Jump to content

User:Preferwiki/sandbox/actor

From Wikipedia, the free encyclopedia

Lee Yi-dam
이이담
Born
Baek Hye-won

(1996-05-20) 20 May 1996 (age 28)
Occupations
  • Model
  • actress
Years active2000–present
AgentGhost Entertainment
Korean name
Hangul
이이담
Revised RomanizationI Yi-dam
McCune–ReischauerI Yi-dam
Birth name
Hangul
백혜원
Revised RomanizationBaek Hye-won
McCune–ReischauerBaek Hye-won

Baek Hye-won (Korean백혜원; born 20 May 1996), better known by the stage name Lee Yi-dam (이이담), is a South Korean model and actress best known for starring in television dramas

Career

[edit]

The moment of debut In fact, there was nothing I wanted to do until I was in high school. Then, she first encountered acting through a theater club activity, and it was so much fun practicing and performing on stage with the same script as her friends. She received a lot of stimulation from seeing her passionate friends, and because she liked those moments, she felt like she should act naturally. After graduating, she went on her own to audition for small roles by circulating her profile. She failed the audition she applied for at the time, but someone she met at the time recommended another audition, and she ended up filming director Jin-ho Heo's short film <Two Lights: Relumino>.

How did you get into your current agency, Ghost Studio? it’s actually Santa Claus.

She transferred to Ghost Studio after Studio Santa Claus reorganization.[1]

Filmography

[edit]

Film

[edit]
Year Title Role Notes Ref.
2017 Two Lights: Relumino [ko] stern Short Film · Supporting Role [2][3]
2019 Immaemong number of animals Short film
2020 Beasts Clawing at Straws middle aged daughter bit part

Television

[edit]
Year Title Role Notes Ref.
2021 Voice Season 4 Lisa Jo (Jo Seung-ah) Supporting actor [4]
2021-2022 Artificial City Kim Yi-seol Main actor [5][6]
2024 Long View Chaeryeong Main actor [7]

Web series

[edit]
Year Title Role Notes Ref.
2023 Black Knight 4-1 [8]
2023 Daily Dose of Sunshine Min Deul-re a nurse at the Psychiatric Department. [9]
TBA Can This Love Be Translated? TBA [10]

Accolades

[edit]

Awards and nominations

[edit]
Name of the award ceremony, year presented, category, nominee of the award, and the result of the nomination
Award ceremony Year Category Nominee Result Ref.
Baeksang Arts Awards 2024 Best New Actress Daily Dose of Sunshine Nominated [11]

Listicle

[edit]
Publisher Year Listicle Placement Ref.
Cine21 2023 Rising star actress Included [12][13]

Song

[edit]

Song Jae-jung (Korean송재정; born on November 28, 1973) is a South Korean film television writer.[14] Miyagi trio.[15] Other trio.[16]

In 1992 she enrolled in Department of Journalism and Broadcasting at Ewha Womans University and graduate with bachelor degree in 1996.

In the broadcasting industry, the two individuals are referred to as sitcom geniuses. Starting from "Soonpoong Clinic"

(1998-2000) to "Nonstop" (2001-2002) and "Sharp" (2002-2003), every sitcom they touch becomes a hit because of their talent.

In the MBC daily sitcom "High Kick Without Hesitation" that started on the 6th of last month (Monday to Friday at 8:20 PM), Kim Byung-wook (45) PD and Song Jae-jeong (33) writer, who boast a perfect match. The two of the same age are once again gaining popularity with a sitcom based on a family theme.

"There are so many stories to tell in family relationships. We can show the power dynamics between people in a condensed way." (Kim PD)

"The relationship that can be divided into strong and weak is a power relationship. Money and affection define the relationship. The one with money is strong, and the one who gives affection is weak." (Song writer)

The power dynamics between roles have changed as much as the time difference between "Soonpoong Clinic" and "High Kick Without Hesitation." The central figure in "Soonpoong Clinic" was the head of Soonpoong Clinic, Oh Ji-myung. In "High Kick Without Hesitation," the money-making daughter-in-law Park Hae-mi holds the real power. Although she is a doctor at "Lee Soon-jae Oriental Medicine Clinic" run by her father-in-law, patients only seek the young and capable Park Hae-mi.

