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Pictish art appears on stones, metalwork and small objects of stone and bone. It uses a distinctive form of the general Celtic Early Medieval development of La Tène style with increasing influences from the Insular art of 7th and 8th century Ireland and Northumbria, and then Anglo-Saxon and Irish art as the Early Medieval period continues.
Stones
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About 250 Pictish stones survive and have been assigned by scholars to three classes.[2] Class I stones are those thought to date to the period up to the seventh century and are the most numerous group. The stones are largely unshaped and include incised symbols of animals such as fish and the Pictish beast, everyday objects such as mirrors, combs and tuning forks and abstract symbols defined by names including V-rod, double disc and Z-rod. They are found between from the Firth of Forth to Shetland. The greatest concentrations are in Sutherland, around modern Inverness and Aberdeen. Good examples include the Dunrobin (Sutherland) and Aberlemno stones (Angus).[3]
Class II stones are carefully shaped slabs dating after the arrival of Christianity in the eighth and ninth centuries, with a cross on one face and a wide range of symbols on the reverse. In smaller numbers than Class I stones, they predominate in southern Pictland, in Perth, Angus and Fife. Good examples include Glamis 2, which contains a finely executed Celtic cross on the main face with two opposing male figures, a centaur, cauldron, deer head and a triple disc symbol and Cossans, Angus, which shows a high-prowed Pictish boat with oarsmen and a figure facing forward in the prow.[3] Class III stones are thought to overlap chronologically with Class II stones.[3] Most are elaborately shaped and incised cross-slabs, some with figurative scenes, but lacking idiomatic Pictish symbols. They are widely distributed but predominate in the southern Pictish areas.[3]
Metalwork
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Items of metalwork have been found throughout Pictland. The earlier Picts appear to have had a considerable amount of silver available, probably from raiding further south, or the payment of subsidies to keep them from doing so. The very large hoard of late Roman hacksilver found at Traprain Law may have originated in either way. The largest hoard of early Pictish metalwork was found in 1819 at Norrie's Law in Fife, but unfortunately much was dispersed and melted down.[4] Over ten heavy silver chains, some over 0.5 metres (1.6 ft) long, have been found from this period; the double-linked Whitecleuch Chain is one of only two that have a penannular ring, with symbol decoration including enamel, which shows how these were probably used as "choker" necklaces.[4] The St Ninian's Isle Treasure of 28 silver and silver-gilt objects, contains perhaps the best collection of late Pictish forms, from the Christian period, when Pictish metalwork style, as with stone-carving, gradually merged with Insular, Anglo-Saxon and Viking styles.[5]
Notes
[edit]- ^ Youngs, no. 111, with a plate showing the decoration much better; Laing, 310
- ^ J. N. G. Ritchie and A. Ritchie, Scotland, Archaeology and Early History (Edinburgh: Edinburgh University Press, 2nd edn., 1991), ISBN 0748602917, pp. 161–5.
- ^ a b c d J. Graham-Campbell and C. E. Batey, Vikings in Scotland: an Archaeological Survey (Edinburgh: Edinburgh University Press, 1998), ISBN 0748606416, pp. 7–8.
- ^ a b S. Youngs, ed., "The Work of Angels", Masterpieces of Celtic Metalwork, 6th–9th centuries AD (London: British Museum Press, 1989), ISBN 0714105546, pp. 26–8.
- ^ L. R. Laing, Later Celtic Art in Britain and Ireland (London: Osprey Publishing, 1987), ISBN 0852638744, p. 37.