User:Paleface Jack/Black Christmas
Paleface Jack/Black Christmas | |
---|---|
Directed by | Bob Clark |
Screenplay by | Roy Moore |
Produced by | Bob Clark |
Starring | |
Cinematography | Reginald H. Morris |
Edited by | Stan Cole |
Music by | Carl Zittrer |
Production companies |
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Distributed by | Ambassador Film Distributors |
Release dates |
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Running time | 98 minutes |
Country | Canada |
Language | English |
Budget | $686,000 |
Box office | $1.3 million (Canada) |
Black Christmas (originally titled Silent Night, Evil Night in the United States and retitled Stranger in the House on television screenings) is a 1974 Canadian slasher film produced and directed by Bob Clark, and written by Roy Moore. It stars Olivia Hussey, Keir Dullea, Margot Kidder, and John Saxon. The story follows a group of sorority sisters who receive threatening phone calls and are eventually stalked and murdered by a deranged killer during the Christmas season.
Plot
[edit]An unseen man climbs the exterior of a sorority house, where a Christmas party is being held, and enters the attic. During the party, sorority sister Jess Bradford receives an obscene phone call from a recurrent caller the house has nicknamed "The Moaner". During the call, Barbara "Barb" Coard provokes the caller, and he threatens to kill them before hanging up. Upset by the call, a younger student named Clare Harrison decides to leave and goes upstairs to her bedroom to finish packing for her trip home. There, unbeknownst to the rest of the sorority, Clare is attacked and murdered by the caller, who hides her body in the attic.
The following morning, Clare's father arrives at the sorority, stating that Clare failed to meet up with him at a train station. Housemother Mrs. MacHenry offers to help Mr. Harrison search for her. Later that day, Jess informs her boyfriend, Peter, that she is pregnant and plans to undergo an abortion, much to his disapproval. Meanwhile, Harrison and two other sorority members, Barb and Phyl, attempt to report Clare's disappearance to Sergeant Nash, who dismisses the report. Notified by Jess about Caire's disappearance, Chris Hayden, Clare's boyfriend, arrives at the police station demanding a search party. A local mother reports that her daughter, Janice, is missing around this same period.
That night, a search party, along with members of the sorority and Chris, comb the area and discovering Janice's mutilated corpse near the local park. While searching for the sorority's resident pet cat, Claude, MacHenry discovers Clare's body in the attic before the killer murders her with a crane hook. Shortly afterwards, Jess answers another obscene phone call and decides to file a report with the police. Lieutenant Kenneth Fuller arrives sometime later with a telephone lineman to tap the phone, so that the police can trace the location of the calls once they occur.
After Fuller leaves, a group of Christmas carolers appear at the front door. As Jess watches the singers, the killer sneaks into Barb's room and stabs her to death with a glass unicorn figurine, her screams being drowned out by the carolers. Jess receives another obscene phone call where the caller quotes a part of the argument she had with Peter. Lieutenant Fuller calls her to say the attempt to trace the call failed, and they both begin placing suspicions towards Peter. Jess and Phyl decide to lock up every door and window in the house. Shortly after, however, Phyl is murdered by the killer after she is lured into Barb's room.
When the killer then calls the house again, Jess manages to keep the caller on the phone long enough for the police to trace the calls to inside the house. Sergeant Nash calls to instruct Jess to leave the house immediately, revealing the killer is in the house. Arming herself with a fireplace poker, Jess ventures upstairs to notify the others only to find both Barb and Phyl's bloodied corpses arranged together and the killer watching nearby. Momentarily stunning him, Jess flees with the killer in pursuit, locking herself in the basement. As she hides in the basement, Peter appears outside one of the windows, telling her he heard screaming. He breaks the glass and approaches her. In a state of panic, Jess beats Peter to death with the firepoker, and the police find her barely conscious as she cradles Peter's body.
Believing that Peter was the killer, the police put Jess to bed, with a police officer standing outside. However, the killer's voice is later heard from the attic, with Clare and Mrs. MacHenry's bodies still undisturbed. A shadow is seen descending the attic's ladder before the house's telephone begins to ring.
Cast
[edit]- Olivia Hussey as Jess
- Keir Dullea as Peter
- Margot Kidder as Barb
- John Saxon as Lt. Fuller
- Marian Waldman as Mrs. MacHenry (as Mrs. Mac)
- Andrea Martin as Phyl
- James Edmond as Mr. Harrison
- Douglas McGrath as Sergeant Nash
- Art Hindle as Chris
- Lynne Griffin as Clare
- Michael Rapport as Patrick
- Les Carlson as Bill
- Martha Gibson as Mrs. Quaife
- John Rutter as laughing detective
- Dave Clement as Cogan
- Julian Reed as Officer Jennings
- Nick Mancuso as Billy / phone voice (uncredited)
- Bob Clark as Billy's shadow / phone voice (uncredited)
- Albert J. Dunk as Billy's POV (uncredited)
Pre-roduction
[edit]Development
[edit]Black Christmas was initially developed by Canadian screenwriter Roy Moore, who wrote the screenplay under the title Stop Me.
