User:Sprachraum/Sandbox 4
William Austin | |
---|---|
Born | Nanaimo, Canada | January 28, 1903
Died | Los Angeles, U.S. | December 28, 1993
Other names | Bill Austin (in some film credits) |
Occupation | Film editor |
Years active | 1928–1968 |
William Nelson Austin ACE (1903–1993) was a Canadian-born American film editor. His prolific career spanned 45 years and over 150 productions. He mostly worked on B-movies of various genres, especially westerns. Another staple were comedies: He was the editor of more than thirty films featuring "The Bowery Boys". His editing skills were recognized with an Academy Award nomination in 1953, for the war drama Flat Top.
Life and Career
[edit]William Austin was born on January 28, 1903, in Nanaimo, British Columbia, Canada.[1]
He entered the film industry at age 17, starting out as a camera assistant.[2] From 1922 onwards, Austin worked as an editor for small production companies in Hollywood. Towards the end of the silent era he teamed up with director/producer Robert J. Horner to churn out a dozen westerns in just two years (1928–1929).
Starting with his first sound film, South of Sonora by Jacques Jaccard (1930), Austin diversified his collaborations, working with nearly 20 different directors in the course of the 1930s, including several productions by Harry S. Webb, David Selman, and Leon Barsha. Two of Barsha's films that were released in 1938, Special Inspector and Convicted, featured 19-year old Rita Hayworth as the female lead – a year before her breakthrough as an actress. Both films were crime dramas, which signaled that Austin was beginning to branch out to other genres. Westerns still dominated his works of the 1930's, but there was also a sports-themed romance called Deception (1932), the exploitation/horror film Maniac (1934), and contemporary dramas like Lucky Corrigan or Tugboat Princess (both released in 1936). Films like the last two, or the Rita Haworth launch pads from 1938, are sometimes called "quota quickies", since they were shot quickly and cheaply across the border in Canada, so as to meet the British quota requirements of the Cinematograph Films Act of 1927.
In 1943, William Austin was in charge of editing his first major studio production, the Sherlock Holmes film adaptation The Spider Woman, produced by Universal, with Basil Rathbone as Holmes. His next project was the comedy/crime movie Shadow of Suspicion (1944), which was directed by William Beaudine. It kicked off the most enduring and productive director/editor collaboration of Austin's career. He and Beaudine would go on to make over 40 films together.
After The Spider Woman, Austin had mostly returned to working for smaller production companies again, but nevertheless in 1953 received an Academy Award nomination in the Best Editing category for Flat Top.
Soon after the founding of the American Cinema Editors in 1950, William Austin was initiated as a member, as is signaled by the A.C.E. after his name in almost all film credits from Crazy Over Horses (1951) up to The Great Sioux Massacre (1965).
In 1953, Austin also began working for television productions, including several episodes of the TV series I'm the Law, as well as The Abbott and Costello Show, where he edited nine episodes of season two. He mostly returned to cinema after that, but did edit one episode each of The Barbara Stanwyck Show and the TV series Ben Casey in 1961.
The final film in Austin's filmography, Legend of the Northwest, was released in 1978, when Austin was already 75. But it had in fact been shot back in 1962, so it wasn't the last project Austin worked on. The film was directed by actor Rand Brooks, in his first and only excursion as a director and producer. According to Brooks' obituary in the Los Angeles Times, it was not released for many years, because it "became tied up in litigation when Brooks' business manager was charged with numerous counts of forgery and graft involving several clients."[3] So Austin's final works as an editor are actually four episodes of the TV series Tarzan, that were broadcast between December 1967 and March 1968.
On Dezember 28, 1993, William Austin died in Los Angeles at the age of 90.
Filmography
[edit]This filmography is sourced from the American Film Institute catalog,[4] IMDb,[1] and the British Film Institute.[5] Discrepancies between the sources are mentioned in the notes. Some running time durations vary considerably, perhaps due to different edit versions in circulation.
According to the American Cinema Editors Anniversary Book, Austin was already working as a film editor from 1922 onwards.[2] But his first entry in any of the databases is from 1928. Since it was not unusual during the silent era to leave out editors in film credits, there might be quite a few early projects missing from the list below.
