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William Henry Jackson (1843-1942)

William Henry Jackson was born in 1843 in Keeseville, New York, the son of a blacksmith. By the age of twelve he was selling drawings to neighbors. He fought at Gettysburg, and after the Civil War headed west. In 1870 he joined the Hayden Survey, headed by the famous geographer and explorer Ferdinand Vandiveer Hayden. For the next eight years, in the words of one writer, Jackson's photographs " revealed the essential qualities of the West and reproduced the experience of contact with wilderness and God for millions of viewers" (Hale, p. 2). Jackson was the leading photographer of the American West in the 19th century. His photographs helped turn Yellowstone into the first national park. He was the first white man to see and photograph the Mesa Verde ruins of the Anasazi people in Colorado. After the Hayden Survey years, Jackson settled down to a successful commercial career in Denver. His pictures now revealed the steady conquest of the Frontier by the railroads. By the 1890's he was called "America's greatest landscape photographer."

But he was not immune to the effects of the recession that began early that decade. Then there was the question of a new frontier, something even bigger than America.

The popular World Columbian Exposition in Chicago in 1893 helped open America's eyes to the rest of the world. Jackson made the official set of views for the Exposition and befriended one of its organizers, Major Joseph Pangborn. After the Exposition, Pangborn offered Jackson a five-year, all expenses paid trip around the world. It seemed too good an offer to resist. As it turned out, he was back in half the time and did his best work in India. Even so, at the age of fifty, barely half his life was over. Soon after his return, Jackson took his negatives to a new company, The Detroit Publishing Co. where he became critical to the Photochrom process and the color postcard revolution in America. When the company went down in 1924 because of its expensive trademark process, he became a successful commercial painter, writer and lecturer. He lived and worked until he turned 99 in 1942, and is buried in Arlington National Cemetery. Among his many relatives is Bill ("William Henry Jackson") Griffith, the creator of Zippy the Pinhead cartoons. Jackson's reputation and skills were appreciated in India as well. At the end of his journey through the country in 1895, he presented two large panoramas in competition at the annual Calcutta Photographic Exhibit. One of them, a landscape shot of Ouray, Colorado, won a bronze medal.

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William Henry Jackson in 1862 Born April 4, 1843(1843-04-04) Keeseville, New York Died June 30, 1942 (aged 99) New York, New York Occupation Painter Photographer Known for "Mountain of the Holy Cross" (photograph of mountain in the Sawatch Range, Colorado) See Honoré Jackson for the Canadian revolutionary. William Henry Jackson (April 4, 1843 - June 30, 1942) was an American painter, photographer and explorer famous for his images of the American West. He was a great-great nephew of Samuel Wilson, the progenitor of America's national symbol Uncle Sam.

Contents [hide] 1 Early life 2 Career as photographer 3 Career as publisher 4 Later life 5 Gallery 6 See also 7 External links

[edit] Early life Jackson was born in Keeseville, New York, on April 4, 1843, as the first of seven children to George Hallock Jackson and Harriet Maria Allen. Harriet, a talented water-colorist, was a graduate of the Troy Female Academy, later the Emma Willard School. Painting was his passion from a very young age. By age 19 he had become a skillful, talented artist of American pre-Civil-War Visual Arts, of whom Orson Squire Fowler wrote as being "excellent as a painter".

After his boyhood in Troy, New York and Rutland, Vermont, in October 1862 Jackson joined as a private in Company K of 12th Vermont Infantry and fought in the American Civil War for nine months, including (only) one major battle, the battle of Gettysburg. His regiment mustered out 14 July 1863. Jackson then returned to Rutland, VT, where he eventually got into creative crisis as a painter in post-Civil-War American society. Having broken his engagement to Miss Carolina Eastman he left Vermont forever, for the American West.

In 1866 traveling by Union Pacific Jackson reached its end, a point some hundred miles west of Omaha, where he joined as a bullwhacker a wagon train heading west to Great Salt Lake, on the Oregon Trail. In 1867 he settled down in Omaha, NE and got into the photography business with his brother Ed.