Casting
[edit]Principle photography
[edit]Direction
[edit]Cinematography
[edit]Filming
[edit]Principle photography began on March 25, 1974
- Grenadier Lake
- 97 Main Street
Post-production
[edit]Editing
[edit]Music
[edit]The film score was composed by Carl Zittrer.
Sound design
[edit]Analysis and themes
[edit]Aesthetic
[edit]Dangers of technology
[edit]Feminist themes
[edit]Folkloric basis
[edit]Release
[edit]Theatrical distribution
[edit]Black Christmas was distributed in Canada by Ambassador Film Distributors and premiered in Toronto on October 11, 1974.
Box office
[edit]Television premiere controversy
[edit]The film, under the title Stranger in the House, was set to make its network television premiere on Saturday night, January 28, 1978, on NBC's weekly "Saturday Night at the Movies".
Reception
[edit]Contemporaneous reception
[edit]During its initial release, the film garnered mixed reviews.
Accolades
[edit]Post-release
[edit]Home media
[edit]Black Christmas has appeared on various home video formats over the years.
Other media
[edit]Legacy
[edit]Retrospective reassessment
[edit]In the years following its initial release, Black Christmas has been positively reassessed by critics, gaining a cult following. It is now acknowledged as one of the earliest slasher films.
Review aggregation website Rotten Tomatoes, which has compiled old and contemporary reviews, reports that 69% of 39 critics provided positive reviews for the film, with an average rating of 6.30/10. The site's critics consensus reads: "The rare slasher with enough intelligence to wind up the tension between bloody outbursts, Black Christmas offers fiendishly enjoyable holiday viewing for genre fans."[1] On Metacritic, a similar website that aggregates both past and present reviews, the film has a weighted average score of 65 out of 100, based on 9 critics, indicating "generally positive reviews".[2]
Atmosphere
Performances
Realism
Scares/Tension
Cultural impact
[edit]Remakes and sequels
[edit]References
[edit]Notes
[edit]Citations
[edit]Sources
[edit]Books
[edit]- Åström, Berit (11 July 2017). The Absent Mother in the Cultural Imagination: Missing, Presumed Dead. Palgrave Macmillan. ISBN 978-3-3194-9037-3. Archived from the original on September 7, 2023. Retrieved February 19, 2020.
- Benshoff, Harry (July 31, 2014). A Companion to the Horror Film. Wiley. ISBN 978-1-1188-8349-5. Archived from the original on September 7, 2023. Retrieved December 19, 2019.
- Brunvand, Jan (December 17, 2003). The Vanishing Hitchhiker: American Urban Legends and Their Meanings. W. W. Norton. ISBN 978-0-3933-4653-4. Archived from the original on September 7, 2023. Retrieved February 3, 2020.
- Brunvand, Jan (2012). Encyclopedia of Urban Legends. Vol. 1 (Revised ed.). ABC-CLIO. ISBN 978-1-5988-4720-8. Archived from the original on September 7, 2023. Retrieved February 12, 2020.
- Carroll, Noel (September 2, 2003). The Philosophy of Horror: Or, Paradoxes of the Heart. Routledge. ISBN 978-1-1359-6503-7.
- Collum, Jason (January 27, 2015). Assault of the Killer B's: Interviews with 20 Cult Film Actresses. McFarland & Company. ISBN 978-0-7864-8041-8. Archived from the original on September 7, 2023. Retrieved December 19, 2019.
- Crump, William (August 28, 2013). The Christmas Encyclopedia (3rd ed.). McFarland & Company. ISBN 978-1-4766-0573-9. Archived from the original on September 7, 2023. Retrieved March 3, 2020.
- Diffrient, David Scott (November 27, 2023). Body Genre: Anatomy of the Horror Film. University Press of Mississippi. ISBN 978-1-4968-4798-0.
- Downey, Paul; Hastings, David (February 14, 2022). It’s me, Billy - Black Christmas Revisited. BearManor Media. ISBN 978-1-6293-3869-9.
- Harper, Jim (2004). Legacy of Blood: A Comprehensive Guide to Slasher Movies. Critical Vision. ISBN 978-1-9004-8639-2. Archived from the original on September 7, 2023. Retrieved January 8, 2020.
- Hart, Adam (2019). Monstrous Forms: Moving Image Horror Across Media. Oxford University Press. ISBN 978-0-1909-1623-7. Archived from the original on September 7, 2023. Retrieved January 13, 2020.
- Hussey, Olivia; Martin, Alexander (August 27, 2019). The Girl on the Balcony: Olivia Hussey Finds Life after Romeo and Juliet. Kensington. ISBN 978-1-4967-1708-5.