In "Soonpoong Clinic," the most sympathetic character was the son-in-law Park Young-kyu, who lost his job and lived with his in-laws. In the power hierarchy of "High Kick Without Hesitation," the character at the very bottom is the mother-in-law Na Moon-hee, who suffers from a chronic illness and is a smart daughter-in-law. She takes care of the household chores, including taking care of her husband and daughter-in-law's work, but she can't even retort once in front of her daughter-in-law who nitpicks about whether fabric softener was added to the laundry.

Park Hae-mi's husband Lee Jun-ha (Jung Joon-ha), who became a full-time stock investor after retiring, also has thin ears for his capable and lovely wife's words, saying, "Don't interfere. I'll handle it myself."

"A sitcom also follows the trend. Isn't it common for the real power in any household to be on the daughter-in-law's side?" (Song writer)

Kim PD has been working with Song writer for more than 1,200 episodes of sitcoms. Kim PD said, "Because we have the same sense of comedy," and Song writer said, "Because we have a similar perspective on human relationships."

The comedy that came out of the two people's senses and perspectives is as follows, aired on the 5th:

When Lee Soon-jae meets his former classmate Dae-geun, who used to bully him with his big build in school, he decides to restore his pride before he dies. He secretly practices fighting skills from his second son, who is a physical education teacher, and goes to the alumni meeting. However, despite his efforts, Dae-geun's charisma still makes him feel small, and Lee Soon-jae ends up dancing the crab dance without being able to swing the nunchaku he secretly brought. The message that once a relationship starts to deteriorate, it is difficult to recover is both funny and poignant.

2013 tvN drama Nine: Nine Time Travels.[17][18]

2016 MBC W.[19][20][21][22][23][24][25][26]

2018. MoA.[27][28][29][30][31]

In 2007, 'Unstoppable High Kick' attempted a new method of mixing sitcom, drama, and mystery formats, and received attention due to favorable reviews from viewers for its refreshing feel.

In 'The Secret of Kukseom', sitcom and thriller are mixed in the same format. I enjoy trying out various new experiments by constantly changing genres, characters, and plots.

22 Writers.[32][33][34][35][36]

Lee

[edit]

Lee Hwa-bae
Born
South Korea
EducationDepartment of Journalism and Broadcasting at Hankuk University of Foreign Studies
Occupation(s)Film distribution and marketing expert
Years active2000–present
Employers
Korean name
Hangul
이화배
Revised RomanizationI Hwa-bae
McCune–ReischauerYi Hwa-bae

Lee Hwa-bae (Korean이화배)[37] is a South Korean film marketing and distribution expert, as well as a lecturer and professor.[38] She is the CEO of Lee Hwa-bae's distribution company (이화배컴퍼니(주)).[39] She also serves as the Director of Studio DHL (스튜디오 디에이치엘).[40] She is also a Professor of Film Business at Chugye University for the Arts. Additionally, Lee works as a researcher for the 'Post-Corona Film Policy Promotion Team' of the Korean Film Council (KOFIC).[41][42][43]

Lee has acquired comprehensive knowledge of film investment and distribution in the domestic film industry, encompassing various aspects ranging from movie theater distribution to different VOD distribution methods. With a hands-on approach and over 20 years of experience, she has become an expert in the field, having worked in companies such as Cinema Service, KD Media, and Sidus Pictures.[38] Throughout her career, Lee has invested in the distribution and marketing of over 100 films, including notable titles such as My Sassy Girl, Kick the Moon (2001), Public Enemy (2002), Silmido (2003), The Housemaid (2010), The Villain on the Second Floor (2010), A Long Visit (2010), Another Promise (2013), Tazza: The Hidden Card (2014).[44][45][41]

Education

[edit]

Lee graduated from the Department of Journalism and Broadcasting at Hankuk University of Foreign Studies.[45]