Silents 1928–1929
[edit]Year | Title | Director | Min. | Notes |
---|---|---|---|---|
1928 | Texas Flash | Robert J. Horner | 49 (est.) | Duration estimate based on: 4450 feet of 35mm film,[6] projected at 24 FPS.[note 1] |
1928 | The Thrill Chaser | Robert J. Horner | 48 (est.) | Length: 5 reels, 4280 feet.[8] |
1928 | Cheyenne Trails | Robert J. Horner | 48 (est.) | Length: 4275 feet.[9] |
1928 | Fangs of Fate | Noel M. Smith | 50 (est.) | Length: 4476 feet.[10] |
1928 | Across the Plains | Robert J. Horner | 48 (est.) | Length: 4350 feet.[11] |
1928 | Where the West Begins | Robert J. Horner | 53 (est.) | Length: 4800 feet.[12] |
1928 | Forbidden Trails | Robert J. Horner | ? | Length: 5 reels, feet unknown[13] |
1928 | Ranger's Oath | Robert J. Horner | 48 (est.) | Length: 4300 feet.[14] |
1928 | Rip Roaring Logan | Robert J. Horner | 46 (est.) | Length: 4160 feet.[15] |
1928 | Throwing Lead | Robert J. Horner | 48 (est.) | Length: 4350 feet.[16] |
1929 | The White Outlaw | Robert J. Horner | 50 (est.) | Credited as "Bill Austin". AFI length: 4478 feet."[17] IMDb says 56 min.[18] |
1929 | Midnight on the Barbary Coast | Robert J. Horner | 47 (est.) | Length: 4250 feet."[19] |
1929 | Far Western Trails | Robert J. Horner | 48 (est.) | Length: 4315 feet.[20] |
1929 | Fighters of the Saddle | Robert J. Horner | 46 (est.) | Alternative title: Fighters in the Saddle AFI length: 4156 feet.[21] IMDb says 62 min.[22] |
Cinema 1930–1939
[edit]Year | Title | Director | Min. | Notes |
---|---|---|---|---|
1930 | South of Sonora | Jacques Jaccard | 50 | AFI length: 4500 feet = 50 min.[23] IMDb says 55 min.[24] |
1930 | The Apache Kid's Escape | Robert J. Horner | 51 | |
1931 | Trails of the Golden West | Leander de Cordova | 58 | = IMDb duration.[25] AFI has a spectrum ranging from 4600 feet (= 51min.) to 58 min.[26] |
1931 | Pueblo Terror | Alan James | 60 | AFI title: The Pueblo Terror.[27] |
1932 | Riders of the Golden Gulch | Clifford Smith | 52 | AFI credits Austin.[28] IMDb considers Henry Adams to be the editor.[29] |
1932 | 45 Calibre Echo | Bruce M. Mitchell | 60 | |
1932 | Deception | Lewis Seiler | 67 | Alternative title: Cauliflower Alley = AFI duration.[30] IMDb says 65 min.[31] |
1934 | Border Guns | Jack Nelson | 55 | |
1934 | A Demon for Trouble | Robert F. Hill | 61 | = AFI duration.[32] IMDb says 58 min.[33] |
1934 | Maniac | Dwain Esper | 51 | Alternative title: Sex Maniac |
1935 | North of Arizona | Harry S. Webb | 60 | |
1935 | Secrets of Chinatown | Fred C. Newmeyer | 63 | No entry in AFI database. |
1935 | Rio Rattler | Bernard B. Ray | 59 | Credited as "Bill Austin". AFI length: 5334 feet = 59 min.[34] IMDb says 55 min.[35] |
1935 | Trails End | Albert Herman | 57 | = IMDb duration.[36] AFI says "57 or 61" min.[37] |
1935 | Trigger Tom | Harry S. Webb | 57 | |
1936 | El crimen de media noche | Bernard B. Ray, Jesús Topete |
63 | Spanish-language version of Midnight Phantom.[38] |
1936 | Secret Patrol | David Selman | 60 | Shot during a break in the filming of Stampede.[39] |
1936 | Stampede | Ford Beebe | 57 | = IMDb duration.[40] AFI says "58 or 65" min.[39] |
1936 | Lucky Corrigan | Lewis D. Collins | 66 | Alternative title: Fury and the Woman |
1936 | Tugboat Princess | David Selman | 69 | = AFI duration.[41] IMDb says 66 min.[42] |
1937 | Woman Against the World | David Selman | 66 | |
