User:Wenqing855/Gong Xian

Gong Xian (simplified Chinese: 龚贤; traditional Chinese: 龔賢; pinyin: Gōng Xián; Wade–Giles: Kung Hsien) (1618–1689; the specific year of birth is disputed as early as 1617 or as late as 1620; born in Kunshan, Jiangsu) was a Chinese painter in the late Ming and early Qing Dynasties, one of the Eight Masters of Nanjing (Jinling) and the leading painter of the Nanjing school.

He was also known as Qixian(岂贤), Banqian(半千), Banmu(半亩) and Yeyi(野遗); Chaizhangren(柴丈人) and Zhongshanyelao(钟山野老). He enjoyed the equal popularity with the poet and calligrapher Lu Qian in the early Qing Dynasty as well. They were called "Two Ban of the World" (天下二半), (Gong Xian: Banqian; Lu Qian, Banyin).^[1]

Artistic Career

Primarily a landscape painter, mountains were the subject of most of Gong Xian's paintings. Willows are also a common theme in his work.^[2]

Gong Xian was a scholar loyal to the fallen Ming Dynasty. In the early years, he participated in the reunification activities. During the war in the late Ming Dynasty, he was forced to flee to save his life and drifted away. He spent many years at Yangzhou in exile, during which he continued to author anti-Qing works, and develop his characteristic "light Gong" and "dark Gong" styles.

Gong Xian was also one of the literati and known for his work with prose and poetry. It was only after the fall of Nanjing to the Qing that he took up professional painting as his primary means of making a living. However, despite painting several great pieces over his life, he ultimately died as he lived, in poverty.^[3]

Notable Works

Painting

Landscapes and trees
Landscapes of the Twelve Months
Dwelling among Mountains and Clouds
Landscapes with Poems
Landscapes with Poems

Poem

Plane
Drinking in Xu's Garden
Swallows to go east

Literary Work

Caoxiangtang Collection
Painting Technique
Chai Zhangren's Draft
Gong Banqian's Paintings
Poetry Meeting
Banmu Garden Poetry Grass
Banmu Garden Pond
Midnight Tang Shi Ji

Character Memorial

The word "Qingliangshan" on the stone plaque in the middle of the gate of Soyelou was written by Gong Xian. The Memorial Hall was built on the southwest side of Qingliang Mountain. Regarding the origin of the name of the Saoye Tower, there are historical records in the Qianlong period of the Qing Dynasty. Gong Xian once made a self-portrait. In this painting, he turned into a monk who was sweeping leaves, which was named the Saoye Tower. The building was destroyed by fire in the Qing Dynasty. In 1889, at the edict of Emperor Guangxu, the building was rebuilt, and it was rebuilt twice in 1901 and 1914.^[4]

External Links

References

^ Yi, Ming. "笔法古健老苍力戒呆刻结板——金陵八大家之一龚贤山水画赏析--《老年教育(书画艺术)》2014年12期". www.cnki.com.cn. Retrieved 2020-05-08.{{cite web}}: CS1 maint: url-status (link)
^ Silbergeld, Jerome. "Kung Hsien: A Professional Chinese Artist and His Patronage". The Burlington Magazine. 123.940 (July 1981): 400–410.
^ Silbergeld, Jerome. "Kung Hsien's Self-Portrait in Willows, With Notes on the Willow in Chinese Painting and Literature". Artibus Asiae. 42.1 (1980): 5–36.
^ Gong Xian. 天津人民美术出版社. 2003.

[1] Yi, Ming. "笔法古健老苍力戒呆刻结板——金陵八大家之一龚贤山水画赏析--《老年教育(书画艺术)》2014年12期". www.cnki.com.cn. Retrieved 2020-05-08.{{cite web}}: CS1 maint: url-status (link)

[2] Silbergeld, Jerome. "Kung Hsien: A Professional Chinese Artist and His Patronage". The Burlington Magazine. 123.940 (July 1981): 400–410.

[3] Silbergeld, Jerome. "Kung Hsien's Self-Portrait in Willows, With Notes on the Willow in Chinese Painting and Literature". Artibus Asiae. 42.1 (1980): 5–36.

[4] Gong Xian. 天津人民美术出版社. 2003.

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