Muddy Pond, VT, 1861-1862, by William Henry JacksonGoing off for three or four days as "missionary to the Indians" around Omaha, Jackson made his famous photographs of the American Indians: Osages, Otoes, Pawnees, Winnebagoes and Omahas.

[edit] Career as photographer In 1869 Jackson won a commission from the Union Pacific Railroad to document the scenery along their route for promotional purposes. The following year, he got a last-minute invitation to join the 1870 U.S. government survey (predecessor of USGS) of the Yellowstone River and Rocky Mountains led by Ferdinand Hayden. He also was a member of the Hayden Geological Survey of 1871 which led to the creation of Yellowstone National Park. Painter Thomas Moran was also part of the expedition, and the two artists worked closely together to document the Yellowstone region. Hayden's surveys (accompanied usually by a small detachment of the U.S. Cavalry) were annual multidisciplinary expeditions meant to chart the largely-unexplored west, observe flora (plants), fauna (animals), and geological conditions (geology), and identify likely navigational routes, so Jackson was in a position to capture the first photographs of legendary landmarks of the West.

William Henry Jackson, as a member of the U. S. Geological Survey exploring the Teton country in 1872Jackson worked in multiple camera and plate sizes, under conditions that were often incredibly difficult. His photography was based on the collodion process invented in 1848 and published in 1851 by Frederick Scott Archer. Jackson traveled with as many as three camera-types—a stereographic camera (for stereoscope cards), a "whole-plate" or 8x10" plate-size camera, and one even larger, as large as 18x22". These cameras required fragile, heavy glass plates (photographic plates), which had to be coated, exposed, and developed onsite, before the wet-collodion emulsion dried. Without light metering equipment or sure emulsion speeds, exposure times required inspired guesswork, between five seconds and twenty minutes depending on light conditions.

Preparing, exposing, developing, fixing, washing then drying a single image could take the better part of an hour. Washing the plates in 160 °F hot spring water cut the drying time by more than half, while using water from snow melted and warmed in his hands slowed down the processing substantially. His photographic division of 5-7 men carried photographic equipment on the backs of mules and rifles on their shoulders - Siouxess still made scalping - Jackson's life experience (as military, as peaceful dealing with Indians) was welcomed. The weight of the glass plates and the portable darkroom limited the number of possible exposures on any one trip, and these images were taken in primitive, roadless, and physically challenging conditions. Once when the mule lost its footing, Jackson lost a month's work, having to return to untracked Rocky Mountain landscapes to remake the pictures, one of which was his celebrated view of the Mount of the Holy Cross.

Despite these difficulties Jackson came back with photographic evidence of western landmarks that had previously seemed fantastic rumor: the Grand Tetons, Old Faithful and the rest of Yellowstone, Colorado's Rockies and the Mount of the Holy Cross, and the uncooperative Ute Indians. Jackson's photographs of Yellowstone helped convince the U.S. Congress to make it the first National Park in March 1872.

Jackson exhibited photographs and clay models of Anasazi dwellings at Mesa Verde in Colorado in the 1876 Centennial Exposition in Philadelphia. He continued traveling on the Hayden Surveys until the last one in 1878. He later established a studio in Denver, Colorado and produced a huge inventory of national and international views. Commissioned to photograph for western state exhibitions at the World's Columbian Exposition of 1893, he eventually produced a final portfolio of views of the just-shuttered "White City" for Director of Works and architect Daniel Burnham.

[edit] Career as publisher

Restored photochrom print of Hotel del Coronado in Coronado, California by William Henry Jackson for the Detroit Publishing Company, c. 1900. Thrust into financial exigencies by the Panic and Depression of 1893-95, Jackson accepted a commission by Marshall Field to travel the world photographing and gathering specimens for a vast new museum in Chicago; his pictures and reports were published by Harper's Weekly magazine. He returned to Denver and shifted into publishing; in 1897 he sold his entire stock of negatives and his own services to the formerly called the Detroit Photographic Company (owned by William A. Livingstone), after the company had acquired the exclusive ownership and rights to the photochrom process in America. Jackson joined the company in 1898 as president - just when the Spanish American War gained the nation's fervent interest - bringing with him an estimated 10,000 negatives which provided the core of the company's photographic archives, from which they produced pictures ranging from postcards to mammoth-plate panoramas.

