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The following is an archived discussion of a featured article nomination. Please do not modify it. Subsequent comments should be made on the article's talk page or in Wikipedia talk:Featured article candidates. No further edits should be made to this page.

The article was promoted by Ian Rose via FACBot (talk) 13:11, 4 December 2014 (UTC) [1].[reply]

Francis Poulenc

[edit]
Nominator(s): Tim riley talk 21:51, 24 November 2014 (UTC)[reply]

Poulenc is the third French composer I’ve put up for FAC, after navigating Fauré and Massenet through the process. He is still, fifteen years after his centenary, too often thought of as a lightweight, and some of his music is indeed deliciously frivolous, but he also had a profoundly serious, religious side, and I hope the current article does him justice on both counts. The article has had an exceptionally thorough peer review here, which included an image review by User:Crisco 1492, as well as top-notch input about the text from an all-star cast of Wikipedians. – Tim riley talk 22:04, 24 November 2014 (UTC) Tim riley talk 21:51, 24 November 2014 (UTC)[reply]

Support. I reviewed this article and made copy edits. I believe that it is comprehensive, well researched and well written, giving the reader a clear picture of this composer and his music. I believe that it satisfies the FA criteria and am pleased to support its promotion. -- Ssilvers (talk) 23:52, 25 November 2014 (UTC)[reply]

Thank you very much for your support here, and earlier while I was writing the redraft. I am in your debt. Tim riley talk 10:44, 27 November 2014 (UTC)[reply]

Comments from TRM:

  • "works included mélodies, solo piano works,..." not keen on the rapid repeat of works.
  • Our article doesn't capitalise the V of "La voix humaine", any reason you do?
    • I think the capitalisation in our article on La Voix humaine is debatable. Though we'd normally expect a common noun like "voix" to be uncapitalised in a French title, there is no doubt that the composer's practice was to capitalise it (e.g. "Denise et moi redonné La Voix humaine à New York") a practice followed by his biographer Carl Schmidt. Practice varies on the documentation with the available CDs. Grove's Dictionary of Music and Musicians doesn't capitalise "voix", but from the same publisher The Oxford Dictionary of Music does. On balance I incline to the view that the composer and his principal biographer should be followed. I'll mention the point on the talk page of the opera. Tim riley talk 10:43, 27 November 2014 (UTC)[reply]
  • "the two met, his music " just to be certain, I would say "the two met, Auric's music"
  • "he called "Les Nouveaux Jeunes"[23] " punctuation missing?
  • Image caption, I thought we typically italicised location, i.e. "Stravinsky (top) ..."
  • "leg-Poulenc" - forgive me, is this a play on "leg pulling"?
  • " talked a load of rubbish" this is a little colloquial, is it a quote?
  • "served at the front" - be specific here.
  • "deliciously absurd " again, is this a quote?
  • Image caption "The Opéra, Paris" (etc) could this be expanded a little to cover its relevance to the article?
  • "short opéra-bouffe of" our article is not hyphenated.
  • "the Milanese publisher " Milanese here links to the dialect article, but the article on Casa Ricordi just states that they were based in Milan.
  • "In Nichols's words" not sure you've introduced Nichols before this sentence, who he?
  • As we have accents all over the shop, let's add one to Edith Piaf... Similar for Fevrier and Souzay.
  • "who had been Poulenc's only piano student (EMI)" would it be beneficial to the non-expert reader to say, in this first instance "(released on EMI)" or similar?

Not much help I'm sure, but I thoroughly enjoyed reading this, it's written nicely and looks comprehensive. The Rambling Man (talk) 09:33, 26 November 2014 (UTC)[reply]

On the contrary: a lot of help – saving me from several mini-clangers. Thank you very much. Tim riley talk 10:43, 27 November 2014 (UTC)[reply]
No problem, I'm happy to support such a comprehensive and well-written article. The Rambling Man (talk) 11:37, 27 November 2014 (UTC)[reply]

Support: Another happy PR person. I think this is an excellent article that easily meets the criteria, with the qualification that the music section is a little beyond my expertise. Sarastro1 (talk) 17:52, 28 November 2014 (UTC)[reply]

Thank you, gents both! Comment from non-specialists is so valuable at PR and FAC: it tells the nominators whether they have made themselves clear. (I have two Poulenc experts from PR who know much more about him than I do, and can comment on my assertions of fact.) Greatly appreciated non-specialist comments and support, meanwhile! Tim riley talk 20:41, 28 November 2014 (UTC)[reply]

Source review - spotchecks not done

  • FN9, 44, 84, 117: which Schmidt?
  • FN10 has a stray period after the title
  • FN28: OED should be italicized
  • Compare FNs 3 and 70 and 162
  • FN90: Times should be italicized
  • No citations to Décollogne
  • Hinson and Romain should include US, but why does Schmidt 2001 include state when the other US locations don't?
  • Is the Bloch in Sources the same as the Bloch in Further reading? Nikkimaria (talk) 23:02, 28 November 2014 (UTC)[reply]
Thank you for this keen-eyed review. All attended to except for the comment on FN 10, which puzzles me as I can't find a period/full stop in it. Tim riley talk 19:47, 29 November 2014 (UTC)[reply]
Thank you very much for your support here and for reviewing both text and images at the recent PR. Very much appreciated. Tim riley talk 10:39, 30 November 2014 (UTC)[reply]

Support: I've nothing significant to add to my comments at peer review (which were considerable). The article is briskly informative, comprehensive, stylishly written – everything in fact that a featured article should be. On an unrelated matter, I am sceptical of the value of the WP custom that adds the phonetical version of a person's name when pronunciation isn't obvious. How many of our readers can actually interpret phonetic spelling? It would make more sense to me if you wrote: (pronounced "Poo-lonk"), but I guess that suggestion won't get many votes! Brianboulton (talk) 13:11, 30 November 2014 (UTC)[reply]

    • Thank you so much for your earlier comments and your support here. "Poo-lonk" shouldn't get any votes, as, perhaps unexpectedly, it's pronounced "Poo-lank". Nobody loves the IPA but it's the least ghastly option, I think. Tim riley talk 18:37, 30 November 2014 (UTC)[reply]

Support: imo you've captured the two sides to Poulenc's personality and musical character, and his place in music history, in a very readable article, outstanding even by FA standards. Just two things:

  • "talked a load of rubbish": fair enough if that's how the translator rendered it, but in that case I think it should be in quotes
  • is it known why he didn't want any of his music played at his funeral? --Stfg (talk) 17:54, 2 December 2014 (UTC)[reply]
    • The sources don't say, but I'd guess it was a sign of his personal modesty. I think it was Elgar who said that when he contemplated Beethoven's Fifth Symphony he felt like a tinker looking at the Forth Bridge. Something of the same here, I suspect, but I don't really know. Thank you so much for your support, and for your very pleasing comment, above. I shall need a larger size in hats. Tim riley talk 21:07, 2 December 2014 (UTC)[reply]

Closing comments

  • Since Crisco has participated both at PR and here I'm happy to go with his image review at the former.
  • Quite a few duplinks in the article, Tim, so pls just check for what's really needed. Cheers, Ian Rose (talk) 13:09, 4 December 2014 (UTC)[reply]
    • We seem to have established an informal (and no doubt ultra vires) convention for composer Life and Works articles that a single repeat link per mention is OK in the Works part, on the grounds that it is practically a separate article. I hope this is OK. Tim riley talk 18:32, 4 December 2014 (UTC)[reply]
The above discussion is preserved as an archive. Please do not modify it. No further edits should be made to this page.
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