Career

[edit]

In the early 2000s, the film industry saw the entry of major corporations like CJ, Showbox, and Lotte, which fostered an environment conducive to the production of blockbuster movies. During this period, a box office hit emerged that could rival the success of Hollywood films.[38] From 2000 to 2004, she worked at Cinema Service and was part of the Distribution Team/Marketing Team. She was involved in theatrical releases, follow-up window distribution, and overseas sales. She also oversaw the import and distribution of over 80 films, including The Lord of the Rings: The Fellowship of the Ring (2001), My Sassy Girl, Kick the Moon (2001), Public Enemy (2002), Silmido (2003).[45][41]

A representative example is 'My Sassy Girl' (directed by Kwak Jae-yong), which was released on July 27, 2001 and was aimed at the peak summer market. she, who still can't forget the day 'My Sassy Girl' was released, explained, "This work is a hit that competed against Hollywood blockbusters and won," and "It is a work that showed the potential of Korean movies by attracting 5 million viewers." He continued, “The 5 million viewers before the integrated computer network for movie theater tickets was created in 2004 is equivalent to the 10 million audiences today,” and “Hollywood was like a guarantee of box office success during the summer vacation season, when the biggest sales of the year are expected.” He remembered that time, saying, “Submitting our film instead of his own film would not have been possible without the decision of the distributor’s representative.”[38]

Later on, she initiated the film investment and distribution business at KD Media, a KOSDAQ-listed corporation. Under her leadership, as Team leader, the company distributed the 2009 Oscar Best Foreign Language Film winner, Departures (2008).[45] Lee Hwa-bae, stated that their aim was to introduce medium-sized movies to the foreign film distribution industry, which was predominantly dominated by blockbusters and small-budget films priced between $10,000 and $20,000. Ultimately, their goal was to distribute Korean movies.[46]

Between 2008 and 2011, she served as the Head of the Distribution Team at Sidus FNH Co., Ltd. During this period, she oversaw the distribution of films such as The Housemaid (2010), The Villain on the Second Floor (2010), and A Long Visit (2010).[45]

2012 to 2015, She worked on KT IPTV's first window strategy and N Screen service copyright supply and demand. She was responsible for online platform distribution, as well as content investment and distribution.[45]

In her role as the Head of the Film Business Division at Sidus Pictures Co., Ltd., she supervised movie theater distribution, follow-up window distribution, overseas distribution, foreign currency imports, and marketing, including Another Promise (2013), Tazza: The Hidden Card (2014), A Man Called Ove (2015), Land of Mine (2015), and A Touch of Sin (2013).[45][41]

After a hiatus (2015 to 2017). In 2017, she recognized the significance of distribution in the film industry's growth and dedicated herself to training experts in the field. She began lecturing at the Department of Visual Business at Chugye University of Arts, which established the first film distribution-related department in Korea. Additionally, she delivered lectures on film investment and distribution in the domestic film industry, including at the Korean Film Council.[38] Her teaching engagements also extended to Hankyoreh Education, Academy Roca, and MBC Academy.[45]

In 2020, she authored "Film is Distribution - The essence of distribution," a book penned by Lee Hwa-bae.[47][48][49] The book explores the intricacies of film distribution and was well-received, garnering positive reviews.[50][51]

In 2023, Lee Hwa-bae's distribution company (이화배컴퍼니(주)) distributed Shunji Iwai's film Kyrie in South Korea.[52][53] Two version, regular and director's cut.[54]

Sources

[edit]

Discussion on ways to overcome the crisis in the Korean film industry.[55][56][57]

Crisis in film industry.[58]

Lee Hwa-bae, director of Studio DHL, said, “There must be an audience for there to be movies, and there must be movies for workers and the industry to be maintained. The departure of audiences leads to the departure of human resources from the film industry,” adding, “Even if theaters do not 100% recover the same status as in the past, they will recover.” "If the speed cannot be adjusted to a certain level, it will be difficult for total movie sales to recover. The recovery of sales in the theater industry is ultimately an important key to the overall recovery of the movie industry," he emphasized.[40]

