User talk:DoctorMabuse/Sandbox3

Stanislavski's significant students sandbox

• See here: [1]
• There is information on these students/teachers in Robert Leach's book

Andrius Jilinsky

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Author of The Joy of Acting: A Primer for Actors (Peter Lang, 1990) ISBN 0820409693.

Member of the Moscow Art Theatre, Michael Chekhov's company and Yevgeny Vakhtangov's first studio.

Married to Vera Solovyova

Taught Horton Foote

Became a member of the Second Studio after WWI

Worked with Michael Chekhov in his theatre in Paris

Taught with Tamara Daykarhanova at her School for the Stage

"Jilinsky was a tall, vital, handsome man of great energy and enthusiasm. He was a thorough and rigid taskmaster and he based his technique partly on his study with Stanislavsky, partly from Vakhtangov and the Second Studio, and partly from his work with Michael Chekhov." —Preceding unsigned comment added by DoctorMabuse (talk • contribs) 20:32, 16 April 2009 (UTC)

Leo Bulgakov

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Varvara Bulgakov

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Vera Solovyova

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  ) * Soloviova (
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Member of the Second Studio of the MAT

Took over the role of Nina in the MAT's production of The Seagull

Married to Andrius Jilinsky

Played the Blind Girl in the First Studio's production of The Cricket on the Hearth in 1914

Became a member of the Second Studio after WWI

Worked with Michael Chekhov in his theatre in Paris

Taught with Tamara Daykarhanova at her School for the Stage

Tamara Daykarhanova

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With a famous revue called Balieff's Chauve Souris, which toured Europe.

Married to Sergius Vassiliev

Worked with Maria Ouspenskaya before she went to Hollywood

Started her own school, The Tamara Daykarhanova School for the Stage

I don't think that she ever studied under Stanislavski himself

Olga Gzovskaya

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Played Ophelia in the 1911-12 production of Hamlet

Alyssa Koonen

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  ) Alissa (
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Lidia Koreneva

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Vera Baranovskaya

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  ) Baranovskaia (
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Alla Nazimova

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  ) Nazymova(
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(1879-1945). Acting with the Moscow Art Theatre but left without having experienced Stanislavsi's 'system'. Played an important role in introducing Stanislavski's methods to America from 1906 onwards.