In 1903, Jackson became the plant manager, thus leaving him with less time to travel and take photographs. In 1905 or 1906, the company changed its name from the Detroit Photographic Co. to the Detroit Publishing Co.

In the 1910s, the publishing firm expanded its inventory to include photographic copies of works of art, which were popular educational tools as well as inexpensive home decor.

During its height, the Detroit Publishing Company drew upon 40,000 negatives for its publishing effort, and had sales of seven million prints annually. Traveling salesmen, mail order catalogues, and a few retail stores aggressively sold the company's products. The company maintained outlets in Detroit, New York, Los Angeles, London, and Zurich, and also sold their images at popular tourist spots and through the mail. At the height of its success, the company employed some forty artisans and a dozen or more traveling salesmen. In a typical year they would publish an estimated seven million prints.

With the declining sale of photographs and postcards during World War I, and the introduction of new and cheaper printing methods used by competing firms, the Detroit Publishing Company went into receivership in 1924, and in 1932 the company's assets were liquidated.

In 1936 Edsel Ford backed by his father Henry Ford bought Jackson's 40,000 negatives from Livingstone's estate for "The Edison Institute" known today as Greenfield Village in Dearborn, Michigan. Eventually, Jackson's negatives were divided between the Colorado Historical Society (views west of the Mississippi), and the Library of Congress Prints and Photographs Division (all other views).

[edit] Later life Jackson moved to Washington, D.C., in 1924, and produced murals of the Old West for the new U.S. Department of the Interior building. He also acted as a technical advisor for the filming of Gone with the Wind.

In 1942, he was honored by the Explorer's Club for his 80,000 photographs of the American West. SS William H Jackson Steamship was in active service in 1945. Jackson died at the age of 99. Recognized as one of the last surviving Civil War veterans, he was buried at Arlington National Cemetery.

[edit] Gallery

Media related to William Henry Jackson at Wikimedia Commons 
[show]

Works of William Henry Jackson

F.V. Hayden Expedition, Wyoming.

A street market in Mexico City, 1884-1885.

Canton harbor crowded with sampans.

Solomon Islands warriors, 1895.

Chennai, India, 1895.

Harbor in Chennai, India, 1895.

Group of Tamil natives at the pier, 1895.

Denver, Colorado, 1885.

Denver, Colorado, 1898.

Chinese American child in embroidered jacket, 1900.

Shirley Plantation, James River, Virginia, 1900-1906.

1899 photograph of El Capitan.

Mission San Juan Capistrano's caretaker chats with guests, 1880-1900.

[edit] See also Hovenweep National Monument

[edit] External links

Wikimedia Commons has media related to: William Henry Jackson

The Library of Congress, Around the World in the 1890s, photographs by William Henry Jackson William Henry Jackson Photograph and Art Work Collection Mammoth Plate Photographs of the North American West Photographs by Jackson from the Beinecke Rare Book and Manuscript Library at Yale University Interview with William Henry Jackson. Recording from the Records of the Department of the Interior, Office of the Secretary of the Interior: AUDIO. Originally broadcast on 4-3-1941 and re-broadcast on June 29, 2006 on TALKING HISTORY (http://www.talkinghistory.org). Collection of Jackson material at the Scottsbluff National Monument William Henry Jackson at Find a Grave Retrieved on 2008-02-11 Persondata NAME Jackson, William Henry ALTERNATIVE NAMES SHORT DESCRIPTION American painter, photographer and explorer famous for his images of the American West DATE OF BIRTH April 4, 1843 PLACE OF BIRTH Keeseville, New York DATE OF DEATH June 30, 1942 PLACE OF DEATH New York, New York

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