User:Sinsterrez12/Louis XII
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[edit]legacy
[edit]Under Louis's reign, the province of Brittany became a de facto permanent province of France - although this was not legally completed until 1547. 246.
Historians often attribute Louis's popularity to his tax reduction policies 246. Historians often attribute Louis's popularity to his tax reduction policies. While Francis I eventually raised taxes, Louis's redaction of law codes and the creation of new parlements were longer-lasting.
propaganda:
[edit]Under Louis XII, there was an unprecedented explosion of propaganda and publicity for the French crown 249. Louis XII had numerous large ceremonies for the various marriages, funerals, and other events that occurred under his reign. These occasions provided Louis with opportunities to project royal power and elevate Louis, which was largely done through iconography. Furthermore, while these royal images flooded the kingdom, popular writers - encouraged by Louis's lack of censorship - often spread praise of their king. 249
Louis adopted the porcupine as his personal badge and as a royal beast. As a result, the popularity of the now royal creature exploded, resulting in the placement of porcupines in illustrated manuscripts, on edifices, and on cannons. 79 (French royal symbolism in the age of Louis XII)
As it was common belief at the time that the porcupine could shoot its quills, the porcupine symbolized the offensive and defensive capabilities of the king. 19 During his years of conquest, Louis framed France and himself to the public as a porcupine - an invincible creature feared by all. However, by the second half of his reign, Louis began to relegate the aggressive porcupine into a simple heraldic symbol for identification. Seeking to paint himself as a pious and chivalrous king to the public, Louis employed titles such as Father of the People or figures like St. Louis to highlight his commitment to justice and reform rather than simply military dominance. 36
Louis's initial of L was often decorated with an open royal crown and laced with fleurs-de-lys. In addition, Louis's personal colors were red and yellow (or gold). Thus, guard regiment uniforms, manuscript color schemes, flags, often adorned Louis's royal colors and his initial. 80
Moreover, Louis popularized the state portrait as a propaganda tool. He employed numerous artists to capture him and produce individualized, miniature portraits that today can be found in manuscripts. 82 Furthermore, Louis's propaganda arsenal was greatly expanded with the addition of portrait coins - first minted in France in 1514. 88
This was the first and only time that a French king was bestowed the specific honorific of "Father of the People". 95
-------------------------------------------------- (final version of the Propaganda section below - just a few rewordings here and there)
Under Louis XII, there was an unprecedented explosion of propaganda and publicity for the French crown. Louis XII had numerous large ceremonies for the various marriages, funerals, and other events that occurred under his reign. These occasions provided Louis with opportunities to project royal power and elevate Louis, which was largely done through iconography. Furthermore, while these royal images flooded the kingdom, popular writers - encouraged by Louis's lack of censorship - disseminated praise of their king.
Louis adopted the porcupine as his personal badge and as a royal beast. As a result, the popularity of the now royal creature exploded, resulting in the placement of porcupines in illuminated manuscripts, on edifices, and on cannons. As it was common belief at the time that the porcupine could shoot its quills, the porcupine symbolized the offensive and defensive capabilities of the king. During his years of conquest, Louis portrayed his kingdom to the public as a porcupine - a supposedly invincible creature feared by all. However, by the second half of his reign, Louis began to relegate the aggressive porcupine into a simple heraldic symbol for identification. Seeking to paint himself as a pious and chivalrous king to the public, Louis adopted titles such as Father of the People and compared himself to figures like St. Louis to highlight his commitment to justice and reform rather than simply military dominance.
Louis's initial of L was often decorated with an open royal crown and laced with fleurs-de-lys. In addition, Louis's personal colors were red and yellow (or gold). Thus, guard regiment uniforms, manuscript color schemes, flags, often adorned Louis's royal colors and his initial.
Moreover, Louis popularized the state portrait as a propaganda tool. He employed numerous artists to capture him and produce individualized, miniature portraits that can be found in manuscripts today. Furthermore, Louis's propaganda arsenal was greatly expanded with the addition of portrait coins - first minted in France in 1514.
Death
[edit]On January 11, Louis's body was taken to the Notre-Dame for a funeral mass. The next day, during the funeral procession, the cart carrying the coffin broke down and there was a dispute over which party would get the good cloth that covered the coffin. 244
References
[edit]French royal symbolism in the age of Louis XII)
baumgartner Louis XII
Louis XII and the porcupine: transformations of a royal emblem