Selected filmography

[edit]
Filmmaking credits[59]
Year Title Director Credited as
English Korean Distributor Marketing Other
2000 A Masterpiece In My Life 불후의 명작 Shim Kwang-jin Yes
2001 My Sassy Girl 엽기적인 그녀 Kwak Jae-yong
Last Present 선물 Oh Ki-hwan
Kick the Moon 신라의 달밤 Kim Sang-jin
Guns & Talks 킬러들의 수다 Jang Jin
2002 The Romantic President 피아노 치는 대통령 Kwak Jae-yong Yes
Public Enemy 공공의 적 Kang Woo-seok
No Blood No Tears 피도 눈물도 없이 Ryoo Seung-wan
Funny Movie 재밌는 영화 Son Jae-gon
Jail Breakers 광복절 특사 Kim Sang-jin
2003 The Classic 클래식 Kwak Jae-yong Yes
The First Amendment of Korea 대한민국 헌법 제1조 Song Kyung-sik
My Teacher, Mr. Kim 선생 김봉두 Jang Kyu-sung
Mr. Butterfly 나비 Kim Hyeon-seong
Oh! Happy Day 오! 해피데이 Yoon Hak-yeol
Wild Card 와일드 카드 Chang Yoon-hyun
Wishing Stairs 여고괴담 3: 여우계단 Yoon Jae-yeon
First Love Rally 첫사랑 사수 궐기대회 Oh Jong-rok Other
Into the Mirror 거울 속으로 Kim Sung-ho Yes
Spring Breeze 불어라 봄바람 Jang Hang-jun
Please Teach Me English 영어완전정복 Kim Sung-su Other
The Legend of the Evil Lake 천년호 Lee Kwang-hoon Yes
Silmido 실미도 Kang Woo-seok
2004 100 Days with Mr. Arrogant 내 사랑 싸가지 Shin Jai-ho Yes
Too Beautiful to Lie 그녀를 믿지 마세요 Bae Hyeong-jun Yes
When I Turned Nine 아홉살 인생 Yoon In-ho Yes
Dance with the Wind 바람의 전설 Park Jung-woo Yes
Arahan 아라한 장풍 대작전 Ryoo Seung-wan
Someone Special 아는 여자 Jang Jin Yes
Hi! Dharma 2: Showdown in Seoul 달마야, 서울 가자 Yook Sang-hyo Yes
Everybody Has Secrets 누구나 비밀은 있다 Jang Hyun-soo Yes
Ghost House 귀신이 산다 Kim Sang-jin Yes
Springtime 꽃피는 봄이 오면 Ryu Jang-ha
2009 A Million 10억 Cho Min-ho Yes
Yoga Hakwon 요가학원 Yoon Jae-yeon
The Sword with No Name 불꽃처럼 나비처럼 Kim Yong-gyun Other
City of Fathers 부산 Park Ji-won Yes
Kill Me 킬 미 Yang Jong-hyun Yes
Wish 바람 Lee Seong-han Yes
2010 Wedding Dress 웨딩드레스 Kwon Hyung-jin Yes
Villain and Widow 이층의 악당 Son Jae-gon Yes
A Long Visit 이층의 악당 Yoo Sung-yeop
Grand Prix 그랑프리 Yang Yun-ho
The Housemaid 하녀 Im Sang-soo
2013 Another Promise 또 하나의 약속 Kim Tae-yun Yes
2014 Tazza: The Hidden Card 타짜: 신의 손 Kang Hyeong-cheol Yes
2020 Song Hae 1927 송해 1927 Jero Yun Other
2021 Contorted 뒤틀린 집 Kang Dong-heon Other
2022 Hot Blooded 뜨거운 피 Cheon Myeong-kwan Other

