User talk:The Guild 2013
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Deletion
[edit]Hi, thanks for message. You can sign your comments automatically using four tildes ~~~~. I deleted your article because
- it was written in a promotional tone. Articles must be neutral and encyclopaedic. Examples of unsourced claims presented as fact include: noted Indian painter... while pursuing his strong interest in the visual arts... work has gained wide critical acclaim... one of India’s major artists... an equal and independent importance along with his paintings... In the painting of this decade, Sudhir Patwardhan addresses the laboring body as presence and symbol... — and much more in the same vein. It's an uncritical eulogy, written more as a glowing review than a neutral encyclopaedia article.
- It did not provide adequate independent verifiable sources to enable us to verify the facts and show that it meets the notability guidelines. It is now Wikipedia policy that biographical articles about living people must have independent verifiable references, or they will be deleted. Your references were not in line, so it's difficult to see what facts they are supporting. And I see from the refs that you are editing on behalf of a gallery, Jimfbleak - talk to me? 09:29, 24 June 2013 (UTC)
- Why can't I edit Wikipedia?
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{{unblock-spamun|Your proposed new username|Your reason here}}on your user talk page. - Replace the text "Your proposed new username" with a new username you are willing to use. See Special:Listusers to search for available usernames. Your new username will need to meet our username policy.
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{{unblock|Your reason here}} below, but you should read the guide to appealing blocks first. Jimfbleak - talk to me? 09:30, 24 June 2013 (UTC)
The Guild 2013 (block log • active blocks • global blocks • autoblocks • contribs • deleted contribs • filter log • creation log • change block settings • unblock • checkuser (log))
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- This is likely to be rejected, as it still shows an affiliation with the organization. To stand any chance of being unblocked, you'll need to choose a username unrelated to the organization Mdann52 (talk) 12:56, 26 June 2013 (UTC)
Article
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SUDHIR PATWARDHAN == INTRODUCTION == Sudhir Patwardhan was born in 1949.
He graduated in medicine from the Armed Forces Medical College, Pune and moved to Mumbai in 1973 and worked as a Radiologist in Thane from 1975 to 2005. His first one person show was held by Ebrahim Alkazi’s Art Heritage in New Delhi in 1979. Since then his work has been seen regularly in exhibitions in India and abroad. His selected museum shows include ‘Social Fabric’, curated by Grant Watson, INIVA, London; Lunds Konsthall, Lund, Sweden; Bhau Daji Lad Museum, Mumbai (2012); ‘Modernist Art from India’, curated by Beth Citron, Rubin Museum, New York (2011); ‘Modern Indian Art- The Ethos of Modernity’, Sichuan Museum, Shenzhen Museum, Zhejiang Museum, China (2010); ‘ReVisions, Indian Artists Engaging Tradition’, curated by Susan Bean, Peabody Essex Museum, Salem, Massachusetts, USA (2009); ‘Horn Please – Narratives in Contemporary Indian Art’, curated by Bernhard Fibicher and Suman Gopinath, Kunstmuseum Bern, Switzerland (2007). His recent solo shows include ‘Route Maps’.The Guild, Mumbai.‘Family Fiction’, Sakshi Gallery, Mumbai, Lalit Kala Akademi, New Delhi (2011); ‘The Crafting of Reality’, The Guild, Mumbai (2008). [1] [2] EARLY LIFE AND EDUCATION[edit]Sudhir Patwardhan was born in Pune, Maharashtra on 13 January 1949, and was brought up there and in Coonoor in the Nilgiris. He graduated in Medicine from the Armed Forces Medical College, Pune in 1972. EXHIBITIONS[edit]Museum Shows INIVA, London 2012 [3] Bhau Daji Lad Museum, Mumbai 2012 [4] SOLO SHOWS[edit]2012 An exhibition of Drawings, Jehangir Art Gallery, Mumbai 2012 Route Maps, The Guild, Mumbai [5] 2011 Family Fiction, Sakshi Gallery, Mumbai; Lalit Kala Akademi, New Delhi. [6] 2008 The Crafting of Reality, The Guild Art Gallery, Mumbai.[7] 2007-08 Citing the City, Sakshi Gallery; Jehangir Art Gallery, Mumbai; Gallery 88, Kolkata; Shridharani Gallery, Delhi; Faculty of Fine Arts, M.S. University, Vadodara. [8] 2004 India Habitat Centre, New Delhi; ABC Gallery, Vadodara; Sakshi Gallery, Mumbai. 