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Wikipedia:Featured picture candidates/National Theatre of Szeged

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Voting period is over. Please don't add any new votes. Voting period ends on 22 Mar 2014 at 09:41:19 (UTC)

Original – National Theatre of Szeged, built in 1883, is among the main landmarks of this important Hungarian city. It is created by the well-known studio Fellner & Helmer.
Reason
Highly descriptive and aesthetic photograph of a given landmark.
Articles in which this image appears
National Theatre of Szeged, Szeged, Fellner & Helmer
FP category for this image
Wikipedia:Featured pictures/Places/Architecture
Creator
MrPanyGoff
  • Again your crusade that verticals should not be corrected. It is a matter of aesthetics and therefore a matter of opinion, but as I've mentioned before, this correction is an established practice in architectural photography, as per the article: "A tenet of architectural photography is the use of controlled perspective, with an emphasis on vertical lines that are non-converging (parallel). This is achieved by positioning the focal plane of the camera at so that it is perpendicular to the ground, regardless of the elevation of the camera eye. This result can be achieved by the use of view cameras, tilt/shift lenses, or post-processing". And as I have mentioned before, the effect is not 'unnatural' at all. The 'converging vertical lines' only occurs when the camera is tilted upwards, which most people instinctively do in order to centre the building the frame. However, the effect could be achieved simply by aiming the camera horizontally and cropping the road in the foreground. Ðiliff «» (Talk) 11:33, 14 March 2014 (UTC)[reply]
  • Response - The camera is positioned low, so there would be some vertical convergence. Removing all of the convergence has the ultimate effect of making the building appear to splay out at the top, as it plainly does in this image. The eye of the viewer unconsciously registers the approximate height of the camera, and that become their eye-level. The building needs to respond appropriately to the eye level of the viewer. This means that there should be some convergence. The splaying is not severe in this case because it is a relatively box-like building, not very high for its width. One of the effects of making the verticals parallel is to lessen the apparent height of the building, and in some cases, destroy the proportions of the building altogether. There are some extreme cases on Commons. Amandajm (talk) 02:28, 15 March 2014 (UTC)[reply]
  • I don't see any major problem with proportions, as they appear similar to the 1904 image and other images on the web (if anything it rather appears taller). But the image could have a bit more sharpness, and is problematic when looking at the statues at the top, and even the one in foreground next to the corner. --ELEKHHT 10:04, 17 March 2014 (UTC)[reply]
  • The discussion above is in general and none of the participants in it point out perspective problems that concern the photograph nominated here. The thoughts above mostly affect the high-rises.--MrPanyGoff (talk) 09:41, 19 March 2014 (UTC)[reply]

Not Promoted --Armbrust The Homunculus 10:02, 22 March 2014 (UTC)[reply]