- Hutchings, Peter (November 22, 2017). Historical Dictionary of Horror Cinema (2nd ed.). Rowman & Littlefield. ISBN 978-1-5381-0244-2.
- Koven, Mikel (2008). Film, Folklore, and Urban Legends. Scarecrow Press. ISBN 978-0-8108-6025-4. Archived from the original on August 17, 2023. Retrieved December 5, 2019.
- Hantke, Steffen (June 1, 2010). American Horror Film: The Genre at the Turn of the Millennium. University Press of Mississippi. ISBN 978-1-6047-3454-6.
- Markusen, Bruce (July 16, 2021). Hosted Horror on Television: The Films and Faces of Shock Theater, Creature Features and Chiller Theater. McFarland & Company. ISBN 978-1-4766-8461-1. Archived from the original on September 7, 2023. Retrieved December 11, 2021.
- Muir, John (November 22, 2012). Horror Films of the 1970s. McFarland & Company. ISBN 978-0-7864-9156-8.
- Nowell, Richard (December 23, 2010). Blood Money: A History of the First Teen Slasher Film Cycle. Bloomsbury Publishing. ISBN 978-1-4411-8850-2.
- Olivier, Marc (February 11, 2020). Household Horror: Cinematic Fear and the Secret Life of Everyday Objects. Indiana University Press. ISBN 978-0-253-04656-7. Archived from the original on September 7, 2023. Retrieved October 4, 2021.
- Packer, Sharon; Pennington, Jody (July 15, 2014). A History of Evil in Popular Culture: What Hannibal Lecter, Stephen King, and Vampires Reveal About America. ABC-CLIO. ISBN 978-0-3133-9771-4.
- Paszylk, Bartłomiej (June 8, 2009). The Pleasure and Pain of Cult Horror Films: An Historical Survey. McFarland & Company. ISBN 978-0-7864-5327-6.
- Rist, Peter (2001). Guide to the Cinema(s) of Canada. Greenwood Publishing Group. ISBN 978-0-3132-9931-5. Archived from the original on September 7, 2023. Retrieved January 14, 2020.
- Robinson, Jessica (June 7, 2012). Life Lessons from Slasher Films. Scarecrow Press. ISBN 978-0-8108-8503-5.
- Rockoff, Adam (21 October 2011). Going to Pieces: The Rise and Fall of the Slasher Film, 1978–1986. McFarland & Company. ISBN 978-0-7864-6932-1. Archived from the original on September 7, 2023. Retrieved February 24, 2020.
- Rubin, Martin (March 28, 1999). Thrillers. Genres in American Cinema. Cambridge University Press. ISBN 978-0-5215-8839-3. Archived from the original on September 7, 2023. Retrieved January 15, 2020.
- Thrower, Stephen (2007). Nightmare USA: The Untold Story of the Exploitation Independents. FAB Press. ISBN 978-1-9032-5446-2. Archived from the original on September 7, 2023. Retrieved March 3, 2020.
- Turnock, Bryan (June 11, 2019). Studying Horror Cinema. Liverpool University Press. ISBN 978-1-8003-4743-4.
- Vander Kaay, Chris; Vander Kaay, Kathleen (August 15, 2014). The Anatomy of Fear. Norlightspress.com. ISBN 978-1-9352-5497-3.
- Willis, John; Monush, Barry (May 1, 2010). Screen World 2007. Hal Leonard. ISBN 978-1-5578-3729-5. Archived from the original on September 7, 2023. Retrieved January 28, 2020.
- Zinoman, Jason (July 7, 2011). Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror. Penguin Publishing Group. ISBN 978-1-1015-1696-6.
Journals and essays
[edit]- Sturhahn, Lawrence (Spring 1976). "History of the Present". The North American Review. 261 (1). University of Northern Iowa: 76–80. ISSN 0029-2397. JSTOR 25117753. OCLC 1099094537.
- Thomsen, Morten (2021). "Body, Telephone, Voice: Black Christmas (1974) and Monstrous Cinema". Film and Media Studies Journal. 20. Karlstad University: 20–35. doi:10.2478/ausfm-2021-0012. ISSN 2066-7779.
Magazines
[edit]Media
[edit]- Carl Brundtland (Director) (2002). Black Christmas Revisited (DVD). Canada: Critical Mass Releasing.
- Justin McConnell (Director); George Mihalka (Director) (2015). Black Christmas Legacy (DVD). Canada: Anchor Bay Entertainment.
Web publications
[edit]- "Black Christmas - Metacritic". Metacritic. Fandom, Inc. Archived from the original on March 14, 2024. Retrieved March 14, 2024.
- "Black Christmas – Rotten Tomatoes". Rotten Tomatoes. Fandango Media. Archived from the original on February 21, 2024. Retrieved March 14, 2024.