1937 | What Price Vengeance | Del Lord | 61 | Alternative title: Vengeance = IMDb duration.[43] AFI says "57 or 60" min.[44] Public source video: 56 min.[45] |
1937 | Manhattan Shakedown | Leon Barsha | 57 | |
1937 | Murder Is News | Leon Barsha | 55 | |
1938 | Special Inspector | Leon Barsha | 54 | Alternative title: Across the Border = AFI duration.[46] IMDb says 65 min.[47] Public source video = AFI.[48] |
1938 | Convicted | Leon Barsha | 58 | = IMDb duration.[49] AFI says "50 or 58" min.[50] |
1939 | Death Goes North | Frank McDonald | 64 | Produced in 1937, released in 1939 |
Cinema 1940–1949
[edit]Year | Title | Director | Min. | Notes |
---|---|---|---|---|
1941 | Double Cross | Albert H. Kelley | 61 | Alternative title: Motorcycle Squad |
1941 | Gun Cargo | Jack Irwin | 50 | Alternative title: Contraband Cargo Release year unclear: AFI writes "1941 or 1950".[51] Duration unclear: AFI has both 4473 feet = 50 min. / and 5180 feet = 58 min. IMDb says 49 min.[52] |
1943 | Hi'ya, Sailor | Jean Yarbrough | 63 | |
1943 | The Spider Woman | Roy William Neill | 63 | Alternative title: Sherlock Holmes and the Spider Woman |
1944 | Shadow of Suspicion | William Beaudine | 68 | |
1944 | A Wave, a WAC and a Marine | Phil Karlson | 70 | |
1944 | Army Wives | Phil Rosen | 68 | |
1945 | Docks of New York | Wallace Fox | 62 | 20th film in the "East Side Kids" feature-film series |
1945 | Fashion Model | William Beaudine | 62 | |
1945 | G. I. Honeymoon | Phil Karlson | 70 | |
1945 | Springtime in Texas | Oliver Drake | 55 | |
1945 | Mr. Muggs Rides Again | Wallace Fox | 63 | 21st film in the "East Side Kids" series |
1945 | Saddle Serenade | Oliver Drake | 57 | |
1945 | South of the Rio Grande | Lambert Hillyer | 62 | |
1945 | Riders of the Dawn | Oliver Drake | 58 | |
1945 | Come Out Fighting | William Beaudine | 62 | 22nd and final film in the "East Side Kids" series |
1945 | Allotment Wives | William Nigh | 80 | |
1945 | Black Market Babies | William Beaudine | 71 | |
1946 | The Face of Marble | William Beaudine | 72 | |
1946 | West of the Alamo | Oliver Drake | 57 | |
1946 | Junior Prom | Arthur Dreifuss | 69 | 1st film in "The Teen Agers" feature-film series |
1946 | In Fast Company | Del Lord | 63 | 2nd film in "The Bowery Boys" feature-film series |
1946 | Don't Gamble with Strangers | William Beaudine | 68 | |
1946 | Bowery Bombshell | Phil Karlson | 65 | 3rd film in "The Bowery Boys" series |
1946 | Spook Busters | William Beaudine | 63 | 4th film in "The Bowery Boys" series |
1946 | Dangerous Money | Terry O. Morse | 66 | |
1946 | Sweetheart of Sigma Chi | Jack Bernhard William Beaudine |
76 | |
1947 | Fall Guy | Reginald Le Borg | 64 | |
1947 | Hard Boiled Mahoney | William Beaudine | 63 | 6th film in "The Bowery Boys" series |
1947 | News Hounds | William Beaudine | 68 | 7th film in "The Bowery Boys" series |
1947 | Bowery Buckaroos | William Beaudine | 66 | 8th film in "The Bowery Boys" series |
1948 | Smart Politics | Will Jason | 65 | 6th film in "The Teen Agers" series |
1948 | Angels' Alley | William Beaudine | 67 | 9th film in "The Bowery Boys" series |
1948 | Campus Sleuth | Will Jason | 57 | 7th film in "The Teen Agers" series |
1948 | Stage Struck | William Nigh | 71 | |
1948 | Jinx Money | William Beaudine | 68 | 10th film in "The Bowery Boys" series |
