Willkommen
| "Willkommen" | |
|---|---|
| Song | |
| Songwriter(s) | John Kander; |
| Lyricist(s) | Fred Ebb. |
"Willkommen" is a song from the 1966 musical Cabaret. It is performed by The Emcee. The music was written by John Kander; the lyrics by Fred Ebb.
Production
[edit]John Kander explained "With Cabaret, we were trying to find the piece, to write our way into it. The first thing we wrote was 'Willkommen' and the very first thing that ever happened was that little vamp."[1]
The finale, "Auf Wiedersehen", mixes elements of "Willkommen" and "Cabaret".[2]
Synopsis
[edit]The song is "the Emcee’s sardonic introduction" to the Kit Kat Klub,[3] and is set within the cabaret itself.
Analysis
[edit]Filmsite notes this "cheery greeting in German, French and English" contains "three languages to suit the club's cosmopolitan clientele [and] anticipates future hostilities between the three nationalities during wartime".[4]
H2G2 writes The Emcee "Immediately evok[es] the decadent, cosmopolitan atmosphere of 1930s Berlin. 'In here, life is beautiful, the girls are beautiful, even the orchestra is beautiful... we have no troubles here.' These words of the Emcee will come back to haunt the characters later."[5]
New Line Theatre wrote the following analysis on the song and its reprise:[6]
The first song in Cabaret, "Willkommen", functions as both a comment song and a book song. It welcomes us both to the Kit Kat Klub where much of the action will take place, and also to Cabaret, the musical. The Emcee is addressing the audience in the Kit Kat Klub while he also addresses the real audience. Using the opening song this way prepares us for the two different uses to which songs will be put in the show.
At the very end, the Emcee briefly reprises "Willkommen", perhaps an ironic welcome to the new Germany Ernst and the Nazis are building, but the Emcee doesn't finish the final phrase; the song stops, unfinished, and he disappears. We know the story is not over. Herr Schultz will undoubtedly be put in a concentration camp and murdered.
And yet the Emcee is now happy to have helped us “forget” our troubles. Here at the end of the show, he says goodbye only in German (auf wiedersehen) and French (à bientôt). There is no English goodbye. The melody doesn’t end and neither does the lyric. The Emcee doesn’t finish his farewell.
Critical reception
[edit]USA Today described it as "deliciously bawdy".[7] The Providence Journal described it as an "opening chorus".[8] The Los Angeles Times said the song was "lascivious".[9]
Cover versions
[edit]The song was performed by Patrick Brewer (portrayed by Noah Reid) in the Season 5 finale of Schitt's Creek.[citation needed]
Joel Grey performed the song in his episode of The Muppet Show.[citation needed]
References
[edit]- ^ Steyn, Mark (30 November 1993). "Arts: Everybody loves a winner: Willkommen, bienvenue, welcome. The words are as familiar as the image of Lisa Minelli's Sally Bowles is unforgettable. As Jane Horrocks prepares to step into the fishnets and high heels for the latest production of Cabaret, Mark Steyn talks to its creators, Kander and Ebb, about the musical's original conception, controversial reception and enduring influence - Arts and Entertainment". The Independent. Archived from the original on 14 July 2014. Retrieved 18 January 2017.
- ^ "'Cabaret' - the Musical - Edited Entry". h2g2. 2005-05-08. Retrieved 2014-07-04.
- ^ Marilyn Stasio (2014-04-24). "'Cabaret' Review: Alan Cumming, Michelle Williams Star in Revival". Variety. Retrieved 2014-07-04.
- ^ "Cabaret (1972)". Filmsite.org. Retrieved 2014-07-04.
- ^ "'Cabaret' - the Musical - Edited Entry". h2g2. 2005-05-08. Retrieved 2014-07-04.
- ^ "An Analysis Of". New Line Theatre. Retrieved 2014-07-04.
- ^ "Come to this 'Cabaret,' see Williams and Cumming shine". Usatoday.com. 2014-04-25. Retrieved 2014-07-04.
- ^ Gray, Channing (2014-05-19). "Theater Review: Wilbury's 'Cabaret' is a show with heart | Entertainment - Music, Theater, TV & more". Providence Journal. Retrieved 2014-07-04.
- ^ RAY LOYND (1995-02-16). "THEATER REVIEW : A 'Cabaret' With Ominous Undertones : Bawdy music and tacky glitter fill the stage in a revival of 1966 Broadway hit". Los Angeles Times. Retrieved 2014-07-04.