References

[edit]
  1. ^ "뉴스 : 네이버 TV연예". m.entertain.naver.com. Retrieved 27 June 2024.
  2. ^ "5개 연예기획사 수장들이 '대놓고 키우는 라이징스타'". m.entertain.naver.com. Retrieved 27 June 2024.
  3. ^ "5개 연예기획사 수장들이 '대놓고 키우는 라이징스타'". 스포츠동아 (in Korean). 31 December 2021. Retrieved 27 June 2024.
  4. ^ 김지영. "이이담, '보이스4' 출연 확정…송승헌 동생 승아 役(공식)". 조이뉴스24 (in Korean). Retrieved 27 June 2024.
  5. ^ "'공작도시' 수애X김강우VS김미숙, 첫 촬영 마쳐 "현장 열기 뜨거워"". 싱글리스트 (in Korean). 29 March 2021. Retrieved 27 June 2024.
  6. ^ 김지영. "신예 이이담, '공작도시' 주연 발탁…수애와 호흡(공식)". 조이뉴스24 (in Korean). Retrieved 27 June 2024.
  7. ^ 스타뉴스 (31 October 2023). "이이담, 차주영·이현욱 만난다..사극 '원경' 합류". 스타뉴스 (in Korean). Retrieved 27 June 2024.
  8. ^ 노이슬 (19 May 2023). "이이담, ′택배기사′ 속 김우빈과 썸or동지愛 사이 4-1...담백한 캐릭터 소화력". m.sportsw.kr (in Korean). Retrieved 27 June 2024.
  9. ^ tenasia.hankyung.com, Digital (30 October 2023). "'정신병동에도 아침이 와요' 이이담, 독보적인 눈빛". 텐아시아 연예뉴스 (in Korean). Archived from the original on 30 October 2023. Retrieved 30 October 2023.
  10. ^ 노이슬 (19 May 2023). "이이담, ′택배기사′ 속 김우빈과 썸or동지愛 사이 4-1...담백한 캐릭터 소화력". m.sportsw.kr (in Korean). Retrieved 27 June 2024.
  11. ^ Hwang, So-young (8 April 2024). 60회 맞은 '백상예술대상' TV·영화·연극 후보 공개 [60th 'Baeksang Arts Awards' TV, Film and Theater Candidates Revealed] (in Korean). JTBC News. Archived from the original on 8 April 2024. Retrieved 16 April 2024 – via Naver.
  12. ^ "[2023라이징스타] 배우 이이담, "강렬한 몰입의 순간"". 씨네21 (in Korean). 23 February 2023. Retrieved 27 June 2024.
  13. ^ "뉴스 : 네이버 TV연예". m.entertain.naver.com. Retrieved 27 June 2024.
  14. ^ "[주말 인터뷰] 송재정 작가 '포켓몬 고' 해보고 뒤통수 팍…'알함브라' 영감 얻었죠" [[Weekend Interview] Song Jae-jung tried 'Pokémon Go' and got inspiration for 'Alhambra' after watching the back of the head.]. 동아일보 (in Korean). 18 January 2019. Retrieved 4 June 2024.
  15. ^ "뉴스 : 네이버 TV연예". m.entertain.naver.com. Retrieved 4 June 2024.
  16. ^ "뉴스 : 네이버 TV연예". m.entertain.naver.com. Retrieved 4 June 2024.
  17. ^ 장서윤. "[아듀!나인][INTERVIEW]송재정 작가, "그들이 행복해질지는 미래에 맡겼다"". n.news.naver.com (in Korean). Retrieved 4 June 2024.
  18. ^ "뉴스 : 네이버 TV연예". m.entertain.naver.com. Retrieved 4 June 2024.
  19. ^ "송재정 작가 "'W', 이종석 집중력 잃지 않고 해줘 고맙다"" [Writer Song Jae-jung "'W', Lee Jong-seok, thank you for not losing your concentration"]. 스타뉴스 (in Korean). 20 September 2016. Retrieved 4 June 2024.