1948 | Music Man | Will Jason | 66 | 8th and final film in "The Teen Agers" series |
1948 | Smugglers' Cove | William Beaudine | 66 | 11th film in "The Bowery Boys" series |
1948 | Trouble Makers | Reginald Le Borg | 66 | 12th film in "The Bowery Boys" series |
1949 | Bad Boy | Kurt Neumann | 86 | Supervising editor: Otho Lovering |
1949 | Fighting Fools | Reginald Le Borg | 69 | 13th film in "The Bowery Boys" series |
1949 | Hold That Baby! | Reginald Le Borg | 64 | 14th film in "The Bowery Boys" series |
1949 | Angels in Disguise | Jean Yarbrough | 63 | 15th film in "The Bowery Boys" series |
1949 | Master Minds | Jean Yarbrough | 64 | 16th film in "The Bowery Boys" series |
Cinema 1950–1959
[edit]Year | Title | Director | Min. | Notes |
---|---|---|---|---|
1950 | Blonde Dynamite | William Beaudine | 66 | 17th film in "The Bowery Boys" feature-film series |
1950 | Lucky Losers | William Beaudine | 70 | 18th film in "The Bowery Boys" series |
1950 | Triple Trouble | Jean Yarbrough | 67 | 19th film in "The Bowery Boys" series |
1950 | Law of the Panhandle | Lewis D. Collins | 55 | |
1950 | Blues Busters | William Beaudine | 67 | 20th film in "The Bowery Boys" series |
1951 | Bowery Battalion | William Beaudine | 69 | 21st film in "The Bowery Boys" series |
1951 | Ghost Chasers | William Beaudine | 69 | 22nd film in "The Bowery Boys" series |
1951 | G.I. Jane | Reginald Le Borg | 62 | |
1951 | Let's Go Navy! | William Beaudine | 68 | 23rd film in "The Bowery Boys" series |
1951 | Elephant Stampede | Ford Beebe | 71 | 6th film in the "Bomba, the Jungle Boy" feature-film series |
1951 | Crazy Over Horses | William Beaudine | 65 | 24th film in "The Bowery Boys" series |
1952 | Rodeo | William Beaudine | 70 | |
1952 | Hold That Line | William Beaudine | 64 | 25th film in "The Bowery Boys" series |
1952 | Wild Stallion | Lewis D. Collins | 70 | |
1952 | Here Come the Marines | William Beaudine | 66 | 26th film in "The Bowery Boys" series |
1952 | Feudin' Fools | William Beaudine | 63 | 27th film in "The Bowery Boys" series |
1952 | Flat Top | Lesley Selander | 83 | Academy Award nominee for Best Film Editing |
1952 | No Holds Barred | William Beaudine | 65 | 28th film in "The Bowery Boys" series |
1952 | Bomba and the Jungle Girl | Ford Beebe | 70 | 8th film in the "Bomba, the Jungle Boy" series |
1953 | Jalopy | William Beaudine | 62 | 29th film in "The Bowery Boys" series |
1953 | Kansas Pacific | Ray Nazarro | 73 | |
1953 | Roar of the Crowd | William Beaudine | 71 | |
1954 | Arrow in the Dust | Lesley Selander | 79 | |
1954 | The Bowery Boys Meet the Monsters | Edward Bernds | 65 | 34th film in "The Bowery Boys" series |
1954 | The Adventures of Hajji Baba | Don Weis | 94 | |
1955 | Dial Red 0 | Daniel B. Ullman | 63 | |
1955 | An Annapolis Story | Don Siegel | 81 | |
1955 | Wichita | Jacques Tourneur | 81 | |
1955 | Jail Busters | William Beaudine | 61 | 39th film in "The Bowery Boys" series |
1955 | Sudden Danger | Hubert Cornfield | 65 | |
1956 | Dig That Uranium | Edward Bernds | 61 | 40th film in "The Bowery Boys" series |
1956 | Fighting Trouble | George Blair | 61 | 42nd film in "The Bowery Boys" series |
1956 | Calling Homicide | Edward Bernds | 60 | |
1956 | The Women of Pitcairn Island | Jean Yarbrough | 72 | According to AFI, Austin was the supervising editor. No other editors are named.[53] |
