2020. Volume 13, issue 7, p.122". Gramota / CyberLeninka. 21 July 2020. Retrieved 1 November 2021.
  19. ^ a b Abrosimova C., Kulamikhina I. Abrosimova, Ekaterina; Kulamikhina, Irina (27 May 2021). "Hyperlink Phenomenon In The Modern Internet Poetry (2021, p.553)". European Proceedings. Man, Society, Communication. doi:10.15405/epsbs.2021.05.02.66. Retrieved 1 November 2021.
  20. ^ a b Abrosimova C., Kulamikhina I. "Implementation of hypertext structures in contemporary poetic discourse (2020, p.234-235)". Novgorod State University. 27 October 2020. Retrieved 19 May 2022.
  21. ^ Rits E. "Review on hyperlink poetry". Polutona. 7 October 2017. Retrieved 30 May 2020.
  22. ^ Rydkin Y. "Getting out of order: Other sweet, or Poetical botoholism". Olymp Circus. 26 November 2019. Retrieved 30 May 2020.
  23. ^ a b c Famitsky A. "Review on the poem "Soft"". Topos. 2 December 2019. Retrieved 30 May 2020.
  24. ^ Rydkin Y. "Hyperlink poetry manifestation". Sygma. 23 July 2016. Retrieved 30 May 2020.
  25. ^ a b Podlubnova J. "Review on the cyberpoem "Bot Being"". Kastopravda. 8 March 2019. Retrieved 30 May 2020.
  26. ^ Lomakin V., Daimi T., Seifert E. "Reviews on Yuri Rydkin's photo collages". Sygma. 30 January 2019. Retrieved 30 May 2020.
  27. ^ "Kharms D. Obstacle, Limonov E. Ship under the Red Flag / Translated by Yuri Rydkin". Textura. 16 May 2020. Retrieved 30 May 2020.
  28. ^ "A chapter from the last unfinished Russian novel by Vladimir Nabokov / Translated by Yuri Rydkin". Textura. 7 April 2020. Retrieved 30 May 2020.
  29. ^ Rydkin Y. "Republishing". Новое литературное обозрение. 2020. Retrieved 30 August 2024.
  30. ^ Rydkin Y. "Republishing". Новое литературное обозрение. 2021. Retrieved 30 August 2024.
  31. ^ "On December 25, the Victoria Gallery summed up the results of its annual award in the field of Samara contemporary art". ART Uzel. 30 December 2020. Retrieved 1 November 2021.
  32. ^ Rydkin Y. "Desubjectivation". Translit. 12 April 2022. Retrieved 17 April 2022.
  33. ^ Rydkin Y. "Oneiroids of the body". Polutona. 11 November 2022. Retrieved 14 September 2023.
  34. ^ Rydkin Y. "Digital dreams". Greza. 1 November 2021. Retrieved 20 December 2021.
  35. ^ Rydkin Y. "Affected subjects". Articulyatsia. 4 March 2021. Retrieved 20 December 2021.
  36. ^ Rydkin Y. "Merging the opposite". Discourse. 15 February 2019. Retrieved 20 December 2021.
  37. ^ Rydkin Y. "Pocket. Me vs mirror. Poetry". iHeartRadio. 2024. Retrieved 30 August 2024.
  38. ^ "Yuri Rydkin. Get the music: Spotify, Apple Music, iTunes, Amazon, Pandora, Deezer, YouTube". CD Baby. 2024. Retrieved 30 August 2024.
  39. ^ "Euro Indie Music Chart. Week 29, 2024". MEI MAGAZINE. 29 May 2024. Retrieved 30 August 2024.
  40. ^ "Euro Indie Music Chart. Week 28, 2024". MEI MAGAZINE. 5 June 2024. Retrieved 30 August 2024.
  41. ^ "Euro Indie Music Chart. Results for "yuri rydkin"". MEI MAGAZINE. 2024. Retrieved 30 August 2024.
  42. ^ "Formula indie schedule. Results for "yuri rydkin"". European Indie Music Network. 2024. Retrieved 30 August 2024.
  43. ^ "Formula Urban 25, 2024". European Indie Music Network. 18 May 2024. Retrieved 30 August 2024.
  44. ^ "Formula Indie 3.8.2024". Apple Podcasts. 3 August 2024. Retrieved 30 August 2024.
  45. ^ "Formula Urban 21, 2024". European Indie Music Network. 27 April 2024. Retrieved 30 August 2024.
  46. ^ Seifert E. "Review on the story "Repressed Knock"". Polutona. 25 November 2015. Retrieved 30 May 2020.
  47. ^ Cicioni L. "Music for your ears. Review Pocket by Yuri Rydkin". European Indie Music Network. 22 June 2024. Retrieved 30 August 2024.
  48. ^ "Magazine Hall Ranking for August 2021. The choice of professionals". Magazine Hall. August 2021. Retrieved 20 December 2021.
  49. ^ Seifert E. "Intelligence as benevolence (experience of meaning interpretation) // Series «Intelligentsia and modern life». Edition XX. Moscow, 2019, p.65" (PDF). Russian State University for the Humanities. 9 April 2019. Retrieved 1 November 2021.
  50. ^ Khrushcheva N. Metamodern in music and around it. М.: Ripol-classic, 2020, p.90,108,110,150,158,159,166,170 ISBN 978-5-386-13540-9.
  51. ^ Oborin L. "Digest of the most important materials in the book Internet". Gorky. 26 April 2020. Retrieved 30 May 2020.
  52. ^ Davydov D. "Literary review". Literratura. 9 April 2019. Retrieved 30 May 2020.
  53. ^ Krichevsky P. "An escape from a living fiber of the language". Articulyatsia. 31 July 2020. Retrieved 4 January 2021.
  54. ^ Chemberzhi D. "Installation as a visual-communication practice of creating a contemporary art space (p.183 - Rydkin Y. МЕТАmodernism: internal and external echoes)" (PDF). National Academy of Arts of Ukraine. 2020. Retrieved 1 November 2021.
  55. ^ Podlubnova J. "Literature 2020. Literary results of the year". Colta. 25 December 2020. Retrieved 4 January 2021.
  56. ^ Podlubnova J. "Triumph of Trauma". Articulyatsia. July 2019. Retrieved 30 May 2020.
  57. ^ "Top Indie Music, 21.24". European Indie Music Network. 2024. Retrieved 30 August 2024.
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