2002 Sakshi Gallery, Mumbai; Jehangir Art Gallery, Mumbai. 2001 Sakshi Gallery, Bangalore. 1999 Design Centre, Thane; Jehangir Art Gallery, Mumbai; Vadehra Art Gallery, New Delhi. 1995 Chemould Gallery, Calcutta. 1994 Gallery Chemould and Jehangir Art Gallery, Mumbai. 1992 Jehangir Art Gallery, Mumbai. 1990 Art Heritage, Delhi. 1989 Jehangir Art Gallery, Mumbai. 1988 various places around Pokharan, Thane. 1984 Jehangir Art Gallery, Mumbai. 1979 Jehangir Art Gallery, Mumbai. 1979 Art Heritage, Delhi. KEY WORKS[edit]Irani Restaurant, oil 1977. Image courtesy: Sudhir Patwardhan “A squat-built man is portrayed at rest in an Irani café, perhaps in Bombay’s colonial Fort quarter, furnished with its distinctive marble-topped tables, pier glasses and Polish bentwood chairs. The city is figured through the restaurant’s habitués- who belong to various classes and ethnic groups and are engaged in comfortable conversation- as an inclusive, cosmopolitan space. We see the denizens of the café in its mirrors, so that they appear to be seated on our side of the frame; we ourselves are thus invited into the painting’s fictive space. By emphasizing the voluntary nature of human association- by welcoming labourers, writers, film-makers and painters alike- the Irani café became a symbol of liberalism like its forerunners in Paris and Vienna. Between the 1930s and the 1970s, in particular, it acted as a site for the circulation of new ideas, opinions and communities. In Patwardhan’s assessment , the public sphere made possible here is the one real guarantee of a civil society, the one bulwark against the state’s encroachments as well as the bigotry of ethnic or religious exclusivists; in 1977, as a Prime Minister Indira Gandhi lifted the draconian emblem of free speech and spontaneous assembly.” - Ranjit Hoskote in The Complicit Observer published by Sakshi Gallery.
Sudhir Patwardhan’s Couple, oil on canvas from 1976, seems to refer to the teeming yet constrictive nature of the people living in Mumbai. In Couple a man and a woman sit side by side, the woman’s torso faces forward while her head faces right, away from the man. The man sits with one hand in his lap and one on the woman’s thigh. Set within the brooding dark background, which offsets the skin of the couple, the portrait of an intimate space, a dark brooding alienating space, echoing repressive sexuality mingled with discontent and stoic acceptance. The skin of the couple is glowing in some parts of the upper torso, the color of golden beetroots in the sun, while in the lower half, deeper yellow ochre. A few sections of the skin ranging from vivid green to bruised and darkened browns and rust, suggests decay, and fear. The work is both evocative and deeply disturbing and presents the couple as figures that speak of isolation and familiarity echoing the nature of the human, as an individual and as a part of a whole, constantly negotiating between the sense of the incomplete and the inevitable. - Renuka Sawhney from A Floating Object. The Guild Collection – Series I – 2012.
“… Sudhir Patwardhan would feel uncomfortable about the word ‘spiritual’ being applied to his painting ‘ Ulhasnagar. The commitment to Marxist ideology that possibly has strongest hold on him is confidence in the material world we have, with any certainity.To deprecate it would be folly… …The work is conceived as a monumental horizontal in four panels, each panel being four feet square. When set up on the wall a slight gap of space is intended between adjacentpanels. The painting is visually continuous from one panel to the next, but the gaps in space act as a break on our presumption… …In the leftmost panel the river starts from a pale purple, advancing to become a rich mauve. It is both refreshing water and chemically polluted drainage. The rippling of the river is as one would except it to be. In the second panel the rippling changes to become a disturbing vortex, the colour is a churning crimson. The carcass of a dead buffalo floats on the bank. The buildings towering above the bank are cavernous, with dramatic lighted and dark windows. If you were to step into that vortex of water you might enter hell… “- Gieve Patel in Gieve Patel- Sudhir Patwardhan. published by Bose Pacia.
