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Wikipedia:Peer review/BP Pedestrian Bridge/archive1

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This peer review discussion has been closed.
I've listed this article for peer review because FAC reviewers suggest it needs retooling. TonyTheTiger (t/c/bio/WP:CHICAGO/WP:LOTM) 23:42, 26 July 2008 (UTC)[reply]

This is part of the Chicago WikiProject Featured Topic Drive.--TonyTheTiger (t/c/bio/WP:CHICAGO/WP:LOTM) 23:44, 26 July 2008 (UTC)[reply]


Comments from User:Zagalejo

[edit]

Here are some of my comments:

The coverage seems reasonable to me. Johnbod (talk) 00:57, 8 August 2008 (UTC)[reply]
  • Aesthetics
  • My FAC comment about the New York Times article stands. It says nothing about the bridge's "seams". If you want to emphasize the seams, find a source that explicitly mentions them.
  • What's the difference between an "aesthetic curve" and a normal curve?
  • Gehry has a long history (going back to the 1960s and first appearing in his architectural designs in the 1980s)... Confusing. If the scale motif first appeared in the 1980s, how do you trace that motif back to the 1960s?
  • Again, "snakelike" and "serpentine" are synonyms. You just need to say one or the other.
  • "a continuum of unexpected directions" - This doesn't sound like your writing. Could you quote the source, so I can see if this has been appropriately paraphrased?
    • This comes from the following quotes that all come within three pages of each other.--TonyTheTiger (t/c/bio/WP:CHICAGO/WP:LOTM) 07:30, 2 August 2008 (UTC)[reply]
      • Gehry's architectural creations seem to split open and break apart, to burst out of closed containers and shoot off in all linguistic directions," argues one critic
      • Like the Pritzker Pavilion and BP Bridge, all of these structures include a variety of curves and swirling lines and evoke similar qualities: fluidity, contiuous motion, sculputral abstraction.
      • Nothing is tight in the Pritzker Pavilion or BP Bridge. Not only does the facade break out of the proscenium and the bridge flow in unexpected directions: each one simultaneously and distinctively breaks from the traditonal urban and architectural forms which surround the paviolion:. . .
  • Not everything in this section really has to do with "aesthetics" The last sentence, for example, is merely about the name of the bridge. It seems like your conflating "Aesthetics" with "Reception".
  • General note: These are just my comments from a quick run-through. I'll probably have more to say later, but this should give you enough to chew on for a while. Zagalejo^^^ 04:08, 27 July 2008 (UTC)[reply]