1957 | Last of the Badmen | Paul Landres | 79 | |
1957 | Dino | Thomas Carr | 94 | |
1957 | The Disembodied | Walter Grauman | 66 | |
1957 | Death in Small Doses | Joseph M. Newman | 79 | |
1957 | Looking for Danger | Austen Jewell | 62 | 46th film in "The Bowery Boys" series |
1957 | The Tall Stranger | Thomas Carr | 81 | |
1957 | Sabu and the Magic Ring | George Blair | 61 | |
1957 | Up in Smoke | William Beaudine | 64 | 47th film in "The Bowery Boys" series |
1958 | Cole Younger, Gunfighter | R. G. Springsteen | 78 | |
1958 | Quantrill's Raiders | Edward Bernds | 68 | |
1958 | Queen of Outer Space | Edward Bernds | 80 | |
1958 | Joy Ride | Edward Bernds | 65 | |
1958 | Revolt in the Big House | R. G. Springsteen | 79 | |
1959 | The Rebel Set | Gene Fowler Jr. | 72 | |
1959 | Battle Flame | R. G. Springsteen | 78 | |
1959 | The Bat | Crane Wilbur | 80 | |
1959 | The Atomic Submarine | Spencer Gordon Bennet | 72 |
Cinema 1960–1978
[edit]Year | Title | Director | Min. | Notes |
---|---|---|---|---|
1960 | The Hypnotic Eye | George Blair | 79 | |
1960 | Sex Kittens Go to College | Albert Zugsmith | 94 | Alternative title: Beauty and the Robot Also released in an "adult version" of 103 minutes |
1962 | Panic in Year Zero! | Ray Milland | 93 | Alternative title: End of the World |
1963 | Gunfight at Comanche Creek | Frank McDonald | 91 | |
1964 | Blood on the Arrow | Sidney Salkow | 91 | |
1964 | The Troublemaker | Theodore J. Flicker | 80 | According to BFI and IMDb, Austin was editing consultant; John McManus was main editor.[54][55] |
1965 | The Great Sioux Massacre | Sidney Salkow | 102 | |
1966 | Jesse James Meets Frankenstein's Daughter | William Beaudine | 88 | As supervising editor; no other editor named in opening credits. |
1966 | An Eye for an Eye | Michael D. Moore | 106 | As supervising editor; main editor was Bob Wyman |
1962 / 1978 | Legend of the Northwest | Rand Brooks | 79 | Alternative title: Bearheart of the Northwest.[56] Was shot in 1962, but only released in 1978. |
Television 1953–1968
[edit]Year | Title | Director | Min. | Format | Notes |
---|---|---|---|---|---|
1953 | I'm the Law | Robert G. Walker | 30 | Syndicated TV series | 3 episodes of season one |
1953–54 | The Abbott and Costello Show | Jean Yarbrough | 26–30 | Syndicated TV sitcom | 9 episodes of season two |
1961 | The Barbara Stanwyck Show | Jacques Tourneur | 30 | NBC Anthology TV series | Episode "The Coice" |
1961 | Ben Casey | Abner Biberman | 60 | ABC TV series | Episode "But Linda Only Smiled" |
1967–68 | Tarzan | Harmon Jones Barry Shear William Witney |
60 | NBC TV series | Four episodes of season 2 |
Accolades
[edit]- 1953: Nominated for an Academy Award in the category Best Editing for Flat Top.
Notes
[edit]References
[edit]- ^ a b "William Austin". IMDb. Retrieved February 14, 2021.
- ^ a b Smith, Fredrick Y., ed. (1971). ACE Second Decade Anniversary Book. Los Angeles: American Cinema Editors. p. 215.
- ^ McClellan, Dennis (September 4, 2003). "Rand Brooks, 84; Actor Had Roles in Westerns, 'Gone With the Wind'". The Los Angeles Times. Retrieved February 12, 2020.
- ^ "William Austin". American Film Institute (AFI) – Catalog. Retrieved February 17, 2021.
- ^ "William Austin". British Film Institute (BFI). Retrieved February 17, 2021.
- ^ "Texas Flash". AFI. Retrieved February 17, 2021.
