The album covers of Blue Note Records, an American jazz record label, have been recognized for their distinctive designs, which often feature bold colors, experimental typography, and candid photographs of the album's musicians, and are described as belonging to the Bauhaus and Swiss Style movements. In the early 1950s, artists like Gil Mellé, Paul Bacon, and John Hermansader designed Blue Note's earliest album covers. In 1956, Reid Miles was hired as Blue Note's art director, creating 400 to 500 covers with a unique style incorporating diverse typefaces and design principles such as asymmetry and tinting. After Miles left in 1967, artists like Mati Klarwein and Bob Venosa took over. Designers such as Norman Seeff and Bob Cato contributed in the 1970s, while Japanese artists created new covers for reissues in the late 1970s and 1980s. From the mid-1980s onward, artists like Paula Scher and Adam Pendleton have designed covers, with Miles's work in particular remaining highly influential. (Full article...)
... that a poem by Moses da Rieti includes an encyclopedia of the sciences, a Jewish paradise fantasy, and a post-biblical history of Jewish literature?
A 1913 recording of "The Lost Chord" sung by Reed Miller. The lyrics are by Christian mystic poet Adelaide Anne Procter, and were set to music by Arthur Sullivan at the bedside of his dying brother, Fred Sullivan, to whom the song is dedicated. "The Lost Chord" proved immediately successful and remains one of the most enduring of Sullivan's non-operatic compositions.
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