“It shows the artist and his father seated on a bench on a platform. A barely visible station name board introduces an allusion to travelling although it is not physical travelling but life’s journey that is the subject of the painting. The other man is speaking and holds the hand of his son who is listening. They sit apart and do not look at each other but that holding and that speaking are necessary, especially for the father. And behind them is a wide open field edged with houses, and in them are figures of women and men, young and old, idle or at work. There are also tiny figures of boys at play and laboures at work at the far end of the field. It is an image of a past life brought alive through a story passed on from father to son.” – R. Siva Kumar from Route Maps, published by The Guild. CURATORIAL PROJECTS[edit]2011 ‘Rekhavishkar 1 & 2’ (The Art of Drawing), an exhibition of drawings by 10 artists : Krishen Khanna, K. G. Subramanyan, Himmat Shan, Gieve Patel, Sudhir Patwardhan, Dilip Ranade, Vilas Shinde, Jyothi Basu, Tushar Joag, and Parag Tandel at Sudarshan Kala Dalan, Pune; The Guild Art Gallery, Mumbai. 2008-09 ‘Expanding Horizons’, Sponsored by Bodhi Art Gallery. This was an exhibition featuring 30 artists, which travelled toeight cities in Maharashtra. It was accompanied by artists’ talks, seminars, film shows and a book exhibition. COLLECTION[edit]WORKS IN THE FOLLOWING COLLECTIONS Peabody Essex Museum, Salem, Massachusetts, USA. [9]
[10] [11] Kiran Nadar Museum of Art, Delhi. [12] Bharat Bhavan, Bhopal. [13] National Gallery of Modern Art, Mumbai and Delhi. [14] Lalit Kala Akademi, Delhi. Art Heritage, Delhi.[15] Punjab University Museum, Chandigarh. Jehangir Nicholson Collection, CSMVS, Mumbai. Jehangir Nicholson Museum, NCPA, Mumbai. Gallery of Contemporary Art, Lalit Kala Akadami, Kochi. Deutsch Bank, Mumbai. Citi Group, Mumbai. HEART, Neville Tuli Foundation, Mumbai and other private collections in India and abroad. SELECTED BIBLIOGRAPHY[edit]Hoskote, Ranjit and R. Shiv Kumar. Route Maps. 2012. The Guild, Mumbai. ‘Rekhachitravichar’ (Marathi). 2012. Popular Prakashan, Mumbai. Hoskote, Ranjit, ‘The Crafting of Reality’ Sudhir Patwardhan : Drawings. 2007. The Guild. Hoskote, Ranjit,’Gieve Patel Sudhir Patwardhan.’ 2006. Bose Pacia. Kulkarni, Padmini, ‘Chitrakar Sudhir Patwardhan’ (in Marathi) 2005. Lok Vangamaya Griha, Mumbai. Hoskote, Ranjit, ‘The Complicit Observer’ The Art of Sudhir Patwardhan, 2004. Eminence Designs and Sakshi Gallery. FILM ON THE ARTIST[edit]‘Saacha’ a film about a poet – Narayan Surve, a painter – Sudhir Patwardhan, and a city – Mumbai. Directors :Anjali Monteiro and K P Jayasankar. 1999. Saacha/ The Loom [16] To Let The World In, Volume 1. Directed by Avijit Mukul Kishore.Produced by Sanjay Tulsyan.