  20. ^ "'W' 송재정 작가, "또다른 공간이동 작품 있긴 하다"" [Writer 'W' Song Jae-jung, "There is another space-movement work"]. 스포츠월드 (in Korean). 20 September 2016. Retrieved 4 June 2024.
  21. ^ "아직도 궁금한 게 많은 , 송재정 작가가 답했다" [Writer Song Jae-jung, who still has a lot of questions, answered.]. 오마이스타 (in Korean). 21 September 2016. Retrieved 4 June 2024.
  22. ^ "송재정 작가의 맥락있는 'W'란 세계 [인터뷰]" [The world of 'W' in the context of Song Jae-jung [Interview]]. 언론사 뷰. Retrieved 4 June 2024.
  23. ^ Lee, Eun-ji (21 September 2016). "['W' 송재정 작가 ②] '하이킥'부터 '나인'까지… 역대 송재정 표 작품" [[‘W’ Writer Song Jae-jung ②] From 'High Kick' to 'Nine'... Song Jae-jung's work]. m.entertain.naver.com. Retrieved 4 June 2024.
  24. ^ Baek, Ji-eun (15 September 2016). "['W'종영③] 송재정 작가의 극한 판타지…'장르술사'의 반란" [['W' Ending ③] Song Jae-jung's extreme fantasy... The revolt of 'genre']. m.entertain.naver.com. Retrieved 4 June 2024.
  25. ^ Kim, Yang-soo (20 September 2016). "'W' 송재정 작가 "'하이킥' 창작, 가장 힘든 순간"" [Writer 'W' Song Jae-jung "'High Kick' creation, the hardest moment"]. m.entertain.naver.com. Retrieved 4 June 2024.
  26. ^ Kim, Yang-soo (20 September 2016). "'W' 송재정 작가, 드라마보다 더 흥미로운 드라마 집필기(종합)" ['W' writer Song Jae-jeong, story of writing a drama that is more interesting than dramas (comprehensive)]. m.entertain.naver.com. Retrieved 4 June 2024.
  27. ^ 남지은 (15 January 2019). "송재정 "'알함브라' 출발점은 포켓몬고…호기심이 날 이끌었다"". 송재정 “‘알함브라’ 출발점은 포켓몬고…호기심이 날 이끌었다” (in Korean). Retrieved 4 June 2024.
  28. ^ "송재정 작가, 시청자들 신뢰도 두텁게 한 작품은 무엇?...'알함브라 궁전의 추억'은?". 파퓰러사이언스 (in Korean). 20 January 2019. Retrieved 4 June 2024.
  29. ^ 이준호 (26 April 2019). "[NDC 19] '포켓몬 고'에서 태어난 증강현실 드라마, '알함브라 궁전의 추억'의 뒷이야기". 디스이즈게임 (in Korean). Retrieved 4 June 2024.
  30. ^ 이원희. "[이슈] '알함브라' 송재정 작가 "게임, 아직 대중에겐 생소"". n.news.naver.com (in Korean). Retrieved 4 June 2024.
  31. ^ 톱스타뉴스 (15 January 2019). "[인터뷰①] 송재정 작가, '알함브라 궁전의 추억' 마지막 회 관전 포인트는?…"엠마의 중요한 키 아직 남았다"". 톱스타뉴스 (in Korean). Retrieved 4 June 2024.
  32. ^ "내 머릿속 천 개의 서랍, <유미의 세포들>의 송재정". 한겨레21. Retrieved 4 June 2024.
  33. ^ "'유미의 세포들' '알함브라 궁전의 추억' 송재정 작가 [22 WRITERS⑱]". 씨네21 (in Korean). 16 March 2023. Retrieved 4 June 2024.
  34. ^ "[인터뷰] 송재정 작가가 '유미의 세포들'를 드라마 제작사에 제안하게 된 배경". 씨네21 (in Korean). 16 March 2023. Retrieved 4 June 2024.
  35. ^ "[인터뷰] 'W' 송재정 작가, "볼 때 재미있는 것과 쓸 때 재미있는 것은 다른 차원"". 씨네21 (in Korean). 16 March 2023. Retrieved 4 June 2024.