- ^ Brownlow, Kevin (Summer 1980). "Silent Films: What Was the Right Speed?". Sight & Sound. 49 (3): 164–167. Archived from the original on July 8, 2011. Retrieved February 17, 2021.
- ^ "The Thrill Chaser". AFI. Retrieved February 17, 2021.
- ^ "Cheyenne Trails". AFI. Retrieved February 17, 2021.
- ^ "Fangs Of Fate". AFI. Retrieved February 17, 2021.
- ^ "Across The Plains". AFI. Retrieved February 17, 2021.
- ^ "Where the West Begins". AFI. Retrieved February 17, 2021.
- ^ "Forbidden Trails". AFI. Retrieved February 17, 2021.
- ^ "Ranger's Oath". AFI. Retrieved February 17, 2021.
- ^ "Rip Roaring Logan". AFI. Retrieved February 17, 2021.
- ^ "Throwing Lead". AFI. Retrieved February 17, 2021.
- ^ "The White Outlaw". AFI. Retrieved February 17, 2021.
- ^ "The White Outlaw". IMDb. Retrieved February 17, 2021.
- ^ "Midnight on the Barbary Coast". AFI. Retrieved February 17, 2021.
- ^ "Far Western Trails". AFI. Retrieved February 17, 2021.
- ^ "Fighters Of The Saddle". AFI. Retrieved February 17, 2021.
- ^ "Fighters Of The Saddle". IMDb. Retrieved February 17, 2021.
- ^ "South of Sonora". AFI. Retrieved February 17, 2021.
- ^ "South of Sonora". IMDb. Retrieved February 17, 2021.
- ^ "Trails of the Golden West". IMDb. Retrieved February 17, 2021.
- ^ "Trails of the Golden West". AFI. Retrieved February 17, 2021.
- ^ "The Pueblo Terror". AFI. Retrieved February 17, 2021.
- ^ "Riders of the Golden Gulch". AFI. Retrieved February 17, 2021.
- ^ "Riders of the Golden Gulch". IMDb. Retrieved February 17, 2021.
- ^ "Deception". AFI. Retrieved February 17, 2021.
- ^ "Deception". IMDb. Retrieved February 17, 2021.
- ^ "A Demon For Trouble". AFI. Retrieved February 17, 2021.
- ^ "A Demon For Trouble". IMDb. Retrieved February 17, 2021.
- ^ "Rio Rattler". AFI. Retrieved February 17, 2021.
- ^ "Rio Rattler". IMDb. Retrieved February 17, 2021.
- ^ "Trails End". IMDb. Retrieved February 17, 2021.
- ^ "Trails End". AFI. Retrieved February 17, 2021.
- ^ "El crimen de media noche". AFI. Retrieved February 17, 2021.
- ^ a b "Stampede". AFI. Retrieved February 17, 2021.
- ^ "Stampede". IMDb. Retrieved February 17, 2021.
- ^ "Tugboat Princess". AFI. Retrieved February 17, 2021.
- ^ "Tugboat Princess". IMDb. Retrieved February 17, 2021.
- ^ "What Price Vengeance". IMDb. Retrieved February 17, 2021.
- ^ "What Price Vengeance". AFI. Retrieved February 17, 2021.
- ^ What Price Vengeance (Video). YouTube. December 4, 2019 [1938]. Retrieved February 19, 2021.
- ^ "Special Inspector". AFI. Retrieved February 17, 2021.
- ^ "Special Inspector". IMDb. Retrieved February 17, 2021.
- ^ Special Inspector (Video). YouTube. December 8, 2019 [1938]. Retrieved February 19, 2021.
- ^ "Convicted". IMDb. Retrieved February 17, 2021.
- ^ "Convicted". AFI. Retrieved February 17, 2021.
- ^ "Convicted". AFI. Retrieved February 17, 2021.
- ^ "Gun Cargo". IMDb. Retrieved February 17, 2021.
- ^ "Convicted". AFI. Retrieved February 19, 2021.
- ^ "The Troublemaker". British Film Institute (BFI). Retrieved February 19, 2021.
- ^ "The Troublemaker". IMDb. Retrieved February 19, 2021.
- ^ "Bearheart of the Northwest". British Film Institute (BFI). Retrieved February 19, 2021.
External links
[edit]