[17] THEATRE[edit]‘Chitragoshti’ a Marathi/Hindi play based on Sudhir Patwardhan’s paintings, directed by Sushama Deshpande, presented by Awishkar, Mumbai. 2012. NCPA [18] NOTES[edit]1. ^ -: Jhangiani ,Anjali ‘Staging the Canvas.’ The Indian Express. Aug 09 2012, http://www.indianexpress.com/news/staging-the-canvas/985745/ 2. ^ -: Jayram, Gayatri. ‘Fingerprinting the artist’. Livemint Oct 07 2011. http://www.livemint.com/Leisure/hp1UjpZJCSby42tKL29DaJ/Fingerprinting-the-artist.html 3. ^ -: Tripathi, Shailja. ‘Matters of home ‘ The Hindu. Mar 10, 2011. http://www.hindu.com/mp/2011/03/10/stories/2011031050210300.htm 4. ^ -: Family Fiction. http://www.aaa.org.hk/WorldEvents/Details/17073 5. ^ -: Kallat, Jitish. Sudhir Patwardhan: Citing the City. Sakshi Gallery, Synergy Art Foundation (Mumbai - India) 2008. http://www.aaa.org.hk/Collection/Details/28315 6. Cotter, Holland. ‘Art in Review; Gieve Patel and Sudhir Patwardhan’ The New York Times. February 24, 2006.
http://query.nytimes.com/gst/fullpage.html?res=9904E3DE1F3EF937A15751C0A9609C8B63}} 7. ArtBuzz India International. http://artbuzzindiainternational.blogspot.in/search?q=sudhir+patwardhan}} REFERENCES[edit]Hoskote, Ranjit and R. Shiv Kumar. ‘Route Maps.’ The Guild,Mumbai. 2012 [19] Hoskote, Ranjit. ‘The Complicit Observer’ Eminence Designs and Sakshi Gallery. 2004 [21] EXTERNAL LINKS[edit]Art Chennai 2012 [24] Interview with Karanjeet Kaur ‘Route Maps’ The Guild. 1st November 2012.
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[edit]The Guild 2013 (block log • active blocks • global blocks • autoblocks • contribs • deleted contribs • filter log • creation log • change block settings • unblock • checkuser (log))
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Here are a few key questions:
- Do you understand that Wikipedia is an encyclopedia, and not a business directory?
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You are currently blocked because your username appears directly related to a company, group or product that you have been promoting, contrary to the username policy. Changing the username will not allow you to violate the 3 important principles above. (✉→BWilkins←✎) 11:08, 2 July 2013 (UTC)
- What "mistake" have you corrected? What won't you repeat? I can see very clearly what has been wrong with your editing in the past, but I am not willing to unblock you unless I can see that you too understand what the problems are, as otherwise you are unlikely to be able to avoid doing the same again. JamesBWatson (talk) 10:24, 5 July 2013 (UTC)
File permission problem with File:Sudhir Patwardhan.jpg
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Thanks for uploading File:Sudhir Patwardhan.jpg. I noticed that while you provided a valid copyright licensing tag, there is no proof that the creator of the file has agreed to release it under the given license.
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Hi there, I'm HasteurBot. I just wanted to let you know that Wikipedia talk:Articles for creation/Navjot Altaf, a page you created, has not been edited in 6 months. The Articles for Creation space is not an indefinite storage location for content that is not appropriate for articlespace.
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Thank you for your attention. HasteurBot (talk) 02:05, 12 December 2013 (UTC)
Your draft article, Wikipedia talk:Articles for creation/Navjot Altaf
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Hello The Guild 2013. It has been over six months since you last edited your WP:AFC draft article submission, entitled "Navjot Altaf".
The page will shortly be deleted. If you plan on editing the page to address the issues raised when it was declined and resubmit it, simply and remove the {{db-afc}} or {{db-g13}} code. Please note that Articles for Creation is not for indefinite hosting of material deemed unsuitable for the encyclopedia mainspace.
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Thanks for your submission to Wikipedia, and happy editing. HasteurBot (talk) 22:02, 1 February 2014 (UTC)
The file File:Sudhir Patwardhan.jpg has been proposed for deletion because of the following concern:
- article on subject was deleted, no encyclopedic usability
While all constructive contributions to Wikipedia are appreciated, pages may be deleted for any of several reasons.
You may prevent the proposed deletion by removing the {{proposed deletion/dated files}} notice, but please explain why in your edit summary or on the file's talk page.
Please consider addressing the issues raised. Removing {{proposed deletion/dated files}} will stop the proposed deletion process, but other deletion processes exist. In particular, the speedy deletion process can result in deletion without discussion, and files for discussion allows discussion to reach consensus for deletion. Jon Kolbert (talk) 08:18, 21 April 2017 (UTC)