  36. ^ "[인터뷰] '알함브라 궁전의 추억' 송재정 작가, "'폭풍의 언덕' 같은 파멸을 맞는 사랑 이야기에 끌린다"". 씨네21 (in Korean). 16 March 2023. Retrieved 4 June 2024.
  37. ^ "Lee Hwa-bae".
  38. ^ a b c d e "'팬데믹 위기에도 영화는 관객과 만나야죠'". 서울경제 (in Korean). 21 August 2020. Retrieved 21 March 2024.
  39. ^ "KOBIS 영화관 입장권 통합 전산망". www.kobis.or.kr. Retrieved 21 March 2024.
  40. ^ a b "[파고들기]엔데믹에 반가움·걱정 교차 영화계…"상반기, 마지막 기회"". 노컷뉴스. 21 April 2022. Retrieved 21 March 2024.
  41. ^ a b c d "충무로 플레이어 6인, 코로나19 이후 1년, 한국영화계를 말하다". 씨네21 (in Korean). 22 February 2021. Retrieved 21 March 2024.
  42. ^ "한겨레 H아카데미". academy.hanter21.co.kr. Retrieved 21 March 2024.
  43. ^ [#CAREER] '영화 배급'이 뭔가요? 영화 배급 전문가가 알려주는 영화판의 모든 것, retrieved 26 March 2024
  44. ^ "씨네21". m.cine21.com. Retrieved 21 March 2024.
  45. ^ a b c d e f g h "이화배 - 예스24 작가파일". www.yes24.com. Retrieved 21 March 2024.
  46. ^ 정명화 (6 November 2007). "12월, 충무로 배급망 지각 변동 예고". 아이뉴스24 (in Korean). Retrieved 21 March 2024.
  47. ^ "집필한 이화배 영화배급 강사 - 배급의 정석". 씨네21 (in Korean). 17 August 2020. Retrieved 21 March 2024.
  48. ^ 기자, 곽명동. "‘영화는 배급이다’ 출간, “흥행을 완성하는 전략과 실무”". 마이데일리 (in Korean). Retrieved 21 March 2024.
  49. ^ 이화배. "이화배 | 영화인 - 교보문고". www.kyobobook.co.kr (in Korean). Retrieved 21 March 2024.
  50. ^ "[신간] 흥행을 완성하는 전략과 실무 '영화는 배급이다'". 매일일보 (in Korean). 10 July 2020. Retrieved 21 March 2024.
  51. ^ 기자, 곽명동 (14 July 2020). "‘영화는 배급이다’ 출간, “흥행을 완성하는 전략과 실무”". 마이데일리 (in Korean). Retrieved 21 March 2024.
  52. ^ "'러브 레터' 그 감독, 말 못하는 가수의 사연을 말하다". 오마이스타 (in Korean). 31 October 2023. Retrieved 26 March 2024.
  53. ^ "'키리에의 노래' 이와이 슌지 감독, 11월 내한 확정..韓 관객들과 만남". 브레이크뉴스. 23 October 2023. Retrieved 26 March 2024.
  54. ^ "KOBIS 영화관 입장권 통합 전산망". www.kobis.or.kr. Retrieved 26 March 2024.
  55. ^ "한국영화 위기 해법은 '국고 지원', 영화계 한목소리". 오마이스타 (in Korean). 15 April 2022. Retrieved 21 March 2024.
  56. ^ 기자, 나원정 (18 April 2022). "왜 유독 더딜까, 영화계 코로나 회복률 10개국 중 9위". 중앙일보 (in Korean). Retrieved 21 March 2024.
  57. ^ 이투데이 (12 April 2022). "영화계 플레이어 다 모인다, 15일 코로나19 위기 극복 토론회 개최". 이투데이 (in Korean). Retrieved 21 March 2024.
  58. ^ 김지혜 (18 April 2022). ""극장 산업 회복=영화 산업 회복"…영화인들 "지금이 기회다" 한 목소리". SBS연예뉴스 (in Korean). Retrieved 21 March 2024.
  59. ^ "KMDb - Lee Hwa-bae Filmmaking Credits". www.kmdb.or.kr. Retrieved 26 March 2024.
[edit]